This is a version of a mini-essay I did for an online course designed by Lancaster University on FutureLearn. My late father was a Wordsworth enthusiast so this is partly a tribute to him. I have a few of his books on Wordsworth and have enjoyed reading my father’s many annotations he made in pencil.
Although Wordsworth became an orthodox Anglican in his later years this should not be held against him or detract from his championing of the ‘indwelling spirit’ throughout his life but especially in his younger years. He is not as radical as William Blake but, nevertheless, there are passages in The Prelude where he is preoccupied with a mystical view of reality and that necessary inner spiritual transformation of the individual.
We are all familiar with his ‘nature-worship’ which goes by the term ‘pantheism.’ Perhaps this is epitomised in his Lines Written a Few Miles…
“It’s this way: being captured is beside the point the point is not to surrender. Nâzım Hikmet, Poems of Nazım Hikmet
On Living
Living is no laughing matter:
You must take it seriously.
So much so and to such a degree
that, for example, your hands tied
behind your back,
your back to the wall
or else in a laboratory
in your white coat and safety glasses,
you can die for people –
even for people whose faces you’ve
never seen,
even though you know living
is the most real, most beautiful
thing.
I mean, you must take living so
seriously
that even at seventy, for example, you’ll
plant olive trees –
and not for your children, either,
but because, although you fear death you
don’t believe it,
because living, I mean, weighs heavier.
– Nâzım Hikmet, Poems of Nâzım Hikmet
Letters from a Man In Solitary
1
I carved your name on my watchband
with my fingernail.
Where I am, you know,
I don’t have a pearl-handled jackknife
(they won’t give me anything sharp)
or a plane tree with its head in the clouds.
Trees may grow in the yard,
but I’m not allowed
to see the sky overhead…
How many others are in this place?
I don’t know.
I’m alone far from them,
they’re all together far from me.
To talk anyone besides myself
is forbidden.
So I talk to myself.
But I find my conversation so boring,
my dear wife, that I sing songs.
And what do you know,
that awful, always off-key voice of mine
touches me so
that my heart breaks.
And just like the barefoot orphan
lost in the snow
in those old sad stories, my heart
— with moist blue eyes
and a little red runny rose —
wants to snuggle up in your arms.
It doesn’t make me blush
that right now
I’m this weak,
this selfish,
this human simply.
No doubt my state can be explained
physiologically, psychologically, etc.
Or maybe it’s
this barred window,
this earthen jug,
these four walls,
which for months have kept me from hearing
another human voice.
It’s five o’clock, my dear.
Outside,
with its dryness,
eerie whispers,
mud roof,
and lame, skinny horse
standing motionless in infinity
— I mean, it’s enough to drive the man inside crazy with grief —
outside, with all its machinery and all its art,
a plains night comes down red on treeless space.
Again today, night will fall in no time.
A light will circle the lame, skinny horse.
And the treeless space, in this hopeless landscape
stretched out before me like the body of a hard man,
will suddenly be filled with stars.
We’ll reach the inevitable end once more,
which is to say the stage is set
again today for an elaborate nostalgia.
Me,
the man inside,
once more I’ll exhibit my customary talent,
and singing an old-fashioned lament
in the reedy voice of my childhood,
once more, by God, it will crush my unhappy heart
to hear you inside my head,
so far
away, as if I were watching you
in a smoky, broken mirror…
2
It’s spring outside, my dear wife, spring.
Outside on the plain, suddenly the smell
of fresh earth, birds singing, etc.
It’s spring, my dear wife,
the plain outside sparkles…
And inside the bed comes alive with bugs,
the water jug no longer freezes,
and in the morning sun floods the concrete…
The sun–
every day till noon now
it comes and goes
from me, flashing off
and on…
And as the day turns to afternoon, shadows climb the walls,
the glass of the barred window catches fire,
and it’s night outside,
a cloudless spring night…
And inside this is spring’s darkest hour.
In short, the demon called freedom,
with its glittering scales and fiery eyes,
possesses the man inside
especially in spring…
I know this from experience, my dear wife,
from experience…
3
Sunday today.
Today they took me out in the sun for the first time.
And I just stood there, struck for the first time in my life
by how far away the sky is,
how blue
and how wide.
Then I respectfully sat down on the earth.
I leaned back against the wall.
For a moment no trap to fall into,
no struggle, no freedom, no wife.
Only earth, sun, and me…
I am happy.
Trans. by Randy Blasing and Mutlu Konuk (1993) / Poem Hunter
Nâzım Hikmet (1902 – 1963) was a Turkish poet, playwright, novelist, screenwriter, director and memoirist. He was acclaimed for the “lyrical flow of his statements”. Since he was a revolutionary in his time, he seemed a good poet to present today, the day we celebrate Global 100,000 Poets and Friends for Change and The BeZine Virtual 100TPC. (Join us HERE and share your work. Read that of others.)
Additionally, he has always fascinated me, not only because of his poetry and the way he spent his life, but because he was born in the same time and place as my father, someone I barely knew. I feel a bit like I get a glimpse at the times and culture into which my father was born when I read Hikmet.
Described as a “romantic communist” and “romantic revolutionary”, he was repeatedly arrested for his political beliefs and spent much of his adult life in prison or in exile. His poetry has been translated into more than fifty languages.
Despite writing his first poems in syllabic meter, Nazım Hikmet distinguished himself from the “syllabic poets” in concept. With the development of his poetic conception, the narrow forms of syllabic verse became too limiting for his style and he set out to seek new forms for his poems.
He was influenced by the young Soviet poets who advocated Futurism. On his return to Turkey, he became the charismatic leader of the Turkish avant-garde, producing streams of innovative poems, plays and film scripts. Breaking the boundaries of syllabic meter, he changed his form and began writing in free verse, which harmonized with the rich vocal properties of the Turkish language.
He has been compared by Turkish and non-Turkish men of letters to such figures as Federico García Lorca, Louis Aragon, Vladimir Mayakovsky, Faiz Ahmed Faiz and Pablo Neruda. Although Ran’s work bears a resemblance to these poets and owes them occasional debts of form and stylistic device, his literary personality is unique in terms of the synthesis he made of iconoclasm and lyricism, of ideology and poetic diction.[5]:19
Many of his poems have been set to music by the Turkish composer Zülfü Livaneli. A part of his work has been translated into Greek by Yiannis Ritsos, and some of these translations have been arranged by the Greek composers Manos Loizos and Thanos Mikroutsikos.
Because of his political views his works were banned in Turkey from 1938 to 1965.
Nazim Hikmet was awarded the International Peace Prize in 1950.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
Our Lady of Kazan, Theotokos (Greek: Θεοτόκος Greek pronunciation: [θeoˈtokos) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations, Dei Genetrix or Deipara (approximately “parent (fem.) of God”), are “Mother of God” or “God-bearer
“It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream,” Edgar Allan Poe
At morn—at noon—at twilight dim—
Maria! thou hast heard my hymn!
In joy and wo—in good and ill—
Mother of God, be with me still!
When the Hours flew brightly by,
And not a cloud obscured the sky,
My soul, lest it should truant be,
Thy grace did guide to thine and thee;
Now, when storms of Fate o’ercast
Darkly my Present and my Past,
Let my Future radiant shine
With sweet hopes of thee and thine!
– Edgar Allan Poe
Poe, in a modern retouched version of the “Ultima Thule” daguerreotype courtesy of Mathew Brady – U.S. National Archives and Records Administration
Edgar Allan Poe (1809 – 1849) was an American writer, editor, and literary critic, best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism and was one of my country’s earliest practitioners of the short story.
Poe is considered the inventor of the detective fiction genre and is credited with contributing to the then emerging genre of science fiction. He was the first well-known American writer to earn a living through writing alone, resulting in a financial difficulties for himself and family.
Cottage in Fordham (now the Bronx) where Poe spent his last years. Photo courtesy of Zoirusha and generously released into the Public Domain
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
Recent and Upcoming in Digital PublicationsPoets Advocate for Peace, Justice, and Sustainability, YOPP! , September * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 *From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 *Three poems, Our Poetry Archive, September 2019
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Thank you for sharing your love of words. Comments will appear after moderation.
Joy Harjo, Poet Laureate of the United States. Photo by Shawn Miller, Library of Congress.
“Way way back: Music, poetry and dance came into the world together. Sometimes they get lonely for each other.” Joy Harjo during her Inaugural Reading
Joy Harjo gave her inaugural reading as the 23rd Poet Laureate Consultant in Poetry at the Library of Congress last night. Here it is in case you missed it. (One-and-three-quarters hours. You might want to bookmark it for later.) It is an understated event, nothing Hollywood about it, which was refreshing and a relief from the usual broadcast noise. Harjo filled her presentation with history, a sense of place, and music as well as poetry.
Harjo accepted the award on behalf of herself, of course, but also on behalf of tribal women/indigenous women everywhere. A member of the Muscogee Creek Nation, she is the first Native American to serve as U.S. Poet Laureate.
“Every poem has a poem ancestor.” Joy Harjo during her Inaugural Reading
Poetry at the 2019 Brooklyn Book Festival
The Brooklyn Book Festival is the largest free literary event in New York City, presenting an array of literary stars and emerging authors who represent the exciting world of literature today.
Participating poets include: Hala Alyan, Jericho Brown, Tina Chang, Nick Flynn, Rigoberto González, Ilya Kaminsky, Edgar Kunz, Sally Wen Mao, Ladan Osman, Jake Skeets, Sally Wen Mao, Vanessa Angélica Villarreal, and Keith Wilson.
Drop by the Academy of American Poets booth (#321) at Brooklyn Borough Hall to pick up copies of Volumes 55 and 56 of American Poets magazine, purchase American Poets Prize–winners’ books for $5 each, and peruse discounted items from the Poets Shop. For more information about Academy events at the Festival, VISIT HERE.
ABOUT
Jamie Dedes. I’m a Lebanese-American freelance writer, poet, content editor, blogger and the mother of a world-class actor and mother-in-law of a stellar writer/photographer. No grandchildren, but my grandkitty, Dahlia, rocks big time. I am hopelessly in love with nature and all her creatures. In another lifetime, I was a columnist, a publicist, and an associate editor to a regional employment publication. I’ve had to reinvent myself to accommodate scarred lungs, pulmonary hypertension, right-sided heart failure, connective tissue disease, and a rare managed but incurable blood cancer. The gift in this is time for my primary love: literature. I study/read/write from a comfy bed where I’ve carved out a busy life writing feature articles, short stories, and poetry and managing The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
Recent and Upcoming in Digital PublicationsPoets Advocate for Peace, Justice, and Sustainability, YOPP! , September * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 *From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 *Three poems, Our Poetry Archive, September 2019
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Thank you for sharing your love of words. Comments will appear after moderation.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage 
The Brooklyn Book Festival is the largest free literary event in New York City, presenting an array of literary stars and emerging authors who represent the exciting world of literature today. 
Jamie Dedes' THE POET BY DAY Webzine 
