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No Account of Trifles, a poem . . . and your Wednesday Writing Prompt

“Nature never did betray
The heart that loved her.”
William Wordsworth 



Steal what you will, my friends,
of small things.
Dē minimīs nōn cūrat lēx.
The law takes no account of trifles,
though the recommended thefts
are not trifles to me.

In the heat of summer, I have stollen
the scent of roses for my skin
and the tantalizing aroma of
night-blooming jasmine.
It wafts through the house,
settling gently in my lungs.

In winter snowflakes appeal.
Steal dozens to line the drawers of
your memories, to keep them fresh.
Lazy motes of yellow moon-dust
are recommended. Let them
color your dreams with light,
your awakening with hope.

In stealth gather butterflies and bees into
rhapsodies. Loot the world’s dragonflies to
stitch beauty and cadence into your poetry.
Steal from your children too. Their hugs
are nontoxic, tonic for heart health.
The theft of your mother’s laugh
will sooth you mind, rest assured.
In flight, pluck away the cloud fluff
that hangs above the mountains below.
Cloud fluff is best for nightgowns, sexy
and sheer and lined with spun silver.
Yes! Have at it, my friends …

Steal what you will
of small things.
Dē minimīs nōn cūrat lēx.
The law takes no account of trifles,
though the recommended thefts
are not trifles to me

©  2013, Jamie Dedes, All rights reserved

WEDNESDAY WRITING PROMPT

 What among natures gifts do you cherish, the free gifts of life that marketers don’t sully and that are ours for the taking. Tells us what, why, how and when in your own poem/s.

Share your poem/s on theme or a link to it/them in the comments section below.

All poems on theme will be published next Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These will be partnered with your poem/s on first publication.

PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.  

Deadline:  Monday, September 3 by midnight Pacific time.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you. This is a discerning nonjudgemental place to connect.


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

“Born on the Wind” . . . and other responses to the last Wednesday Writing Prompt

“When we contemplate the whole globe as one great dewdrop, striped and dotted with continents and islands, flying through space with other stars all singing and shining together as one, the whole universe appears as an infinite storm of beauty.”  John Muir, Travels in Alaska  



Phew! At last we are up and running again and much appreciation for everyone’s patience, especially those who so spiritedly and generously participated in the last prompt, which was inspired by California’s Redwood Forests and John Muir (1838 – 1914), the Scottish-American naturalist, activist, and environmentalist.

Featured this week: Paul Brookes, Deb y Felio (Debby Felio), Frank McMahan, Sonja Benskin Mesher, Carol Mikoda, Tamam Tracy Moncur, Marta Pombo Sallés, and Susan St. Pierre.  These poets talents are not limited to poetry. They also work variously in crafts, art, photography, essay and short-story writing. Special thanks this week to Marta and Susan for sharing their illustrative photographs.

The responses to the last Wednesday Writing Prompt, The Unfettered Canticle of Trees, August 22 are filled with movement, color, texture, keen observation, a tad of humor and more than a soupçon of wisdom and grace.  

I hope you’ll visit participating poets and get to know them. It’s important for us to support and encourage one another in our art and in our solidarity around concerns for the social and ethical issues we care about, even if we disagree. Respectful discussion is a healthy thing. I’ve linked in blogs for each poet and for your convenience. If the poet doesn’t have a blog, it’s likely you can catch up with her/him on Facebook.

Read on and be with us later today for the next (however belated) Wednesday Writing Prompt.  All are welcome – encouraged – to join in: novice, emerging or pro. It’s about exercising our imagination and our writing muscle, showcasing our efforts and getting to know other poets. This is a safe discerning place to share.


Thorns

pale and too weak to move
cough your guts over
edge of your bed
in faint light from the door
two trees
walk towards you

one black, the other white

black tree becomes a pair of eyes
you inhale smoke drifting up from a fire
sharp fruit fragrance
spiky, dark, sinewy, stiff bark,
oval leaves with a serrated margin

move
quickly over your body
touches points here and there,
painful thorns nick out bubbles
of your blood
it mutters strange
under its breath
with a low, crackling voice.
The night grows old,
dawn approaches
dissolves into

the white tree
with long bright hair,
lays a cool gentle hand on your brow,
mutters with a sweet bell-like voice
your sight sharpens
until the white tree,
becomes a woman,
your pain eases.  She sweeps
brown-grey, knotted
and fissured skin,
slender and brown limbs
covered in thorns
that do not hurt
up and down
your body, touches same places
as the black tree
pain vanishes
refreshed
into easy, restful sleep

From The Headpoke And Firewedding (Alien Buddha Press, 2017)

© 2017, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination.)

Oaksong

oaksongs

How can you be in two places
at once? I asked. A Christian
friend replied ” You can have
one foot inside the door
and the other foot outside.”

You would be forever
on the threshold, neither
one nor the other, or both.
A fence sitter, neither
Summer or Winter
God or Man.

Would you sacrifice the other
to be wholly another? To step
in and close the door
shut out the weather
from the other side.

Are you coming in or what?
Your letting in a right breeze?
Put wood in the hole.
Decide whether your in or out!

*******
I watch the traffic lights
consider a walk this way or
a green man allows me
to avoid bloodied bone

my mouth and ears
thresholds and doors
full of oaklimbs and leaves

reborn I stretch down
to deep dark moist

I stretch up to cloudlight
barkskin palmtouched
I let others breathe
shelter and endure

*******

moors were once forests
national parks heavy industrial
this oak headland a pitsite

lads snap off livelimbs
anarchic coppicing
black dogshitbags sway
on limbs left alone

don’t visit in a storm
oaks are lightningtrees
people can be oaks

oakgroves of druids
duir means a door
exit and entrance

raw open wounds of sacrifice
still bleed sap

this hand has molded
a garden out of wildlife
words out of nonsense

she used to say “when
one door closes
another opens”

From Stubborn Sod , forthcoming from Alien Buddha Press, 2018)

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination.)

This Brash and Burn

1. To Burn Brash

Sat back barked.
Small insects crawl
down tree stretched above
inhabit hair
worn gloves
bruised brashed branches

Breathe wet peat,
damp soil, leaf decay,
autumn dead leaf dance,
spring bluebell wend
summer sacred stainglass
canopy sunshaft play
winter heavesnow clear paths

Sat back barked
canopy leaf horizon
floats shimmers

Calm

2. Our Wombwell Boxed

Lift small boxes wooden lid smell
broadleaved woodland
before rail/road
Press plastic button hear
Skylarks, Meadow Pipits, Woodpeckers,
before rail/road.

Press plastic button watch
Videowalk ancient Beech, Oak, Birch
before rail/road.

Electronic ringtone.

We would like to advise all visitors
The museum is closing soon.
Please exit through main door.
We hope you have enjoyed your visit.
Please come again.

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination.)

Extracts from “Woodbrains, woodbrides, woodwives”

Grovemind, groovemind

synaptic branches
neuron tipped limbs
sacred grove recovery

oakbrain opens doors in my head
ashbrain spears my ideas
elmbrain plays the fey

electric gust moves limbs
inside my head

barkskin neural net
circumnavigates damage
fruited hemispheres
replenish, restore, reimagine

senses water roots
grove in my head
grooves in my head

between oaklimbs
between ashlimbs…

…Whispering forest

walk among us, as us

known as oakman
known as birchwoman
known as elmlad
known as ashlass

Each one gentle,
one is strong
one elegant
all older than they look

their voices not listened to
“I talk to the tree”
“Hug a tree”
“I am a tree”
seen as signs of waywardness
to be laughed at,
pilloried and scorned.

later they will scream
when cut down
or have a limb amputated

we ought to listen.

From The Headpoke And Firewedding (Alien Buddha Press, 2017)

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination.)

Paul’s Amazon Page U.S.

Paul’s Amazon Page U.K.


Whose

Once again
we lay a claim
on land
not ours

chop down
build up
less natural
habitation

wildlife wanders in
refusing to give up
its native lands

to secluded cabins
in awe filled
fairy forests

bears feast on
chokecherries
and bird feeders

share trashed
leftovers
with foxes,
raccoons

toms, hens and chicks
claim grasses
and trees
for homes

deer leave
calling cards
thank you for
the flowers

mountain lions
prowling
remind all
who is king

I am grateful,
they share the space.

© 2018, Deb y Felio


To the river

This is where we came, here, to the river
for the first time, along the rutted path,
cowslips, bluebells crowding at its edge; past
the dandelion meadow, its pale-white
quilt of puffballs waiting to be blown and cast.

Together to the river to explore
vigorous and sinuous, limpid rills
and ripples,the glistening flow of water.
Beneath the cobalt sky, each moment
folding into itself the heat,intense
upon our faces, the stones’ cool splash and spray,
shouts and birdsong; each uplifted stone setting
free the grains of memory,where we were
one time held, entranced, imagination’s
captives in the bubble of our dreams.

© 2018, Frank McMahan


..wild wood..

photograph the trees. notice the wild wood

early while walking, imagine it may

be mine. to care for , to let be. it could.

it is for sale. new sign on the gate, today

the charcoal burner . he is a woods man

smoke rises grey. price is mentioned . plenty.

I think on his words, the idea, owning land,

crashing back into the wild wood. empty

headed. it is good to be quiet, alone

away from their thickening throng , the dread .

soft voices. smoke rises slow, ashes. old bone.

dust and dust , by dust we bury the dead.

he will split the wood. they may come and buy,

yet in my head the wild wood will be mine.

© 2018, Sonja Benskin Mesher

.the wild wood again.

when the fog clears we creep back into the wild wood watch birds eat wettened crumbs. softly rain falls each year falls an anniversary

© 2018, Sonja Benskin Mesher

.the new arrival.

hear that, crashing in the old wood, trees fall and die.

seems time stands still, nothing moves . happening.

older times are done, quiet now, seamlessly it will start

again.

one word, one sound, then blindly we will crash into the wild woods

again.

i met a man who did not know, had just arrived.

we may learn in time.

© 2018, Sonja Benskin Mesher

There’s much to enjoy in Sonja’s art and you can view much of it on her sites and she shares are generous amount on her Facebook Page. So multitalented.


Cathedral of trees,

where I worship every day;
Where I go to breathe in peace;
Where I go to be restored;
Where I go to bring back faith:
persevere in drought;
sustain my weak soul;
grow beyond eons.

© 2018, Carol Mikoda (At the Yellow Table, We Are Stardust: Change Is What It’s All About)


Patricia’s Garden

The tall oak tree…a sentinel
Standing guard over the small yard
Wards off invasions of mayhem
Keeping peace in the inner sanctum

Painted rocks surround pathways
Leading to artistic creativity
While small tables and chairs
In camaraderie congregate together

The mums sing colors across the garden
Yellow and lavender tones harmonize
Brilliant red petals bellow magnificence
In a perennial summer performance

Peace and compassion frolic in fun
Chasing joy between the evergreens
The sun’s reflection shimmers off the muraled wall
As happiness dances slowly towards the impending fall.

The tall oak tree…a sentinel
Standing guard over the small yard
Wards off invasions of mayhem
Keeping peace in the inner sanctum

© 2018, Tamam Tracy Moncur (The Road of Impossibilities)


Sunset SF

English

That Evening

That evening I sat

on a stone bench

gazing at the evening sun

over the peaceful ocean.

Birds flew across the sky

sun reflected on the water.

I sensed everything.

Closed my eyes

felt the breeze

filling my soul.

Gazed at the sun again

and hoped one day

it would dry my open wounds.

The sun set magestic

the sky slowly turned red

like the wounds you inflicted

on me.

Unwantedly.

There was no other way.

It was meant to be.

I shall stare at the sun

and thus hope

my still open wounds

will heal with the passing

of time.

Catalá 

Aquell vespre

Aquell vespre em vaig asseure
en un banc de pedra
contemplant el sol de la tarda
sobre l’oceà pacífic.
Els ocells volaven pel cel,
el sol reflectit a l’aigua.
Vaig sentir-ho tot.
Amb els ulls tancats
sentia la brisa
omplint la meva ànima.
Vaig contemplar de nou el sol
i vaig esperar que un dia
m’assecaria les ferides obertes.
El sol es va pondre, magestuós,
el cel es tornà vermell
com les ferides que vas infligir
en mi.
Sense voler.
No hi havia altra opció.
Havia de ser així.
Contemplaré el sol
i d’aquesta manera esperaré
que les meves ferides encara obertes
es curin amb el pas
del temps.

© 2018, poems and photograph, Marta Pombo Sallés (Moments)


050

Born on the Wind

Uniform saplings compete
-inspired with-
expectations of touching the sky.
Days, more days
-purposed on –
expectations of touching the sky.
Aged survival earns
-scarring from-
expectations of touching the sky.
Resigned and rooted
-seeds fly-
born on the wind … from the sky.

© 2018, Susan St. Pierre (Sillyfrong’s Blog – “Once a pond a time …” )


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

The Unfettered Canticle of Trees, a poem … and your next Wednesday Writing Prompt

“Thousands of tired, nerve-shaken, over-civilized people are beginning to find out that going to the mountains is going home; that wildness is a necessity” John Muir, Our National Parks



Still for a moment the church bells
pealing the ancient canonical hours.
Still the lyric call of the muezzin.
Silence the Shacharit, the Mincha, the Arvit.
Stay the wheels and the flying flags.
Let nature’s prayer alone reverberate
in the unfettered canticle of trees.

A few minutes ago every tree was excited, bowing to the roaring storm, waving, swirling, tossing their branches in glorious enthusiasm like worship. But though to the outer ear these trees are now silent, their songs never cease.” John Muir (1838-1914), Scottish-American naturalist, environmental activist, and author

© 2014, poem and photographs, Jamie Dedes, All rights reserved

WEDNESDAY WRITING PROMPT

I wrote this poem for National Wilderness Week in 2014. Around here (Northern California), we have forests of sturdy redwood that bring joy to eyes, heart and spirit.  As you might suspect from my poem, the redwood forests make me feel as though I’m in a cathedral. They’re a religious experience. I’m wondering today what you feel like in the wilderness: awed, intimidated, comforted, inspired? Perhaps you’ve never been and you have speculations to share. Perhaps you went camping and it was a hugely enjoyable adventure; or, maybe it camping was the worst decision you’ve ever made. Tell us about your thoughts and adventures in a poem or poems.

Share your poem/s on theme or a link to it/them in the comments section below.

All poems on theme will be published next Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com in order to introduce yourself to the community … and to me :-). These will be partnered with your poem/s on first publication.

PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.  

Deadline:  Monday, August 27 at 8 p.m. Pacific.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, sharing your work, and getting to know other poets who might be new to you. This is a discerning nonjudgemental place to connect.


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

“Transformation” … and other poems in response to the last Wednesday Writing Prompt

“I do not feel obliged to believe that the same God who has endowed us with sense, reason, and intellect has intended us to forgo their use.” Galileo Galilei, Letter to the Grand Duchess Christina



A thought provoking response – and rather wide-ranging in terms of focus and perspective – to the last Wednesday Writing Prompt, Our Evolving, August 15.  Enjoy! this collection courtesy of newcomer (Brava! and Welcome!) Susan St.Pierre and of Gary W. Bowers, Paul Brookes, Deb y Felio (Debbie Felio), Irma, Frank McMahan, Sonja Benskin Mesher, and Carol Mikoda

I hope you’ll visit and get to know these poets. It’s important for us to support and encourage one another in our art and in our solidarity around our concerns for the social and ethical issues we care about.  I’ve linked in blogs for your convenience. If the poet doesn’t have a blog, it’s likely you can catch up with her/him on Facebook.

Read on and be with us tomorrow for the next Wednesday Writing Prompt.



Knots of Time

Believe.
Evolution insists upon changes
Physically rearranges
All but our memories,
Experience.
Random threads of finite days
Weave one single maze
A sui generis emerges,

UnBreAkaBle.

© 2018, Susan St.Pierre (Silly Frog Susan)

Susan St.Pierre

“I’m a ‘nearly’ retired family day care provider. I have invited (often 6) children into my home 5 days a week for approximately 10 hours a day since 1975. It’s been the most enlightening, humbling, and messy experience!

“Meanwhile, my husband and I raised two children and have gained two granddaughters. I have two blogs, which I’ve neglected for a few years, but this Fall will open up my day for much more “me” time. Hopefully, that will include writing time. Besides finding the company of kids and pets inspiring, I also enjoy Nature, painting, drawing and reading. I don’t know how well I’ll do in moments of quiet, though. My best work has always been accomplished among clutter and chaos!”


Evolving Door

In goes a lungfish
And out comes an outcome.
Pop go the measles
And wipe out a tribe.

Lenny heard Zug Nicht
And wandered about some.
Thundering Diesels
Suggest we imbibe.

In goes a notion
And out comes an essay.
Guidelines and labels
Give sojourning ease.

Spit in the ocean
And spite minks and sables.
Laissez-faire less, eh.
And conquer displease.

Tuppence for pleasantries;
Cheese-whizzed parcheesi
Challenges wellsprung
Make Autumn to mold.

If you’re uneasy,
Dear Reader, nor well hung,
Take ye some evolvement
Out doorways to freedom
And bed and break strictures
To push through the membrane;
Grow pairs not of testes
But peregrine wings.

© 2018, Gary W. Bowers (One with Clay, Image and Text)


From…

evercrash of waves put me
on the untouched shore

I crawl because i don’t know
how to walk this grain.
Now I would say tumbled waves

are fletched like an arrow constantly
turned to ensure its flight straight
and unencumbered by splinters.

Later I staunch blood, remember
the now of the sun then, too bright,
too warm in this comfort blanket.

Now I would say I was slippery
as bladderwrack or between thighs
of a woman heated by want,

and hungry but not for food.
I leave it to the ocean
behind me that flickers

with sounds some of which
i understand but the waters
less and less drag me back,

push me to drygrain land.
I must find leafshelter
in the arms of mothered soil,

in the limbs of the trees,
beneath the coddling leaves,
a fallen tree stump helps

me stand. I break a branch
test it does not break with my weight.
I stand free of the stump. Upright.

Now I would say my skin
lost its sheen, became sticky
as the green blood of plants
that trap food with their leaves.

from The Spermbot Blues (OpPRESS, 2017)

© 2017, Paul Brookes (The Wombwell Rainbow – Inspiration. History. Imagination.)

To…

upright, you can see further,
and in the sand prints
of your own feet, and others,
smaller, differently shaped,

Now you would say these are scratches
on pages, distinct signs in a forest,
or plain, each holds itself a tell, a map,
of sense and season and root.

smooth your hand over gnarled
stick of then that supports your weight
when you stride forward to follow
the beckoning of others tracks,

inhale the freshness from the waves,
that tastes salty to your tongue,
the sweetness from the inland trees,
and smaller flimsy coloured leaves,

and a bitterness, a stink gets stronger,
as you trace the tracks other
than your own go inland, broken
leaves. How many feet does it have?

Now accused of techno anomie
because you refuse others access to your senses,
your avatar still in the forest, on the plain,
walks without aid beside the everwaves .

from The Spermbot Blues (OpPRESS, 2017)

© 2017, Paul Brookes (The Wombwell Rainbow – Inspiration. History. Imagination.)


Evidence Against Evolution

women dragged by the hair into the dank rock caverns of the cavemen

women uncounted in records of attendance when miracles performed

women operated on to remove bits of brain believed
to create trouble for men

women unacceptable as witnesses in man’s court

women condemned to death by superstitious men

But now
with more education, enlightenment, progress

women drugged, raped, silenced
– without ever being victims of hate crimes

women questioned and doubted in courts and media
– dismissed by sound bite hash tags and tweets

women humiliated for combining emotional expression
and intelligent thought

– the 1% used as proof glass ceiling is gone, when it is
only windexed

women condemned to death by superstitious men
– for shedding their own blood rather than another’s

Evolution?

Just finer tuned delusion.

© 2018 deb y felio

I Can Do It Myself

said the 2 year old to his mommy
and tripped on the untied shoelaces
falling to the ground and waited
for his mommy to pick him up,
dust him off, and set him right
so he could once again insist,
“I can do it myself!”

© 2018, Deb y Felio


Opposable Thumbs

It sets us apart from other animals

The ability to grasp objects and concepts

To finely manipulate tools and other people

With this simple communication

We can catch a ride or point the way back

We can say Winner or Loser

With a twist of the wrist

For complexity

We now use them like beaks

Pecking letters that make or break relationships

The more it gets used

The faster it gets

Bypassing the higher brain

Thinking only of the print it wants to leave behind

Mayhap, flattened against the button

Signaling the start of the end

Of evolution.

 

© 2018, Irma (I Do Run, And I do a few other things too …)


ON THE CUSP

A yacht sails in summer, northwards to the Pole.
A slush of gelatinous grey greets its bow
as it makes its ambivalent journey.
On Admiralty charts a woman replaces islands,
sketches new sandbars, reefs marked with buoys,
while their people are moving into legend.

Lines of footprints cover deserts; jackals, bones,
eyeballs. Driven from shelter to shelter, children
ailing and confused, half-filled ditches,
refuse tips: where will the unborn live as
their families take flight?

A gig
was once a party, an impromptu concert
in a corner pub, a mingle of music, sweat
and beers.A world of miasma now,
of beck and call for paupers’ pay, waiting
to be plucked like a lobster from a tank.

Yes, yes, the richest should have more,
more tax-breaks crammed into their maw
until they vomit gold, excrete jewels and mansions,
super yachts and private jets, smearing
earth and airwaves
with their self-obsessed banalities.
In shadowed lobbies, their hired hands work
on dispossession, the cutting of common bonds,
democracy just one more acquisition.

Anthropocene.
Swallowing the future
Is the corporate plan.

We know enough
To stop and turn and heal
Our poisoned planet.
Are we enough
To gather now together?

© 2018, Frank McMahon

FALSE LIGHT

The moon scatters the light it has stolen
out of vanity, cycling round us in
its futile effulgence. Earthworms harvest
the autumn’s leaves, enriching the crust, thin
below the dwindling branches where we sit
and watch the axes hew the trunk and slash.

© 2018, Frank McMahon


.head above water, a swimmers perspective.

Metaphorically, i have spent much of my life, keeping my head above water.

Dealing with life facts and disappointments, not forgetting the quiet times to help the work along

I lived on the coast, played by the sea

As a child, I floated gently until all became spongey. Now I swim head above water, up and down obsessively counting, hoping all will come clear..

Friends in water talk more, baring much, reflecting their clothing

I am drawn to water, my work reflective. Writing, swimming, painting, drawing.

I collect cuttings of people in water.

“a diary, a personal relationship with the landscape.

“Shoreline would be more an exploration of the concept….shorelines more related to actual examples…..how about that?

Shoreline…..an ever-changing interface……between 2 media…..2
worlds…..can be crossed in both directions, but only temporarily?……but
aren’t we only here because something had the courage to cross
permanently…..something emerging from the sea is such a powerful
image….turtles, ursula andress in dr. no, monsters from the deep…..and
why do we find it such an attractive place to be
xx salty”

© 2018, Sonja Benskin Mesher

.the query.

.winding wool is mindless

she said, well maybe madam,

yet look at the lovely machine,

all red and cream plastic, that

winds in a way we cannot do

by hand.

look at my work which evolves

while working this and thinking.

i folded her goods tidily, packed in a

nice paper bag, said nothing

except mere politeness and niceties.

then got on with winding.

mindfully.

© 2018, Sonja Benskin Mesher

. day six .

your eyes last night were wide, your body

smaller without the sleep, all that

worry and distress.

it will not end , just change and evolve.

sometimes it takes years, and then it is

never the same.

any more.

maybe you must go back to sleep

a while.

i will keep reading, tell you all

when you wake

#bear.

© 2018, Sonja Benskin Mesher

There’s much to enjoy in Sonja’s art and you can view much of it on her sites and she shares are generous amount on her Facebook Page. So multitalented.


Transformation

Systems call out for evolution,
for complexity, development, transformation,
a whole new suit
of cells, mutation of molecules
and microbes replacing themselves
at rapid rates, a constant reminder
that so much of myself
is not myself, but a cocktail party
of bacteria and viruses, which
sounds bad, very noisy gut,
but so efficient; they communicate,
even between different sorts.
Their differences do not
paralyze them. This human
language I am so proud of,
is clunky next to what happens,
the communication of organisms
and systems, inside me.
So many misunderstandings out here
among humans, while inside us,
networks are constantly lit up,
exchanging essential info, proteins
and amino acids, adjusting
and altering, individual evolutions,
on a daily basis, sometimes hourly.
I should listen more, learn something.
But mostly that’s just not how I roll.

© 2018, Carol Mikoda (At the Yellow Table, We are stardust: Change is What It’s All About)

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Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman. My poetry was recently read by Northern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”