CLARIFICATION: The Poet by Day v. “The BeZine”

Poetry rocks the world.

“Poems are canny little nuggets of life, captured moments of insight and appreciation wrapped in a sweet lyric dough that we find appealing to read and to write. Poems are literary dim sum, which translates to ‘ touch the heart.’ They do, touch our hearts, that is. Depending on the poem, they also tickle our funny bones, stimulate our minds, soothe our spirits, and befriend us on life’s journey.”  Jamie Dedes



For the folks that are confused (I don’t blame you! ♥ ) about what’s what and what submissions and/or communications go where:

The Poet by Day jamiededes.com
thepoetbyday@gmail.com
This is a curated site for and about poets and writers. It also includes resources, information, and activities of interest to them and actively supports human rights and freedom of artistic expression.

The Poet by Day hosts Wednesday Writing Prompt. Responses to Wednesday Writing Prompt go in the comments section under the prompt post.

Communications with regard to The Poet by Day go to thepoetbyday@gmail.com

Participation in Wednesday Writing Prompt is open to all. Other than that publication is by invitation only. As of this writing, the current prompt – deception – is closed for submissions. The next prompt will post on Wednesday, January 22.  Mbizo Chirasha is hosting this week. Directions for participation are included in every prompt posting.

The material here – my own and that of others – is copyrighted but also available to you read for free. There is no paywall. However, I do have Ko-fi. This allows you to buy me “a cup of coffee” to help defray the costs incurred in maintaining this site.

The BeZine thebezine.com
bardogroup@gmail.com
This is an online publication founded by The Bardo Group Beguines, a virtual arts collective. It is the official site of the Zine, although I do share the Table of Contents here at The Poet by Day as well. There is also a Zine blog.

The Zine is published regularly each quarter and each Zine is themed:

  • March – Waging Peace;
  • June -Environmental Sustainability/Environmental Justice;
  • September – Social Justice; and
  • December – Life of the Spirit.

The BeZine communications and submissions go to bardogroup@gmail.com

The call for Zine submissions generally opens for 4-to-6 weeks before publication and closes on the 10th of the month in which the Zine is to be published. The Call for Submissions to the March 15 issue – themed Waging Peace – is currently open and will close on March 10.

Submissions for the Zine blog may be sent at any time.

Our 2020 100TPC logo designed by team member Corina Ravenscraft (Dragon’s Dreams)

In September we also do 100,000 Poets (and others ) for Change. This is a global event (see 100TPC.org) and at The BeZine we do a virtual event in which everyone may participate from anywhere in the world. A virtual event also facilitates and encourages participation by the homebound. Contributing Editor, Michael Dickel (Meta/ Phor(e) /Play – Words, Images, & More) hosts. 100TPC is held on the fourth Saturday in September. We hold the event open for 24 hours, sometime longer.

Kella Hanna-Wayne

Occasionally, we have a theme for the month on the Zine blog. February 2020 is illness and disability. This may include mental illness. This event is co-hosted by YOPP!, a social justice blog dedicated to civil rights eduction, elevating voices of marginalized people, and reducing oppression, which was founded and is managed by Kella Hanna-Wayne, one of our new Zine team members.

We are not yet firm on doing April as poetry month but that will probably happen. It is likely that in August 2020 – like August 2019 – the blog will focus on Climate Action.

The BeZine also offers two Facebook Discussion Groups:

  • The BeZine 100TPC IS NOT a place to share poetry or announce publication. Through this group we’re especially interested in filling an information gap by collecting links to pieces on practical initiatives – ideas for taking action – from anywhere in the world, “best practices” so to speak that foster peace, sustainability and social justice, especially those that might be easily picked up and implemented elsewhere. This has been an uphill battle but the dream that people will regularly start using it for that thrives in my heart.
  • The BeZine Arts and Humanities Page (not just for poetry)  is a place to share all your arts activities and accomplishments, not just poetry, in the hope of inspiring one another and encouraging collaborations among the arts and within our community. Through this group you are invited to announce publications, showings, events et al. You are encouraged to share your videos: music, poetry readings, photography, art, film and so forth.

The BeZine is an entirely volunteer effort and we are unable to pay contributors but neither do we charge submission or subscription fees.

I hope this clears up the confusion. I appreciate when communications go to the correct email. At this point I get quite a lot of email, so it can be an onerous job to get through them and, as many of you know, I also am dealing with chronic and catastrophic illnesses and limited by disability. I am at this very moment tied up with preparing to move to another apartment that is fully adapted for someone with my handicaps, a fortunate thing for which I am grateful but also time-consuming and tiring.


Jamie DedesAbout /Testimonials / Disclosure / Facebook / Medium Ko-fi

Your donation HERE helps to fund the ongoing mission of The Poet by Day in support of poets and writers, freedom of artistic expression, and human rights.

Poetry rocks the world!



FEEL THE BERN

For Peace, Sustainability, Social Justice

The Poet by Day officially endorses Bernie Sanders for President.

The New New Deal

Link HERE for Bernie’s schedule of events around the country.

“Democracy is not a spectator sport.” Bernie Sanders



“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Poetry Foundation announces its winter and spring line-up of events and exhibitions

The January 2020 issue of POETRYmagazine, which is the oldest monthly devoted to verse in the English-speaking world. It is published by Poetry Foundation
First issue cover, October 1912

The magazine was founded in 1912 by Harriet Monroe, an author who was then working as an art critic for the Chicago Tribune. She wrote at that time:

“The Open Door will be the policy of this magazine—may the great poet we are looking for never find it shut, or half-shut, against his ample genius! To this end the editors hope to keep free from entangling alliances with any single class or school. They desire to print the best English verse which is being written today, regardless of where, by whom, or under what theory of art it is written. Nor will the magazine promise to limit its editorial comments to one set of opinions.”

In a circular she sent to poets, Monroe said the magazine offered:

“First, a chance to be heard in their own place, without the limitations imposed by the popular magazine. In other words, while the ordinary magazines must minister to a large public little interested in poetry, this magazine will appeal to, and it may be hoped, will develop, a public primarily interested in poetry as an art, as the highest, most complete expression of truth and beauty.”

The magazine first established its online presence in 1998 at poetrymagazine.org and, after a 2003 grant from Ruth Lilly, moved to poetryfoundation.org in 2005.

Publication in Poetry is highly selective and consists of three increasingly critical editorial rounds. With a publication rate of submissions at about 1%, the magazine is “one of the most difficult to get [published in]”.



The Poetry Foundation, publisher of Poetrymagazine and the home for poetry in Chicago, announces its winter and spring events and exhibitions.

The events began on January 9 with the opening of the new exhibition A.R. Ammons: Watercolors, and are scheduled to run through May. The season includes readings with two former US poets laureate, a peek at a punk musical, and celebrations of collaborative creation.

“We are excited to begin the New Year with programming that celebrates the range of ways people experience and create poetry, ” said Henry Bienen, Poetry Foundation president. “We hope you’ll join us, and make poetry an active part of your plans for 2020.”

THREE NEW EXHIBITIONS

A.R. Ammons (1988) copyright by Robert Barker, 1998 / Fair Use

This season features three exhibitions that span several decades and artistic media, two in the Poetry Foundation Gallery and one in partnership with Newberry Library. First in the Poetry Foundation Gallery is A.R. Ammon: Watercolors, featuring the abstract watercolors of one of the 20th century’s most gifted and prolific poets; visitors can learn about the relationship between Ammons’s work in both art forms at the January 9 opening event with scholar Elizabeth Mills; the exhibition runs until April 30.



Jun Fujita cabin at Voyageurs National Park, listed in the National Register of Historic Place / Public Domain

Jun Fujita (1888 – 1963) was a first-generation Japanese-American photojournalist, photographer, silent film actor, and published poet in the United States. He was the first Japanese-American photojournalist. As an American, Fujita lived in Chicago, Illinois and worked for the now defunct newspapers: the Chicago Evening Post, published from 1886 to 1932, and Chicago Daily News, which was published 1876 to 1978. Fujita was the only photographer to document the aftermath of the St. Valentine’s Day massacre. Following his death in 1963, most of his work was donated to the Chicago Historical Society, which later became the Chicago History Museum.



A few blocks away, Jun Fujita: American Visionary is open January 24–March 31 at the Newberry and focuses on the extraordinary accomplishments of poet and photojournalist Jun Fujita. An expanded version of Jun Fujita: Oblivion, first mounted at the Poetry Foundation in 2017, Jun Fujita: American Visionary introduces new materials such as pieces about Chicago’s literary and publishing scene and the era of organized crime, including an Al Capone portrait and letter. Fujita, who regularly published in Poetry, is the photographer behind some of the most iconic images from Chicago history, including photographs of the Eastland disaster, the 1919 race riots, and the St. Valentine’s Day Massacre.

Poetry by Winterhouse explores the 12-year collaboration between the Poetry Foundation and the Winterhouse design studio, cofounded by William Drenttel and Jessica Helfand. The exhibition covers April 2005–June 2017, illustrating Winterhouse’s illumination of Poetry’s rich history, the expansion and evolution of the magazine’s visual style, and the progression toward the Foundation’s current Pentagram designs. This spring, design luminaries Michael Bierut and Jessica Helfand visit for a discussion in response to the exhibition, in honor of the late William Drenttel.

MULTIDISIPLINARY CONNECTIONS

Source: Ms. Bradfield’s Amazon page

The connections between poetry and other artistic media extends throughout the season’s events. In January, poet Elizabeth Bradfield and artist Antonia Contro discuss their collaborative work Theorem, published by Chicago’s own Candor Arts. On February 4, the city continues to take center stage with a sneak peek at Verböten, The House Theatre of Chicago’s new musical about a punk band getting ready for a show in 1983, based on the exploits and including the music of Jason Narducy.

There is no shortage of music for all tastes, as later in February Poetry in Russian Music comes to the Poetry Foundation with a performance of work by Tchaikovsky, Mussorgsky, Rachmaninoff, and others who were inspired by Russian poets. Always Already, a composition for voice, fixed electronics, keyboards, and vibraphones by Ben Vida, premieres in March in a performance presented with Lampo. In April, pianist Stephen Alltop and soprano Josefien Stoppelenburg return for a program of poetry by Heinrich Heine, Edna St. Vincent Millay, and e.e. cummings in evocative musical settings.

POETRY FOR ALL

Poets with varied approaches and interests share their work on the Poetry Foundation stage. Patricia Lockwood, author of the highly acclaimed memoir Priestdaddy and two collections of poetry, reads on February 13. On March 13, poet Matthew Zapruder reads and discusses his work as a writer, translator, and editor.

Later in the season, two former US poets laureate read at the Poetry Foundation: Robert Hass, author of the Pulitzer Prize-winning Time and Materials, on March 26, and Billy Collins, winner of the Poetry Foundation’s inaugural Mark Twain Poetry Award, on April 16.

Young People’s Poetry Day, the annual celebration for the youngest poetry fans and their families, kicks off National Poetry Month on April 4 with a reading by Carson Ellis, poetry writing activities, crafts, and a poetry scavenger hunt. Teenagers can experience a reading by former National Youth Poet Laureate Patricia Frazier at the teens-only ChiTeen Lit Fest.

Celebrate the poets of tomorrow with two readings by student poets in May, sharing work they’ve written as part of the Chicago Poetry Center programs.

HOURS AND EVENT DETAILS

These are only a selection of the varied events that the Poetry Foundation offers this season. For all event listings, details, and advance registration visit poetryfoundation.org/events.

Unless otherwise noted, all events are free and open to the public on a first come, first served basis at the Poetry Foundation, 61 West Superior Street, Chicago, IL.

In addition, the Poetry Foundation Library, home to a collection of more than 30,000 books of poetry, is open to the public weekdays and select Saturdays, including January 18, February 8, March 21, April 18, and May 16, from 11:00 AM–4:00 PM, as well as select evenings, including January 21, February 18, March 17, April 21, May 19, from 4:00 PM–7:00 PM.

This post is complied courtesy of Poetry Foundation, Wikipedia, and Amazon.

About the Poetry Foundation

The Poetry Foundation, publisher of Poetry magazine, is an independent literary organization committed to a vigorous presence for poetry in American culture. It exists to discover and celebrate the best poetry and to place it before the largest possible audience. The Poetry Foundation seeks to be a leader in shaping a receptive climate for poetry by developing new audiences, creating new avenues for delivery, and encouraging new kinds of poetry through innovative literary prizes and programs.

Follow the Poetry Foundation and Poetry on Facebook, Twitter @PoetryFound and @Poetrymagazine, and Instagram @PoetryFoundation.


Poetry Rocks the World!

Jamie DedesAbout /Testimonials / Disclosure / Facebook / Medium Ko-fi

Your donation HERE helps to fund the ongoing mission of The Poet by Day in support of poets and writers, freedom of artistic expression, and human rights.

Link HERE for Free Human Rights eCourse designed and delivered by United For Human Rights, Making Human Rights a Fact



FEEL THE BERN

For Peace, Sustainability, Social Justice

The Poet by Day officially endorses Bernie Sanders for President.

The New New Deal

Link HERE for Bernie’s schedule of events around the country.

“Democracy is not a spectator sport.” Bernie Sanders



“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Zimbabwe Artists for Human Rights, Freedom of Expression, and Civil Dialogue: Poetry, Song, Dance,Theatre

Tafadzwa Muzondo curates  the Inaugural Zimbabwe Human Rights Festival. It was held December 10 –  13.

Thanks to our rich connection with Zimbabwean poet in exile, Mbizo Chirasha, I have the pleasure and privilege of expanding The Poet by Day to include African artists, to feature their efforts in support of human rights and just governance. More to come in 2020 from poets and other artists all over Africa. I hope readers will enjoy the lyrical difference in English, the passionate action, and the creativity demonstrated. The Poet by Day jamiededes.com and The BeZine support crossing borders and honoring shared humanity. One world. One race: the human race. / J.D.



Machipisa in Highfeilds is a paradoxical African high density suburb in Zimbabwe. It gave birth to the both iconic song maestros and political heavyweights inclusive of the late George Nyandoro, Enos Nkala.  Robert Mugabe the late nationalist and former long serving president of Zimbabwe resided in Highfeilds before his long trip to Mozambican jungles to preside over the liberation struggle in the 70s . Highfeilds shaped the life and creativity of the late Dendera Superstar Simon Chopper Chimbetu, father the current Dendera crooner Sulumani Chopper Chimbetu. while the Oliver Tuku Samanyanga, the iconic Ketekwe maestro had most of his musical walk to stardom inside Highfeilds .

Theatre against violence showcase at HIFA

Like an other creatively fervent generation, to revive the legendary traits of Highfeild Tafadzwa Muzondo of the Edzau Isu fame, an independent theatre guru and human rights defender have artistically turned an old disused bridge into a popular, edutainment and infortainment theatre, arts and poetry venue. The artists and human rights defenders are using these venue as a space for artistic exhibition, freedom of expression through arts as they continue to promote civil dialogue through theatre arts production. Theatre PaBridge  (pa Machipisa) has become a common artistic oasis or Theatre Arts hub for both young and established artists in Zimbabwe and abroad .

If hate is the only beverage in the bar,
I’m holding on to my thirst,
suppress the crave for the meanwhile
reciting lines and verses that question our sanity,
rhythms and rhymes that expose us to our stupidity.
Assuming we still have the conscience
I want to see them meet the hatred in the streets…
i want them to know how we so much yearn for peace

– Edward Dzonze

Tafadzwa Muzondo and patterns at the launch of the Theatre PaBridge

To mark the International Human Rights Week Tafadzwa Muzondo, Edzai Isu Theatre Arts and Action Hub curated and hosted the inaugural Zimbabwe Human Rights Festival (ZHRF) at Theatre PaBridge from the 10th to 13th December 2019 . The artists spoke human rights through poetry, expressed freedom through dance, sung songs against political tolerance through Katekwe violins and used stand-up theatre to stop corruption, political abuse and injustice in high offices.  The Zimbabwe Human Rights Festival was an entertaining, engaging and empowering platform, which took stock of the human rights situation at local, national and international levels. It was a profound artistic initiative meant to mainstream human rights in an innovative way by rallying together rights holders and solution holders.

The late Zimbabwean musical icon, Oliver Tuku Mutukudzi

ZHRF featured theatre, music, dance and poetry performances on human rights as well as post performance discussions and exhibitions by relevant civic society organizations and responses by invited solution holders. Major highlights of the performances, discussions and representations will be streamed live on our social media platforms as well as other partner platforms.

The theme of the inaugural festival is “AFTER”, which is an abbreviation for Arts Fostering Total Enforcement of Rights also meaning AFTER all the bickering, sloganeering and propagandizing, citizens need their rights to be respected not trampled on.

It is encouraging that the Zimbabwean government has established the Zimbabwe Human Rights Commission, a Constitutional Commission to promote awareness, protection, development and attainment of human rights and freedoms in Zimbabwe. As a transformative arts organization, EDZAI ISU Trust conceived a creative and innovative initiative in the name of ZHRF to commemorate Human Rights Day and contribute to the need to respect human rights in our dear country.



The universal declaration of human rights 10 December 1948 / courtesy of the United Nations Department of Public Information / Public Domain

Besides the Zimbabwean constitution being clear on human rights, the Universal Declaration of Human Rights, ratified by Zimbabwe, recognizes the inherent dignity of all members of the human family as the foundation of freedom, justice and peace in the world. It includes civil and political rights as well as economic, social and cultural rights, like the right to social security, health and education.



Tafadzwa Muzondo is the organizer.

The Zimbabwe Human Rights Festival, the brainchild of award winning transformative artist and social activist Tafadzwa Muzondo, is a rallying point in the mission to improve accountable, democratic governance that serves an engaged citizenry. Respect for human rights is at the core of social and economic development as without citizens enjoying and authorities respecting human rights, we cannot talk of any meaningful people centered development.

Aluta Continua!


Jamie DedesAbout / Testimonials / Disclosure / Facebook / Medium

Recent and Upcoming in Digital Publications: Five by Jamie Dedes on The World Literature Blog,  Jamie Dedes, Versifier of Truth, Womawords Literary Press, November 19, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

The Poetry Society (U.K.) and the Royal Norwegian Embassy Circle Trafalgar Square Christmas Tree in Poetry; Clare Polard and her poem “The Gift”

The Trafalgar Square Christmas tree in 2008 Laura Bittner under CC BY 2.0 license

Clare Pollard’s poem will be displayed on banners around the Christmas tree in Trafalgar Square until January 6, 2010. The banners feature artwork by Marcus Walters.  



I’m a New Yorker who grew up on the magnificent Christmas tree lightings in Rockerfeller Square in Midtown Manhattan. In my childhood this was still a relatively modest community event. In those days, it was attended mostly by New Yorkers. In more recent years, it has become a loud commercial affair attended by tourists and visitors.

It may be in part the memory of those long-ago and magical tree-lightings that drew my attention to this lovely relatively understated English-Norweign collaboration. The inclusion of poetry makes it all the more engaging: for the eleventh year running, The Poetry Society commissioned a poem to wrap around the Norwegian Christmas tree in Trafalgar Square.

For 2019 poet Clare Pollard wrote The Gift inspired by the theme of hope. It will adorn the Trafalgar Square Christmas tree through January 6th. The Gift was inspired by the images and ideas of London primary school children who received free poetry workshops from Cheryl Moskowitz, Coral Rumble, and Clare Pollard. The workshops were organised by The Poetry Society in October and November. The poem was read by a small group of primary school children at the lighting ceremony last Thursday.

This ceremony is organised by the Mayor of Westminster and Royal Norwegian Embassy, attended by the public, the Mayors of London’s thirty-two boroughs, and VIP guests including the Mayor of Oslo. The Poetry Society and the Royal Norwegian Embassy encircled the Trafalgar Square Christmas tree in poetry, celebrating the City of Oslo’s annual gift to London, as part of The Poetry Society’s Look North More Often project. The Poetry Society’s Christmas tree poem project, Look North More Often, was launched in 2009 as part of its centenary celebrations, encouraging local schoolchildren to write in celebration of the tree’s arrival from Norway.

The tradition of the Mayor of Oslo sending a Christmas tree to London as a symbol of peace and friendship dates back to 1947, in recognition from Norway of Britain’s support during World War II. The tree’s journey starts with the Lord Mayor of Westminster visiting Oslo for a traditional tree-felling ceremony followed by the Mayor’s return with the tree to London.

In addition bringing professional poets into London primary schools to work with the students on their ideas and words for the Christmas tree poem, Look North More Often provides teachers across the UK with new digital resources to assist them in teaching poetry.

Here is an except from the commissioned poem, which was read on Thursday.

The Gift

by Clare Pollard (with thoughts and images dreamt up by primary schoolchildren from Westminster)

The seed becomes a golden flower of pouring light, a gift.
I need you to believe, Hope says. It’s you makes me exist.
I feel bright feathers lifting.
I hear a tiger’s roar.
I’ve taken many forms, Hope says – changing is what I’m for.

© 2019, Clare Pollard

Image courtesy of Amazon UK

CLARE POLLARD (Clare’s Official Site) (b. 1978) is a poet and playwright who was raised in Bolton and educated at Turton School in Bromley Cross. She studied English at Cambridge University. At age 19 Pollard published her first poetry collection, The Heavy-Petting Zoo (Bloodaxe Books Ltd. (1997)) In 2000, Pollard won a Society of Authors Eric Gregory Award. In 2004, her play The Weather was performed at the Royal Court Theatre. In 2007, My Male Muse, a radio documentary was broadcast on BBC Radio 4. In 2009, Pollard and James Byrne edited the Bloodaxe young poets showcase titled Voice Recognition: 21 Poets for the 21st Century.[5] Pollard has been a Royal Literary Fund Writing Fellow at Essex University. In 2013, she was the judge for the inaugural international Hippocrates Prize for Young Poets.

Clare Pollard has published four collections of poetry, the most recent which, Changeling (Bloodaxe, 2011) is a Poetry Book Society Recommendation. Her play The Weather premiered at the Royal Court Theatre and her documentary for radio, She co-edited the anthology Voice Recognition: 21 Poets for the 21st Century and her new version of Ovid’s Heroides was published by Bloodaxe in May 2013

Clare’s Amazon Page U.K. is HERE and U.S. is HERE.

Note: The content of this post is courtesy of The Poetry Society, Wikipedia, Clare Pollard, and Amazon. 


Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook / Medium

Recent and Upcoming in Digital Publications: Five by Jamie Dedes on The World Literature Blog,  Jamie Dedes, Versifier of Truth, Womawords Literary Press, November 19, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton