“’Christ! You know it ain’t easy You know how hard it can be The way things are going They’re going to crucify me'” *
Crow cawing in early morning clouds
Tallest tree invisible in fog
Tarot’s Hanged Man
Initiation into a mysterious world
Odin hung for 9 days
Euhemerizationally** sacrificing his eye
Think of other mythical and biblical
Heroes hung over the centuries
All in the name of knowledge
Ah, but John Lennon
Knew he was a sacrifice
No worse than others
Yet, in his quest for wisdom
He cried out to us:
“Christ! You know it ain’t easy
You know how hard it can be
The way things are going
They’re going to crucify me” *
He knew, he knew
But tell me who
Would assassinate a rocker?
So many of us
Hanging in silence
Smoke and steam
Muffling our dreams
Then thinking we’ve learned
Slip off the slip knot
Abrading the ankle’s skin
Moving into the Earth’s valley
Carrying new knowledge
But never satisfied
And in time
Wake up to find
We’re back on the tree
Dangling in space
Another lesson to memorize
A path to retrace…
. (c) 2018 Clarissa Simmens (ViataMaja)
. This is poem is an excerpt from Clarissa’s collection Cording the Cards and shared here with Clarissa’s permissions.
,
* The Ballad of John and Yoko
CLARISSA SIMMENS (Poeturja) is an independent poet; Romani drabarni (herbalist/advisor); ukulele and guitar player; wannabe song writer; and music addict. Favorite music genres include Classic Rock, Folk, Romani (Gypsy), and Cajun with an emphasis on guitar and violin music mainly in a Minor key. Find her onAmazon’s Author Page, on her blog, and on FacebookHERE.
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“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
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“All true artists, whether they know it or not, create from a place of no-mind, from inner stillness.” Eckhart Tolle
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
The Raven depicts a mysterious raven’s midnight visit to a mourning narrator, as illustrated by John Tenniel (1858) / Public Domaincourtesy of pdclipart.org
Well, Happy Halloween everyone.Reading The Raven on Halloween is a rather nice tradition, I think. There are quite a number of celebrity readings on YouTube, including one by Christopher Lee, which I thought quite good. I went with Christopher Walken for today. Personal bias: I can hear the New Yorker in his voice. He’s from Queens, New York. Anyway, enjoy. Have a lovely Halloween and don’t eat too much candy corn.
Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore— While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door— “‘Tis some visitor,” I muttered, “tapping at my chamber door— Only this and nothing more.”
Ah, distinctly I remember it was in the bleak December; And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow;—vainly I had sought to borrow From my books surcease of sorrow—sorrow for the lost Lenore— For the rare and radiant maiden whom the angels name Lenore— Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain Thrilled me—filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, “‘Tis some visitor entreating entrance at my chamber door— Some late visitor entreating entrance at my chamber door;— This it is and nothing more.”
Presently my soul grew stronger; hesitating then no longer, “Sir,” said I, “or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you”—here I opened wide the door;— Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, “Lenore?” This I whispered, and an echo murmured back the word, “Lenore!”— Merely this and nothing more.
Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. “Surely,” said I, “surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore— Let my heart be still a moment and this mystery explore;— ‘Tis the wind and nothing more!”
Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately Raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door— Perched upon a bust of Pallas just above my chamber door— Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the Raven “Nevermore.”
Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning—little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door— Bird or beast upon the sculptured bust above his chamber door, With such name as “Nevermore.”
But the Raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. Nothing further then he uttered—not a feather then he fluttered— Till I scarcely more than muttered “Other friends have flown before— On the morrow he will leave me, as my hopes have flown before.” Then the bird said “Nevermore.”
Startled at the stillness broken by reply so aptly spoken, “Doubtless,” said I, “what it utters is its only stock and store Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore— Till the dirges of his Hope that melancholy burden bore Of ‘Never—nevermore.'”
But the Raven still beguiling my sad fancy into smiling, Straight I wheeled a cushioned seat in front of bird, and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore— What this grim, ungainly, ghastly, gaunt and ominous bird of yore Meant in croaking “Nevermore.”
This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom’s core; This and more I sat divining, with my head at ease reclining On the cushion’s velvet lining that the lamp-light gloated o’er, But whose velvet violet lining with the lamp-light gloating o’er, She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer Swung by Seraphim whose foot-falls tinkled on the tufted floor. “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee Respite—respite and nepenthe, from thy memories of Lenore; Quaff, oh quaff this kind nepenthe and forget this lost Lenore!” Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!— Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted— On this home by Horror haunted—tell me truly, I implore— Is there—is there balm in Gilead?—tell me—tell me, I implore!” Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil—prophet still, if bird or devil! By that Heaven that bends above us—by that God we both adore— Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore— Clasp a rare and radiant maiden whom the angels name Lenore.” Quoth the Raven “Nevermore.”
“Be that word our sign in parting, bird or fiend!” I shrieked, upstarting— “Get thee back into the tempest and the Night’s Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken!—quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!” Quoth the Raven “Nevermore.”
And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon’s that is dreaming, And the lamp-light o’er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted—nevermore!
– Edgar Allan Poe (1809-1849)
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
Joy Harjo, Poet Laureate of the United States. Photo by Shawn Miller, Library of Congress.
“Way way back: Music, poetry and dance came into the world together. Sometimes they get lonely for each other.” Joy Harjo during her Inaugural Reading
Joy Harjo gave her inaugural reading as the 23rd Poet Laureate Consultant in Poetry at the Library of Congress last night. Here it is in case you missed it. (One-and-three-quarters hours. You might want to bookmark it for later.) It is an understated event, nothing Hollywood about it, which was refreshing and a relief from the usual broadcast noise. Harjo filled her presentation with history, a sense of place, and music as well as poetry.
Harjo accepted the award on behalf of herself, of course, but also on behalf of tribal women/indigenous women everywhere. A member of the Muscogee Creek Nation, she is the first Native American to serve as U.S. Poet Laureate.
“Every poem has a poem ancestor.” Joy Harjo during her Inaugural Reading
Poetry at the 2019 Brooklyn Book Festival
The Brooklyn Book Festival is the largest free literary event in New York City, presenting an array of literary stars and emerging authors who represent the exciting world of literature today.
Participating poets include: Hala Alyan, Jericho Brown, Tina Chang, Nick Flynn, Rigoberto González, Ilya Kaminsky, Edgar Kunz, Sally Wen Mao, Ladan Osman, Jake Skeets, Sally Wen Mao, Vanessa Angélica Villarreal, and Keith Wilson.
Drop by the Academy of American Poets booth (#321) at Brooklyn Borough Hall to pick up copies of Volumes 55 and 56 of American Poets magazine, purchase American Poets Prize–winners’ books for $5 each, and peruse discounted items from the Poets Shop. For more information about Academy events at the Festival, VISIT HERE.
ABOUT
Jamie Dedes. I’m a Lebanese-American freelance writer, poet, content editor, blogger and the mother of a world-class actor and mother-in-law of a stellar writer/photographer. No grandchildren, but my grandkitty, Dahlia, rocks big time. I am hopelessly in love with nature and all her creatures. In another lifetime, I was a columnist, a publicist, and an associate editor to a regional employment publication. I’ve had to reinvent myself to accommodate scarred lungs, pulmonary hypertension, right-sided heart failure, connective tissue disease, and a rare managed but incurable blood cancer. The gift in this is time for my primary love: literature. I study/read/write from a comfy bed where I’ve carved out a busy life writing feature articles, short stories, and poetry and managing The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
Recent and Upcoming in Digital PublicationsPoets Advocate for Peace, Justice, and Sustainability, YOPP! , September * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 *From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 *Three poems, Our Poetry Archive, September 2019
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Thank you for sharing your love of words. Comments will appear after moderation.
CLARISSA SIMMENS (Poeturja) is an independent poet; Romani drabarni (herbalist/advisor); ukulele and guitar player; wannabe song writer; and music addict. Favorite music genres include Classic Rock, Folk, Romani (Gypsy), and Cajun with an emphasis on guitar and violin music mainly in a Minor key. Find her onAmazon’s Author Page, on her blog, and on Facebook HERE.
The Brooklyn Book Festival is the largest free literary event in New York City, presenting an array of literary stars and emerging authors who represent the exciting world of literature today. 
Jamie Dedes' THE POET BY DAY Webzine 