Page 42 of 79

“Let There Be Peace”. . . and other responses to the last Wednesday Writing Prompt

“When I say it’s you I like, I’m talking about that part of you that knows that life is far more than anything you can ever see or hear or touch. That deep part of you that allows you to stand for those things without which humankind cannot survive. Love that conquers hate, peace that rises triumphant over war, and justice that proves more powerful than greed.” Fred Rogers 

MIster Rogers (photograph in the public domain)

Fred McFeely Rogers (1928 – 2003) was an American television personality, musician, puppeteer, writer, producer, and Presbyterian minister. He was known as the creator, music composer, and host of the educational preschool television series Mister Rogers’ Neighborhood (1968–2001). The show featured Rogers’ kind, neighborly, avuncular persona, which nurtured his connection to the audience. [Wikipedia]



The last Wednesday Writing Prompt, from the wind wipped edges of the earth, July 18, was probably the most serious and perhaps the most difficult, angering and painful in the history of this effort. Brave, angry, despairing, hopeful responses from newcomer Debasis Mukhopadhyay and from old friends,  Paul Brookes, Debbie Felio (Deb y Felio), Taman Tracy Moncur, and Marta Pombo Sallés. Feed your soul on these this afternoon and be with us tomorrow for the next Wednesday Writing Prompt.

I hope you’ll visit and get to know these poets. It’s important for us to support and encourage one another in our art and in our solidarity for peace, sustainability and social justice.  I’ve linked in blogs for your convenience. If the poet doesn’t have a site, chances are you can catch up with them on Facebook.


butcher them carefully

i hate how these metal benches are now sighing for the the stall of dawn / how impossible to have again between his eyes & mine evening stars becalmed by a darkness in which we can cry only in dream

the toll-free number destined for detained parents weave rehearsal for life like the dance of corn fields too far to see by / that is that / what better road to the door of dawn could kid draw on the ribs of my cage with his broken piece of chalk

fuck dawn

the warm vapor of morning ablaze in ICE detention center becomes elegies for his dragged off cries / being told that the best chance i have of seeing my son is to plead guilty i am now peace with memory games

© 2018, Debasis Mukhopadhyay

DEBASIS MUKHOPADHYAY is the author of the chapbook kyrie eleison or all robins taken out of context (Finishing Line Press, 2017). His poems have appeared in The Curly Mind, Posit, Words Dance, Yellow Chair Review, I am not a silent poet, New Verse News, Anapest Journal, Thirteen Myna Birds, Of/With, Scarlet Leaf Review, With Painted Words, Whale Road Review, and elsewhere. His work has been nominated for the Best of the Net. Debasis lives & writes in Montreal, Canada.  Follow him at debasis mukhopadhyay, between ink & inkblot or @dbasis_m on Twitter.


Hopelessness Is Life

Only the hopeless live.
Only hopelessness makes you smile.

When all hopelessness is gone
then you will grieve at the loss.

There are three streets we can go down,
Faithlessness, Hopelessness and Selfishness

Without one of these the others cannot exist.
There must always be hopelessness

in the best of times. It reminds us of an edge
to life. Surrender to hopelessness

and all will be well. It is the force that drives
all that is worthwhile and good.

© 2018, Paul Brookes (Wombwell Rainbow / Inspiration, History, Imagination)

Hope In Small Spaces

since September the public have been invited to name storms that blow hard enough. Today’s storm is called Barney. Last week it was Abigail.

while black patches of damp splatter on the white bathroom, plaster crackles off, dark marks around the double glazing and aroma of decay, the morning shower is good

you travel to hospital to have the active cancer removed from your womb, while the grandkids, your mam and I distract ourselves with a meal in The Horseshoe

© 2018, Paul Brookes (Wombwell Rainbow / Inspiration, History, Imagination)

our unbattle (Apologies to re cummings)

in unwars, highly untrained unsoldiers
unskilled in unkilling, unhelp

unrefugees unhomeless untrek
thousands of unkilometres

to an unwelcome in unpeaceful uncountries,
with untightened unborder uncontrols.

unghosts unhaunt their and our undreams
with unscreams where every unnoise

is the undead unwounded, unfathered,
unmothered children unstare with uneyes.

© 2018, Paul Brookes (Wombwell Rainbow / Inspiration, History, Imagination)

To Avoid Absolutes.

Advice given to me
as a novice know it all writer

when I used words “hope,
love, hate, beauty, ugly.”

Keep it concrete description.
Answer five questions: Why,
how, when, where, what.

What did they know? I
would write what I wanted.

Why? Because I could.
How? Simple, read this.

When? Just this minute.
Where? In my hand.

What? Look there. On
the page. What’s the frown for?

© 2018, Paul Brookes (Wombwell Rainbow / Inspiration, History, Imagination)

Let There be Peace

we look for peace as an outcome
of war with other nations
we look for peace as product
of selfish accumulation

we look for peace in pridefulness
mistaking bullying for might
we look for peace in hiddenness
keeping deception out of sight

we look for peace in armies
enlisting those who may be lost
we look for peace in destruction
never counting all the costs

we look for peace within the walls
that keep the others out
we look for peace in laborious laws
without knowing what they’re about

we look for peace in blame and shame
to quiet all the voices
we look for peace in entitlement
thinking we just need more choices

we look for peace in fulfillment
pretending it’s only about just me
we look for peace in breaking rules
re-labeling it as free

we look for peace in marches
in protests, walk outs and such
we look for peace in demands of others
without shifting ourselves too much

we look for peace in a million ways
repeated as if each one is new
but until we know it within ourselves
there’s little we can do.

Let it begin with me.

© 2018, Deb y Felio

Planting Peace

the peace rose doesn’t grow
in desert and hostile ground

the peace rose doesn’t grow
when pulled up from its planting

the peace rose doesn’t grow
when left unattended

the peace rose doesn’t grow
when damaged and rejected

the peace rose doesn’t grow
in famine and in drought

the peace rose doesn’t grow
when sheared from all sides

the peace rose doesn’t grow
in poverty and war

the peace rose doesn’t grow
when left unplanted as a seed

the peace rose can only grow
when nurtured from beginning.

© 2018, deb y felio


Peace is
The heart of mankind beating the drum of unity
Seeking the pulse of a people
Whose voices are lifted in harmony
Singing the song of difference…

© 2018, Tamam Tracy Moncur


Lights park at night.png

MAD,GLAD, SAD

We are…
mad, glad, sad.
Sometimes they call us mad
for revolutionary ideas.
Others we are glad
when things go fine.

But now we are…
so sad, sad, sad…
for the lack of justice
for the increasing oppression
for starting a new period of life
where things will be much harder.
For so many years
a privileged life.
Or was it just a mirage
on a surface apparently peaceful
though underneath dwelt
the threat of violence
in case you wanted too much freedom?

Yet mad, glad, sad
must always mean hope
a way to carry on
through the dark tunnel.

Mad, glad, sad
please tell me there is light
in our peaceful legitimate fight.

© 2017, photograph and poem, Marta Pombo Sallés (Moments)


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

from the wind-whipped edges of the earth, a poem …. and your Wednesday Writing Prompt

“If you want to end the war then instead of sending guns, send books. Instead of sending tanks, send pens. Instead of sending soldiers, send teachers.” ~ Malala Yousafzai (17 year-old Noble Peace Laureate)



tawny moon, an evening grace,
a calm drapes itself on the dwindling day

the mystic mountains, pristine, rise high above
an earthy base, the wizard Merlin’s realm
with memories of a green and primal past …
…….of rootedness
…………..essential things

and Peace!
a lively Peace …

visits us on the briny spray, delights
at the meeting of land and sea
at rhythms of ocean against the shore
as waves drift in and out, fling and toss
stop, start, begin again and then again
splashing, salt of a mother’s tears

moonlight wanes,
a liminal hour

and Peace!
capricious Peace …

see the moon incised, a holograph
from wind-whipped edges of the Earth,
read reports of valour and cowardice
…….the blight of insanity
…………..the naked lives
jarring, the morning dispatch
tragedies, under the heel of depravity

. . .guns, bombs, drones

………..psychopaths, forever with us

people fleeing the lacerations of their plight
Oh! the crushing horror of their fright

“In a world gushing blood day and night, you never stop mopping up pain.” Aberjhani, The River of Winged Dreams

© 2017, poem, Jamie Dedes, All rights reserved

WEDNESDAY WRITING PROMPT

Peace! Capricious. Unevenly distributed. We can be the peace but what do we do about the psychopaths?  How do we mop up the blood? How do we hang on to our hope? Tells us in a poem or poems.

Share your poem/s on theme or a link to it/them in the comments section below.

All poems on theme will be published next Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.

Poems in response to this prompt will be considered for inclusion in the September issue of The BeZine, which is themed social justice.

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com in order to introduce yourself to the community … and to me :-).  These will be partnered with your poem/s on first publication.

Deadline:  Monday, July 23 at 8 p.m. Pacific.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, sharing your work, and getting to know other poets who might be new to you. This is a discerning nonjudgemental place to connect.


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

“Birmingham, 1931” . . . and other poetic responses to the last Wednesday Writing Prompt

“For the city, his city, stood unchanging on the edge of time: the same burning dry city of his nocturnal terrors and the solitary pleasures of puberty, where flowers rusted and salt corroded, where nothing had happened for four centuries except a slow aging among withered laurels and putrefying swamps. In winter sudden devastating downpours flooded the latrines and turned the streets into sickening bogs. In summer an invisible dust as harsh as red-hot chalk was blown into even the best-protected corners of the imagination by mad winds that took the roofs off the houses and carried away children through the air.” Gabriel García Márquez, Love in the Time of Cholera



Cities certainly do stir the emotions as you’ll see from the passionate responses to the last prompt, Ciao Bella, Beloved, July 11, which was to write about the city in which you grew up or one that you grew to love.

Thanks and a warm welcome to newcomer Lexi Villa and thanks to stalwart regulars: Paul Brookes, Isabela DeLa Vega, Sheila Jacob, Frank McMahon, and Sonja Benskin Mesher.

Special acknowledgement to debasis mukhopadhyay, between ink & inkblot: Debasis’ latest collection is “kyrie eleison or all robins taken out of context(2017, Finishing Line Press ). I am unable to include his poem today due to some technical issues, but I hope to bring you more from this acute and prescient poet soon. Meanwhile visit his site and …

… enjoy these offerings below.

Do join us tomorrow for the next Wednesday Writing Prompt. All are welcome no matter the status of career: novice, emerging or pro. Responses to tomorrow’s prompt will be published here on Tuesday as is tradition and this week’s responses will also be considered for inclusion in the September issue of The BeZine, which is themed social justice.


Devastation to My Happy Place

I remember running across the street to the little old lady’s tiendita.
After a long day of exploring canals and giving in to vendors (who definitely overcharged me because of my pale skin), I was hungry.
Can you hear the rain tapping against my window?
Can you hear that old lady’s silence from across the street?
Can you hear my stomach growling?
It was cloudy & dark, but I wanted to continue my adventure.
I only had that interaction, or rather transaction, with the old lady.
But as I lay here in my home, I think about that sandwich I bought from her.
Ham, cheese, & jalapeños. No condiments.
I’m laying here now, where the worst I’ve experienced is 125 degree weather.
What happened to that city the day the earthquake hit?
What happened to the businesses run along the canals?
But above all, what happened to that little old lady?

© 2018, Lexi Villa

LEXI VILLA: “Hey! I’m Lexi, just turned eighteen and decided to participate. I only really dabble in poetry, I am not a professional. However, something I entered in a competition did get picked up for publishing. So I guess I must have a knack for it to catch the eyes of publishers right? I look forward to participating :)”


Even More Invisible Town

A paragraph/stanza difficult to read, then urge/ntly to know widens eyes, detail foregrounds, colour sharpens, shadows acute

No electric/gas light. Wood fires flicker at street ends, in single rooms shadow on walls, glorious stars and robbers abound

Every street must be a wasteland: broken bottles, discarded rubbish, rusty nails, decaying carpet. Belonging is discouraged.

Amount and weight not quality of jewellery you wear is sign of wealth/prestige. Piercings/tattoos admired/flaunted.

Violence is always acceptable. Non violence is cowardice, defeat admitted. Only big, strong survive. Bullying praised.

Freezing cold is welcomed. All animals slaughtered, every part used to build shelter, skins warmth, bone tools, percussion.

All surfaces are child friendly soft. All houses have slides, all workplaces ball pools. Play is work. Riotous creativity

dark corners are encouraged. It is an architectural trend to see how many can be made in one building. Cleaners despair.

where a buildings decay is encouraged as a haven for wildlife. People born/live/die in hides, record wildlife as heirlooms.

Nobody puts things back correctly. Compensation is unknown. Goods on wrong shelves. Kids to wrong houses. Fiction in non

.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration. History. Imagination.)

A City In His Pocket

Searched his donkey jacket,
business suit and blazer.

Nowhere. In his dreams hand
in pocket it felt smooth like wet cobbles

his hobnail boots slipped on and faltered,
clattered and echoed in a cave of streets,

crammed with bread on the bake,
spicy curry and sweet dark chocolate,

or the top of a Christmas dome
you upturned to see snow fall

on gothic spires and picket fences,
or hand in pocket spiky and harsh

like police speed traps or his wife’s voice.
Pick pocketed now empty pocket.

Gust blew across the abandoned threads.
Aha! He’d put it in his hi viz jacket.

Previously appeared in The Coffeelicious

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration. History. Imagination.)

More Impressions of Wombwell

Backyard, eye swag silver, two joy, pica pica purplish-blue iridescent sheen wing feather green gloss tail

on train squeal chatter, vivid, green, blue, beavers, cubs, scouts, ventures: anarchy in uniform

unshaven bald man, open green raincoat, brown leather shoes, hauls local paper packed lime green trolley

old folk bench gab, mothers stroll babies down funeral paths eye gambolling squirrels, cemetery a parkland

bright cemetery leaves behind dark, Bakers window 6 loaves, 1 burnt, nurse boards bus, ‘I was miles away’

sunstruck leaf bunch drips bright molten green glass, other leaves luminescent silver stars in green matter, shade cut

patient silver hubcap rests under stone cemetery wall behind blue bus stop halo, full moon fall: day waits

Shadows pass over bus as if it is stop motion animated. I get on the animation. Hand held camera glare work journey

Town a small canvas tent unzipped tied back crowcall, fragrant grass, earth close, sun blue. Is on holiday

light quality early noon than morning, 3 patient full brown potato bags by grocers, cloud dispersal pends

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration. History. Imagination.)

Invisible Town on the Cards

At bus stop 6 playing cards played 3 of Diamonds, Queen of Diamonds face up. Empty coke can: a bus on the cards

Bus stop other side from morning Ace of Hearts 7 of Diamonds 5 of Spades 6 9 of Diamonds face up. Afternoons hand

Hill top Mrs Wood, grocers, coming down street cemeteries avenue hill bottom where pit used to be a lush forest.

In siling down bus is a big kid in wellies a splash laugh in every pothole puddle, hurriedly shops import goods

Slanted rain rolls down slanted roof slanted street each angle geometric downpour wet arithmetic blatant flashes

Estate Agents white box A4 copier paper door stop charity shop rush takes green leather sofa armchair out of rain

‘value’ ‘bonus’ ‘Low, Low Prices’ big on bright blue next to ‘On Offer’ ‘To Let” boarded, flagged market forces

Pale blue sweatered woman bent at right angles pushes her brown tartan square four wheel shopping trolley up hill

Greenery now over spoilheap less work less danger canal no longer used all leisure, industry moved into headsets

Young man in flak jacket grey snapback struggles to attach long fishing rod rest and shopping to bikes handlebars

Bright cool blue sky cafe puts out green plastic chairs stacked like plastic cups bakers window 4 loaves 2 burnt

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration. History. Imagination.)


A Tree Grows in Brooklyn

A tree grows in concrete

As such, a sight to see

I hadn’t given much thought

To how lonely it might be

One tree, weatherworn, twiggy bark

Hardly standing, day in and day out

Alone, trying to be burly strong

In need of care, no one did

City life, concrete at its’ feet

Rain, sleet and snow

No breaks, nothing but woe

Yet, there it stands for all to see

© 2018, Isadora DeLaVega (Inside the Mind of Isadora)


Birmingham 1931

I’ve come at this a bit slantwise. I see the city through my father’s eyes.

From the terraced
back-to-back
where he was born.
The poor end of town,
near Saltley gasworks
and sluggish canal
under the railway bridge.

Pigeon-roost on slate
roofs, sheen of starlings
in rain-puddles, hoot
and hiss of steam trains
spiralling smoke and grit,
roar of Saturday’s home
crowd at Villa Park.

Trams and buses trace
the city’s inner circle,
drop workers off
at Ansell’s Brewery,
Lucas’s,HP Sauce, streets
humming as he meanders
to school with his mates.

They’ll be fourteen, soon,
time for first suits
and steady jobs, they dream
football but know their
future’s in a car factory
needing ambitious lads
eager to learn a trade.

© 2018, Sheila Jacobs


QUIET CITY

Paris, Venice, Udaipur: noise, rainbow
glitter, sensory orgasmatrons yet
nothing called serenity or the bliss
of a child carefree on a swing.

Here is my city, patient work of seeds
and seasons, pink campion, knapweed
and hawkbit’s yellow, filling the meadows’
edge around the solitary ash. High

ridge on a clear day, chalk or clay
underfoot, silent, watch the hawk’s lift
and stoop to the clustered oaks, sheen
on clear spring water bubbling. Cross

an open field where the breeze lifts away
the dreck and bric-a-brac of cares and toils,
open and be filled with birdsong,
float in moments endless ethereal.

Here is my city.

© 2018, Frank McMahan


harrogate in the rain.

cheap umbrella broke,

a delightful shade of pink,

abandoned.

abandoned the street

for the parlour, the crown.

mourned my shoes, wet

and ripping.

dripping

white nubuck.

watched the trees,

falling leaves.

good coffee

opposite

the pumproom.

harrogate.

© 2018, poem and illustration (below), Sonja Benskin Mesher

20161016_115926

. oswald’s tree .

never fails to excite .with all the talk of leaves

here, falling, i am interested to see another breed

of folk that love and gather.

remind me of roseberry road, the younger days.

 

sat in the upper room, read a letter to his mum,

about the trenches, the first world war,  wished

to drown his sorrow in  that bloodied mud. the floor

tilted, a scrap lay crumpled.

 

each room has a different door.

we left, fell the last few steps.

© 2018, poem and illustration (below), Sonja Benskin Mesher

1002690_10152906887796177_5370599434980022329_n

# Oxford

lost in the ashmolean, lost
in antiquity.

i may have paid the price.

the museum is free.

accordingly.

as i spoke,
i could not help
but cry.

we do not often talk of it.

bound.

© 2018, poem and illustration (below), Sonja Benskin Mesher

shot_1410090348561[1]


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

Ciao Bella, Beloved …. and your Wednesday Writing Prompt

 

“Saints have no moderation, nor do poets, just exuberance.” Anne Sexton


Be well, be loved
I’m the pond in the park, swim in my heart

street]

[pebbled and gray

Memory, be loved
Campfires strewn across a night sky

snowflakes]

[angel kissed

Wild dandelions, atomic yellow
Bluejays call from a buried bell tower
Carry on their wings

[the City, ultimate bliss

© 2018, poem, Jamie Dedes, All rights reserved

WEDNESDAY WRITING PROMPT

Speak to or of your city of ultimate bliss: the city you grew up in or the city you grew to love.

Share your poem/s on theme or a link to it/them in the comments section below.

All poems on theme will be published next Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.

IF this is your first time join us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com in order to introduce yourself to the community … and to me :-).  These will be partnered with your poem/s on first publication.

Deadline:  Monday, July 17 at 8 p.m. PDT.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, sharing your work, and getting to know other poets who might be new to you. This is a discerning nonjudgemental place to connect.


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.