“Each day I squeeze the contents of my heart over whatever expression I’m wearing & imprint it onto a notebook page–my version of St. Veronica’s veil.”
Joseph Hesch (A Thing for Words) lives in a beautiful region, upstate New York, at the confluence of my own beloved Hudson River and the Mohawk River. It’s a fine setting for a poet.
This is a prequel to this month’s The BeZine. It’s on theme by a slender thread but profoundly supports the core objective of the Zine, which is to recognize that “other” isn’t other at all and to respect and honor all humanity. Enjoy! … and visit The BeZine on the 15th for our November edition, HUNGER, POVERTY AND THE WORKING CLASS AS SLAVE LABOR. Read more about our core-team member,Joseph Hesch, HERE.
When you’re in the middle of it, living and learning, learning about living, living as a means of learning, you don’t notice how you might be different from (or the same as) some guys across the ocean or across the room. You don’t notice much about anything but what’s inside the three inches of air surrounding your body.
They are Them, There, Then. You are You, Here, Now. Context is but a ghost, barely a specter of a concept through which you your place in a wider world. You accept ideas, tenets, the virtual castle walls within which you secure your position as the center of the Universe. You don’t question. God just IS, He is a He and you need to toe his line in order to win the lovely parting gifts they hand you for completing the Home version of this dicey Game of Life.
The other day, I asked myself not only who I am, but what, forcing myself to look beyond myself as this sack of meat, its spark of intellectual and essential energy and the possessor of opposing thumbs that answers to Joseph, Joe, Joey and any of a hundred or so discrete alphanumeric identifiers that differentiate me from you. And you and you, as well.
I saw such a small thing, a cluster of cells both good and ill, beneficial and malignant, functional and inert, held modestly upright by some universally accepted beliefs that inherently make me superior to so much of the rest of the inhabitants of this blue marble upon which we stand as it falls, rises, or circles in the vastness of the Universe.
And so much of what I see is just a matter of dumb luck, some bit of kismet that Valentine met Maria and Patrick loved Lizzy and they all somehow decided to leave their homes in Europe to come to this coast-to-coast set of geographic coordinates that may make this the most varied and valuable piece of real estate on the planet. They came to this place where people can be free to become the monarchs of their own existence. Here in this nation established upon the premise that all men are created equal.
Except, of course, if you were on the wrong end of our “peculiar institution,” where white men owned black men who did the physical labor that either built or buttressed the Whites’ socioeconomic standing. And that sin was committed even in my hometown, tucked up here in the upper right corner of your map, which is the oldest chartered municipality in the country.
And also except if you were a member of the class of original inhabitants of this breadth of the continent. Then you were crushed in the essentially forgotten, if considered at all, dirty little secret of American’s Manifest Destiny, which included eviction, subjugation, military intimidation, interdiction and an open-air type of incarceration. And, quite often, our Euro-America’s God-blessed version of the final solution to the “Indian problem,” eradication.
Which brings us rambling back to my original premise. When you are so busy trying to make it from First to Twelfth Grade, from freshly minted believer to elder keeper of whatever Word you follow, from allowance grabber to worker bee and then retirement check-cashing senior, you don’t think of these things. You pretty much have to live within your insulated little castle keep, those walls of ideas and ideals I spoke of before.
It’s human nature. Self-preservation, self-centeredness, selfishness, maybe even a selective selflessness, draw blinders around us from which we might occasionally sneak a peek outside ourselves. Then we pull our heads back within the silken bonds of our own spiritual and intellectual cells. There in the comforting darkness we see house-of-mirrors reflections of ourselves, warm and fuzzy, clean and bright, dark and angry, volatile and violent. And we accept them or reject them with but a blink, a wink or a meditative, prayerful closing of the eyes.
Please forgive me this tedious ramble. I’ve been reading again, something I haven’t done as much as when I was younger. Back then it was hardcore youthful inquisitiveness, feeding the insatiable intellectual beast as much trivia, possibly necessary minutiae and winning team history it could take. Now, it’s my own version of sticking this silver-pated gourd out of the dusty crust of virtual Hesch topography to see what I missed. In my old age I’ve become another type of Self-something. Self-aware. It’s embarrassing and painful, yet somehow freeing.
I see the mistakes, poor judgments and failures I’ve made. I see the victories, loves and lucky guesses, too. On electronic and physical pages I’ve cast them out there like stars across a desert sky. And now I see how they tell stories and give necessary direction, even if I have almost reached my ultimate destination.
I just thought I’d pass this on to you, since you’re traveling that way, Slán abhaile. Auf wiedersehen. Safe travels. Ramble Tamble. Down the road I go.
This started its life as a poem, then grew like some good ol’ southern kudzu, spilling all around the page, seemingly taking over everything from my writing hand to better judgment. By the way, Ramble Tamble is the title of the first cut on Creedence Clearwater Revival’s classic 1970 album, Cosmo’s Factory. It’s one of the rockingest songs I know, a great road song and might be as good a fit for our current times as it was for my youth.
© 2017, essay and photograph, Joseph Hesch.
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