When I am an old woman I shall wear purple With a red hat which doesn’t go, and doesn’t suit me. Warning by Jenny Joseph
What’s it to me? …
A knotted and nasty old poet of introverted time
wearing five-dollar sweats
dressing in black on black like a fly
with silver earrings tinkling softly in the winter breeze
What’s it to me? …
A Madwoman, a Madonna, a Medusa
Traipsing neighborhood streets, city parks and country lanes
Nibbling on sharp yellow cheese and glossy red apples
Sitting down on some wayward curb to sigh in wonder at
noisy birds and children, wizened old men, whiskered grandmothers
Dogs walking their humans by the side of the road
Feral cats scratching out a living of pigeon stuffed with stale bread
Muttering, muttering, whispering, watching, writing
Writing long poems and short about what it was to be us
through clocked days trapped in pointless, punctilious youth
Enjoying now the wild, gnarly randomness of life
and the music of our dusty blue souls jingling as we walk … What’s it to me? What’s it to this so lately untamable me?
Aging has its many downsides. We’re not going to explore them this week. Instead we’re going to explore the joys. For me this would be feeling free to honor my inner eccentric. How about YOU? What are the joys you find in aging? If you’re still young, use your imagination. Tell us about the joys of your aging in your poem/s.
please submit your poem/s by pasting them into the comments section and not by sharing a link
please submit poems only, no photos, illustrations, essays, stories, or other prose
PLEASE NOTE:
Poems submitted through email or Facebook will not be published.
IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.
PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.
Deadline: Monday, November 25 by 8 pm Pacific Time. If you are unsure when that would be in your time zone, check The Time Zone Converter.
Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro. It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you.
You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
“In traditional Japanese aesthetics, Wabi-Sabi is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete.” . . . Characteristics of the wabi-sabi aesthetic include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and appreciation of the ingenuous integrity of natural objects and processes.” Wikipedia MORE
As always, all poets have come through beautifully for us, putting their own creative mark on Wabi Sabi.
Thanks for this collection go to: Gary W. Bowers, Anjum Wasim Dar, Urmila Mahajan, Sonja Benskin Mesher, Eric Nicholson, Pali Raj, and Leela Soma. Enjoy! and do join us tomorrow for the next Wednesday Writing Prompt. All are welcome to join in: novice, emerging, or pro.
wobbly sobby
on the potter’s wheel is an opportunity
to fail. the future potter rarely raises a cylinder
the first time, nor times two through ten.
getting good at wheel-throwing takes a
determination shared by marathoners
and golfers and ballroom dancers. meanwhile,
the future potter uses his wire tool
to cut heap after heap of wobbly, wet clay
from the wheelhead or the batt. when at last
a cylinder is up, there are almost always
many things wrong with it.
here is a still-future potter
and his new creation. it slumps
slightly. it wobbles
when the wheel is brought up
to trimming speed. the hat
drawn by dr. seuss for his cat
has a similar shape.
the still-future potter doesn’t care. he sobs,
but not out loud, for joy. he will never
feel as though raising a cylinder
is out of his reach. that it took
so many times, and wobbles, and sobs,
only reinforces the bedrock
of his foundation
of his becoming.
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
Philip Larkin told us Days
bring the priest and doctor
running over the fields.
On this rainy day I’m pressed
into the Day’s four walls, the cold
seeping into my bones. Restless
I’m too aware the Day doesn’t fit me;
it’s like an oversized overcoat.
My brother texts me and I reply,
Winter isn’t my favourite time,
Ditto, he replies. Afterwards
I resist thinking of summer sun
and wish I could wear each day
like a well-tailored suit.
Morning dew like jewels on spring green grass
crystals shimmering in the glow of a dawn sunrise,
drip, drip of tiny of raindrops, a soft chord
Or drizzle from heaven brushing soft on my eyelids
mist, layers of mist over rivers that flow ever so gently
Silver spray, sea foam caressing my ankle on the shore
Rippling, the swash, the crest white returning to the blue
trees swaying fiercely as autumn winds denude them
Music of orphaned leaves lying uncared for like
carpets of gold, brown and red over grey pavements
Scrunching sounds under foot, like a beat to
the hailstones falling on the roof tiles. Cold
frost and ice a chilling serape of winter hibernation
snow-sprinkled homes with a soft light in the window
nature’s notes, musical score, a beautiful symphony.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
Japanese tea house: reflects the Wabi Sabi aesthetic, Kenroku-en Garden
if only i knew
what the artist knows
about the great perfection
in imperfection
i would sip grace slowly
at the ragged edges of the creek
kiss the pitted
face of the moon
befriend the sea
though it can be a danger
embrace the thunder of a waterfall
as if its strains were a symphony
prostrate myself atop the rank dregs on the forest floor,
worshiping them as compost for fertile seeds
and the breeding ground for a million small lives
if i knew what the artist knows,
then i wouldn’t be afraid to die,
to leave everyone
i would be sure that some part of me
would remain present
and that one day you would join me
as the wind howling on its journey
or the bright moment of a flowering desert
if i knew what the artist knows,
i would surely respond soul and body
to the echo of the Ineffable in rough earthy things
i would not fear decay or work left undone
i would travel like the river through its rugged, irregular channels
comfortable with this life; imperfect, impermanent, and incomplete
“In traditional Japanese aesthetics, Wabi-Sabi is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete.” . . . Characteristics of the wabi-sabi aesthetic include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and appreciation of the ingenuous integrity of natural objects and processes.” Wikipedia MORE
This week’s prompt is to write a poem or poems that view the world, especially the natural world, from a Wabi Sabi perspective:
please submit your poem/s by pasting them into the comments section and not by sharing a link
please submit poems only, no photos, illustrations, essays, stories, or other prose
PLEASE NOTE:
Poems submitted through email or Facebook will not be published.
IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.
PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.
Deadline: Monday, November 18 by 8 pm Pacific Time. If you are unsure when that would be in your time zone, check The Time Zone Converter.
Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro. It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you.
You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.
Note: If Wabi Sabi is new to you and captures your imagination and interest as it did mine, I recommend Wabi-Sabi for Artists, Designers, Poets & Philosophers by Leonard Koren. There’s also a charming children’s picture book, Wabi Sabi, written by Mark Reibstein and illustrated by Ed Young.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
“In my works on African culture, I am not against races or tribes, but systems that betray Africa. People must stop being stooges and writers must write against second and third colonialistic winds.” Mbizo Chirasha in an interview with The Herald HERE.
Mbizo Chirasha
We did something unusual with the last Wednesday Writing Prompt. We asked poets to respond specifically to the situation of Zimbabwean Poet-in-Exile, Mbizo Chirasha. (Not all the poets actually responded on theme, but they did respond on related issues that concern them and so we included their poems in this collection.) The purpose of the theme is to help us create awareness of the plight of our fellow poets like Mbizo and other writers, artists and activists who are directly fighting authoritarianism, despotism and kleptocracy on the front lines and putting their general welfare and even their lives at risk in doing so. These are socially-engaged creatives who are in danger from amoral govenments in their own beloved countries. We appreciate your participation as writers, readers and humanitarians in this week’s unusual and important prompt.
Mbizo writes in response to the submissions:
Great poets around the world, readers of poetry, esteemed audience of The Poet by Day: I salute you with my sincere gratitude for timeous creative support. You are word revolutionaries fighting with me in trenches for the attainment of social justice, human rights, and freedom of expression. This is as it should be. Writers should be first to shoot words, sling metaphors, and pose readily in the artistic armour to wage a resilient, creative and nonviolent war.
I am heartily touched by the amount of commitment, depth and detail in these submissions. We should remain resilient, focused strong and creative in the quest for national harmony, regional peace, and global sanity. Writers must write and continue to write to mitigate bad governance, corruption, injustice, hegemony, dictatorship, political violence, and social malaise.
Aluta continua!
Mbizo Chirasha
Our thanks to Gary W. Bowers, Paul Brookes, Anjum Wasim Dar, Mike Stone, Pali Raj, and Sonja Benskin Mesher for the richness of this collection. Countries represented in the post are: England, Kashmir, India, Israel, Pakistan, United States, and Zimbabwe.
We’ll return to the traditionally prompt response layout and inclusions next week. We’ve modified it this week out of respect for the occasion. Thank you for understanding. A brief update on Mbizo’s status (not good) closes this post.
artivist artifice artemis bolt
artivist artifice artemis bolt
wring out a dream and give despots a jolt.
artemis arm&fist activist strike
shake out a mindset and shore up a dyke.
artifice artdoesthis anarchist grow
muralize justice for over and throw.
antidote anecdote anthemnote strive
make visitations of souls kept alive.
Here is the syllabus. This will be a tough course.
Introduction will focus on the psychopathology of hard business and unwavering pursuit of profit.
We will teach you how to see people as things. Your mother and father will be unrecognisable to you, as will your kids and spouse. They are merely objects to be maneouvred.
Main course content.
1. How to steal money from public coffers, whilst supporting charitable causes. How to steal food from babies mouths, how to watch the poorer become poorer.
2. How to store stolen money in off shore accounts, defended by laws not available in your home country.
3. How to employ PR to defend your reputation, white wash your actions.
For I sang the freedom song for years
in vain, in pain,
One day I will return
O my homeland ,my heaven, land of
pure peace,
I am the native child, born in captivity
my feet never touched my beloved soil
I breathed but for a while in mother’s
lap,
In sleep, led away, far away, to refuge
One day I will return, I sang my song-
It is a nightmare
futile dream of the happy return
my earth oozes martyrs’ blood spills
resounds with raped women’s screams
burns with saffron spreads in wide fields
weeps with weeping willows in the streams
One day I will return, and I sang my song,
in vain, in pain
I am the houseboat abandoned
I am the ‘shikara’ floating,empty
I am the moaning water of Dal
I am the aroma of sweet apples
I am the snow of mountain tops
I am the color of pansies and lotus
I am the music of the ‘rubaab’
I am the child of a captive state
One day I will return I sang my song
in vain, in pain
But now my heart is silent,my voice
stilled, my feet in fetters, my home
locked, my road blocked, guarded
I am tired of pellets bullets and gas,
I am cold like a stone, no ‘Kangarri’
I carry , no greens or beans I cook
I am but a listed item, a numberless
number, a lost identity, snatched
wrenched annexed conquered
My song of freedom rings aloud
but can anyone hear? Will anyone
come? Will anyone cry for me? Or
my land, to set free? Perhaps one day,
if the music sails on, reaches the stars
Showers the rain which pours free
and washes away the mud of captivity
breaks the chains lifts the barriers and
calls-
Come Your land is yours, gone is the
enemy- but I woke up again, in pain
in vain,
I hear the fearful scream-heavy boots
shaking the soil, tearing up roots
I do not wish to sing, but pray, hope
It is all a dream-
In vain I sing, in pain I try to-sleep
it must be painful for them to write, those poets in tough-times and hard places
where blood and tears and poverty contaminate the air, stain the sidewalks, and consume the people
the blood must be soul-sick and rusted and tasting of acid, not salt,
and the poems meant to heal the writer and stroke the cheeks of the wounded,
to dry their eyes and gently kiss their gray heads
to poem in such places must be like walking shoeless on glass shards
perhaps the most sacred thing in the dream-time meadow of poets’ desire is Light ~
can you awaken to meet the Divine when you are on the run, in hiding, on the battlefield, in the camps, in government housing or in the ghettos?
if so, you are a saint, not simply an artist
2.
in my small world, my civilized world, people fall asleep reading or after making love or playing in the yard with their children
if they wander, it is through books or planned travel
there are luxuries
there is food
there is cleanliness and paper on which to write
no bombs are dropping to scorch and scar the Earth
no government thugs stalk us with ill intent
there is a certain dignity
3.
in San Francisco we walk along the beach at night, near the Cliff House
we walk to the sound of the waves, the song of the Earth chanting its joys
our feet are bare and relish the comfort of cool sand
the air is clear and cold and easy to breathe, tasting of salt and smelling of sea life ~ here is a pristine moment of peace
i want to bequeath this peace to you, to everyone,
as though it were a cherished heirloom
it is really a birthright
i want to plunge into the waters and gather the ocean in my cupped hands, to offer it to you as sacramental wine
i want to form seaweed into garlands for all of us to wear, to hang over our hearts, a symbol of affection
i want to collect pine cones from the trees that congregate along the coast and feed them to the children to remind them to cherish this Earth and all its creatures, themselves included, and to say …
do not make war in your heart or upon your mother’s body
Silent, poor, innocent, youth
They witness democratic loot
Corruption rise,
And businessmen fight when
Economic slowdown
They are blown into religious fight
They seek a person with opposite ions
When their grief rise
You call me activist, but
I must also sleep the long night
Well, activism
I haven’t wished for it, nor consented to it
I only love my nation.
The sweet pungency of rose and violets
Floats on the gentle breezes
And down the road a ways the church bells toll
As they did then.
At the shooting range, you still see bullet holes
But they buried all the targets in mass graves,
Not helter-skelter like some graveyards,
But very orderly as they were then.
The tall poplar trees surround electric fences,
They seem inviting, leaves rustling in the breeze,
A nightmare inside a blonde and blue-eyed dream,
As it was then.
They scrub the showers, ovens, and the smokestacks,
The red brick raw and spotless.
A pile of shoes stands in silent accusation
But no one hears, then as now.
And the prophet stood among a few people.
In the marketplace of ideas, there were many prophets
But this prophet spoke quietly. He said
Hatred is not a state of mind
That one can enter and leave at will;
It is a road that starts in innocence
Leading ever downhill
And ends in unplumbed evil.
I don’t tell you turn the other cheek
When struck, as another prophet said,
But I say don’t answer hatred with hatred.
Hatred comes from ignorance of others,
Thinking they are not like us,
That they don’t love their children
Or honor their parents
Or fear for their future as we do.
Why not answer hatred with hatred?
Because it creates a circle without exit or break
And perhaps their hatred comes from
Honoring their past or fearing their future.
What should you do?
When you understand those whom you call “other”
You will know what to do, and hate
Will wither like dry tumbleweed in the desert
Because there is no other,
There is only us.
Blessed are the rich
For they shall inherit the meek
And enslave them.
Blessed are the rich
Who will inherit new worlds to suck dry
After they have sucked dry our only world.
Blessed are the rich
Who make their own blessings
And the gods to bless them.
Cursed are the poor
Who bow down to worship
The gods of the rich,
Who count the blessings of the rich
Who are sucked dry by the rich
Who are enslaved by the rich.
Cursed are the poor
Who bless the curse of meekness
For their children to inherit.
A small bird landed on the branch of an old tree
Where other loudly chirping birds were perched.
The other birds on this branch twittered critically
And decided she was not one of them.
If you want to perch on our branch, they said to her,
You’ll have to cut off your right wing like all of us
And the little bird saw that the other birds
Had only their left wings. But how do you fly, she asked.
One of the birds responded by jumping off the branch,
Flapping his left wing and spiraling downward
Until he crashed beak first into a rock.
To each bird, according to its needs, the other birds tweeted.
The little bird flew to another branch on the old tree.
If you want to perch on our branch, they said to her,
You’ll have to cut off your left wing like all of us
And the little bird saw that the other birds
Had only their right wings. But how do you fly, she asked.
One of the birds responded by jumping off the branch,
Flapping his right wing and spiraling downward
Until he crashed beak first into the hard tree root.
To each bird, according to its capabilities, the other birds chirped.
The little bird flew to another branch on the old tree.
If you want to perch on our branch, they said to her,
You’ll have to cut off both your wings like all of us
And the little bird saw that the other birds
Had no wings. But how do you fly, she asked.
One of the birds responded by jumping off the branch,
But having nothing to flap, plummeted down
Until he crashed beak first into the hard ground.
We are neither left nor right, the other birds sang.
The little bird flew to another tree
And sang a two-wing song for you and me.
What use is beauty
If it merely masks an inner ugliness,
If it just confuses us
Like too much wine
Making us think we’re gods?
What good is truth
If falsehood is far more useful
For getting what you need or want
And easier to believe by far
Besides, who has time for truth?
What purpose does freedom serve
If it only starves us
or makes us lonely?
Most prefer a bond or two
To a mindless multitude.
What’s the point of words
If they are not the right words,
The precise ones that we think
Or those that others want to hear?
A hundred thousand poets for change
That’s us.
That’s what we called ourselves last year
And the year before.
So they’ve stopped lynching the poets in Arabia?
They’ve stopped stoning the raped women in Kabul?
What about the mutilation of genitals of young girls?
So they’ve stopped burning down Black churches in Bama?
Stopped desecrating the lands of our Sioux brothers?
How about the carbon they’ve dumped in the atmosphere?
Did they stop that?
Do they believe now the earth is too warm to live on?
Are philosophers kings yet?
Are kings philosophers?
I don’t mean to be cynical
But it doesn’t seem like much has changed since last year.
We’ve read a few poems,
That’s all.
Come to think of it,
Have we really changed,
Except for getting a year older?
If that’s change
Then we better change change
So that it’s palpable
So that we can feed people with it
So that people can walk tall from it
So that people can protect themselves with it
So that people can make love to it
Until change is done changing
And the world is all the Republic we need.
We’re still $295 short of the Go-Fund-Me goal. Mbizo is in hiding, without any regular source of food or access to a computer, which would facilitate his radio interview and preparing his applications for asylum and other assistance. You are able to donate anonymously through go-fund-me. Even a few dollars will help us reach goal. This effort is hosted by an organizer from International Human Rights Art Festival. If you can help in some other way, please connect with Mbizo at girlchildcreativity@gmail.com.Thank you!
“We remain resilient in the quest for justice, freedom of expression and upholding of human rights through Literary Activism and Artivism. ALUTA CONTINUA.” Mbizo Chirasha
Thank you for sharing your love of words. Comments will appear after moderation.