HEADS-UP NEW YORK: The Hollywood Dreamcatcher and Broadway, Booze & A Song of Life, a one-act play

13912701_10153786663552895_1546171734444479484_nTHE HOLLYWOOD DREAMCATCHER by Susan Dingle &
BROADWAY, BOOZE & A SONG OF LIFE by Maggie Bloomfield

In this one-act play, two long-term recovering women, poets and therapists bring their stories from Broadway and Hollywood to prisons and meetings. Their youthful misadventures, told in poetry and conversation, are at once crazy, hilarious and heartbreaking. The shows reflect on their histories, friendships and how they found their voices in sobriety, with the hope of inspiring others toward recovery and change.

Directed by Andrew Botsford & Rosemary Cline. Tickets $20 RSVPs are encouraged: (631) 287-4377
Saturday, September 24 at 7 PM – 10 PM in EDT
Southampton Cultural Center: 25 Pond Ln, Southampton, NY 11968

The Facebook page for this event is HERE.

© photograph, Susan Dingle and Maggie Bloomfield

HEADS-UP: New York, New York and Greensboro, North Carolina … if you’re tired of all the politicos and talking heads…Salvation!

13659039_1181668861888753_5467398691388450831_nSunday, July 31 at 4 PM – 6 PM in EDT
The Parkside Lounge
317 E Houston St, New York, New York 10002
Organized by Matt Pasca and Russ Green


MATT PASCA is a teacher, editor and two-time Pushcart nominee whose poetry has appeared in dozens of journals and anthologies as well as two book length collections, A THOUSAND DOORS (2011) and RAVEN WIRE (2016). A 2003 New York State Teacher of Excellence, Matt teaches Poetry, Mythology and Literature and curates a poetry series–Second Saturdays @Cyrus–with his wife, author Terri Muuss. Pasca also advises an award-winning scholastic literary-art magazine, THE WRITERS’ BLOCK, and is a copyeditor and reviewer for the Long Island Authors Group. Matt has performed his work in New Mexico, Montana, Minnesota, Virginia, New Jersey, all around New York and has keynoted or taught workshops at colleges, conferences and continuing Ed. programs. http://www.mattpasca.com @Matt_Pasca

New York Times proclaims FRANKIE A. SOTO is a “FORCE”. A national touring & Spoken Word Poet & Author of a Weed in a Garden of Extraordinary Flowers & Forever is not enough. He was recently nominated for 2016 National Poetry Awards. Nominated & Premiered for Atlanta Hip Hop Film Festival for his HIV poem in 2013. He is published worldwide for various newspapers, magazines and articles & one of the ambassadors for fighting cancer with poetry in Washington DC

– photo © Matt Pesca



Triad Poetry Meetup, Greensboro, North Carolina

Organizer Alfred Harrell (“Like” his page)

If you enjoy having knowledge local key local poetry programs and want to support our community programming, please join us and help the continuous transformation of this group in great community of poets and poetry lovers!

What are some perks of members of this group enjoy?

• Free membership!

• Freedom to create and post community events without being a group leader as long as admission to those events are discounted or free for group members

• Poetry writing, poetry oral delivery and critique workshops

• Open mic reading and poetry slam events opportunities in a non coffee-house environment

Details HERE and HERE

– illustration © Alfred Harrell


LATE-BREAKING NEWS: LONG ISLAND, NY … Poetry Street to feature poets from “Grabbing the Apple” and Poets Matt Pasca and Terri Muuss host First Saturday Poetry




Poet, Matt Pasca, Raven Wire (Shanti Arts Publishing, 2016)
Poet, Matt Pasca, Raven Wire (Shanti Arts Publishing, 2016)
American She-Poet, Terri Muss
Poet Terri Muss, Over Exposed (JB Stillwater, 2013)

POETRY IN BAY SHORE, LI, NY hosted by Matt Pasca and Terri Muuss – food, fun — OPEN MIC — bring your instruments and your poems.
Saturday, July 9 at 7 PM – 10 PM
Locations: Cyrus Chai & Coffee Company
1 Railroad Plz, Bay Shore, New York

POETRY IN DOWNTOWN BAY SHORE! Join hosts Matt Pasca and Terri Muuss every second Saturday at Cyrus’ for the kind of poetry, coffee, treats and open mic experience you’ve been looking for!!! Our features will move and inspire you with their honesty and scintillating presence. Open mic follows features, so bring your ukulele, cello, double bass, guitar, sonnets, spoken word, villanelles and more!

MAYMAY is the former President of Spit, spoken word poetry club at Hofstra University, and still performs her work passionately and often around the NY area.

BRI ONISHEA is a want-to-be gypsy, ardent lover of words and pursuer of a lifetime of art and learning. More specifically, she is a New York poet, artist, editor, tutor and individual case worker for EPIC. A graduate of SUNY Geneseo, where she co-edited the school’s literary magazine, Bri will be an MSW candidate at Stony Brook University in the fall.

GRABBING THE APPLE … or How a Regional Anthology of Women Poets Was Created and Launched
CELEBRATING AMERICAN SHE-POETS (20): Terri Muuss, Over Exposed
LATE BREAKING NEWS: Grabbing the Apple, An Anthology of New York Women Poets by Poet Terri Muuss and Friends
* Review Raven’s Wire and Interview with Matt Pasca

“GRABBING THE APPLE” … or how a regional (New York) anthology of women poets was created and successfully launched


Thanks to poet, writer and anthologist, M. J. Tenerelli, for sharing this story with us today.

Several years ago I did a show for the Northport Arts Coalition highlighting the work of well established women poets. I thought at that time that pulling together a collection of passionate, local women’s voices in a book of poetry would be a wonderful thing to do. There were so many talented women I knew on the New York circuit, giving profoundly moving performances, sharing really fine work. Two years ago my friend and co-editor, Terri Muuss, suggested that we get together and produce what became Grabbing the Apple, and anthology of New York women poets. And so a two-year project began.

The idea behind the book was to share what we believed was the unique voice of the New York woman, informed by place as well as a particular confidence, savvy, and passion. Terri and I wanted the book to serve as a conduit for these women, allowing them to define themselves as opposed to the traditional definitions existing in male-created literature, including the bible. Eve from Eve’s perspective.

First we needed a title. We wanted something that reflected the concept of women defining themselves. We turned to the original story of creation in the bible, where the mother of us all begins the downfall of man by plucking an apple from a tree. With Grabbing the Apple, we believed we had a title that turned that creation story upside down. Yes, the first woman, embraced wisdom, and that did not make her a monster but rather a heroine and a role model. The poets in the book define themselves and the lives and concerns of women, forcefully and without shame. We felt the anthology’s title embodied that. And of course “Apple” brings to mind New York.

Call for Submissions: We used social media, college websites and word of mouth to solicit submissions. We emailed the women poets we personally knew. The amount of work that poured in amazed us. I think the concept of the book really spoke to these writers, and they wanted to be heard. We culled 47 pieces from hundreds of submissions. It wasn’t easy. With the help of poet Matt Pasca, Terri’s husband, we instituted a blind process. Matt oversaw the email submission box, and printed out the poems for us, minus the writers’ names. Terri and I both had complete copies of the submissions to read through and consider. I don’t think we understood at the time just how long it would take to come up with a book we were satisfied with–to do right by the poets and the idea behind the book.

Reading and Selecting: I spent a lot of time with the work. As a mother with a full-time job, I spent many lunch hours in my car, and on the couch after work, reading poetry. It was far from a chore. The work energized me, moved me, and surprised me again and again. I started to feel honored to be stewarding these pieces into publication. It was often hard to choose what to accept and what to leave behind. Terri was also reading and considering. We each had a form to work with, where we gave each poem, identified only by number, a yes, no, or maybe. Then we would meet to compare our opinions.

In pizza restaurants, cafes, and often in Terri’s spacious living room, we would have “Apple” meetings. Often we agreed on what needed to go into the book. But not always. Sometimes one or the other of us would make a strong case for a poem we were passionate about. There were negotiations. It was never contentious. We respect each other as writers and editors, and are good friends. So we really listened to what the other had to say. It worked. We came up with a manuscript we could both stand behind. When it came to our own work, I picked a poem of Terri’s that I thought was perfect for the book, and Terri chose a piece that I had done. The next step was to create an order for the poems.

Terri suggested dividing the book into three parts, “Eden,” “The Fall,” and “After the Garden.” I loved the idea, but worried the poems we had wouldn’t lend themselves to the categories. It turned out to be needless worry. Whether loosely or specifically, each poem fits under one of the headings. I remember one night crawling around on Terri’s living room floor with the work spread out in front of us, moving poems around like puzzle pieces into each of the three sections. Again, there was a lot of consideration and some negotiating, but in the end we had groupings that made us both happy. We high fived each other and then celebrated with brownies! We had our poems and we had an order. We weren’t quite done though.

Finalizing and Publishing: We were our own proofreaders. There were a hundred plus pages to pour over. We wanted to get everything right. This took time, and in the end there were a few mistakes but we did our best. We proofed alone and together. We sent the manuscript to the publisher, corrected galleys, and up to the day before publication were still proofing! While we had input into the layout and design, it was the artist Janine DiNatale who created and did the layout for the front and back covers, and the publisher, J.B. Stillwater, who provided the beautiful finished book. I remember cradling the first copy sent to us and feeling like a proud mother. The final step was to get the collection out into the world.

Our initial book launch was at Cyrus Chai, in Bay Shore, New York. So many of the poets in the book came to read. For me, this was the defining moment. The poems I’d been living with for so long came to life. The electricity, love, and sisterhood in the room were palpable. The words sang. We’d accomplished what we set out to do, with more launches planned throughout the Summer.

© 2015, article and portrait (below), Mary Jane Tenerell;  bookcover art © Muuss and Tenerelli, All rights reserved

Grabbing the Apple is on Amazon where you can have a peek inside and sample a poem or two.

M. J. Tennerelli
M. J. Tennerelli

M.J. Tenerelli is a poet and a legal writer. She has worked as an editor of trade magazines and text books for the cosmetology, cosmetics and fragrance industries in New York City. She writes legal briefs for a Social Security Disability law firm and hosts a monthly poetry reading for the Northport Arts Coalition in Northport, NY. Her poetry has appeared in several anthologies, including Cat’s Breath and Estrellas En El Fuego, both by Rogue Scholars Press. Her poems have been published in a number of print and electronic journals, including The Feminist Wire; Poetry Bay; Alaska Quarterly Review; The Improper Hamptonian; Zuzu’s Petals; The Mom Egg; Blue Fifth Review; Poetry Kit; Poetry Super Highway; Big City Lit; American Muse and Parameter. She is a former editor of the art and literary magazine The Wormwood Press. She is the co-editor of the recently published poetry anthology Grabbing the Apple.