The Most Triumphant Bird I Ever Knew or Met by Emily Dickinson

“Nature is a haunted house–but Art–is a house that tries to be haunted.” Emily Dickinson, The Complete Poems of Emily Dickinson



The most triumphant Bird I ever knew or met
Embarked upon a twig today
And till Dominion set
I famish to behold so eminent a sight
And sang for nothing scrutable
But intimate Delight.
Retired, and resumed his transitive Estate —
To what delicious Accident
Does finest Glory fit!

– Emily Dickinson

Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Emily Dickinson after childhood / Public Domain

EMILY DICKINSON (1830 – 1886) was an American poet. While Dickinson was a prolific poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime.The poems published then, were usually edited significantly to fit conventional poetic rules. Her poems were unique in her era. They contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends. Although Dickinson’s acquaintances were likely aware of her writing, it was not until after her death that Lavinia, Emily’s younger sister, discovered her cache of poem, that the breadth of her work became public. Her first collection of poetry was published in 1890, four years after her death.


ABOUT

Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* Remembering Mom, HerStry
* Three poems, Levure littéraire
Upcoming in digital publications:
* Over His Morning Coffee, Front Porch Review (July 2019)
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)(July 2019)
* The Damask Garden, In a Woman’s Voice (August 2019)

A mostly bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Ramingo’s Porch, Vita Brevis Literature, Connotation Press, The Bar None Group, Salamander Cove,I Am Not a Silent Poet, Meta/ Phor(e) /Play, The Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a vitual literary community and publisher of The BeZineof which I am the founding and managing editor.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton


Pearl Buck, novelist, writer, poet, activist, humanitarian, and founder of Welcome House

 

Pearl Buck circa 1972 courtesy of Dutch National Archives, The Hague under CC BY-SA 3.0 nl license

I give you the books I’ve made,
Body and soul, bled and flayed.
Yet the essence they contain
In one poem is made plain,
In one poem is made clear:
On this earth, through far or near,
Without love there’s only fear.

Essence by Pearl Buck


Yesterday was the anniversary of Pearl Buck’s birth. She was the founder of Welcome House for the adoption of mixed-race children, thought in her day to be unadoptable. I consider her my spiritual mother.

“. . . the test of a civilization is the way that it cares for its helpless members.” Pearl Buck (1892-1973).

Pearl Buck was an American novelist, writer, poet, activist, and humanitarian and the first woman to be awarded the Noble Prize in Literature (1938). She grew up in China and spent most of her life there until 1934. She had a deep affection for and knowledge of the countries of the East, not just China. She suffered through the Nanking Incident when the National Revolutionary Army captured Nanking (now Nanjing) in 1927. Many Westerners were killed, their homes destroyed, and their property stolen.  Her only biological child, Carol, had phenylketonuria (PKU), which causes mental retardation and seizures.

A lone child climbing the Mexico–United States barrier fence in Brownsville, Texas courtesy of Nofx221984 and generously released into Public Domain

Pearl Buck adopted seven mixed-race children. At a time when mixed-race children were considered unadoptable, she founded Welcome House, Inc., the first international, interracial adoption agency. Welcome House placed over 7,000 children.

It’s not hard to guess at just what white-hot outrage and disappointment this patron-saint of throw-away children would have knowing about the child detention centers on the U.S. Southern border, about presidential candidates using visits there as photo opportunities, and about the separation of refugee children from their parents. She would be profounly disappointed with the election of an oligarch who lives in ignorance and obscene self-indulgence while others sleep on the street and go hungry. One can guess at her anger and sadness over the children in South and Cenral America, Africa, and the Middle East running to escape violent environments, or the use of children to serve as soldiers in the Middle East and Africa, or about the numbers of children in third-world countries who die of hunger before the age of five for the wide-world’s greed and lack of care and will.


ABOUT

Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* Remembering Mom, HerStry
* Three poems, Levure littéraire
Upcoming in digital publications:
* Over His Morning Coffee, Front Porch Review
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)

A mostly bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Ramingo’s Porch, Vita Brevis Literature, Connotation Press, The Bar None Group, Salamander Cove,I Am Not a Silent Poet, Meta/ Phor(e) /Play, The Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a vitual literary community and publisher of The BeZine of which I am the founding and managing editor.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton



 

Opportunity Knocks: Six Calls for Submissions and One Competion

“How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.

“So you must not be frightened if a sadness rises up before you larger than any you have ever seen; if a restiveness, like light and cloudshadows, passes over your hands and over all you do. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any uneasiness, any miseries, or any depressions? For after all, you do not know what work these conditions are doing inside you.”  Rainer Maria Rilke, Letters to a Young Poet



Of Note: 

Opportunity Knocks replaces Sunday Announcements. I post it when there are enough leads. Many leads are only announced on The Poet by Day Facebook Page.

Links to articles, events and news of interest to poets and writers are regularly published on The Poet by Day FaceBook Page.  

You are welcome (encouraged) to share your work and announcements on The BeZine Arts and Humanities Facebook Group Discussion Page

MARK YOU CALENDAR: SEPTEMBER 28, 2019 is 100,000 POETS FOR CHANGE, GLOBAL, 2019 and THE BeZINE 100,000 POETS FOR CHANGE VIRTUAL EVENT, with Michael Dickel as master of ceremonies. Look for updates on this site, The BeZine,  and at 100tpc.org

Join us for this week’s WEDNESDAY WRITING PROMPT, Sojouner and Stranger; poems submitted on theme in response to Wednesday Writing Prompt are posted on site the following Tuesday, making a lovely collection for poets and readers.   


CALLS FOR SUBMISSIONS

ABOUT PLACE JOURNAL is open for submissions of poetry, essays, creative nonfiction an other prose, and aduio/visual artwork through August 1. No submission fee. No payment. Details HERE.

BRYANT LITERARY REVIEW is published once a year in May and opens for submissions from September 1 – December 1 (mark your calendars)  of fiction up to 5000 words and poetry and photography and artwork for their cover. No submission fee. Payment is two copies. Details HERE

CARVE MAGAZINE short story, poetry, and nonfiction submissions year-round from anywhere in the world. No submission fee if you are a subscriber. Paying market. Details HERE.

THE HUNGRY CHIMERA publishes fiction, poetry, and photography and is open for submissions. Details HERE.

IRON CITY MAGAZINE is accepting submissions of short fiction, nonfiction, poetry, one-act plays, and art through July 21. Submissions are welcome from “current/former prisoners, current/former prison volunteers, family and friends of prisoners, and current/former prison staff. Current/former prisoners may submit work on any topic. Prison volunteers, family, friends, and staff should submit only work on prison-related memories, perspectives, or insights …. To accommodate prisoners who do not have computer and/or internet access, we accept both electronic and mail-in submissions. Additionally, we accept both typed and handwritten work. There is no submission fee. Please see the guidelines below for each category.” Details HERE.

THE OFFING is open for submissions of art, essay, memoir and fiction. No submission fee. Paying market. Details HERE

COMPETITION

NARRATIVE 11TH ANNUAL POETRY CONTEST is open to all writers, and all entries will be considered for publication. $1,500 First Prize; $750 Second Prize; $300 Third Prize; Ten finalists receive $75 each. Entry fee is $25.

“We all need people who delight in our words.”
L.L. Barkat, in Rumors of Water


ABOUT

Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* Remembering Mom, HerStry
* Three poems, Levure littéraire
Upcoming in digital publications:
* Over His Morning Coffee, Front Porch Review
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)

A mostly bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Ramingo’s Porch, Vita Brevis Literature, Connotation Press, The Bar None Group, Salamander Cove,I Am Not a Silent Poet, Meta/ Phor(e) /Play, The Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a vitual literary community and publisher of The BeZine of which I am the founding and managing editor.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton


 

PEN America Calls for Trump Administration to Open Migrant Camp to Journalists’ Scrutiny; What You Can Do to Close the Camps by Kella Hanna-Wayne

100-mile border region on the U.S.–Mexico border courtesy of the Environmental Protection Agency / Public Domain

“A crude age. Peace is stabilized with cannon and bombers, humanity with concentration camps and pogroms. We’re living in a time when all standards are turned upside-down, Kern. Today the aggressor is the shepherd of peace, and the beaten and hunted are the troublemakers of the world. What’s more, there are whole races who believe it!” Erich Maria Remarque, Flotsam



Climbing the Mexico–United States barrier fence in Brownsville, Texas courtesy of Nofx221984 and generously released into Public Domain

PEN America issued the statement [below] in response to The Washington Post’s report that the Trump Administration is blocking journalists from accessing migrant detention camps on the southern border to see the facilities for themselves and speak to children, who are reportedly held in squalid conditions.

“It is shocking that the American public largely must learn about the dangerous conditions at these detention centers not through reporters being able to cover the news, but through second-hand reports from lawyers and advocates granted access under a legal agreement with the U.S. border patrol,” said Nora Benavidez, PEN America’s Director of U.S. Free Expression Programs. “The fact that journalists are being sealed off and held behind a wall of secrecy, unable to show the American people the faces and voices of those who are suffering in squalor is one more unconscionable aspect to this epic horror story on the southern border.”

“Cutting the press off from this story to hide what is going on is unacceptable and unwarranted; professional journalists are well-equipped to handle issues of privacy and consent, and this should pose no barrier to press access. The American public has a right to see for themselves what is happening in these camps through first-hand accounts, images and video documented by professional journalists. Indeed, the fact that every story that does make it to a reporter galvanizes public attention and action demonstrates the importance of that reporting. PEN America calls on the Trump administration to open the camps to the scrutiny of the press–and thus, the American people–immediately, and end this effort to keep what is happening in the detention centers a secret.”

PEN America has previously spoken out and advocated about press access to migrant detention centers and the situation for journalists covering the immigration crisis on the border. In October 2018, it hosted a panel discussion at the Texas Book Festival entitled “Stories (Un)told,” featuring journalists speaking to the challenges of covering child detention issues and immigration more broadly. Following months of tracking and public comments on the situation of lawyers and journalists being surveilled at the southern U.S.-Mexico border, PEN America joined a coalition of human rights and media freedom organizations in sending an open letter to the Department of Homeland Security in May, 2019, expressing concern for the privacy violations and explicit targeting by Customs and Border Protection of journalists, activists, and lawyers working on issues around the “migrant caravan”. Following our letter, the Department of Homeland Security acknowledged it had engaged in the surveillance and tracking of these individuals. PEN America has also condemned the unacceptable practice of the government’s surveillance of journalists reporting on this issue and authored a petition urging the administration to stop monitoring journalists at the border. That petition has garnered more than 58,000 signatures to date.

*****

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.


From Kella Hanna-Wayne, poet, blogger, activist

“Today, I read something terrible; a story that possibly upset me more any other news story from our current administration and it filled me with helplessness.

“Over the past year, Trump’s immigration policies have become increasingly strict and dehumanizing. Detention centers, separation of families without keeping records, poor hygiene, inadequate access to food, water, and medical attention, children in cages– these were all themes among reports of the horrifying conditions our government was signing off on for immigrants, regardless of their documentation.

“But in the last week, it came to light that not only is Trump using Fort Sill– the base used to hold Japanese-Americans in concentration camps during WWII– to hold immigrant children, but that our government is now using concentration camps as a strategy to manage the influx in immigrants coming to the US. “

Kella goes on from these introductory remarks to provide a comprehensive list of tips and resources: What You Can Do to Close the Camps. I particularly appreciate it when folks don’t just regurgiate the bad news we’re all reading anyway but who go on to provide tools for mitigating the travesties. Bravo, Kella!

Stay tuned for a comprehensive interview with Kella here on The Poet by Day.


ABOUT

Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* Remembering Mom, HerStry
* Three poems, Levure littéraire
Upcoming in digital publications:
* Over His Morning Coffee, Front Porch Review
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)

A mostly bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Ramingo’s Porch, Vita Brevis Literature, Connotation Press, The Bar None Group, Salamander Cove,I Am Not a Silent Poet, Meta/ Phor(e) /Play, The Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a vitual literary community and publisher of The BeZineof which I am the founding and managing editor.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton