When I Was One and Twenty by A. E. Housman

Old Shrewsbruy Market in Shropshire County courtesy of Snowmanradio / Public Domain

“I, a stranger and afraid
In a world I never made.”
A.E. Housman, Last Poems



When I was one-and-twenty
I heard a wise man say,
“Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free.”
But I was one-and-twenty,
No use to talk to me.

When I was one-and-twenty
I heard him say again,
“The heart out of the bosom
Was never given in vain;
’Tis paid with sighs a plenty
And sold for endless rue.”
And I am two-and-twenty,
And oh, ’tis true, ’tis true.

– A.E. Housman

A. E. Housman by E. O. Hoppé from Google-hosted LIFE Photo Archive under the filename fd76be65c0baead9 / Public Domain

A. E. HOUSMAN (1859 – 1936) was an English classical scholar and poet, best known to the general public for his cycle of poems, A Shropshire Lad. When I Was One and Twenty is a part of that collection. Lyrical and almost epigrammatic in form, the poems wistfully evoke the dooms and disappointments of youth in the English countryside. Their beauty, simplicity and distinctive imagery appealed strongly to Edwardian taste, and to many early 20th-century English composers both before and after the First World War. Through their song-settings, the poems became closely associated with that era, and with Shropshire itself.

Housman was one of the foremost classicists of his age and has been ranked as one of the greatest scholars who ever lived. He established his reputation publishing as a private scholar and, on the strength and quality of his work, was appointed Professor of Latin at University College London and then at the University of Cambridge. His editions of Juvenal, Manilius and Lucan are still considered authoritative.


ABOUT

Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)(July 2019)
* Over His Morning Coffee, Front Porch Review (July 2019)
Upcoming in digital publications:
* The Damask Garden, In a Woman’s Voice (August 2019)

A busy though bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Levure littéraireRamingo’s Porch, Vita Brevis Literature, HerStry, Connotation Press, The Bar None Group, Salamander CoveI Am Not a Silent Poet, Meta/ Phor(e) /Play, Woven Tale PressThe Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a virtual literary community and publisher of The BeZine of which I am the founding and managing editor. Among others, I’ve been featured on The MethoBlog, on the Plumb Tree’s Wednesday Poet’s Corner, and several times as Second Light Live featured poet.

Email me at thepoetbyday@gmail.com for permissions, reprint rights, or comissions.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

National Museum of the American Indian Recognizes the International Year of Indigenous Languages and Stories of Women

Adeana Young plays Hlaaya in Gwaai Edenshaw and Helen Haig-Brown’s Film Sgaawaay K’uuna/Edge of the Knife. Photo credit Niijang Xyaalas Productions. Copyright Isuma Distribution International. / courtesy of and copyright of Smithsonian

“There’s no longer a need to make films with the intention of creating work that’s palatable to the mainstream; audiences are meeting the filmmakers where they are, and the Native Cinema Showcase is the museum’s way of supporting this effort.” Kevin Grover, director of the National Museum of the American Indian.



The Smithsonian’s National Museum of the American Indian presents the 19th annual Native Cinema Showcase in Santa Fe, New Mexico, Aug. 13–18. In this year’s installment, nearly all of the films were made by Native filmmakers; more than half were made by women, including the opening and closing films. This year’s event includes 53 films from 11 countries, representing nearly 40 Indigenous groups.

If you are reading this post from an email subscription, you’re likely have to link to the site to view this The Edge of Knife film trailer.

In an affirmation of the power of self-representation, and in recognition of the International Year of Indigenous Languages, the lineup includes films such as SGaawaay K’uuna (Edge of the Knife), the first feature-length film to be spoken entirely in the Haida language, and Wiñaypacha (Eternity), the first feature-length film shot entirely in the Aymara language. The showcase includes dialogue and narration in 20 Indigenous languages.

“More and more, Native filmmakers are able to use their medium to assert Indigenous identities on their own terms,” said Kevin Gover, director of the National Museum of the American Indian. “There’s no longer a need to make films with the intention of creating work that’s palatable to the mainstream; audiences are meeting the filmmakers where they are, and the Native Cinema Showcase is the museum’s way of supporting this effort.”

The showcase begins and ends with portraits of strong women. Tuesday evening’s feature film, Warrior Women, shows the role of women in the American Indian Movement of the 1970s from a female perspective. The closing film, Vai, incorporates languages of Oceania as it follows the journey of one woman across eight Indigenous communities throughout the Pacific Islands. Saturday’s family-friendly feature, Disney’s Ralph Breaks the Internet, brings together Disney princesses including Pocahontas as they question the stereotypical roles they fell into during past film appearances.

The showcase runs in conjunction with the Southwestern Association for Indian Arts Santa Fe Indian Market, the largest juried show of Native fine art in the world. The majority of the films will be screened at the New Mexico History Museum, and Ralph Breaks the Internet will screen outdoors at the Santa Fe Railyard Park. All screenings are free, and seating is available on a first-come, first-served basis.

Other highlights include an appearance by Pulitzer prize-winning writer N. Scott Momaday (Kiowa), who will make remarks before the screening of the biographical film N. Scott Momaday: Words From a Bear Thursday, Aug. 15, at 7 p.m. A “State of the Arts” talk is scheduled for Friday, Aug. 16, at 3 p.m. and will feature Tlingit glass artist Preston Singletary.



N. Scott Momaday (left) receiving the National Medal of Arts from U.S. president George W. Bush in 2007 /photo courtesy of the National Endowment for the Arts / Public Domain

Navarre Scott Momaday (born February 27, 1934) is a Kiowa novelist, short story writer, essayist, and poet. His novel House Made of Dawn was awarded the Pulitzer Prize for Fiction in 1969, and is considered the first major work of the Native American Renaissance. His follow-up work The Way to Rainy Mountain blended folklore with memoir. Momaday received the National Medal of Arts in 2007 for his work’s celebration and preservation of indigenous oral and art tradition. He holds twenty honorary degrees from colleges and universities, and is a fellow of the American Academy of Arts and Sciences.

“You see, I am alive, I am alive
I stand in good relation to the Gods
I stand in good relation to the earth
I stand in good relation to everything that is beautiful…
You see, I am alive, I am alive”

Navarre Scott Momaday, excerpt from The Delight Song of Tsoai-Talee



Showcase Schedule

Tuesday, Aug. 13

7 p.m.: Warrior Women (USA, 2018, 64 min.)

Followed by a discussion with activist Marcella Gilbert (Lakota and Dakota /Cheyenne River Lakota Nation) and directors Christina D. King (Seminole Tribe of Oklahoma) and Elizabeth A. Castle.

Wednesday, Aug. 14

1 p.m.: Wiñaypacha (Eternity) (Peru, 2017, 87 min.)

3 p.m.: The Blessing (USA, 2018, 74 min.)

Followed by a discussion with directors Hunter Robert Baker and Jordan Fein and producer Laura Ball.

7 p.m.: Falls Around Her (Canada, 2018, 98 min.)

Thursday, Aug. 15

1 p.m.: Angelique’s Isle (Canada, 2018, 90min.) preceded by Ara Marumaru (The Shadow) (New Zealand, 2018, 8 min.)

3 p.m.: “The Land Speaks” shorts program (86 min. total)

Seven short films emphasize Native knowledge of the environment and the look into its future.

7 p.m.: N. Scott Momaday: Words From a Bear (USA, 2018, 85 min.)

Friday, Aug. 16

1 p.m.: “Future Focused” shorts program (55 min. total)

This program features films that present innovative stories from First Nations and U.S. Native communities.

3 p.m.: “State of the Art” conversation with Preston Singletary

7 p.m.: SGaawaay K’uuna (Edge of the Knife) (Canada, 2018, 100 min.) preceded by Mahiganiec

(Baby Wolf) (Canada, 2017, 5 min.)

Followed by a discussion with filmmaker Gwaai Edenshaw (Haida) and musician and composer Kinnie Starr (Mohawk)

Saturday, Aug. 17

1 p.m.: Lensic Future Voices (90 min. total)

This program includes a selection of films by student filmmakers. Presented in collaboration with Lensic Performing Arts Center and Santa Fe Photographic Workshops. Introduced by Marcella Ernest (Bad River Band of Chippewa), Project Director, Lensic Future Voices.

3 p.m.: Our Stories Shorts (86 min. total)

This program reflects the best of Native storytelling as told through family history, language and tradition, often with a dose of Native humor.

8 p.m.: Ralph Breaks the Internet, screened outdoors at the Santa Fe Railyard Park Screen.

Sunday, Aug. 18

1 p.m.: Rise Above Shorts (86 min. total)

The realities of rising above adversity, loving oneself and the journey of learning life’s lessons is the focus of this program.

3 p.m: Vai (New Zealand, 2018, 90 min.) preceded by Katatjatuuk Kangirsumi/Throat Singing in  

Kangirsuk (Canada, 2018, 3 min.) and Pire (Argentina, 2018, 3 min.)

The Smithsonian’s National Museum of the American Indian

In partnership with Native peoples and their allies, the National Museum of the American Indian fosters a richer shared human experience through a more informed understanding of Native peoples. The museum strives toward equity and social justice for the Native peoples of the Western Hemisphere through education, inspiration and empowerment. Through two locations, it features exhibitions and programs in New York City and the National Mall in Washington, D.C. For additional information, including hours and directions, visit AmericanIndian.si.edu. Follow the museum via social media on Facebook, Twitter and Instagram, where additional information will be available at #NativeCinemaShowcase.

About the Southwestern Association for Indian Arts

SWAIA’s (http://swaia.org/) mission is to bring Native arts to the world by inspiring artistic excellence, fostering education and creating meaningful partnerships. The 98th annual Santa Fe Indian Market will display the work of more than 1,100 artists from 100 tribes in more than 1,000 booths over a two-day period.

About the New Mexico History Museum

Opened in May 2009 as the state system’s newest museum, the New Mexico History Museum is attached to the Palace of the Governors National Historic Landmark, a distinctive emblem of U.S. history and the original seat of New Mexico government. The museum presents exhibitions and public programs that interpret historical events and reflect on the wide range of New Mexico historical experiences. It is a division of the New Mexico Department of Cultural Affairs and is located at 113 Lincoln Ave. in Santa Fe.

The content of this post is courtesy of the Smithsonian’s National Museum of the American Indian, The Southwestern Association of Indian Arts, the New Mexico History Museum, the National Endowment for the Arts, imbd and Wikipedia.


ABOUT

Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)(July 2019)
* Over His Morning Coffee, Front Porch Review (July 2019)
Upcoming in digital publications:
* The Damask Garden, In a Woman’s Voice (August 2019)

A busy though bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Levure littéraireRamingo’s Porch, Vita Brevis Literature, HerStry, Connotation Press, The Bar None Group, Salamander CoveI Am Not a Silent Poet, Meta/ Phor(e) /Play, Woven Tale PressThe Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a virtual literary community and publisher of The BeZine of which I am the founding and managing editor. Among others, I’ve been featured on The MethoBlog, on the Plumb Tree’s Wednesday Poet’s Corner, and several times as Second Light Live featured poet.

Email me at thepoetbyday@gmail.com for permissions, reprint rights, or comissions.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Gone the Winter Gods for Those of Spring, a poem … and your next Wednesday Writing Prompt

“October extinguished itself in a rush of howling winds and driving rain and November arrived, cold as frozen iron, with hard frosts every morning and icy drafts that bit at exposed hands and faces.”  J.K. Rowling, Harry Potter and the Order of the Phoenix



The gods of winter arrive windy, whooshing
and cackling to chastise autumn’s ripe reds,
casting cold nights darker than indigo, spinning
a whorl of days, steel-blue and hoary
. . . . . . Like life sometimes
Rest is welcome after the frenzy of canning,
freezing fruit for deep-dish pies and the days
pass like the color of joy with shocks of silver
……….Not unlike my hair
One blink, gone the winter gods for those of spring
and my sixty-nineth year
…………I’ll be here

© 2018, Jamie Dedes

WEDNESDAY WRTING PROMPT

An easy prompt, I think, this time around: write a poem or poems about a season or the seasons and you.

  • please submit your poem/s by pasting them into the comments section and not by sharing a link
  • please submit poems only, no photos, illustrations, essays, stories, or other prose


Poems submitted through email or Facebook will not be published.

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.

PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.  

Deadline:  Monday, July 22 by 8 pm Pacific Daylight Time. If you are unsure when that would be in your time zone, check The Time Zone Converter.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you.

You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.


ABOUT

Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)(July 2019)
* Over His Morning Coffee, Front Porch Review (July 2019)
Upcoming in digital publications:
* The Damask Garden, In a Woman’s Voice (August 2019)

A busy though bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Levure littéraireRamingo’s Porch, Vita Brevis Literature, HerStry, Connotation Press, The Bar None Group, Salamander CoveI Am Not a Silent Poet, Meta/ Phor(e) /Play, Woven Tale PressThe Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a virtual literary community and publisher of The BeZine of which I am the founding and managing editor. Among others, I’ve been featured on The MethoBlog, on the Plumb Tree’s Wednesday Poet’s Corner, and several times as Second Light Live featured poet.

Email me at thepoetbyday@gmail.com for permissions, reprint rights, or comissions.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

“The Endless” . . . and other poems in response to the last Wednesday Writing Prompt

 

 

 

 

 

 

 

“What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: ‘This life as you now live it and have lived it, you will have to live once more and innumerable times more’ … Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or, have you once experienced a tremendous moment when you would have answered him: ‘You are a god and never have I heard anything more divine.”  Friedrich Nietzsche, The Joyful Wisdom



When I posted the last Wednesday Writing Prompt, Elusive Soul, July 10, I wasn’t sure anyone would want to come out to talk about death and reincarnation. But lo! Here we are. We have a poetry feast, sometimes surprized by humor and quirkiness, but mostly fed by experience, observation, intuition, and the sacred. Prepare for a few laughs, a lot to think about, and maybe inspiration for a poem of your own.

Today’s feast is brought to us courtesy of mm brazfield, Gary W. Bowers, Paul Brookes, Anjum Wasim Dar, Irma Do, Deb y Felio, Irene Emanuel, Sheila Jacob, Elena Lacy, Bozhidar Pangelov, Sonja Benskin Mesher, and Pali Raj. New to our poetry family this week and warmly welcome: Bhaha d’Auroville and Melting Neurons. I didn’t have a bio from Bhaha, so I pieced one together and hope, Bhaha, that it works for you. Since Bhaga’s bio tangentially introduces Sri Aurobindo, I’ve included a photo and a poem by him, theme related.

Enjoy! and do join us for the next Wednesday Writing Prompt. It is open to beginning, emerging, and pro poets. Don’t be shy. Join us tomorrow for a prompt that I hope you’ll like though it won’t be as stimulating as this one. Unfortunately, I don’t have time to swap it out for something more challenging. It’s late as I put a wrap on this post and tomorrow is a big day for me. You’d be surprized how busy a homebound writer can be.


Tempting Topic

For once I thought ‘It’s Wednesday,
Let’s see what today’s prompting is…’
And couldn’t believe what it was!
What to write, if I don’t believe
In reincarnation, but live
With it since I was a newborn?
And how can I write about it
‘Just from my imagination’,
When memories are flooding me
From so many places and times
Which I have known and have known me?
Oh, I do feel universal,
Old soul with yet another face
On top of another body
Whose cells still hunger for the food
They used to live by long ago
And still act upon the old vows
That I pronounced, meaning well,
In so many monasteries
Of so many dire religions
All over the entire planet,
Imprisoning myself in them!
Or other vows claiming Freedom
Without knowing quite what it was…
Yet in this life it all came back
As a whole harvest of lifetimes
Leading to this one’s turning-point
In the true Light at last of Love
For myself and for all ‘others’:
Unconditional Love at last,
Healing all with its strong Delight…
Shall I try to express all that?
It is such a tempting topic…

© 2019, Bhaga d’Auroville

My Very First Memory

My very first memory?
Deep sadness.
Deep sadness within me at knowing, and telling myself:
“Here I am again,
having to pretend being a separate person again,
instead of a blissful part of the loving Whole… ”
Sadness like a huge sigh in my being,
in the Soul that I was
since ever
for ever.
The feeling of going at it once again,
out of a sense,
not of obligation,
but of accepted duty.
Like shouldering up again a burden
that has to be carried
to its destination,
whatever time it may take.
This was when I was supposed to be a tiny baby
just newborn,
arriving back into this difficult physical world
of planet Earth.

© 2019, Bhaga d’Auroville

copyright Bhaga

BHAGA d’AUROVILLE lives in Auroville, a conscious community in Puducherry in South India. Auroville is also, I believe, a United Nations supported site for sustainable agriculture and global human uniity. This self-contained diversely-populated community is dedicated to the vision of Sri Aurobindo (1872-1950), an Indian poet, yogi, guru, and philosopher. Sri Aurobindo was a nationalist who joined the Indian movement for independence from British colonization. He was also a spritual reformer who held a vision of human progress through spiritual evolution. Some Americans may remember that Woodrow Wilson’s daughter Magaret was a follower.  In the spirit of her community, Bhaga’s blog is Lab of Evolution, For Research on Conscious Evolution.  She writes,”Conscious Evolution is for you and me. It is for the whole planet. It is the Next Step which is simply the logical, to be expected continuation of all that Evolution has already made happen upon this little Earth over the eons past. The difference is that now the human species is there, and we human beings can consciously participate in our own gradual transformation into a more evolved species. Any progress in that direction, by any of us, will help accelerate the overall progress for the whole Earth and all its inhabitants. It is happening. Will you help?’



Sri Aurobindo / public domain photo

Life and Death

Life, death, – death, life; the words have led for ages
Our thought and consciousness and firmly seemed
Two opposites; but now long-hidden pages
Are opened, liberating truths undreamed.
Life only is, or death is life disguised, –
Life a short death until by Life we are surprised.

– Sri Aurobindo



The Endless

I’d ravage The Endless back into a savagely peaceful state,
where the darkness ceased against the ripping of sunlight
and flesh was made to stagger under new form and structure.
I’d break down amidst the ferocity of nerves completely aflame,
blazing mysterious life back in a rictus of fresh birthed anguish
that would howl up and out a throat misshapen to memory.
I’d rest my pained eyes on reflective surface and cast out,
cast out into the recesses of my mind to search for recognition,
failing and withering beneath the harsh gasp of true newness.
So I would be reborn, brought about by misguided hope,
faithfully preserved in the belief that housed in a new sanctuary
madness and sanity would restore to a natural balance
leaving me aware of a change, but aching with the loss.

© 2019, Melting Neurons

MELTING NEURONS resides in Wenatchee, WA where he lives with his wife, dog and stuffed owl. They hail from Bend, OR originally, except the dog, who’s a Texan death row survivor. He has lived in more than 75 cities across the country at various points including Boston and New Bedford, MA. His writing centers around a lifetime filled with adventures in schizoaffective bipolar, addiction, and the dichotomy of being everything from a corporate executive to homeless on the streets for years. He is a member of the Sudden Denouement Literary Collective and enrolled in Wenatchee Valley College studying English and Creative Non-Fiction. His blog is HERE.


plished

as a young dad he formed the
habit of when leaving the house
of telling his young wife and tod
dler with mock-solemn drama:
“i am going on a mission…
from which…
i may never return.”
he did that 218 times.
there was a thirty-five year
gap
between #217 and #218,
which was on his deathbed,
staring lovingly
into his daughter’s
tear-swimming eyes.

she laughed a little, then hiccup-
sobbed. but he ska-sneezed
her hand
and said “mission accom–”
and died.

in this life
i suddenly remembered.
and so i say
“plished.”

© 2019, Gary W. Bowers

Gary’s site is: One With Clay, Image and Text

As some of you know, Gary is multi-talented, combing visual art with poetry or prose narrative.  He is also a potter. A sample of his work is pictured here. Gary’s pottery is available for purchase.  Further details HERE. Note the business card. We appreciate Gary’s wry humor.


RSVP

hi
Rabbi
i’m that girl
this Eden is
very beautiful
i’ve crawled on my belly
since the time of the Pharaohs
and i’m feeling deeply tired
today i make the case that gifting
me free will does not compare to heaven
when i close my eyes the cries of Mary
still echo in my ears while Martha’s
brother slumbers wrapped in linens
and the taste of chocolate
melting joy on my tongue
careless angels send
Your blessed signs
however
i am
done

© 2019, mm brazfiled

mm’s site is: Words Less Spoken


Knowing

Gone to ground
he sharply sees far below the hole
he crouches in,

his fellows hop and thump,
gust in his wings as he dives,
break of bone and fur,
bloodseep
of his daughters limp body
as he takes her to his perch
to feed hungry beaks.

Aware he did this once.

© 2019, Paul Brookes

This Soul Nonsense

Writers use the word without thought.
Expect readers to know what they mean.

Never define the word in their work.
A throw away word to mean something deep.

Used without care a word out of place
repeated so often it is meaningless.

Air, ether, fire or light once thought
incorporeal. If air perhaps our breath

actions at a distance. Breathe in spirit.
Perhaps we refer to our emotions.

Endeavour to give them gravity.
Don’t throw away, pick carefully.

From Paul’s collection Port of Souls (Alien Buddha Press, 2018)

© 2018, Paul Brookes

I See Daylight

when the blade
opens a gash in his skin,
a valley I can walk through.
The sharp edge
narrowly misses me.

I step out of his wound,
his valley.
Reborn.

© 2019, Paul Brookes

A World Where

I can’t recognise this pattern of words,
the timetables at work. I can’t make

a pattern is a world without form,
without substance, an out of focus

pictures in which there maybe more
than one of me. I don’t orientate

without signposts or landmarks or signatures.
All is blur. Meaning elusive.

If I make it could be false. There is grief
at a loss of shape, of pattern.

A gallery of random words and pictures
I can reshuffle so every time a picture

has different words, words you can apply
to any other picture. The application of shape

more meaningful perhaps. As we can’t say
when someone close will leave this earth.

Port of Souls is found landlocked sometimes.
Like marrow locked inside a bone, at other

Times it is a small island surrounded
by a repetition of water. Occasionally after

so many have passed into memory,
a port of souls occupies our inside.

From Paul’s collection Port of Souls (Alien Buddha Press, 2018)

© 2018, Paul Brookes

Traffic

I watch the traffic lights
consider a walk this way or
a green man allows me
to avoid bloodied bone

my mouth and ears
thresholds and doors
full of oaklimbs and leaves

reborn I stretch down
to deep dark moist

I stretch up to cloudlight
barkskin palmtouched
I let others breathe
shelter and endure.

© 2019, Paul Brookes

Prolific Yorkshire Poet, Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

The Wombwell Rainbow Interviews: Jamie Dedes

  • Paul’s Amazon Page U.S. HERE
  • Paul’s Amazon Page U.K. HERE

More poems by Paul at Michael Dickel’s Meta/ Phore(e) /Play


A Star from Afar

I believe I am an eight pointed star incarnate
I once orbited the central celestial dark space
where I was a reflector of pure light and peace
and was circling on duty on an invisible plate

many light years ago a new planet was born
and a twinkling dome was set as a guide, I
was transferred to move and shine, to pray
and light the way for those who would seek

for many more light years I remained suspended
and guided many lost sea and desert travelers
til some enemies down below started shooting
and one day I broke and lost my invisible footing

I am quite sure that I am in my third life now
from a star and a guide and in pure light, I
am in a different form called female, and in
a meteor shower mixup,got the spirit of a male.

and now my name though means a star
but am still in a state of confused war
many a times in lists and divisions I find
that my seat or chair is in the boys bar

the worst is when the organizers look me
up and down and refuse to believe that I
am a she and not a he’ as they had thought
shake their heads and reluctantly let me pass

so who is to blame if incarnation takes place
not according to what one wished or desired
or wished to be a prince or a princess royal-
when reality strikes you find, Oh, the change misfired

© 2019, Anjum Wasim Dar

Anjum Ji’s sites are:

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar


Nirvana Knows 

a Pantoum

Redo my life please
I paid good money for that paper on the wall
It glares at me with disapproving rage
As I struggle with my final breath

I paid good money for that paper on the wall
A professional path to fame and fortune
As I struggle with my final breath
I think, “Regrets.”

A professional path to fame and fortune
Bartered for super tight hugs and sticky kisses
I think, “Regrets?
No, I am dying happy.”

We tried to barter super tight hugs and sticky kisses
But the cancer still clutched my breasts
Now, I am dying happy
Nirvana knows I made the right exchange

The cancer that clutched my breasts
Glares at me with disapproving rage
Nirvana knows I made the right exchange
Redo my life? No, thank you!

© 2019, Irma Do

Irma’s site is: I Do Run, And I do a few other things too ….


Another Life

Once I was a worshipped cat,
I’m absolutely sure of that.
Whisker greys adorn my face,
which are the basis for my case.
At ease with every cat I meet,
without a cat, I’m not complete.
We greet and speak by sight and touch
and though that really isn’t much,
I swear the cats know who I was
when formally, I was their boss.
So when a cat is scared and hisses,
I shower him with gentle kisses,
until the present is the past
and he knows who I am at last.

© 2019, Irene Emanuel


ha!

in the fifties there was war
and hatred of those people
in the sixties there was war
and the hatred of those people
in then eighties, nineties, the same
then a new century came
no different now
war and hate
why would anyone
want to reincarnate
to be the hater or the hated
you lose either way
I’ll just stick
with Groundhog Day

© 2019, deb y felio


Second Time Around

Inspired by Joy Harjo

Let a roan mare house my soul.
Let her coat be blue.
Let her name be Ocean.
Let her spine be strong.
Let her mane flow unplaited.
Let her ears twitch at the growl of thunder.
Let her face be winsome and her eyes gentle.

Let her tail swish to the hush of the tide.
Let her be free from bridle, saddle and bit.
Let her run in the company of other horses.
Let her chase the wind across green fields.
Let her travel country lanes and city streets
and mountain paths dusted with pine cones.
Let her follow the river and reach the valley.

Let her drink from clear streams.
Let her graze under the stars.
Let her gallop across sand and shingle
and the sea’s frothing hem.
Let her whinnying breath scatter the clouds.
Let her dance on the beach at sundown
and trace the moon’s halo with silver-tipped hooves.

© 2019, Sheila Jacob


What if …

Waking up after centuries of silence
Old memories still linger, but their meanings are elusive.
My Self, woven deliriously at the intersection of the old world neuroses,
Is trying to reach out for mirrors
Searching for familiar worries and joys
Suspended and in need of direction.
And, all of a sudden, that need for change feels familiar.
Life is flooding my existence once again…

© 2019, Elena Lacy

Elena’s site is Hyperimage’s Blog


. reincarnationˌriːɪnkɑːrˈneɪʃn .

coming home can be.

frightful, in snow or heavy rain,

dark the days are, the evenings darker.

forecasts bring gloom and panic, then are cancelled

minutes later, the phone kicks off.

ice is predicted, mountains white

i may be reborn in this valley….

now there is a story, meanwhile

arriving home to candlelight, fire the same

and hopefully all will be well a while.

the mouse, the bear,

are quiet ones.

the word count is 62, the years are 8,

and i dreamed it was 2 months ; longer

than all the other numbers.

i may be a long time coming home.

© 2019, Sonja Benskin Mesher

Sonja’s sites are:


In the sunny mantle

In the sunny mantle
the souls fall asleep
They are returning to Earth
forever
(to calm the fast time)
And if ever
on the green hill
surrounded
from a clean river
someone woke you up
stretch your hands
with your palms up
and you will feel
streams of golden sparks –
the soul of the sun

© 2019, Bozhidar Pangelov

© Bozhidar Pengelov (bogpan – блог за авторска поезия блог за авторска поезия)


wish I wish I were born too stunned.
my mom must have sensed my presence.
don’t look at me as though I have grown another head.
what if, I can feel your nerves bubbling up?
elusive soul, a poem make a stand ….yeah
I shake my head smiling.
I smile a small smile.
p.s. it’s difficult to me to show outward affection.

© 2019, Pali Raj


ABOUT

Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)(July 2019)
* Over His Morning Coffee, Front Porch Review (July 2019)
Upcoming in digital publications:
* The Damask Garden, In a Woman’s Voice (August 2019)

A busy though bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Levure littéraireRamingo’s Porch, Vita Brevis Literature, HerStry, Connotation Press, The Bar None Group, Salamander CoveI Am Not a Silent Poet, Meta/ Phor(e) /Play, Woven Tale PressThe Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a virtual literary community and publisher of The BeZine of which I am the founding and managing editor. Among others, I’ve been featured on The MethoBlog, on the Plumb Tree’s Wednesday Poet’s Corner, and several times as Second Light Live featured poet.

Email me at thepoetbyday@gmail.com for permissions, reprint rights, or comissions.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton