Whitney Greenaway: A Poet’s Take on Letting Go; Poetry/Writing Contests; Resource on poetry contests with June deadlines

“Come sleep with me: We won’t make Love, Love will make us.” Julio Cortázar



The Cortázar quote is apropos of nothing except that I like his work and thought of that line (so fabulous!) after hearing this last evening on a PBS Brief But Spectacular Take on letting go by the new-to-me poet, Whitney Greenway. Sometimes the mind takes a strange turn on things. I’m getting old.  Anyway … THIS is the only piece of information I found online about her.  I’ll let her piece speak for itself except to say that I like it but have to add that sometimes we women disappoint men as well. The transcript is HERE.


HEADS-UP:

  • This is last-minute but it might work for you if you’re interested and you have something ready to submit: Boston Review’s Annual Poetry Contest closes tonight.  You can submit online or via snail mail, which must be postmarked June 1.  $20 entry fee. $1,500 cash award and publication in Boston Review. Details HERE.
  • THE MASTERS REVIEW, A Platform for Emerging Writers offers a list of fourteen literary magazines and contests with June deadlines HERE.
  • And in from Poet, Editor and Founder of Diaphanous e-Journal, Krysia Jopek“A mix of news / update: instead of a full-length journal of Diaphanous as in 2017, we are shifting gears to “diaphanous micro”: an e-journal of literary and visual art. Each micro issue will feature the work of one artist, often in more than one genre. Stay tuned! diaphanous 2.1 should be launched within the next two weeks! Thank you for all of those involved. It’s been lovely to collaborate with some of the writers and visual artists to be featured. There will be an interview with the artist included in each issue after their poetry, micro/flash fiction, art; links to all their books and some commentary about the work included. The first artist/writer to be featured is J Karl Bogartte; second, Francine Witte.”  Diaphanous Press facebook page and website.
  • From Kallisto Gaia Press team member, writer/journalist Tony Burnett: “Let’s get busy writing. Two new Summer Writing Contests Antonio Ruiz-Camacho judges in Fiction. Carrie Fountain judges in Poetry. $1500.00 in prizes!”

RELATED:

Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


ABOUT THE POET BY DAY

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“#MeToo: rallying against sexual assault and harassment, a women’s poetry anthology” edited by Deborah Alma; “Persephone’s Daughters,” empowering readers and writers who’ve experienced gendered abuse

Will be out on March 8. Pre-order HERE.



#MeToo Anthology, The Back Story

by Deborah Alma, Editor

The #MeToo (Fair Acre Press, March 8, 2018) anthology came straight out of a long thread on my Facebook page in October 2017, just as we were talking about the Harvey Weinstein allegations on the news and before I had even heard of the #MeToo campaign. I asked women friends of mine to add their name on the thread if they hadn’t experienced any form of sexual harassment in their lives and I was surprised to find that of the 200 women that started to share some of their stories , 2 or 3 told us that it had never happened to them. My surprise was not that there were so few, but that there were any women at all.

Of course over the years we have shared these stories with our friends, sisters, mothers, partners and sometimes with the police, or in court. It has been the water we swim in as women. But saying something publicly has always been difficult and brave. The words would stick in our throats, for so many reasons.

But something was released and given a space within social media. It was easy to add our voice to the rising shout of #MeToo. We felt the sisterhood. Many women were emboldened by this to share more difficult stories, more details.

I’m a poet, and an editor and someone suggested we collect these stories somehow and it was obvious to collect them as poems. It was what I could do.

I am very proud of this book, proud of the poets for sharing and for the courage in putting their names to their words. I have been amazed by the wonderful collaboration in its making; all of us women.  Jessamy Hawke is the daughter of an online friend and she came forward and offered to make new line drawings for the book, the striking cover was made for the book by my friend Sandra Salter and all the work of editing and publishing was donated. Jess Phillips MP gave us her introduction and it’s been endorsed by Amanda Palmer and Rachel Kelly amongst others.

I do recognise that it is a painful and difficult to read a great deal of the time. But when taken slowly, and with reading only what you can bear, I trust the reader will hear its rallying cry of anger and impatience. We have had enough.

© 2018, Deborah Alma

DEBORAH ALMA (Emergency Poet) is a UK poet, with an MA in Creative Writing, taught Writing Poetry at Worcester University and works with people with dementia and in hospice care. She is also Emergency Poet prescribing poetry from her vintage ambulance. She is editor of Emergency Poet-an anti-stress poetry anthology, The Everyday Poet- Poems to live by (both Michael O’Mara), and her True Tales of the Countryside is published by The Emma Press. She is the editor of #Me Too – rallying against sexual harrassment- a women’s poetry anthology (Fair Acre Press, March 2018). Her first full collection Dirty Laundry is published by Nine Arches Press (May 2018). She lives with her partner the poet James Sheard on a hillside in Powys, Wales.



POETRY FROM

#MeToo: rallying against sexual assault and harassment

 

Freeing the sources of light

Make friends with the light.

It’s been years

since you watched summer turn bad,

 

felt warm grass chafe your bare legs

and his old man’s fingers

trespass beneath the dress

 

you never wore again.

That hot summer

you dashed to your childhood garden

 

but the sun glared,

music buzzed from the wireless,

stung a secret place, the Everlies

 

and Elvis called heart:

always tender, baby,

always untrue.

 

And summers afterward

echoed bus rides to city parks

where he kissed your mouth,

 

fondled your arms.

The sun blurred, twinned

into headlamps,

 

pinned shadows on the wall-

but it was decades ago.

Welcome the light,

 

you don’t need a sky’s worth,

just a lodestar for the journey.

White roses in a glass vase,

 

candle-flame at dusk and the moon

in winter, carrying

its bowl of borrowed sun.

© 2018, Sheila Jacob      


Bitch

Always just within reach, it is the desk-drawer revolver

or the switch that is flicked when a woman says No

and means No and knows her own mind

and makes herself inconveniently clear;

 

it is the cocksure roar of boy used to his own way,

one more of the ones we warn each other about,

whose reputations we pass around like classroom

secrets, names itching from girl-hand to woman-hand,

 

the ones who just adore women, who say their wives

really don’t mind, the ones who wonder, aloud,

and publicly, what hitch qualifies you to claim

this space for your small fierce self,

 

the ones who will scrape back their chair, stand up

in the kitsch restaurant, tongue catching on the latch

of that single syllable,the alarmed door he will shoulder

open becoming the exit she will depart through. 

© 2018, Jane CommaneAssembly Lines (Bloodaxe, 2018)


Irish Twins

attic rain

the backyard swing

off kilter

We share an attic room. In the corner is an old double bed that smells and sags on one side. My side. Late at night I hear my heart beat. Loud. So loud he will hear it. He will think my heart is calling him up the attic stairs. His footsteps are heavy. He smells of old spice and cherry tobacco. My eyes shut tight. I know he is there. I feel his weight. Never on my side. Always on the side she sleeps. When the bed-springs sing their sad song I fly away. Up to the ceiling. My sister is already there. Together we hold hands. Looking down we see our bodies. We are not moving. We are as still as the dead.

© 2018, Roberta BearyContemporary Haibun Vol.14 (Red Moon Press)



PERSEPHONE’S DAUGHTERS

The Return of Persephone, c.1891 (oil on canvas) by Leighton, Frederic (1830-96); 203×152 cm; Leeds Museums and Galleries (City Art Gallery) U.K.; English, public domain

PERSEPHONE’S DAUGHTERS is published online, in print and in film. This magazine’s content is based on a mission to empower women / femme individuals who have experienced various forms of gendered abuse (sexual, emotional, physical, racial, verbal, etc), or other forms of degradation (harassment, catcalling, threats, etc).  Persephone’s Daughters welcomes all identities.

Online Sunday Stories feature personal accounts of those surviving abuse. There is also a film submission category that aligns with the mission. Accepted works are featured online on Film Fridays.  Of note is a post-election mini-issue, a writing and art collection by people who are negatively effected by the outcome of the 2016 U.S. election. Proceeds from the sales of that collection go to the Young Center for Immigrant Children’s Rights, which provides services, legal help, and advocacy to unaccompanied immigrant children fleeing trafficking, conflict, poverty and more.

The editor’s say that submissions for Issue 5 will likely open in April. The theme is “Sexual Assault Awareness.” Sunday Stories and Film Fridays are currently open for submissions. Link HERE.


ABOUT THE POET BY DAY

Emily Dickinson First Book Award recognizes an American poet who is at least forty years of age


The Poetry Foundation announced recently that poet Kristen Tracy won its 2017 Emily Dickinson First Book Award for her manuscript Half-Hazard. The occasional prize (last awarded in 2012) is designed to recognize an American poet at least 40-years-old who has yet to publish a first collection of poetry. Tracy’s manuscript Half-Hazard, which was previously a finalist for the Yale Younger Poet Prize and a semi-finalist for the Walt Whitman Award and Sarabande Books’ Kathryn A. Morton Prize, will be published by Graywolf Press in 2018. The cash award is $10,000. Tracy was honored at the Pegasus Awards ceremony at the Poetry Foundation on June 12.

KRISTEN TRACY grew up in a small Mormon farming community in Idaho. She earned an MA in American Literature from Brigham Young University, an MFA from Vermont College, and a PhD in English from Western Michigan University. Her poems have appeared in more than two dozen literary journals.

“The Poetry Foundation is proud to recognize Kristen Tracy, whose manuscript was selected from more than one thousand submissions to this year’s Emily Dickinson First Book Award contest, and to partner with Graywolf Press in publishing these distinctive poems,” said Poetry Foundation President Henry Bienen.

In describing Half-Hazard, Jeff Shotts, Executive Editor at Graywolf Press, noted that it is “full of warnings and dangers, as well as wry observations, and also full of a kind of joy made sweeter by its being earned, lived, and perceived.” Shotts continued, “It’s a great honor for Graywolf to publish Tracy’s unusual and accomplished debut through our ongoing collaboration with the Poetry Foundation and the Emily Dickinson First Book Award. Discovering important new voices is at the heart of this award and the missions of both the Press and the Foundation.”

Tracy’s book, Half-Hazard, is scheduled to be published by Graywolf Press, fall  2018.  Meanwhile, you can visit Kristen Tracy’s website. She also writes for children, tweens and teens, so it’s a site full of cheer and color. Her Amazon page is HERE.


The Poetry Foundation, publisher of Poetry magazine, is an independent literary organization committed to a vigorous presence for poetry in our culture. It exists to discover and celebrate the best poetry and to place it before the largest possible audience.

The Poetry Foundation seeks to be a leader in shaping a receptive climate for poetry by developing new audiences, creating new avenues for delivery and encouraging new kinds of poetry through innovative literary prizes and programs. For more information, please visit poetryfoundation.org.


ABOUT THE POET BY DAY

SECOND LIGHT NETWORK OF WOMEN POETS: News and Information

In the Medieval Period, Sappho had a reputation as an educated woman and talented poet. In this woodcut, illustrating an early incunable of Giovanni Boccaccio’s De mulieribus claris (Concerning Famous Women), Sappho is portrayed surrounded by books and musical instruments. Boccaccio (1313-1375) was an Italian writer, poet and Renaissance humanist.

Dilys Wood, SLN founder and poet, editor and publisher


SECOND LIGHT NETWORK OF WOMEN POETS (SLN), founded by poet, editor and publisher, Dilys Wood, was created to encourage and promote women poets – forty-plus.  SLN lives in London but membership is open to women poets over forty-years old living anywhere in the world.


NEWS & INFORMATION

SLN’s ARTEMISpoetry, Issue 18, themed “Risks in Poetry” is just out and can be purchased from Second Light via Anne Stewart’s poetry pf. 

Anne Stewart, poet, poetry tutor, founder of poetry pf and administrator to SLN

Each issue of ARTEMISpoetry is chock full of information, inspiration, poetry and introductions to good poets who might be new to you. There’s always a sprinkling of black-and-white art and often a clever cartoon by Kate Foley. A “note board” provides news and updates on publications by member poets and on events, conferences, classes and poetry readings. These latter are in and around London and so mostly benefit local poets.  

ARTEMISpoetry, Call for Submissions – Opportunity Knocks

Issue 19, November 2017  

Editors for Issue 19 are: General & Artwork – Dilys Wood and Katherine Gallagher; Poetry – Anne Stewart.

New: Readers’ Letters are invited. Comments on the journal’s content or anything you would like to see discussed in relation to women’s writing. (max 100 words).

All submissions: submit paper copy initially to Dilys Wood, 3 Springfield Close, East Preston, West Sussex, BN16 2SZ. Please write “ARTEMISpoetry” on your envelope. (Enquiries only: e-mail Administrator editor@poetrypf.co.ukPoems: Issue 19 deadline – August 31, 2017

Poems by women of any age. Poems should be typed, or if written, then very neatly. Each poem should commence on a new page, headed “Submission for ARTEMISpoetry”. Please SEND TWO COPIES.  Include your name with each poem and include your name and full contact details in your submission. Long poems are considered. Submit up to four poems to a maximum of 200 lines in all.

Artwork: Black and white photographs or line art. Submit up to four pieces to Dilys as above.


EVENTS

Bookings open for AUTUMN FESTIVAL in mid-to-late August. This Festival is scheduled for November 17 & 18 this year.

Bookings open for SPRING FESTIVAL in mid-to-late February 2018. This Festival is scheduled for May. Exact dates to be announced.

Details HERE.


COMPETITION

Poet, poetry tutor and consultant to SNL

Second Light Poetry Competition for Long and Short Poems by Women 2017 – Deadline Tuesday, August 15th

JUDGE MYRA SCHNEIDER will read all entries. Myra Schneider’s latest and recent books are Persephone in Finsbury Park (SLP), The Door to Colour (Enitharmon); What Women Want (SLP); and the writing resource, Writing Your Self (with John Killick). Myra is a Poetry School and Second Light regular tutor. More at Myra Schneider website where you can also order Myra’s books

Awards:

  • £300 First Prize for each of Long (no upper limit) and Short (max 50 lines) poems
  • £150 Second Prize (1 poem from either category)
  • £75 Third Prize (1 poem from either category)

Winning & Commended Poets published (in full or extract) in ARTEMISpoetry. Winners offered a London reading.

Entry fees are:

  • £6 each per long poem.
  • Short poems: £4 each or £9 for 3, £14 for 8. Enter by post (2 copies) or online.

Members are entitled to one free entry into the competition. Join now to be eligible.** (see About Second Light/Joining)

Rules & Entry direct link to payment at poetry p f online shop.

The competition results will be posted on the website by September 30th. Once winning poems (or extracts) are published in ARTEMISpoetry, they will be available to read there.


REMOTE (DISTANCE LEARNING) WORKSHOPS

REMOTE WORKSHOPS, a service you can access from anywhere in the world, are offered. There are two courses from which to choose with eight sections each. The workbooks are two of the many poetry anthologies published by SLN, Her Wings of Glass and Fanfare, both can be purchased from poetry pfWorkshop details HERE

PERCEPTIONS OF TIME, a full-day remote/distance workshop (5 hours plus) designed by Myra Sneider. Price: £8.

“Time plays a central role in every aspect of our lives. The workshop explores ways in which we perceive time and how we represent these perceptions in writing.

“Past experience crucially influences how we view the present and future. Earth’s distant past, cosmological time are difficult to imagine … Clock time is fixed but our impressions of time are subjective – an hour’s enjoyable exercise session will seem to be over quickly, but the minutes drag during a boring lecture…”

Further details on Myra Schneider (workshop designer and tutor) are HERE.

To order, contact Administrator, Anne Stewart, +44 (0)1689 811394 / +44 (0)7850 537489 or e-mail

Poems written in these workshops are invited for consideration for ARTEMISpoetry.


REMEMBERING MARY MacRAE

Poet Mary MacRae

THE MARY MacRAE ACCESS TO POETRY MEMORIAL FUND: “many will remember the outstanding poet and Second Light member, Mary MacRae (her books As Birds Do and Inside the Brightness of Red are available from Second Light).

“The Fund has been created in her memory, begun with a substantial donation from Mary’s family, with the intention of providing modest grants to enable local members on low income, along with a travel companion if they are unable to travel alone, to come to Second Light events.

“If anyone would like to make a contribution to the fund in Mary’s memory, all donations, however small, will be most welcome. Donate to the Fund

Making an Application

“Members on low income, who may not otherwise be able to attend Second Light events, may apply for assistance with local travel, for themselves only or for themselves and a travelling companion, if they are unable to travel alone. Recipients will be asked to make receipts for expenditure available whenever possible. Applicants should be aware that Donors of substantial amounts to the Fund may be given access to Fund records on a confidential basis.”

Download Application Form


CONNECT

Photo credits: header is courtesy of cladcat under CC-BY 2.0 license; © photo portraits of poets Dilys, Myra and Anne belong to them and Mary’s to her estate; Sappho Eresia (below) is in the public domain


Hermaic pillar with a female portrait, so-called “Sappho”; inscription “Sappho Eresia” ie. Sappho from Eresos. Roman copy of a Greek Classical original.

RELATED:

My SLN member page is HERE.


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