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Pen World:Defiance in the Face of Extreme Repression

DEFIANCE IN THE FACE OF EXPREME REPRESSION: “The PEN World series showcases the important work of the more than 140 centers that form PEN International. Each PEN center sets its own priorities, but they are united by their commitment to advocate for imperiled writers, promote literature from all cultures and in all languages, and advance the right of every individual to speak freely. In this series, PEN America interviews the leaders of different PEN centers from the global network to offer a window into the literary accomplishments and free expression challenges of their respective countries. – See more at: http://pen.org/topic/pen-world”  They’re posting one interview a month. So far they’ve covered Belarus, South Africa and Eritrea.IMG_8595

In Conversation: Poet/Musician Graffiti Bleu & Michael Rothenberg, cofounder of the global peace initiative, 100,000 Poets for Change

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You can listen to the two-hour podcast HERE. Recommended! This post is meant as an alert and also to share my two cents.

As I write, it’s just a few hours after listening to Just My Thoughts with Graffiti Bleu on BlogTalk Radio. The show started with an exploration of What does the revolution look like? with Graffiti Blue, Michael Rothenberg, and the show’s panel and callers comprised of poets involved in 100,000 Poets for Change (100TPC).

Harkening back to Gil Scott-Heron and his poem, The Revolution Will Not Be Televised,  part of the discussion was on technology and social networking and their roles in fostering peace, social justice and sustainability. When Heron wrote his poem in 1971, the means to formulate and distribute information and opinion were dominated by mainstream media and corporate interest, which were not in sympathy with the revolution Heron envisioned. Those interests are still dominant and still lack sympathy, but there’s something of a balance occurring – however imperfect – now that we plain folk have access to the tools of technology and social networking. Without social networking, we wouldn’t have 100TPC, which can happily be said to have gone viral since Michael Rothenberg put out a call on Facebook for poets to join in a global peace effort back in 2010. While each of us in the “100,000” has a relatively small “audience” together we touch many, many minds and hearts. We do have an agenda, but it doesn’t foment strife. We’re not in anyone’s pocket. That’s clean power. It’s power to …

On a personal level, one benefit of technology is that people who are homebound – as I sometimes am – can take part in change-making initiatives more actively than simply writing letters-to-the-editor or to our legislators, which is not to say we should give that up. I started a virtual 100TPC via The BeZine and with The Bardo Group Beguines so that disabled people and people who do not live near a 100TPC event would have the opportunity to have their say, to lend their support. Our 2015 commemorative page is HERE.

We need to do more than “talk.”  Agreed. And I think that one of things 100TPC gives us is hope … huge hope from seeing that there are people in every nook-and-cranny of the world who share our values and priorities. This helps us to keep on keeping on with our local grassroots initiatives as well as our broader advocacy. This serves to sustain our faith and commitment.

Ultimately for me, 100TPC is about breaking down barriers, crossing boarders. It leads the way in our evolutionary journey toward a sustainable peace. In the documentary film Ten Questions for the Dalai Lamathe Dalai Lama says “we need more festivals.”  In other words, if we get to know people, if we break bread with them or share a bowl of rice, we are less likely to think of them as “other.”  It will be more difficult to turn around the next day and do harm.  100TPC is our festival. Once we’ve shared hearts, souls and stories through poetry, how can we marginalize anyone? How can we abandon or abuse?

Can the revolution be bloodless? The question is really “will it be?” I don’t think so. I don’t think revolutions are by their very nature “bloodless.” The psychopaths will always be with us and until we stop marginalizing people and leaving them desperate and vulnerable to tyrants, we’ll never have bloodless reform. We’ll never achieve a sustainable peace. Peace is a state that takes awareness and awareness takes growth, which is an evolutionary process.  That doesn’t mean we should give up. It means that as poets we should continue to bear witness, to touch hearts, to raise consciousness and to nurture the process of growth. As poet Michael Dickel said in an interview on this site HERE: “. . . it may not be ours to see the work completed, but that does not free us from the responsibility to do the work.”

© 2016, words, Jamie Dedes, All rights reserved; photograph courtesy of Graffiti Bleu and Michael Rothenberg.

In his steps … Martin Luther King, Jr., a legacy

2016015699419aee083by Rev. Ben Meyers, Unitarian Universalists of San Mateo (UUSM), CA

This past Saturday (January 16), in the North Central Neighborhood of San Mateo, the children in the county school system gathered at the Martin Luther King, Jr. Community Center to listen and support the poets, essayists, and artists who participated in this year’s (the 31st annual) event. Afterward, everyone was invited to gather at UUSM, to celebrate the children and to honor Martin Luther King, Jr. and his legacy with activities, music and buffet.

In most communities across the country, the practice of inviting school-age children to ponder King’s legacy and its impact on the American culture and society is fast becoming a standard practice and tradition. This year’s MLK contest topic encourages an exploration of other leaders who were influenced by King’s message of hope, unity, enfranchisement, and peace. It is right that the “next” generation engage in the continuance of King’s impact because we live in a time when those ideas are daily challenged by continued despair, disparity, and violence. We can yet ask, “Where do we go from here?”

FullSizeRender-1As we celebrate Martin Luther King, Jr.’s birth today, let this be a time when, along with paying our respects to the memory of King’s life and his historic legacy, we raise our consciences from our “moments of comfort and convenience” and ask ourselves in ways never before, “Where are we standing among the current challenges and controversies that yet plague our communities, thwarting our dreams of equality and shredding the network of mutuality of which Dr. King spoke so eloquently?” It is time to know where, or even if, we stand for justice and equity and peace.

If we do not like the answer to our inquiry, let us have the courage and the audacity to move ourselves from our comfort and complacency to a place more inconveniently situated, and stand tall.

© Rev. Ben Meyers, all rights reserved

Just fun today: Lewis Carroll’s Jabberwocky read by Benedict Cumberbatch

If you are viewing this from Facebook or email, you’ll have to link trough to listen to the video.

800px-Jabberwocky-1Jabberwocky

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand;
Long time the manxome foe he sought —
So rested he by the Tumtum tree,
And stood awhile in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

– Lewis Carroll

by Lewis Carroll (Charles Lutwidge Dodgson),photograph,2 June 1857
Lewis Carroll selfie photograph,2 June 1857

61KpHS-4AqL._SX373_BO1,204,203,200_Lewis Carroll (1832-1898), the pen name of Oxford mathematician, logician, photographer and author Charles Lutwidge Dodgson, is famous the world over for his fantastic classics Alice’s Adventures in Wonderland, Through the Looking Glass, The Hunting of the Snark, Jabberwocky, and Sylvie and Bruno.

Ruth Jewell (A Quite Walk), a core team member of The Bardo Group Beguines found this delightful reading of Lewis Carroll’s nonsense poem read beautifully by actor Benedict Cumberbatch. The poem is from Through the Looking Glass and What Alice Found There (1871), which is the sequel to Alice in Wonderland (1865). The illustration is from the book and was done by Sir John Tenniel.