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“The Bride Wore Yellow” and “Heart Under Lock and Key”, two poems . . . and this week’s Wednesday Writing Prompt

 

 

“…weddings are giant Rorschach tests onto which everyone around you projects their fears, fantasies, and expectations — many of which they’ve been cultivating since the day you were born.” Susan Jane Gilman, New York Times Best Selling Author. She went to Stuyvesant High School on Chambers Street in Manhattan where Frank McCourt was her English teacher and a mentor.



after Ann’s wedding

yellow, like it highlights the flames of autumn
and sparks cornfields and the California hills,
the oranges and ruddy browns of some cats,
the sunrise at springtime, a harvest moon,
jack-o’-lanterns on Halloween and daffodils

yellow, like her accidental wedding, unplanned
but so perfect, subtle yet somehow spicy nice,
symbol of joy and delight, fourth chakra powers,
way of summer hugs and roses saying goodbye,
honest, you know, not like a silly tale told in white

Originally published in Bay Area Poet Ann Emerson’s online Wedding Album. Ann was married from her hospital bed just two days before she died. A sad but beautiful story. The complete back story and samples of her poetry are HERE.

© 2013, Jamie Dedes, All rights reserved


I wait until I hear a gate latch lift
the turn of key in lock.
I sit amongst toys and unwashed clothes,
I sit and she fingers the beads until you speak
in a voice that no longer seems familiar, only strange.
I turn as our child tugs at the string.
I hear a snap and a sound like falling rain.
The Albatross, Kate Bass, The Pasta Maker
I really wanted
to speak to you of this:
the love I had wild
and so long ago
Now it’s dry,
a land parched
by drought
.
Once a love moist
as a spring rain,
delicate as snow drops,
prolific as a poet
I gave you my love
a tender thing
.
A well-written poem
on twenty-pound linen
You tossed love back
wrinkled and torn,
nicotine stained,
smelling of whiskey
.
I handed you love
on our white wedding day
when you kept your heart
under lock and key
Your eyes wouldn’t
seek mine at the rail
.
I gave my love to you
in the palms of our child
You brushed his sweet face
and flew on your way
You lost yourself in a
the land of golden girls
.
Now, I too keep my heart
safe under lock and key
Heavy the lock is
closed so tight with rust
No hope in sight
No hope wanted
© 2010, Jamie Dedes

“Jamie, I was touched that you used my poem as a starting point for one of your own. I liked your imagery, particularly the love in the palms of a child, and it is good to see that you touched others too.

“The time when you have young children is a very difficult time in any relationship, however strong it is. This was one of a series I wrote to try and document the complex mixture of emotions: love, hate, despair, hope, frustration and fulfilment, that new parents feel regardless of whether their relationship survives or not.” Kate Bass


 

WEDNESDAY WRITING PROMPT

As with all human institutions and traditions, weddings and marriages can be very mixed things. Share your poem/s on weddings or marriage in the comments section below or leave a link to it/them.

All poems on theme are published on the following Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.

PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.  

Deadline:  Monday, November 5 by 8 p.m. Pacific.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you. This is a discerning non-judgemental place to connect.


ABOUT

Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation Press, The River Journal, The Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman

“bud and lieu”. . . and other responses to the last Wednesday Writing Prompt

 

“Your days are numbered. Use them to throw open the windows of your soul to the sun. If you do not, the sun will soon set, and you with it.”  Marcus Aurelius, The Emperor’s Handbook



These responses to the last Wednesday Writing Prompt, In Lieu of Flowers (re: legacy and/or eulogy), October 17, 2018 variously prove a sense of humor, a spiritual leaning, and/or a practical perspective on the inevitable for all of us. Kudos and thanks to Gary W. Bowers, Paul Brookes, Deb y Felio (Debbie Felio), Tamam Tracy Moncur, Carol Mikoda, Sonja Benskin Mesher, and Anjum Wasim Dar. Special thanks and welcome to Jen Goldie, joining us for the first time.  Well done, poets.

In addition to their words, I’ve included links to blogs or websites where available. I hope you’ll visit these poets and get to know their work better. It is likely you can catch up with others via Facebook.

Enjoy! … and do come out to play tomorrow for the next Wednesday Writing Prompt.


Unknown to Us

She left a legacy.
A legacy of love.
That’s all it was,
Simple and pure of spirit.

She left a legacy,
A legacy of hope.
That’s all it was,
Simple and pure of heart.

She left a legacy.
A legacy of caring.
That’s all it was,
Simple and pure of mind.

She left a legacy.

© 2018, J.E.Goldie

Don’t Miss Me

Take our times together
and apart
as memories to savor
or not.

Don’t miss me
Take challenges for me,
Be my eyes,
Be my voice,
Be my heart,

And remember this.
We’ll never be apart

© 2018, J.E.Goldie

J.E. GOLDIE (Jen) tells us: The more I learn..the more I realize how little I know about myself….and others. I continue to learn.I’ve reached an age where knowledge exceeds impetuosity And where wisdom allows freedom, An age where unreasonable demands without question become irreconcileable. I give you this wisdom and take mine, as you go through the current demands of your life be sure this is your course, because if the course is not yours and is demanded of you, Be sure you want to accept the regret since You will change the lives and times of others. Are you ready? Unreasonable demands without question are irreconcileable. The atmosphere will be extremely stressfull for you if the course is not yours. .

What your head knows, your heart doesn’t always remember…..

An old/new friend showed this quote to me. It brought tears to my eyes.

“Never let success hide its emptiness from you, achievement its nothingness, toil its desolation. And so…keep alive the incentive to push on further, that pain in the soul which drives us beyond ourselves…Do not look back. And do not dream about the future, either. It will neither give you back the past, nor satisfy your other daydreams. Your duty, your reward—your destiny—are here and now.” Dag Hammarskjöld (1905–1961), Swedish statesman and diplomat, 1961.


bud and lieu

in lieu of flowers
have a beer
or soda water
sparkled clear
or pinetop freshness
golly gosh
or kiss enmeshness
(use mouth; wash)

for when i’ve died
and journey ends
i’ll be relaxing
with my friends
who went before
and saved a seat
or barstool where
we toast, complete;

so ixnay tears
omit that flower
and raise your glass:
it’s Happy Hour.

© 2018, Gary W. Bowers (One With Clay, Image and Text)


Silence

wears piles of shoes and bags
new white shirts never opened

charity irons
creases out of the forgotten

sometimes a relative

gives a story
in feel of used cloth

weighs time in threads
how a story continues

nothing is possessed
If you never heard

a previous owner

only shoes have tongues
fail to speak of their wearer

except in wear

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination)

O, Lady Of The Breath (Six Vacanas)

1. You Rise

from my forest and leave
out of the gob and earth falls.

It shivers renewed,

welcomes a similar you
into my gob.

You excite my spring buds,
allow the earth to rise, again.

2. Can’t Let

you stay long in the dark,
or the earth will rot.

I can’t let you out for long,
or the earth will rot.

Let’s follow this pattern.
I’ll briefly allow you into my dark wood,

But please don’t take woodsmoke, car fumes,
coal dust, iron filings, water in with you,

else I’ll hack you out. These companions
quicken the rot.

3. Help With The

tasting snake in my cave
form the words I need to say.

Take my words out into air
loud enough for others to hear.

Please don’t say you are weak
and can’t carry such a weight.

Please don’t say I failed to welcome
enough of you into the forest.

4. My Dad Let You

in with pungent watercolours on his back,
stink of Clwyd cowpats and fresh mountain air,

but when he scraped boilers you secretly
took into his forest asbestosis strands

that speed his rot and ruin. I can’t understand
your thought in all of this

5. My Sister Threw You

out over her steering wheel,
her forest crushed by molded plastic.

She tried to welcome you back
but the wood was gone,

so you gust over her grave
under an overseeing tree.

O, my lady of the breath.
I welcome your coming and going.

6. Your Cheyne Stokes

delay before my unconscious Nanna
let you in.

I waited a minute, a 10-20
second episode of
stopped breath

suddenly her welcome
let you in

deeper and again
deeper in and out.

then delay

then delay

then delay

her welcome of you
and delay I watched seven days

until she refused your entry for good.

Gave me a legacy of breath.

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination)

The Afterthoughts

When this brain Is medically dead . will I pray I locked the door?

or made presentable by morticians knife fret I left the Box plugged in;

then lowered so others cast first soil or flame-grilled to fine urn ash tell myself I left the oven on;

(From my first chapbook”The Fabulous Invention Of Barnsley”)

or gladly leave this legacy a real reminder how I used to be.

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination)


Finally

I leave to each and all of you

in equal and careful measure

my love everlasting, ever new

it is my only treasure

that and hearty laughter

shared in close and distant quarter

may you hear it long after

my ashes settle in the water

when in the best of times

with family and friends

hear me in your laughing

bringing hope that knows no end

and when the time for sadness

comes into your lonely days

may the mystery of love once planted

help you navigate the waves

nothing more have I to offer

life itself could only know

those times of love and laughter

and how it made a family grow.

© 2018, Deb y Felio


..side parting..

looking for a legacy

i find nothing / no words

no comfortable leavings

parting on the wrong side

can be painful

some hide secrets

i do not

we hope you will feel good

about pins

© 2018, Sonja Benskin Mesher

..the book..

is discussed at length,
the book is bound for

nightmares. it starts
early evening. retiring
to the upper rooms

the rags are torn ready
to close, to bind his
book in definitely.

it is an inheritance.
he talked about wills,
put his head under the cover,
slept.

© 2018, Sonja Benskin Mesher


The Last Symphony

The melodious singing of the church choir intensifies emotions replacing tears with a melancholy joy. I am on the outside peering in the dimension I vacated a week ago. In walks the bass striding to the beat of distant drums. My reasonably long life has come to an end as I prepare to make my transition. Piano lines racing and spacing…fingers flying… harmonic overtones filling in what was. I can hear the accolades,in lieu of flowers, the resolutions that say when I took Jesus in my heart was the start of new beginnings for me. Trombone sounds announce a life supreme…the tambourine marks time. I become the wife…the mother…the grandmother I should be. I am the teacher that cares for her students working diligently to enable them to succeed. I give back to the community…working to ameliorate poverty. Blue tones…chords dissonant…syncopated rhythms inspire my march against hatred…enabling me to poetically protest ignorance…racism…fanaticism…sexism and economic discrimination in the world’s richest nation. Last message to My Country Tis of Thee…choose God not money…choose God not money…choose God not money. God is LOVE! The bass takes my hand…stepping high. A crescendo of symphonic tones fills the atmosphere for God is near. Jazz stands on the horizon beckoning. The coffin is now closed on my life.

© 2018, Tamam Tracy Moncur 

Diary of an Inner City Teacher “is a probe into the reality of teaching in our inner city school systems as seen from the front line. Over two decades in the trenches, educator Tamam Tracy Moncur exposes through her personal journal the plights, the highlights, the sadness, and the joys she has experienced as a teacher. Come to understand why the United States Department of Education and the various state departments of education must realize the teaching of academics cannot be divorced from the social issues that confront the students. Let s be innovative together and design new millennium schools that address the educational needs of the inner city students before it s too late! Our children s very existence is at stake! Laugh, cry, and become informed as you embrace the accounts of an inner city teacher.

Tamam Tracy Moncur

“Tamam Tracy Moncur was born in Oakland, California. She attended elementary school in Oakland, and attended middle and high school in Berkeley. She was a civil rights activist in San Francisco prior to relocating to the East Coast. She met her husband, renowned jazz musician Grachan Moncur III in New York City. They were burned out of their apartment in Harlem, and eventually her husband s grandmother was able to secure an apartment for them in Newark, New Jersey, in one of the high rise projects that existed at that time. Tamam in the past has worked with her husband arranging musical compositions and performing. In her spare time, she has self published several poetry booklets, co-produced a CD of music and poetry, and collaborated with her family to produce a play that her mother wrote. She also has written short stories and a novel, but this project, Diary of an Inner City Teacher, is very close to her heart. She invites you to walk with her on her personal journey so you can perceive the classroom experience from a different perspective and become an advocate for change in the development of innovative schools for the future.”

Tamam’s Diary of an Inner City Teacher is available HERE. I just got the Kindle version and look forward to reading it. / J.D.


Smile at Fear

Wait,
humbly,
for everything
to flow in this direction.
It’s not
a competition.
Wind and water may
want to rush past
but not when
I have created
a meandering path to draw them
around corners,
into nooks,
leaving traces of
energy.

In lieu of flowers,
please sing:
gather many
ensembles to set
the air
v i b r a t i n g.

Smile at Death
vibrantly.
Remember me
in melody.

© 2018, Carol Mikoda


Leaving Love as a Precious Gage

(in Urdu and English)

کہتے ہیں چاہت اندھی  ہوتی ہے 
یہ دل اور روح  کا لطیف  رشتہ 
اس میں کیا پرکھنا کیا   عمر کا  تقاضا  کرنا  
  جب کوئی  خوشبو   چپکے  سے روح  میں  سما  جا نے
تو کسی  سے  کیا  شکوہ  یا  شکوہ یا شکایت  کرنا 
 
بس یہ کرنا کے  کہ کسی کو دکھی نہ کرنا 
 
احترم ن  آخری  بار  پکارا  پھول  آپکو 
اب  آداب  باغے شاہی  تو  سیکھ  لو  پہلے 
پھر کسی  گل  و  شہزادی  کو چاہنے  کی  جرات  کرنا 
دنیا سے چلے جاؤگے  انجم  
کچھ  اپنی  چمکتی  خوشبو 
 
 
یھاں  چھوڑ  دینا
پھر  آسمان  پر  جا کر 
سکوں  بھری  چاندنی 
نچھاور کرنا 
 
 
love is blind and so we say,it
 finds to the heart and soul –its way-
so why think about age 
why judge  the clayey cage
 
when  sweet fragrance engulfs
the spirit then lament not, nor
pity thyself nor cry, for 
love is a precious gage
 
so grieve no heart on Earth
nor make bleak a life
you will soon be away
from struggle trial and strife
 
before I cease to be I called you
 a flower  a tender rose petal
and now I must learn the laws
of the garden’, accept the nettle 
 
maybe in time I may find
 the  true bright light, till
then on the high night sky
will be to shine , and sigh
 
so I leave behind some love
some  effulgent fragrance with 
 perpetual  radiance ,remember,
peace is- only with complacence
© 2018, Anjum Wasim Dar (Poetic Oceans)

ABOUT

Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation Press, The River Journal, The Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman

in lieu of flowers, a poem … and your Wednesday Writing Prompt

IMG_0509

“Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you’re there.

“It doesn’t matter what you do, he said, so long as you change something from the way it was before you touched it into something that’s like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.” Ray Bradbury, Fahrenheit 451



Her last will and testament …

in lieu of flowers

……….please impeach

for crimes against humanity:
the no-gooders
the spin-meisters
the war-mongers
the raw-dealers
the grand-standers
the self-aggrandizing
the stallers, stalkers
and sycophants
the vampires and panderers

Thank you!

Your good sense is much appreciated by the family of the deceased and the billions of worthy people who survive her.

© 2016, poem and photograph, Jamie Dedes, All rights reserved

WEDNESDAY WRITING PROMPT

Let us know in poem or poems what you’d like to leave as legacy or what you’d like at your funeral in lieu of flowers?

Share your poem/s on theme or a link to it/them in the comments section below.

All poems on theme are published on the following Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.

PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.  

Deadline:  Monday, October 29 by 8 p.m. Pacific.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you. This is a discerning non-judgemental place to connect.


ABOUT

Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation Press, The River Journal, The Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman

“leave it, give it up” … poems in response to the last Wednesday Writing Prompt

“What is a poet? An unhappy man who hides deep anguish in his heart, but whose lips are so formed that when the sigh and cry pass through them, it sounds like lovely music…. And people flock around the poet and say: ‘Sing again soon’ – that is, ‘May new sufferings torment your soul but your lips be fashioned as before, for the cry would only frighten us, but the music, that is blissful.” Soren Kierkegaard, Either/Or: A Fragment of Life



These responses to the last Wednesday Writing Prompt, scag dancing (re: addiction), October 17, 2018.

Kudos and thanks to Gary W. Bowers, Paul Brookes, Bhaga d’Auroville, Irma Do, Deb y Felio (Debbie Felio), Sonja Benskin Mesher, and Anjum Wasim Dar.

I’ve included links to blogs or websites where available. I hope you’ll visit these poets and get to know their work better. It is likely you can catch up with others via Facebook.

Enjoy! … and do come out to play tomorrow for the next Wednesday Writing Prompt.


need’ll

in the dead man’s car a needle
on the dead man’s face foamed saliva
and an easy smile.

the total count of needles in the car
was sixty-Two.

squirrel-stashed here and there
in his guesthouse abode
were many more. one of his
saltshakers
contained in unsalt. his spare teeth
were in a falsebottomed container.

his pain and
his holes of loss
of fellow wretches and
a wife had
at last
evaporated

© 2018, Gary W. Bowers (One with Clay, Image and Text)


Hashish

Hijab covered she arrives
at my till with her two young girls
What us that smell? She exclaims
Hashish, I answer.
Her small kids hold close to her dress.
There should be a law.
Especially with kids around.
They shouldn’t have to suffer this.

The aroma of the previous male customer
still hangs around after she’s left.

From a forthcoming collection “Please Take Change,” Cyberwit.net, 2018

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination.)

Prolific Yorkshire Poet, Paul Brookes

FOR THOSE WHO MIGHT NOT BE AWARE: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

The Wombwell Rainbow Interviews: Jamie Dedes


Unreal Wombwell,

The Old Town Hall is a pub
where a pint sups half full or half empty,
pedestrians intent upon their daily task
Pied wagtails twerk and pass by
green unicorns, the canal and mines
frozen in metal on a gate into a side street,
Air is made of warm Potters pie pastry,
Hashish cracks doors of perception.
Old gypsy nags snort past betting shops.

The day assembled of colour coded bones
so it stands upright and invites a spy
of its wears, whyfores and whatevers
And wagtail dodge and weave between feet.

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination.)


To Let the Sunshine In

Substance abuse?… I do not know
Of that myself – and this, although
I was born somehow right in time
For being a Hippie #metoo:
I loved ‘Hair’ (yes, I keep singing
Still ‘Let the Sun shine in’…),
I did study at La Sorbonne
And later lived ‘May 68’
When students and the young workforce
Did fraternize and reinvent
The French society, for a while.
I could then, as many others,
Have fallen into drug abuse,
Yet my soul kept me far from it
And never did I even try.
Cigarettes? I didn’t like them
And soon stopped wasting my money
Into packets my friends emptied
Before I remembered to smoke!
Alcohol? I’ll take a few drops
Of old rum drowned in cane syrup
And call that my own ‘Planteur Punch’…
More than that I wouldn’t enjoy,
So never got drunk, by God’s Grace!
My own addiction is much worse
For yes, I am in constant need
And require my fix all the time…
But far from destroying any
Of what I truly am, instead
It is making my whole being
Grow back ever more consciously
– And ever more blissfully too –
Into my deeper, truer Self,
My eternal and divine Self:
Right while being in this body
(And with all my dear body-cells
Taking their own share of the Bliss),
Addicted to Divine Delight
As to our natural birthright,
I make it my daily diet
And my more and more constant high
Except that I don’t get blissed out,
But rather blissed in, I would say!
It doesn’t require anything
External to my own being:
We’re all born with that potential
And can activate it at will.
Only, this is what we must choose
If this is what we want to have.
It is what we all truly crave
But most of us are never told
And hear only of outer drugs
When the Real Thing is in us,
Right in our own core, or also
Right around us, all around us,
Everything is bathing in it!…
The supply isn’t a problem
For the supply is infinite,
And yes, totally free to boot!!!
So here is my smiling advice
For true happiness as a vice:
Turn to this Divine Addiction
To Use Without Moderation,
Your sun then will shine from within
And make our world happier too!…
That’s what we all come here to do.

© 2018, Bhaga d’Auroville (Lab of Evolution,For Research on Conscious Evolution)


My Husband’s Affair with Ms. C

I know he doesn’t mean it

When he goes to you instead

He’s known you longer than he’s known me

Will you know him ‘til he’s dead?

I smell your perfume in his shirt

At the end of every day

I know he spends more time with you

Yet there is nothing I can say

Wordlessly I watch and wait

While his lungs turn goopy and burn

My love for him isn’t strong enough

He chose you and I lose my turn

© 2018, Irma Do (I Do Run,And I do a few other things too …)

c Irma Do

“While smoking may not seem as terrible as opioid addiction (it’s not illegal, it’s still somewhat socially accepted), it is still an activity that takes you away from your relationships, obligations and hurts your health. In fact, I think any activity – even ones that start off as healthy, like running – can become an unhealthy addiction.

“In this way, addiction has probably touched more lives that people might care to admit. Think of binge drinking in college or the even the use of smart phones – activities that people use as “coping skills” but, in reality, take people away from having real relationships and can cause serious mental and physical health problems. The mental and emotional components of addiction, as well as the physical aspects, has lasting effects, not only for the individual, but also for all the people in that person’s life.

“In my professional and in personal lives, I am keenly aware of “addictive thinking” and “addictive behavior”. Tragically, I had a friend who died from alcoholism that she hid very well from us for many years. There is still so much stigma around addiction but we can’t be quiet about it any more. People are dying and we can’t just “wordlessly watch and wait”.

© 2018, Irma Do


Relapse

Again I hear

it’s expected and part of recovery. Continued self discovery
And yet
some are discovered. Dead.

Again I hear

it’s illness. Or maybe genetic/ hereditary
And yet
it seems choice when
the needle goes in.

Again I hear

it’s a process, a journey
And yet
this journey takes me to hell.

Again I hear

there is no failure as long as I continue trying
And yet
there is no success in the trying.

Again I hear

I have my whole future ahead of me
And yet
there is a hole in the future.

Again I hear

everyone deserves another chance
And yet
the next chance looks just like the last.

Again I hear

keep coming back
And yet
I only come back to the abyss

Again I hear

Accept the things I cannot change
And yet

I have again.

Relapse.

© 2018, Deb y Felio

Basic Education

cold and wet in a bed
shared with two others
a single blanket barely
covering three

cereal dredged
from box bottoms
cracker crumbs
breakfast to go

darkened room
fuzzy cartoons
clothes in piles
and under chairs

stepping over
bottles and butts
spoons and powder
and stepping out

past yells and cries
smells and smoke
out to a yard
of condoms and needles

onto cracked sidewalks
fences and offers
for candy and rides
by not so strange strangers

arriving at last
into a classroom
of second grade friends
and the teacher announcing,

“Makir, you’re late, again.”

© 2018, Deb y Felio


..fine lines..

it is a fine line we walk,
gently avoiding peptides,

only just a theory,
yet used independently,
alongside honest work,
for mending.

the film continues,
some of the old cast, new actors oblige,
ideas on lack of addictive ways.
simple days without receptors.
singing under breath, counting, unpacking boxes,
this is the lead. hints are posted, and may you believe them graciously.

for many times will you be tested.

there were subtitles, out of focus,
we could not read the other language.
the film continues…. peptides.

© 2018, Sonja Benskin Mesher

#valium

look at the little people.
arms held high. the medicine
is in the cabinet, they cannot
reach it.

© 2018, Sonja Benskin Mesher


The gentle Anjum Wasim Dar reminds us by implication how much we have in common as human beings/the one human race and how poetry and other arts cross boarders and console our hearts. / J.D.

c Anjum Wasim Dar

Dearest Friend just read your message to come out to play..surely I will ..it’s way past midnight here [Pakistan] and my thoughts and pen keep me company..spent some time watching Zorba’s dance ..these days I am rewriting , compiling in neat writing my Urdu poems…am surprised at what I have expressed …there was a time I loved ghazals* specially those which were on the theme of ‘drinking and forgetting the hardships of life’ drinking away the loneliness sadness and helplessness’ maybe with kids away and parents no more one feels as such..poetry and writing helped me move on in life..but sadly few people understand this …this part of the sub continent have seen many poets writers and ghazal poems singers…when you ask me to write in Urdu I feel so honored and feel overwhelmed and can feel the magnetic force of your call’ my Urdu poetry is by my side and I find a couplet which I dedicate to you …

ان کے خیال میں جو ساتھ دیتا ہنے دھواں میرا ، وو کہتے ہیں کہ برا ہنے اسے چھوڑ دوں

when your thoughts make me sad this smoke consoles me comforts me, you say it’s bad, leave it give it up…

© 2018, Anjum Wasim Dar (Poetic Oceans)

If you are reading this post from an email subscription, you’ll likely have to link through to the site to watch the video above. 

Mirza Asadullah Khan Baig Ghalib is considered the greatest and most influential poet of Urdu and Farsi ghazals / Public domain illustration

* “The ghazal ( Punjabi: ਗ਼ਜ਼ਲ, Urdu: غزَل ‎, Hindi: ग़ज़ल, Persian: غزل‎, Pashto: غزل‎, Bengali: গজল) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain.

A ghazal commonly consists of between five and fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, the ghazal has proved capable of an extraordinary variety of expression around its central themes of love and separation.

“The ghazal is one of the most widespread and popular poetic forms, especially across the Middle East and South Asia. Readings or musical renditions of Ghazals are well attended in these countries, even by the laity. In a similar manner to Haiku, the Ghazal is gaining popularity among western poetry readers.” Wikipedia


ABOUT

Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation Press, The River Journal, The Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.