“Friends… they cherish one another’s hopes. They are kind to one another’s dreams.” Henry David Thoreau , A Week on the Concord and Merrimack Rivers


Generally we celebrate romantic love on Valentines Day.  Instead I choose to celebrate stalwart friendships with Ann Emerson’s serious but unutterably exquisite poetry.

  • This post is dedicated to my old poetry buddy, Ann Emerson, and celebrates her poetry and photography. Sunday marks the fifth anniversary of Ann’s transition into the realms of Light.
  • It is for Mike P., a college friend of Ann’s who asked after her this morning.
  • It is for her husband, Dan.
  • It is for all the members of the support group to which Ann and I belong, a Group for people with life-threatening illnesses, and for our Buddhist Chaplin, Mick B., who gathered us together and was always there for us.  It is for those who have passed on ahead. Their seats at the roundtable may be empty, but the very thought of them still fills our hearts with joy. / J.D.


Sometimes I walk among the
orange maples standing in the dark
dead stream behind my house.  Then
it’s like remembering childhood,
the smell of dirt ground into hair.
Fifty years later; my tears are no different.
I do not twist words to discover meaning
the way I did not discuss my father
who kept me like a stolen animal
never given back. Shuffling about
among the copper leaves,
I turn around to view my kingdom:
a nine by twelve foot room with
inward-looking windows. Some
piano music of Ludovico Einaudi
and two old cats who trust in sloth
and play. And what kindness is left in me
and when to close this poem down.


In my fever, I can’t go without saying
that if given a little attention, I have something
more to share: that death is waiting for you
just a little walk ahead behind the house
you thought you’d never escape, a place
next door like the quietest place on earth.
Between the wall and the bed, a woman
cast in blue television light sits in Buddha
position: there is something inside her love
belonging to you that in your past was dead:
years of grass and air, and a stray horse ambling
in your direction with eyes squeezed tight
with sweetness.  And you will come alive like
another month of summer just as the blue
woman lifts your picture to her altar, even as
you are licked asleep by the long-haired mare
and the sunflowers turn away.


This is what I’ve come to know:
dark mornings, white books
on the bed splayed open like wings,
slippers on the floorboards,
affection for medicine, red wine.
I lost perspective months ago,
trying to read the fine print.
I sit by the window: this is life
still worth saving, rain in my eyes,
the glittering glass work of trees.

© 2012, photos and poems, Ann Emerson estate, All rights reserved







Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman. My poetry was recently read by Northern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”

The BeZine: Waging the Peace, An Interfaith Exploration featuring Fr. Daniel Sormani, Rev. Benjamin Meyers, and the Venerable Bhikkhu Bodhi among others

“What if our religion was each other. If our practice was our life. If prayer, our words. What if the temple was the Earth. If forests were our church. If holy water–the rivers, lakes, and ocean. What if meditation was our relationships. If the teacher was life. If wisdom was self-knowledge. If love was the center of our being.” Ganga White, teacher and exponent of Yoga and founder of White Lotus, a Yoga center and retreat house in Santa Barbara, CA

“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton


San Francisco Bay Area poet, Ann Emerson, was one of the first two people I invited to join in the collaboration we now call The BeZine. It was originally named Into the Bardo, in reference to the Buddhist state of existence between death and rebirth; so named because of life-compromising illnesses.

Ann was a gifted poet, but she didn’t find that out until after she was diagnosed with a rare bone cancer. She discovered her voice in a hospital poetry class. Ultimately she studied with Ellen Bass in Santa Cruz, California. 


After diagnosis, Ann survived for an almost consistently tortured six years. Physical pain. Trauma. Fear. Chemo. Poverty. She had signs posted around her house that said, “Live!”

While Ann spent a lot of time in the hospital, her home was a cabin in the Redwoods of La Honda, a stone’s throw from the log cabin where Ken Kesey and the Merry Pranksters so famously partied in 1964. She lived with her cats. Originally there were six and they were all blind. No one would take them in, so Ann did.


Ann was just a thesis away from her Ph.D. A few weeks before she died, four of Ann’s poems were published in American Poetry Review


Two days before Ann died, she married the gentleman who was her sweetheart of thirty years. Ann’s wedding was held in her hospital room. Those of us in the attendance were required by the hospital to wear yellow gowns over our street clothes. The bride wore yellow too. The flowers and the ring were from the hospital gift shop. The founder and leader of our support group for people with catastrophic illness, a Buddhist chaplin, performed the ceremony. One of us took wedding photographs using a cell phone.  I created a virtual wedding album.The wedding was in its way lovely, but it was achingly sad.


When Ann died, we sat with her for some time because Buddhists don’t believe the soul leaves the body right away. Ann’s Buddhist teacher – someone she held in high regard – came and lead us in meditation and blessing.

Here – on the third anniversary of Ann’s death – are three of her poems. In closing, I added A Hunger for Bone, the poem I wrote the day her ashes were released to the sea near Julia Pfeiffer Burns State Park in Big Sur. My poem in no way comes up to the gold standard Ann set, but it tells the story. 


– Jamie Dedes

Elegy for Cat Five

Fuck the Glory that is Poetry,
fuck the smell of God in my hair,

The world is the color of driftwood,
this ordinary Wednesday in June.

Let’s have a moratorium on poems
about my shitty news from Stanford

and how I can’t tell heat from cold.
My blood dirty as brown sand in a museum,

and my cat, well, he has news too.
Death woman, skeleton cat,

I turned 57 yesterday when
the veterinarian said No.

I am taking us both to the ocean
for as long as we need:

red sand staining white fur.
I am smelling my cat’s iodine breath,

I am putting my hand in the wound
in my side. Dry brine stinking up

the air, seawater choking the
cawing gull in his throat.

And my face, he’d better
not fucking forget.

One more day leaving me
for a little peace of mind.

A Modern Poem (draft 1)

I am walking again through an American night,
past police stations with barred gates, windows
glazed warm with doughnuts, patrol cars in the lot.
I stand outdoors seeking coffee: someplace where
eyes will not wander through me when I sit in a red
booth filled with books as women fearing Altzeimer’s
hoard cats. I stay up until dawn, waiting for panic
to subside, to find the meaning in all things
in a city which says I am nothing.

I wake in my American forest, from a dream
of being shot: when one lives in a forest one cannot expect
the humane society always arriving in time. I walk through
the cabin and on down the path: moonlight blurs the redwoods,
wind blurs water. I feel like a girl safe in a picture book.
Indoors the television screen shines blue as topaz.
I am walking again through the forest aglow with
snowy owls and see-through salamanders.
Far from eyes broken like windows, and people
thinking they are nobodies, reading the paper
about life being rebuilt by night so that
no one notices it tumbling by day.


The Wrong Side of History

Fifty years ago, a house of
pale cinderblock. Sixty miles

north of here, Richmond
California, the poor

mending holes with colored thread.
I live in a house of

unnatural law, I am painting
landscapes in black: horses

and floating carpets of leaves.
When I am ten my father fills my mouth

with dirt for saying I want to die:
a ripped sheet twisted over my eyes,

my ankles hobbled in bed;
I summon the kingdom of horses

where lullabies murmur
brittle-legged ponies to sleep.

When I am twelve the city catches fire:
ruined faces of mares stretch for pages,

and when the tar roof seeps into
my room, I still do not run away.

Say nothing about the comfort of solitude,
stars crowded like sensations under the skin.

Say nothing about the morning blow of light,
the herd coughing on last night’s oily weed

– Ann Emerson

A Hunger for Bone

we scattered your relics, yours and your cats,
chared bone to be rocked by waves,
to be rocked into yourself, the rhythm
enchanting you with cool soothing spume
merging your poetry with the ether,
rending our hearts with desolation,
shattering the ocean floor with your dreams
lost in lapping lazuli tides, dependable ~
relief perhaps after pain-swollen years of
suckle on the shards of a capricious grace

those last weeks …
your restless sleeps disrupted by
medical monitors, their metallic pings
not unlike meditation bells calling to you,
bringing you to presence and contemplation,
while bags hung like prayer-flags on a zephyr
fusing blood, salt, water
into collapsing veins, bleeding-out
under skin, purple and puce-stained,
air heavy and rank; we came not with chant,
but on the breath of love, we tumbled in
one-by-one to stand by you

to stand by you
when death arrived
and it arrived in sound, not in stealth,
broadcasting its jaundiced entrance
i am here, death bellowed on morphine
in slow drip, i am here death shouted,
offering tape to secure tubing, handing
you a standard-issue gown, oversized –
in washed-out blue, for your last journey
under the cold pale of fluorescent light

far from the evergreen of your redwood forest,
eager and greedy, death snatched
your jazzy PJs, your bling and pedicures,
your journals and pens, your computer and
cats, death tried your dignity and identity –
not quickly, no … in a tedious hospital bed,
extending torment, its rough tongue salting
your wounds, death’s hungering, a hunger
for bones, your frail white bones – but you
in your last exercise of will, thwarted death,
bequeathing your bones to the living sea

– Jamie Dedes

© 2011, Ann’s poems, her photo and that of her cat, Ann Emerson estate; © A Hunger for Bone and the yellow flower photograph,  Jamie Dedes; photograph of Julia Pfeiffer Burns State Park in Big Sur courtesy of wordydave under CC BY SA 3.0

SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, and Other Information and News

“There are two motives for reading a book; one, that you enjoy it; the other, that you can boast about it.”  Bertrand Russel


Opportunity Knocks

ALT-MINDS LITERARY PRESS, creativity from alt-healthy minds has an open call for fiction, non-fiction/memoir and poetry related to mental health, which will close on July 1. Payment: $50 CDN for fiction and nonfiction and $20 CDN for poetry, Details HERE.

GULF COAST, A JOURNAL OF LITERATURE AND FINE ARTS publishes poetry and translations of poetry, stories, essays, interviews and reviews, art and critical art writing and online “exclusives.” (There’s also a guest blogger in residence program.) Reading fee: $2.50 Details HERE.

HCE REVIEW literary and art journal is a quarterly online literary journal of students in MA and MFA Creative Writing courses at the University College of Dublin. The journal publishes fiction, poetry, creative nonfiction and visual art from established and emerging and welcomes submissions from around the world. Currently they are only accepting submissions of art and the deadline is December 31, 2018. Watch for 2019 calls for writing submissions. Details HERE.

MASON JAR PRESS has an open call for submissions of novellas. $5 submissions fee or free with purchase of a Mason Jar Press book.  Submissions close on August 31. Details HERE.

NEWSTATESMAN welcome submissions from established and emerging poets. Details HERE.

NOURISH POETRY call for submissions for ballad, sonnet, couplet, tanka, tanka-sequence, villanelle, haiku and free verse closes on June 20. Details HEREChildren’s poetry is also of interest.

ONE STORY, Read Learn Connect a literary magazine, which publishes one story at a time. The next submission reading period begins on September 1st and runs through November 14th. Length: 3,000 – 8,000 words. Payment $500 and 25 contributor copies. One Story also publishes One Teen Story. Details HERE.

PLOUGHSHARES at Emerson College reads submissions of fiction, nonfiction and poetry from June 1 through January 15 each year. There is a $3 “service” fee for submissions. If you have a subscription, there is no service fee for submissions. Payment is $45 per printed page with a minimum of $90 per title and a max of $450 per author. Payment includes two contributor copies and a subscription. Details HERE.

THE REMEMBERED ARTS JOURNAL, Modern Life, Awakened Art has an open call for submissions of poetry and creative writing including poetry, short stories, and essays and performing arts, crafts and visual arts. The theme for the fall issue is: splendor.

“In the competitive, compartmentalized, modern world, it can be easy to neglect the creative impulses that make us human. We put aside our sketching and scribbling to pay our bills, raise our children, serve our communities, and pursue our ambitions. The Remembered Arts Journal is a forum for reviving almost forgotten artistry. Its purpose is to encourage readers and contributors rediscover the joy of creating and sharing works of art.”

The deadline for the fall issue is July 1. Details HERE.  This journal nominates for the Pushcart Prize.

SONORA REVIEW, a publication run by students in the MFA program at the University of Arizona. This review publishes poetry, fiction and nonfiction. $3 submission fee. Payment: two contributor copies. Details HERE.

SPRING SONG PRESS is currently open for submissions for it’s NobleBright Fantasy Anthologies: Oak and Iron/through July 1; Steam and Lace (steampunk)/opens August 1 and closes November 1. Details HERE.

STINGING FLY’s (reminder) latest reading period will close on July 12th. This journal publishes Irish and international writers of poetry and fiction. Details HERE.

TETHERED BY LETTERS (TBL), a nonprofit literary publisher and writer’s resource, describes itself as “passionate about educating budding authors and increasing literacy rates across the globe. We run several FREE programs to help cultivate the next generation of great literature: For more, visit our Education or Writing Resource Center.”  Open year-round for submissions of short fiction and creative nonfiction, poetry, and graphic stories or comics to f(r)online. Details HERE.

WILDNESS publishes poetry, fiction and nonfiction in its bimonthly online journal and reads submissions on a rolling basis. The editors nominate for Pushcart, Best of the Net, Best American and other prizes. Details HERE.

The BeZine

Call for submission for the September issue.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be. Submissions for the September issue – themed Social Justice – close on August 10 at 11:59 p.m. PDT .

Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text. Send submissions to

Publication is September 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.

No demographic restrictions.

Please read at least one issue and the Intro/Mission Statement and Submission Guidelines. We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples. 

  • September 2018 issue, Deadline August 10th, Theme: Human Rights/Social Justice
  • December 2018 issue, Deadline November 10th, Theme: A Life of the Spirit

The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration. 

The Poet by Day



Response deadline is Monday, June 18th at 8 p.m. PDT. All poems shared on theme will be published on this site on Tuesday, the 19th. Details HERE.


Opportunity Knocks

AMBIT MAGAZINE 2018 POETRY COMPETITION is to be judged by Malika Booker. Entry deadline is July 15. Cash Awards. Publication. Details HERE.

BLUE MOUNTAIN ARTS will close this year’s first of two Poetry Card Contests on June 30/deadline. Cash awards. Online display. Details HERE.

CANTEBURY FESTIVAL POET OF THE YEAR COMPETITION 2018 closes on Monday, 18 June 2018. National and international entries are welcome. Entry fee. Cash award. Details HERETight deadline but you can submit by email.

THE McLELLAN POETRY PRIZE 2018 closes on Thursday, 21 June 2018. Entry Fee. Cash award. Details HERE.

THE MASTERS REVIEW, a platform for emerging writers is hosts a summer short story award, which will close or entries on July 31, 2018. The winning story will be awarded $3000, publication, and agent review. Second and third place stories will be awarded publication and $300 and $200 respectively. Further detail HERE.

NEW AMERICAN POETRY PRIZE will open for submissions on September 1 and close on January 15.  $25 entry fee. Award: $1,000. Details HEREAlso noted: “We’re accepting submissions for the 2018 New American Fiction Prize. Winner receives $1,000, publication, and book promotion. Final judge is novelist, story writer, teacher, and memoirist John McNally. Submit at our fast and easy online submission manager.”

6th Ó BHÉAL FIVE WORDS INTERNATIONAL POETRY COMPETITIONS is open for the current week through June 19. The five words are: terror, magpie, spot, incandescent, wall. How it works: “Every Tuesday around noon (UTC), from the 17th of April 2018 until the 29th of January 2019, five words will be posted on this competition page. Entrants have one week to compose and submit one or more poems which include all five words given for that week. The 2018/2019 (6th) competition runs for 41 weeks.”  Entry fee. Details HERE.

THE POETRY KIT SUMMER COMPETITION 2018 is open for entries through Monday, 27 August 2018. Entry fees. Cash award. Details HERE.

RUMINATE’S KALOS VISUAL ART PRIZE is open for entries. Entry fee. Cash award and publication. Deadline: September 18. Details HERE

WRITER’S DIGEST POETRY AWARDS – Deadline October 1. Entry fee. Cash awards. Details HERE.


Accessible anytime from anywhere in the world:

  • The Poet by Day always available online with poems, poets and writers, news and information.
  • The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) will be published here on the following Tuesday.
  • The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers. Due to other Sunday commitments, this post will often go up late in the day.
  • THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.  
  • Beguine Again, daily inspiration and spiritual practice  – always online HERE.  Beguine Again is the sister site to The BeZine.

YOUR SUNDAY ANNOUNCEMENTS may be emailed to Please do so at least a week in advance.

If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:

  • send PDF to (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
  • nothing that foments hate or misunderstanding
  • nothing violent or encouraging of violence
  • English only, though Spanish is okay if accompanied by translation
  • your book or other product  should be easy for readers to find through your site or other venues.



PLEASE do not mix the communications between the two.

Often information is just thatinformation– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


SUNDAY ANNOUNCEMENTS: Calls for Submissions, Competitions, Events and Other News and Information


Opportunity Knocks

THE TISHMAN REVIEW is a literary magazine that publishes four times a year with a current call for submission open for the October issue. Submissions of short stories, micro and flash fiction, poetry, creative nonfiction, book reviews, craft essays and art are welcome. “The Tishman Review pays all of our text contributors, according to the genre. Poems are paid on a sliding scale between $10 and $25 per poem. Creative nonfiction and fiction is paid a minimum of $10.00 for a piece under 1000 words and for a piece over 1000 words at .01 cents per word. Craft talk articles are paid at .01 cents per word.  While we realize this is a small payment, our hope is (with continued support and growth) to be able to increase the amount we pay.” Deadline September 15 for October issue. Details HERE.

HAUNTED WATERS PRESS “is the annual literary journal of Haunted Waters Press. Featuring works of prose and poetry, the journal is released in both print and digital formats in the fall of each year. Described as ‘one of the most compelling and beautifully illustrated literary journals,’ From the Depths was created to showcase and celebrate the writing of new, emerging, and established authors. We offer contributors several paths to publication.” Reading periods vary. Payment is 1¢ (US) a word or fiction and $20 a poem. Calendar and other details HERE.

THE ARTIST UNLEASHED seeks feature articles to inspire writers and other artists. These should be based on your experience. Pay $0.015 AUD per word. Details HERE.

LITERARY MAMA, writing about the many faces of motherhood welcomes submissions that are “rooted and inspired by the experience of motherhood.” Themes change monthly. Literary Mama publishes blog posts, book reviews, columns, creative nonfiction and essays, fiction, literary reflections, poetry, photography and profiles and interviews. General guidelines are HERE. Poetry guidelines are HERE.

THE BeZINE submissions for the July 2017 issue – themed Prison Culture/Restorative Justice – should be in by July 10th latest.  Publication date is July 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos), and whatever lends itself to online presentation is welcome for consideration. Please check out a few issues first and the Intro./Mission Statement and Submission Guidelines. No demographic restrictions. We would encourage submissions from people who are involved one way or the other in the justice system and former youth “offenders.” Critique along with constructive suggestions or tested solutions and best practices are welcome. We do not publish anything that promotes hate or violence. Heads-up on August: The theme is Theatre. Deadline: August 10.

BLACK HEART MAGAZINE, We Heart Art will begin reviewing submissions in August for its anti-gun anthology. “In the wake of only our latest most-deadly shooting here in the U.S. – the Orlando Pulse nightclub shooting that left 50 dead and more wounded – we feel it’s time to take action. No more “thoughts and prayers.” No more fuzzy sentiments. No more excuses. No more bullshit. We’re looking for stories to include in an Anti-Gun anthology, which will wholly benefit the Gun Control Lobby. (See Everytown for Gun Safety for more info on our proposed beneficiary.)” Black Heart Magazine publishes poems, short stories, essays and narrative nonfiction  Deadline for the next issue is July 31.  Details for the magazine and the anthology are HERE.

SLICE magazine publishes fiction, nonfiction and poetry. Details HEREIt’s current reading period for issue #20 closes on August 1.

THE WALLACE STEVENS JOURNAL (John Hopkins University Press) “welcomes submissions on all aspects of Wallace Stevens’ poetry and life. Articles range from interpretive criticism of his poetry and essays to comparisons with other writers, from biographical and contextual studies to more theoretically informed reflections. Also welcome are previously unpublished primary or archival material and photographs, proposals for guest-edited special issues, as well as original Stevens-inspired artistic and creative works.”  Details HERE.

PLOUGHSHARES AT EMERSON COLLEGE Look-to series seeks essays about underappreciated or overlooked writers. “The Look2 essay should take stock of a writer’s entire oeuvre with the goal of bringing critical attention to the neglected writer and his or her relevance to a contemporary audience. Examples of such essays include Stewart O’Nan’s piece on Richard YatesJoan Acocella on Sybille BedfordGore Vidal on Dawn Powell, and Ploughshares’ DeWitt Henry on Brian Moore. The writer can be living or dead and from anywhere in the world (if there are good English translations available). Essays should make note of biographical details that are pertinent to the writer’s work.” Look2 essay queries may be submitted between June 1, 2016 and January 15, 2017 and the guidelines are HERE.


Opportunity Knocks

HAUNTED WATERS PRESS annual Fiction and Poetry Open will close on the 30th. $10 reading fee. Grand prize is $250 and publication. Details HERE.

THE TISHMAN REVIEW 2017 Edna St. Vincent Millay Poetry Prize is open to poets worldwide. The call for submissions opens on October 1 and closes on November 15. $15 reading fee per submission. First place wins $500 and publication in the January 2018 issue of The Tishman Review. Second place wins $100 and Honorable Mention wins $50. Details HERE.

UNIVERSITY OF NEW ORLEANS CENTER FOR THE BOOK and UNO PRESS “is accepting previously unpublished submissions of book-length fiction, novels or short-story collections. The winning author will receive a $1000 dollar advance and a contract to publish with UNO Press. The selected manuscript will be promoted by The Publishing Laboratory at the University of New Orleans, an institute that seeks to bring innovative publicity and broad distribution to first-time authors. We read submissions from April 5th to August 15th. Abram Shalom Himelstein is the editor-in-chief at UNO Press. Submission guidelines HERE.

THE 2017 BARBARA MANDIGO KELLY PEACE POETRY AWARDS “is an annual serious of awards to encourage  poets to explore and illuminate positive visions of peace and the human spirit.” The three age categories: Adult, Youth 13-18, and Youth 12 and under. The contest is open to people worldwide. Poems must be original, unpublished, and in English. Deadline: July 1, 2017. Cash awards. Entry fees. Details HERE.


SPLIT THIS ROCK Calling poets to a greater role in public life and fostering a national network of socially engaged poets “invites proposals for workshops, panel and roundtable discussions, and themed group readings for the Sixth Biennial Split This Rock Poetry Festival, scheduled for April 19-21, 2018, in Washington, DC. The festival, celebrating the tenth anniversary of Split This Rock, will feature Kwame Dawes and Solmaz Sharif!” Details HERE.



to all the dads and to the moms, grandfathers, aunts, uncles and older siblings who serve as loving surrogate dads for those who abandoned or have been lost.

Jamie’s THE WORDPLAY SHOP: books, tools and supplies for poets, writers and readers