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In response to the last Wednesday Writing Prompt: A collection of poems of protest and comments in honor of Reuben Woolley

c estate of Reuben Woolley

Reuben’s motivation for founding I am not a silent poet: “I have seen such increased evidence of abuse recently that I felt it was time to do something. I am not a silent poet looks for poems about abuse in any of its forms, colour, gender, disability, the dismantlement of the care services, the privatisation of the NHS, the rape culture and, of course, war and its victims are just the examples that come to mind at the moment.”



Compromised

…….
It takes a moment’s reflection of pain
in near-death eyes of a sparrow escaped
the clutch of an eagle’s, lying still on
a broken leg, twisting its head at my frame
standing mighty and stoic at the door
of a sun-skimmed balcony; in that moment
is when a broken soul shows no gesture but of
repentance for the death she would see,
the death she’d allow over a life that met
a delayed leap of response. To, then, bring
a water container to the trembling beak
to sprinkle drops in a mouth that can see
the largesse before its eyes, but a body limp
to drag closer to the rim, is the way
of a broken soul to show care. Let the eyes
know of a clean water pond – is the only duty
towards a dissimilar being. To bring it the way
of tasting more than a sip is commitment
too deep and wide for retention in dissociated
wells growing salt reeds.
….8
© 2019, Sheikha A.


recusants you and i

night drive slow speed
body tired windows bleed
city light a million times
soul sucker dynamite
blare the sin out from below
steel cold brick you sunk me
my fingers crooked now
with the countdown of this town
but don’t underestimate
the heart mine least of all
look me in the silence of that eye
i dare you to deny
that after you’ve torn
us both down
spit on our ancient right
that a tree of force will not emerge
from where my human blood’s been shed
from where my love everlasting powerful
and pure will for all of time
triumph over you
and our perversions

© 2019, mm brazfield


protest tor

first protest was against confinement
and the mama-to-be felt and saw
the ridge of fetusfoot
bugsbunnying across her swollen kidslammer
soon after the child was released via scalpel and hoist
ave caesar
vivendi te salutamus

there were of course the infantile
screamings for food and attention
disqualified because ignominy
from true protest
which was to come
long before bar mitzvah:
a roughneck boy sat behind him
a kid with a reputation
that preveded this first day
of the seventh grade
and the teacher offered a word game:
“how many words can be formed
from the word RESOURCE? who’s got one?”
class members exclaimed
“our!” “sore!” “curse!”
then the bad-rep kid said “sour!” and the teacher…GLARED.
he lit into the kid,
though the kid had given
a PERFECTLY LEGITIMATE ANSWER.
“i’m going to be watching you, Mister. i’ve HEARD about you.”
bad vibes filled the room,
but then
the kid sitting in front of him said,
distinctly and loudly,
“sir, there was nothing wrong with his answer! why
are you giving him a hard time?!”

and what do you think happened, Boys and Girls?
we can guess,
but we will never know, because
that stirring protest and defense above
was never delivered; the boy
thought it but did not say it.
and that cowardly failure
to stand up and be counted
has haunted his days for fifty-three years.

so this is a protest of Cowardice, which is rife nowadays.
the boy can be forgiven: he was twelve.
voting adults must be more courageous.

must face ugly truths.

must stand up to be counted.

© 2019, Gary W. Bowers


I wish to honour Reuben by thanking him for all the poems he accepted that I submitted to I Am Not A Silent Poet.

World Is

always at war.
Every bulletin lists casualties,
devastated buildings, grief.

Bloodied, scarred, lost, missing,
found dead. What about the lost dead?

Forever wanting you to discover,
uncover their brief candle burn.

We Live

in a fake peace between world wars,
shop and shop to stay reasonable.

Families are killed elsewhere.
We see their relatives tears on plasma screens.

Sometimes tears drop closer to home,
and we are reminded of our fake comfort,

that is preferable, a faux fur covered blade
sometimes bleeds and we are keen.

Our Justification

for the gang rape
and killing
of your eight year old
Child
Is that, like you,
She was
Not human
And therefore
Not under
The rights
And privileges
Of humans.

You must
Be tolerant
Of our beliefs
If you wish
To stay
On our land.

Some Baked Bread

or the journey
to the hole in the ground

where they were asked to lay
on the still warm dead
neighbours and children
to be shot

As their ethnicity was cleansed.
the soldiers with guns
wrote home from the war.
It was such an event.

A Queued

Life. Born to this line
Of cotted bairns,

Crocodiled infants,
Slumped with others outside

A locked classrroom,
Marshalled exams desks,

Job interview staring at strangers,
Ranked at work,

Drs, dentists waiting rooms,
appointmented even my wedding.

Waiting list for a council house,
Parents evening lined up with others

Listed as deceased in papers, online.
Regimented plaque for my cremation.

As that world ends another begins.
Join another queue, another thought

of final judgement already delivered,
or forever pended.

Without Permission

he walked on her grass,
uprooted her wild flowers,

She says “Don’t touch
without asking. It’s abuse.

Stop it. No means no!”
Fantasies of ravagement

on both sides who know
these are merely fantasies

that should never be public
so a no becomes yes,

and abuse pleasurable. Always safe
words agreed beforehand.

Always taken too far, control
and power corrupt.

Slavery

is good for you. All folk
should be chained,

manacled to a mortgage,
to work, to an employer

a partner. Freedom denies
your human rights. Slavery

teaches you the meaning of life.
demands you act properly

constrains you to common sense,
sets out a wild world of imagination

creativity and invention. Freedom
is too wishy washy. Lock

and load your chains. Don’t let
loose and free your mind. Freedom

Is heavy, restricts, denies movement
of blood, bone and brain.

Become a slave and see our world
with new eyes, fresh perspectives.

Hopelessness Is Life

Only the hopeless live.
Only hopelessness makes you smile.

When all hopelessness is gone
then you will grieve at the loss.

There are three streets we can go down,
Faithlessness, Hopelessness and Selfishness

Without one of these the others cannot exist.
There must always be hopelessness

in the best of times. It reminds us of an edge
to life. Surrender to hopelessness

and all will be well. It is the force that drives
all that is worthwhile and good.

An Inappropriate Life

Born inappropriate to this inappropriate world
this inappropriate earth I learned how to be inappropriate

in school, met a lass
who said she was inappropriately ready

to be inappropriately wed, so we inappropriately married
after three months of inappropriate courting

she bore inappropriately our first kid
after six months whilst I worked inappropriately

in inappropriate employment
Promoted inappropriately to inappropriate manager

so we bought our first inappropriate home,
furnished inappropriately, after decorating inappropriately.

I had an inappropriate allotment where I grew inappropriate carrots
and potatoes and cabbages.

She died inappropriately after seven years inappropriate fighting
lung cancer. I never remarried inappropriately

Bring up our second child inappropriately
tell her inappropriate dream stories
of our inappropriate love inappropriate life.

Guns Are

good. Make you feel safe.
Make you more responsible,

like your own child. Nobody
hurts my child. I’ll shoot anyone

that does. My child needs
A decent education. Some shooter

Who wants to be famous kills
my little one in lessons.

I’m glad I’ve got my gun
So I can kill the shooter

And his family. Guns are good.
Make folk sit up and listen.

A Bridge

anastomosis [ah-nas″to-mo´sis] (pl. anastomo´ses) (Gr.)

It is bin day. Sound of breaking glass.

A vein.

between places,
one person and another,

A Bridge

anastomosis [ah-nas″to-mo´sis] (pl. anastomo´ses) (Gr.)

It is bin day. Sound of breaking glass.

A vein.

between places,
one person and another,
you and your kids,
a busy crossing between beliefs.
from wick to ash.
full to empty.

Broken, blocked, under investigation.

No link, information dammed,
Adamant your side is right,
other side apostate.
Bloodied metal sends a message,
via media bridges.

Bins must be wheeled back to their places.

a busy crossing between beliefs.
from wick to ash.
full to empty.

Broken, blocked, under investigation.

No link, information dammed,
Adamant your side is right,
other side apostate.
Bloodied metal sends a message,
via media bridges.

Bins must be wheeled back to their places.

Mobiles

are in the shape of small graves
for children who mine the precious
metal inside that make it work
and I look Into the screen
to stay connected but do not see
their gritted lives as they haul
the valuable out of the hole
and the world has never been
so connected by this small grave
I carry in my pocket.

Deliberate Death Of A Conformist

I insist I nod in agreement
at all they accuse me of.

I refuse to make a spectacle of myself.
I will not protest. I agree with all

the folk in power do. I always obey
the law. Drive correctly. I want

an easy life. No hassle. Why am I
guilty? Whatever it is I did it.

They tell me -That’s too easy.
You must have done something worse.

If we told you to jump out
of that window would you do it?

So I do. Now they arrest me again,
-You caused a public disturbance.

-I agree I say. – There must be something
you don’t agree with they say -No I reply.

– If we tell you you died in that fall,
and this police station is heaven – I agree.

Refugee

is good. To belong
is wrong. Be homeless.

Mortgages and rents are chains.
Tread the world without burden.

Find a banquet in a crumb.
A glassful in a droplet.

Warmth in a newspaper blanket.
Comfort is a concrete underpass.

Our Folk Burn

Management say “Lessons will be learnt”
Folk have already warned bosses.
Management say “Our sympathies are with the families”
Death toll expected to rise.
Management say “Lessons will be learnt.
Austerity costs must be met.”

Because

people killed further away
do not grieve any less.

a mother is a mother
even if her fashion is not ours.

a father is a father
even if we disagree with his beliefs.

an explosion is an explosion
even when on a flat screen.

Nothing (For Manchester)

is real.

My smile was a pink balloon
floated above me. I sang.

A big bang.
Blood on the balloon.

I find metal nuts and bolts.
I can’t sing. It isn’t real.

I’m Just About

managing between the barricades.
My kids play between sniper targets.

I fetch the shop through broken
buildings perforated by gunshot,

past cars jammed across streets.

I’m just about managing between regimes.

“Why Dad?”

It happens a lot.
I look up to see
a soldier
with the butt of his rifle
move Dad forward.

“Why, Dad?”

“They don’t know where
we belong.” He says.

© 2019, Paul Brookes


Poems I had written about child abuse – both my own experience and children and adults I worked with – was met with rejection and silence. I had the clear understanding that there was a taboo on the subject amongst Editors and Publishers – particualrly in terms of male abuse experience – Reuben saw things differently shared my view and was understanding and encouraging. At a time when I felt most despondent he published a poem of mine that had been difficult to write let alone send to a publisher. I will be forever grateful to Reuben.

The examination of time and its modes.

We are the explorers
of time
in which
our watchfulness
reveals
an awareness
of life’s turning wheel.
We the silent sentinels
examine time
embracing
the glue that alloys
that anneals and binds
the eternal tick
hum and thrum
of the Atomic
oblivious to the inhalation
and exhalation of breath
we breathe
a measurement of time.
And dream itself
three thirty
in the darkness
a stop time
in slow time
when nightmares wake
and temperatures drop
a degree or two
and old people’s
grip on time
is loosed,
loosened
they leave
and are left.
Goodbye.
Slow time.
Stop time.
Time to wake
time to go
slow time
stop time.
One day I found
myself wearing
two watches
I was unaware when
I’d strapped them on
there is a third
too delicate to be worn
the gold watch
given to an old man
on finishing.
Stop time.

The first watch
measures
now time
fast time.
The second
measures
get it got it
measures
slow time
stop time
looking at it
may make
you decide
it’s broken
stopped working
but it works
measuring
very slow time
stop time
another time
known only to us
known only to you
Postponed Time
Since the Disaster
slow time stop time
known to those
whose alarm
wakes them
stops them
from healing
stops our sleep
brings it to a grinding
Halt! Halt! Halt!
with a scream
a shout
a cry for help.
Let me go.
Let me go.
A cry. A cry
to start time.
and so the saying goes
there is a time
and place
for everything
But which time
is not specified.
Time heals.
Time will tell.
What goes around
comes around
and on and on it goes
the vagaries
of our understanding
of time abounds.
Times up!
There is no more time.
I have no time for you.
I have no more time for you.
I couldn’t give him
the time of day.
Did you keep time
for me?
Where did you keep it?
Was it on your
person?
On your body?
Pocket?
A locket perhaps?
Locked up
somewhere.
Time to get away.
How did it get away.
Did you lose it?
Did you give it away?
I have no time
for you.
Slow time.
Fast time
reaches
and seeps away
while we were
not looking
We, I didn’t look.
Carelessly
it seems
we
lose track
of time.
The sands
of time
are running out.
Running again
Sand.
Don’t get me
started.
Oh well.
Sand
running slow
sand running fast.
sand running
to a stop.
Sand stopped running.
Sand is running
out where.
Enough is enough.
Time to go.

Time redefined

And now?
Am I marooned here?
You told me to go
Go go go go go
when you decided
that it was done
that you were done
with me.
But I have been left here
somehow
then now
now then
time stands still
for some things.
Trapped in this silence
now and then
a fracturing of time.
Fractured?
Torn?
Shredded?
Ripped?
Sheered?
I struggle
for words.
It’s not true
that time heals
it simply
that pain lessens.
I am like a bell
that has not chimed true
for so long
but I am not silent
only in quietness
will you hear
the deep vibration
of my calm.
I can’t make
up for lost time
making up
for lost time
What time?
Who’s time?
A clock
Clocka
Clagan
Or Clocc.
A silent
instrument
missing a bell
is called
a Time piece.
I clock you
You you you you
You. And you!
I watch you you
you and you.
and you.
I was five
I didn’t know.
Hunt hunt hunt
Hunt the twat
Hunt hunt hunt
Hunt the cunt
Hunt hunt
Hunt hunt
Catch him
Tie the twat up
Tie the cunt up
Tie him hold him
Tie him hold him
Shut the cunt up.
I knew you
You you you
And you.
I didn’t know you.
I was five
I didn’t know
Hunt him
Catch him
Hunt hunt
Hunt hunt
Catch him
Tie the cunt up
Tie him him him
Shut the twat up
I see you now
I know you now
I do not name you
That decision
Is my domain
Talking talking
Suddenly aware
Of you you you
You. And You.
Standing there
Watching watching
How long had you
Been watching?
In silence.
Stalking me.
The snare
Tying my hands
With twine
It was a game
But the rope
Bit tight
Cut into my wrists
And you stopped
My crying
With your fists
You you you
You. And you.
Hitting my head
Hitting my arms
Hitting my legs
I was five
I didn’t know.
Strip him strip him
Spread his legs wide
Tie him down
Then came the knives.
Cut his dick off
Cut his dick off
Do you want
To know the rest.
Do you really need
To know
Every last
Detail of what
Was done
Done to me
When I was a child.
I was only five.
I didn’t know them
I don’t know you.
I refuse to be
Defined by you
By what you, you, you,
You. And you
Did to me.
I am the man
The man I am
But it doesn’t
Define me.
You will not
Define me.
My anger
About what you did
You you you
You. And you.
Does not define
Me and my life
It is you see
Only a small
Part of what I call me
A small part
Of who I am
Now.
This is my time
My space
And I decide.

Time

I hear your laughter still
I was five
I was a child
I knew you
I did not know you
I hear your laughter still
I was five
You will not go.
As incoherent
As the rattle
Of an empty plate
The image of a bell
Of an empty tea cup
Turned upside down
Chimes intertwine
Merging for reasons
That are maybe sublime
In their incoherence
A bell chimes
Making time
An upturned cup
Signs no more
I am empty
I am full.

© 2015, Rob Cullen


Behind Bolted Doors

Lift the latch and
you will find cracks
in the door, scarred
traces of hot tempered
rackets-
sad sorrowful echoes of
screams slaps and strikes
in the tender dwellings of
famished femininity-
whose chest is crammed
with refrains of ugly curses
profane, drafted with hatred
mundane-
beauty’s blend for care
created for eternal company
stays abused spared not
why?
who will cut the strings
of human bondage
lacerant tortured
Suffering Silent Cry!
What was ancient
ignorant and abolished
made eloquent and sacred
Open the door and you will find
famished femininity current
in countless fetters
slowly visibly tabescent-
Why-

© 2019, Anjum Wassim Dar


Reuben was unflinching in calling things by their true names. I appreciate the consciousness and compassion that was evident in his work and stalwart commitment to protest poetry and poets. I did not know him personally, but I feel a deep sense of loss.

The Crude Rude Red Rooster

The family patriarch was a big man
A big crude red-faced rooster of a man
With cock’s comb of jet that wilted
In the golden glow of an honest sun
He wrapped fear around himself in the way
Of a frail old woman with her shawl
His boom and blather made the girl shiver
Like the surface of a pond brushed by a dark wind

In a greedy closet big enough to live in
He gathered his indulgences and ego props
He grew fat and aggressive on flesh foods and alcohol
He drove a big car and in parking it made
Sure intrude on his neighbor’s grace

He thought himself a “man’s man”
He kept the women in their places, as defined by him
He whipped the elder son into nervous abandon
Tried to craft him into a clone and a validation
To keep the upper hand, he pitted brother against brother
He drove the wedge of his insecurities between his sons and their wives

In his service business, women were “broads,”
And there were codes for the others –
Seven was for “Spic”
Six was for “Nigger”
Five was for “Sand-Nigger,”  like the girl, or so he thought

Time passes, people decline, and the rooster lost his peck

His wife grew brittle
She came to rule the roost and the rooster –

a “broad” ran credibly to be her country’s president
a “seven” is an astronaut, a “six” is a U.S. President,
a “five” is a governor; she never dreamed she’d see the day

As for the crude rude rooster –
He just did what most of us mostly do
He did as he was taught …

What his father taught him
What his father taught him
What his father taught him

© 2008, Jamie Dedes


I’m so saddened to hear about Rueben’s passing. His site uplifted voices that needed to be heard. Here is my submission, hopefully it is on target to honor him.

Aftermath of Silence

I turned away, jaw clenched,
Breath held, yet still seeing
The crushed spirit within her
Earth brown eyes that had
Pleaded for me to do
The thing I feared the
Most – to speak up for her
And tell him to leave
Her the fuck alone

© 2019, Irma Do


It is almost two years to the day that Reuben posted Berlin 1933, my first published poem.
Yes, his website was a place for protest against injustices but protest is another way of expressing love and concern for fellow-citizens and to affirm “our better angels”.
And wouldn’t the world be a much better place if the great majority of on-line posts expressed love and tolerance, rather than their odious opposites.
Here in the UK we are in the middle of a general election and I fear that the party which has made so many more people poorer may be re-elected.
I attach a poem which tries to go the heart of that.

In the Gulag

A crippled man, eight floors up, the lift
broken again. A woman, bed-bound,
her harassed carers late once more while she
hazes in a dream of rotting fruit.

Homeless citizens fly-tipped
to alien towns or camped
beneath the underpass; others
filling night-time doorways.

Third child, non-child!
Third child, non-child!
Should have thought of that
before….!
Just join the food-bank queue.

Better like this, no need
for wire or watchtowers,
the rabid press as guard-dogs
of the dark and scattered places,
our gulag of wilful degradation.

© 2019, Frank McMahon


.head2head.

I hold you often, this time,
I cannot save you.

they come as stinking flies
and burn us.

we are as dust, you and i.

this time, I cannot save you.

© 2019, Sonja Benskin Mesher


Your Little Soldier

Even though you chose to let him back in
Remember
I’ll always be there
If just to stand in front of you
To block his hit
Just as I’d always do
Even though I get so upset
Over thinking
Trying to figure out why you accept him
Remember
I’ll always be there, if just to stand up for you
When he calls you ugly names
Even though I tell myself I told you so
Knowing
There’s no way he could ever change
Remember
I’ll always share your painful tears when I hear the tremble in your voice
Right before you begin to cry
Even though my pride tries to tell me I don’t care anymore
Constantly
And that it’s your problem, not mine, whatever he may say or do to you
Remember
I’ll always be there to allow the way I care to override my stubbornness
If just to try my very best to protect you when the situation becomes too violent
Dangerous
I’ll always be there, if just to help you pack your bags and run with you
Even though I know every time you’ll run backwards
Remember
I’ll always be there, if just to go back with you to make sure you’ll be ok
I’ll always be there for you
Why?
Because I love you with not only all my heart, but with all I am
Sincerely
If you’re happy, even under the most depressing circumstances
Remember
I’ll always be there, if just to imitate your forgiveness
Why?
Because I’m your little soldier
I always have been and always will be
I’ll always fight for you, because no one will take you away from me

©2014, Kelly Miller

She Died Of a Broken Heart

As her health began to fail
You didn’t notice, you didn’t care
Your sharp cruel words cut deep into her chest
Yet you said to lift her up, you did your best
Giving the wound no attention
You made it worse with jealousy’s incision
From her body the blood of hope drained
While you kept disappointing her, she strained in pain
While she lay helplessly on the ground
You failed to assist her, you weren’t around
Her life slipped away and you took no note
When all she needed was you, love’s antidote
As the rescuers rolled her away on a stretcher
The detective shook his head and said
“She died of a broken heart. God bless her.”

© 2019, Kelly Miller


Reflections on Government

From simple language much may be inferred;
America’s lust for pleasure and commotion
Like Britain’s anal culture, I’ve a notion,
Reveals itself within the very word
Used when our nations’ rulers have concurred.
Whilst here the House is said to “pass a motion”
The other side of the Atlantic Ocean
“An act of congress” is the term preferred.
But though such speculation may be fun
The world goes on as it has always done;
It’s true: “A rose by any other name
Would smell as sweet” and so we must conclude
That whether we get shat on or get screwed
The end result is pretty much the same.

© 2019, Ben Naga


Climate Change

you’ve stolen my dreams living without limits but I can
find solace gazing at clouds and

I can watch Half-Animal Half-Girl Set In A Japanese Restaurant
in which the camera follows the activities of a masked creature
half-girl half-animal in which the camera pans to a window
through which the sky is seen to be indigo in Fukushima, 2011.
I can watch Dog Barking in which a woman gets out of her car
and makes eye contact with a dog which barks. I can watch a woman
sitting on top of a hippo manically reading newspapers and occasionally
blowing a whistle. I can watch Men Hack Off Sharks’ Fins For Shark-Fin
Soup. I can watch Tigers Singing Plaintively About Colonialism
and I can watch Jungle Book where Baloo speaks Bengali and Mowgli
speaks Spanish. I can watch People Becoming Creatures which isn’t anything
like Kafka’s nightmare. I can watch Loverfinch in which a finch teaches
an ornithologist a beautiful song. I can watch Aquarium, swap lungs for gills
and enter another world. I can stand next to a beach tree and scratch
and make a work of art from the marks and call it Where a Brown Bear
Stood Recently Clawing a Tree. I can watch Polar Bears Stranded On
a Small Volume of Ice. I can travel back three million years into the past,
press my bare feet into the fossilised footprints of The Laetoli Bipeds
and walk along my ancestors’ path, 54 steps into the future.

you’ve stolen my dreams living without limits but I can
find solace gazing at clouds and I can

invite you to listen to the purr of a cheetah the song of a blue
whale the song of a nightingale the rustle of leaves starlings
imitating ring tones and the buzz of a million
honey bees

© 2019, Eric Nicholson


You might think
conversation is futile
that telling the truth
is stressful
so you choose
to remain mute
and everything
in your midst
and in your life
has fractured
silence is
after all
deafening
and isn’t
it interesting
that Jesus
came to
set the captives
free by making
the mute speak
the deaf hear
and the blind see.
See
How many people
In your midst
Have suffered abuse
You might be one of them
I might be one of them
Your mother, brother,
Sister, father, neighbor
Stranger, friend
When will the silence end?
Only then, will stress fractured
Relationships begin to mend.

© 2019, June G Paul


……..love
…………. care
……………….freedom
………………………justice
The crowd shout when it feels something like you and me.

© 2019, Pali Raj


Images

A photograph is all that remains
But my soul searches
For those rose coloured
Stills
images printed
In the heart.

© 2019, Leela Soma



 

The Poetry Society (U.K.) and the Royal Norwegian Embassy Circle Trafalgar Square Christmas Tree in Poetry; Clare Polard and her poem “The Gift”

The Trafalgar Square Christmas tree in 2008 Laura Bittner under CC BY 2.0 license

Clare Pollard’s poem will be displayed on banners around the Christmas tree in Trafalgar Square until January 6, 2010. The banners feature artwork by Marcus Walters.  



I’m a New Yorker who grew up on the magnificent Christmas tree lightings in Rockerfeller Square in Midtown Manhattan. In my childhood this was still a relatively modest community event. In those days, it was attended mostly by New Yorkers. In more recent years, it has become a loud commercial affair attended by tourists and visitors.

It may be in part the memory of those long-ago and magical tree-lightings that drew my attention to this lovely relatively understated English-Norweign collaboration. The inclusion of poetry makes it all the more engaging: for the eleventh year running, The Poetry Society commissioned a poem to wrap around the Norwegian Christmas tree in Trafalgar Square.

For 2019 poet Clare Pollard wrote The Gift inspired by the theme of hope. It will adorn the Trafalgar Square Christmas tree through January 6th. The Gift was inspired by the images and ideas of London primary school children who received free poetry workshops from Cheryl Moskowitz, Coral Rumble, and Clare Pollard. The workshops were organised by The Poetry Society in October and November. The poem was read by a small group of primary school children at the lighting ceremony last Thursday.

This ceremony is organised by the Mayor of Westminster and Royal Norwegian Embassy, attended by the public, the Mayors of London’s thirty-two boroughs, and VIP guests including the Mayor of Oslo. The Poetry Society and the Royal Norwegian Embassy encircled the Trafalgar Square Christmas tree in poetry, celebrating the City of Oslo’s annual gift to London, as part of The Poetry Society’s Look North More Often project. The Poetry Society’s Christmas tree poem project, Look North More Often, was launched in 2009 as part of its centenary celebrations, encouraging local schoolchildren to write in celebration of the tree’s arrival from Norway.

The tradition of the Mayor of Oslo sending a Christmas tree to London as a symbol of peace and friendship dates back to 1947, in recognition from Norway of Britain’s support during World War II. The tree’s journey starts with the Lord Mayor of Westminster visiting Oslo for a traditional tree-felling ceremony followed by the Mayor’s return with the tree to London.

In addition bringing professional poets into London primary schools to work with the students on their ideas and words for the Christmas tree poem, Look North More Often provides teachers across the UK with new digital resources to assist them in teaching poetry.

Here is an except from the commissioned poem, which was read on Thursday.

The Gift

by Clare Pollard (with thoughts and images dreamt up by primary schoolchildren from Westminster)

The seed becomes a golden flower of pouring light, a gift.
I need you to believe, Hope says. It’s you makes me exist.
I feel bright feathers lifting.
I hear a tiger’s roar.
I’ve taken many forms, Hope says – changing is what I’m for.

© 2019, Clare Pollard

Image courtesy of Amazon UK

CLARE POLLARD (Clare’s Official Site) (b. 1978) is a poet and playwright who was raised in Bolton and educated at Turton School in Bromley Cross. She studied English at Cambridge University. At age 19 Pollard published her first poetry collection, The Heavy-Petting Zoo (Bloodaxe Books Ltd. (1997)) In 2000, Pollard won a Society of Authors Eric Gregory Award. In 2004, her play The Weather was performed at the Royal Court Theatre. In 2007, My Male Muse, a radio documentary was broadcast on BBC Radio 4. In 2009, Pollard and James Byrne edited the Bloodaxe young poets showcase titled Voice Recognition: 21 Poets for the 21st Century.[5] Pollard has been a Royal Literary Fund Writing Fellow at Essex University. In 2013, she was the judge for the inaugural international Hippocrates Prize for Young Poets.

Clare Pollard has published four collections of poetry, the most recent which, Changeling (Bloodaxe, 2011) is a Poetry Book Society Recommendation. Her play The Weather premiered at the Royal Court Theatre and her documentary for radio, She co-edited the anthology Voice Recognition: 21 Poets for the 21st Century and her new version of Ovid’s Heroides was published by Bloodaxe in May 2013

Clare’s Amazon Page U.K. is HERE and U.S. is HERE.

Note: The content of this post is courtesy of The Poetry Society, Wikipedia, Clare Pollard, and Amazon. 


Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook / Medium

Recent and Upcoming in Digital Publications: Five by Jamie Dedes on The World Literature Blog,  Jamie Dedes, Versifier of Truth, Womawords Literary Press, November 19, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

The Inaugural Freedom Voices Poetry Prize Goes to Nigeria and Zimbabwe; the winning poems

An annual international literature carnival, where writers, academics and readers discuss, critique literature. / copyright Litfest Harare

LitFest Harare Voices stitched together the November sacredness with the December Christmas fever.



Africa is gifted with a blessing of spoken word artists, literalists, wordsmiths and poetry arts activists. Recently in Zimbabwe dub poet and UNESCO Affiliate Chirikure Chirikure and fellow poets hosted a lineup of accomplished writers and poets through the the highly recognized literary arts fete Litfest Harare in partnership with Glasgow University, Daves Guzha’s Theatre in Park, United States of America Cultural Affairs in Harare and others. LitFest Harare Voices stitched together November sacredness with  December Christmas fever.

Poet Sotambe Pusetso Lame at 2019 Sotambe Festival
Mbizo Chirasha

The Sotambe Live Literature Hub curated by fellow poet Mbizo Chirasha saw poetic words bathing copper belt of Kitwe to welcome the beautiful month of October. The Sotambe Live Literature Hub was a collaboration of Sotambe Film, Documentary Arts Festival with the International Human Rights Arts Festival founded by Writer and Artist Thomas Block. The Festival brought together poets from the SADC region that included Pusetso Lame of Botswana, trailblazing Vanessa Chisakula of Lusaka Zambia, and the dare – daring Philani Amadeus Nyoni of Zimbabwe. Africa’s poetry year was capped by the Maruping festival (GBV issues themed festival) in Botswana in partnership with European Union Delegation in Botswana bringing poets from around the world.

In that same literary arts activism wavelength, the Brave Voices Poetry Journal and the Zimbabwe We Want Poetry campaign founded and curated by Mbizo Chirasha an internationally acclaimed literary arts projects curator and poet introduces the Freedom Voices Poetry Writing Prize, an International poetry writing contest that saw more than fifty poets and activists participating from all over the globe. The contest was judged by globally revered poets and acclaimed writers that included Professor Michael Dickel, Poet and Editor James Coburn, and Reputable Journalist and writer Omwa Ombara and Professional Writing Mentor Tracy Yvonne Breazile.

The Winners of the 2019 Freedom Voices Prize are:

  • Adesina Ajala, a Nigeria poet with his poem FOR KEN SARO-WIWA ( First Prize),
  • Chrispah Munyoro, a Zimbabwean Poet with her poem ECHO CHAMBERS (Second Prize), and
  • Christopher Kudyahakudadirwe, a South African based Zimbabwean poet with his poem THE BUDDS ARE FRUITING ( third prize) .
Deceased Nigerian poet Ken Saro-Wiwa for whom Adesina Ajala’s poem is written

There are seven special mentions. The winners are to be published in five digital poetry spaces including the new look Brave Voices Poetry Journal and the seven special mentions will be featured in two platforms including the BRAVE VOICES POETRY JOURNAL.

The 2019 Freedom Voices Poetry Writing Prize was paying Tribute to Unique Heroes/ Heroines. It is an Ode for Cadres of Resistance (human rights, anti-imperialistic, antiapartheid, freedom of expression, fight for political justice, right to economic justice and right to social inclusion) including:

  • Ken Saro-Wiwa for movement for the survival of Ogoni people ( Nigeria,) Dedan Kimathi (Kenyan liberation struggle),
  • Steve Biko (fighting inequalities in South African apartheid,)
  • Lookout Masuku (fighting for political justice in Zimbabwe),
  • Charles Dambudzo Marechera (PenSlinger of Truth in Zimbabwe),
  • Ambuya Nehanda (medium spirit of Chimurenga (war of liberation) in Zimbabwe),
  • Ruth First (South African fighter for civil rights),
  • Winnie Madikizela Mandela (Fighter for political and economic rights in South Africa,
  • Itai Dzamara (fighter for human rights and freedom of expression in Zimbabwe), and
  • Freedom Nyamubaya (gunslinger during war of liberation, poet against dictatorship regime in Zimbabwe).
First Prize Winner, Nigerian Poet Adesina Ajala

ADESINA AJALA (Nigerian Poet) on winning the First Prize

SOZA’S BOY AND THE LEMONA’S TALE

For Ken Saro-Wiwa

October 10, 1941,
A sweet cry creaked into the crevices of Bori,
Cascaded with the swings of time
into songs in a time of war.
Like the anopheles mosquito, war was the drill poking Basi & company—
an ethnic minority, crisp lands & fecund rivers.

Shrapnel of crude oil scared faces of waters.
Oil marched the wicks of farmlands, wrecked every lushness in its paths.
A forest of flowers wilted, shed petals,
Became silhouette on a darkling plain.
The singing anthill homed bland silence.
This loud silence would be treason merely set in some four farcical plays.

Berserk bites of genocide in [Ogoniland] Nigeria.
& the Sozaboy chanted the Lemona’s tale—
the agony in the Ogoni girl became bared on the transistor radio.

& the warlords wrangled Wiwa’s weighted words,
Clasped him like prisoners of Jebs,
& clenched his body between the teeth of gallows.

Tell the hand that cuts the mahogany, his stump has sprout fresh leaves.
This poem, a leaf, sways.

Adesina Ajala is sprouting Nigerian medical doctor and writer, Adesina Ajala, desires to grow roots in the loam of the pen and the stethoscope. He does not know how he would fare, but he believes in journeying, in chances, possibilities and the divine. His works have found home in Writers Space Africa, EBOquills, Libretto, Featiler Rays, Brave Voices Poetry Journal and elsewhere. He was the co-winner of the first place of 2018 TSWF Writers Prize. He is on Instagram as and tweets @adesina_ajala.

CHRISPAH MUNYORO (Zimbabwean Poet) ON WINNING THE SECOND PRIZE

Second Prize Winner, Zimbabwe Poet Chrispah Munyoro

ECHO CHAMBER

When eobiont is my father
Living in darkness
Languishing sodom and gommorah
Christened by vampires
Baptised in Hades
My toys,wails and anguish
Bathing with my sweat
Lullaby of sjamboks,button sticks and tear gases
I am a graduate of doom
Hunger and thirst my delicacies
Daughters and sons of darkness

That chieftain ,who rule by subterfuge
Who had fried his heart eons ago
In glee at the cries of the babies
Salivating in total erasure of humans
Ejaculating venomous fire
How then can i think paradise is there
When i am a citizen of hell
Pot trained to be a hardcore bandit
Shrivelling,flowers squashed mercilessly
Future suspended and eroded
Pissing on the precious blemis
Expecting fruits from cactus

Chrispah Munyoro says, “I am a woman who never backs on what she wants to achieve. Ambiguous and hard work is the keys to success. Patience is a virtue I live by I don’t want cut out turn success. The saltiness of sweat unlocks hidden destinies. I am a down to earth woman who looks up to God with zeal.”

CHRISTOPHER KUDYAHAKUDADIRWE (Zimbabwe poet based in South Africa) on Winning the Third prize

THE BUDS ARE FRUITING

Who will tell Dambudzo Marechera

That the seeds that he sowed in us
Have sprouted and are doing well?
That’s right, we want him to know that
The flowers he left slowly budding
Have unfurled their bright petals
To grace the garden of literary bliss
Allowing bees to drink nectar sweet verse?

Who will tell our gallant literary hero:
One of the few who made living prophecies,
About the fermenting corruption
By trying nipping sprouting nepotism
And the cancerous looting in the bud
That would seize our house of stone?

Who will tell Dambudzo Marechera
What has become of the house of hunger
Which he was mind-blasting about
While non-believers stood on the fence
Pointing accusing fingers at him?
But, let me say: never mind your departure.
We, the little buds, will continue
That work that you left unfinished.

Christopher ‘Voice’ Kudyahakudadirwe is a Zimbabwean freelance writer, poet and teacher living and working in South Africa. His first poems appeared in a magazine called Tsotso which was published by the Budding Writers Association of Zimbabwe in the early 90s. Over the years his poems have been published in the following anthologies among others: Harvest: The University of the Western Cape Masters in Creative Writing Poetry Anthology 2016, Best “New” African Poets 2015 Anthology, Zimbolicious Poetry Anthology Volume 1. And his short stories in, Ghost-Eater and Other Stories, New Contrast, Moving On and Other Stories. He is currently running a poetry blog called http://www.kudyahakudadirwe.wordpress.com where he publishes his own poems.

The Magic was also in the Judging

OMWA OMBARA

Omwa Ombara

“The competition was pretty stiff. I hated to let some poems go. I hope the rest get literary mentions. Thank you for the opportunity to judge.”

Omwa Ombara ( First Phase Judge ).Omwa Ombara is The Editor in Chief at Tulipange Africa Media, a diaspora based Magazine in United States of America and Contributing Editor of Women Global Affairs at WOMAWORDS LITERARY PRESS.

TRACY YVONNE BREAZILE

Tracy Yvonne Brazile

“Reading the poems, I was delighted to find polished and confident voices. The poets offered a promise of creative potential surpassing my expectations. The quantity and quality of the writing served to motivate and challenge the mind with a common respect for the voices that linger in our shadows, reminding us of the importance that poetry can bring to problems that demand solutions. The only problem that I found was removing some from the list. This task was far more difficult that I had imagined. In the end, the poems that most closely matched the guidelines were the only match for decision making.
They were all beautifully crafted in both form and function. Although ultimately, there will be a list of winners, I found all of the poems that I read to be prized pieces of poetry that deserve a standing ovation. I found letters meant for reading and listening. Literature and Orature. I do declare, this was a tough task. Thank you, Brave Voices Poetry Journal 67, for paying tribute to unique heroes and heroines and celebrating their uniqueness.
Although ultimately, there will be a list of winners, I found all of the poems that I read to be prized pieces of poetry that deserve a standing ovation. I found letters meant for reading and listening. Literature and Orature.”

Tracy Yvonne Breazile (Second Judging Phase). is a writer living in the United States of America. She was granted the opportunity to serve as Writer/Mentor in Residence with the 2018 Zimbabwe We Want Poetry Mentorship Program, originated by Mbizo Chrirasha. Breazile studied Language and Literature with a concentration in Professional Writing at Columbus State University, Columbus, Georgia, USA

JAMES COBURN

James Coburn

“I was happy to read each poem. Each writer should be encouraged, as well as the ones not chosen. It was a pleasure reading the force and magnetic insight of each word. These are living words with a life of their own. Powerful and penetrating, forged in the flame of heart and traversing fear. Their ancestors would be proud.”

James Coburn is an Oklahoma poet in the United States of America. Coburn has always valued the subtext of life and seeks to reveal its undercurrents. He believes indifference is the enemy of man as it is the benefactor of ignorance, racism and xenophobia” James Coburn (Third Stage Freedom Voices Poetry Writing Contest). is an Oklahoma poet in the United States of America. Coburn has always valued the subtext of life and seeks to reveal its undercurrents. He believes indifference is the enemy of man as it is the benefactor of ignorance, racism and xenophobia.

MICHAEL DICKEL

Michael Dickel

“Poetry contest judges almost always must comment on the subjectivity of what we do. While the Freedom Prize has criteria to decide the quality of the poems, which I used, how well we / I as a single reader see the fit of any given poem to those criteria has to do with myself as reader as much as to the poem itself.

In this case, there were four criteria:

  1. The poem fit the stated theme of the contest,
  2. the poem was indeed poetry and not slogans and clichés,
  3. the quality of the words and language used, and
  4. the originality and creativity of the poem.

The first round of judging selected a “short-list” of ten poems, from which I was asked to select and rank the three best poems. All of this done anonymously, of course.
Another reader reading the ten poems on the short-list of poems might have found other poems of more merit for one reason or another. Reasonable readers may disagree with each other. I had the honor of being asked to select, and I have chosen three that I think stood out. However, this was not an easy task.

The passion of the voices in these ten poems would come across to any reader. The music of the poems, with rhythm and rhyme flowing, consonance and assonance, sounds crafted into what we call poetry. The poet of each of these poems deserves praise both for political activism expressed as poetry and for caring for others, their people, and the world.

The Third Place poem I chose is The Buds Are Fruiting. In this highly original poem, we learn “That the seeds…” Dambudzo Marechera“…sowed in us/ have sprouted and are doing well…” and “The flowers he left slowly budding/ Have unfurled their bright petals…” Unfortunately, “fermenting corruption,” “nepotism,” and “cancerous looting” have also budded, and need to be nipped. Merechera is blamed and indicted by finger pointers. Yet, the poem ends with hope: “We, the little buds, will continue/ That work that you left unfinished.”

The Second Place poem, Echo Chamber introduced me to a new word, eobiont (a hypothetical primordial pre-life chemical) in its opening line. The poem moves from the “father” (of life?) to “Living in darkness” and moves through Sodom and Gomorrah, vampires that Christen the speaker of the poem in Hades…the speaker’s “toys, wails and anguish/ Bathing with my sweat…” This dark poem paints a vivid picture in images painted with a few words, and in these images we see and feel the suffering of Africa and its children from “That chieftain, who rules by subterfuge/ Who had fried his heart eons ago/ In glee at the cries of the babies…” This poem strongly condemns and indicts the cruelty of those in power who savor the suffering of others. Rather than taking responsibility and stopping the suffering, they savor it, and this has cost them their hearts (and souls).

(For Ken Saro-Wiwa), my selection as the First Place poem in the Freedom Prize contest, combines the strengths of these other two poems. It speaks to an historical figure, using strong images and poetic skill to create a poem that reaches the heart, lays bare injustices, but also ends with a type of hope. After a significant date in the first line, “October 10, 1941,” we read “A sweet cry creaked into the crevices of Bori…” The repeated hard “c”— cry, creaked, crevices— pulls us along with some dread, given their contretemps to the “sweet.” The next line begins with “cascaded,” repeating that same hard “c” into “the swings of time/ into songs in a time of war.” In the next stanza we read that “Shrapnel of crude oil scarred faces of waters.” The oil goes on to “march” through farmland, destroying the environment as it goes, until “  This loud silence would be treason merely set in four farcical plays.” We are given “genocide,” “warlords,” and “gallows,” along the way “the agony in the Ogoni girl became bared on the transistor radio.” And after Saro has been hung, where is the hope? “Tell the hand that cuts the mahogany, his stump has sprout fresh leaves./ This poem, a leaf, sways.” The hope comes from the poem, from poets. At least, we hope that this will be true.)

—Michael Dickel, Jerusalem, November 2019

Michael Dickel (Finalists Judge). Michael (Dickel) Dekel has authored six published books and chapbooks (pamphlets) of poetry and short fiction, and published over 200 individually published poems, short stories, and non-fiction pieces, in addition to book-reviews and academic articles—under his birth name, Michael Dickel.



RESILIENCE IS THE KEY 

“We advocate for freedom of expression and upholding of human rights through our voices of resistance –POETRY and Literary Arts Activism Interventions like the Freedom Voices Poetry Writing Prize.” MBIZO CHIRASHA is the Originator of the Zimbabwe We Want Poetry Campaign , Curator of the Brave Voices Poetry Journal and the Founder of the Freedom Voices Poetry Writing Prize .

Editor’s Note: This post is complied courtesy of Mbizo Chirasha, the three prize-winning poets, the four competition judges along with LitFest Harare, Brave Voices Poetry Journal, Freedom Voices Poetry Prize, and the Sotambe Festival. The poems, photographs and header illustration are under copyright to the poets, those photographed, and LitFest as noted.  The judges own their narratives and photographs.

The blogosphere being what it is – a soundbite world – I know readers will be tempted to skim. I would submit the material here is worthy of close attention, the poems and the judges commentary offer much for us to ponder as caring and conscious human beings and as poets. 



Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook / Medium

Recent and Upcoming in Digital Publications: Five by Jamie Dedes on The World Literature Blog,  Jamie Dedes, Versifier of Truth, Womawords Literary Press, November 19, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

“I am not a silent poet,” this Wednesday Writing Prompt in honor of Reuben Woolley

c estate of Reuben Woolley

“I have been seeing such increasing evidence of abuse recently that I felt it was time to do something. I am not a silent poet looks for poems about abuse in any of its forms, colour, gender, disability, the dismantlement of the care services, the privatisation of the NHS, the rape culture are just the examples that come to mind at the moment. It is not a site for rants which, if they are well written are welcome here [i.e. Facebook]. My idea for this group is for discussion about abuse and what we can do about it. There is room here, of course for poetry. I just felt it was time for me to get off my arse and try to do something.” Reuben Woolley, publisher of the webzine I Am Not A Silent Poet, A magazine for poetry and artwork protesting against abuse in any of its forms



Reuben Woolley died last week and so many of us are feeling the loss of this man who shared our ideals, wrote poems of protest and resistance, and published “quality poems of protest” on his webzine site as well as poetry and information on his Facebook discussion page. His most recent book. This Hall of Tortures, was published in April 2019.  He recently sent me a copy for review. I was waiting until he got out of the hospital to send my interview questions.

“I am not a silent poet looks for poems about abuse in any of its forms: colour, gender, disability, the dismantlement of the care services, the privatisation of health services, the rape culture, FGM, our girls in Nigeria are just some of the examples that come to mind at the moment. It is not a site for rants.” 

Reuben was laid to rest on Monday and his daughter writes, “Although he was not a religious man, we decided to do brief ceremony at the Iglesia de los Milagros in Ágreda. In the same place where he and my mother got married 40 years ago, we came today to cry his death and celebrate his life.

“Remembering all our roadtrips around the UK listening to the Rolling Stones’ album “Let it Bleed” , I thought that playing for him “You can’t always get what you want” one last time would be a good way to remember him. Personally, I think he would have got a huge kick out of knowing that he caused a Rolling Stones’ song to be played in this quaint Spanish cemetery. Cheers dad.”

requiescat in extremis

the dark denizens
come forward
in flux
& what i have is
the hole in the picture the
red balloon & a child
follow me this
again
& one time only

here
there is weather a
hindrance & my chair i
sit too much listening
to pure crazy jazz
in this brain my
dangerous habitat

extinguish me now say
a pointless gesture ever & down
load this my stupid requiem

© Reuben Woolley, September 13, 2019

WEDNESDAY WRITING PROMPT

In the spirit of I am not a silent poet and in honor of Reuben, please share a protest poem or two – any topic but NO RANTS, per Reuben’s rules.  Comments on and memories of Reuben are welcome also if you’d like and will be published along with your poem/s next Tuesday.

  • please submit your poem/s by pasting them into the comments section and not by sharing a link
  • please submit poems only, no photos, illustrations, essays, stories, or other prose

PLEASE NOTE:

Poems submitted through email or Facebook will not be published.

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.

PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.  

Deadline:  Monday, December 9 by 8 pm Pacific Time. If you are unsure when that would be in your time zone, check The Time Zone Converter.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you.

You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.


Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook / Medium

Recent and Upcoming in Digital Publications: Five by Jamie Dedes on The World Literature Blog,  Jamie Dedes, Versifier of Truth, Womawords Literary Press, November 19, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton