ARTEMIS POETRY

artemispoetrycoverissue9frontNo matter what happens on any given day, when the latest issue of a favored literary magazine crosses the threshold of my home, it’s a good day. Recently I received the November issue of ARTEMISpoetry for review. That was a very good day indeed. The writing and art is by women.The reading is for everyone. I venture to say that this publication of the Second Light Network, while not well-known, is making a mark and growing an audience.

Between the covers of ARTEMISpoetry, I found a rich selection of poems, features, reviews and interviews, biography, and art.

The journal opens with an interview of the Argentinian, Ana Becciú.

“I continue writing because I need to know and to understand … the voices within us, understand the surface of the words we use every day, voices that pronounce suffering, loss, the voices of all of us lost in this present society.”

There follows an exploration on the pleasures of reading and an essay by Myra Schneider on the “mystery of the creative moment.” I enjoyed the detail in Clare Best‘s engaging feature on her project and process for Self-portrait without Breasts. The project evolved from her decision to have a prophylactic double-mastectomy and to go flat chested and not have reconstructive surgery or use prosthesis.

“Cast me and I will become what I must.”

I think the feature I most enjoyed was Judith Cair’s piece on her experience translating passages from Homer’s Odyssey.

“The act of translating is beginning to influence my own writing. Even in writing poems far removed from Ancient Greece, I realize that there is an undertow of lines from the Odyssey, which may or may not be consciously acknowledged. And sometimes I am left with such a strong impression of a particular episode that I must re-imagine it for myself.”

The main course in this delightful menu addressing the interests of poets is the poetry itself. Among the many poems enjoyed is Anne Cluysenaar’s Hearing Your Words, offered here with the permission of the publisher and poet.

HEARING YOUR WORDS
For Ruth Bidgood, reading in Aberystwyth

by Anne Cluysenaar, © 2013, All rights reserved

I used, as a child, to imagine my death, or rather
beyond it. A ship setting out, in flames, at dusk,
counteracting the planet’s roll, on the sunrise path
to a waveless far horizon lit from beneath.

This came to mind, just now, clicking on close-up
through the café window – sea meeting that sky,
distantly smooth, arching high, up above
a jumble of chimneys and roofs backlit at sundown.

I found myself catching my breath, gravity’s curve
seen through such a small frame, from here where we sit
with our cups of tea. Vastness out there, our past.
But on planets elsewhere, other seas, other lives beginning.

Later, among the books, hearing your words,
it was waves I thought of – from land we may never see
reaching across the bulge of this little earth
to break, not one the same, on familiar shores.

taken from a poem diary From Seen to Unseen and Back by Anne Cluysenaar, forthcoming from Cinnamon Press, 2014.

ARTEMISpoetry is published  twice-a-year in November and May. Members receive their copy as part of their membership. Issues are available to nonmembers. For information, link HERE.  The next submission deadline is August 31, 2013. For membership and submission information, link HERE.

© 2013 essay, Jamie Dedes, All rights reserved
© 2012, journal cover and art, Second Light Network, All rights reserved – Many thanks to Anne Stewart for forwarding the cover and to Myra Schneider, Dilys Wood, and Anne Cluysenaar for the poem

MYRA SCHNEIDER’S NEW POETRY COLLECTION, HOMAGE TO RAY BRADBURY

WHAT WOMEN WANT: I just finished reading a sampling of poems that British poet, Myra Schneider just sent me. They’re from her newly published collection, What Women Want, from Second Light Publications.

The collection focuses on the ability of words and women to effect change. Myra explains:

“The booklet is in two sections. The main section has poems that examine the lives of women. The central poem in this section is a ten page narrative about Caroline Norton (1808-1877). She was the grand-daughter of Sheridan, the famous British playwright. Carolina was a beautiful society lady in London and a writer who had a dramatic life. Her brutal husband took away her three young children and gave them to his hard-hearted sister to look after in Scotland far out of her reach. Caroline’s difficulties led her to fight for women’s rights. She was the first woman reformer in Britain in the nineteenth century. Her pamphlet, Separation of Mother and Child by the Laws of Custody of Infants Considered (1837) is a work of art. With years of persistence she achieved some changes in the English law. These paved the way for later reforms.
 
CAROLYN NORTON
“The poem, Carolyn Norton, ends by referring to the fact that many women in today’s world are denied basic human rights. It is followed by two poems which look at this situation. Other poems are about the frustrated life of my mother, also my mother-in-law, a stalwart refugee from Hitler. The last poem takes an upbeat look at women. The booklet begins with a section of general and lyrical poems which cover a range of subject matter.” Myra Schneider.
·
 Included in the collection is also this wonderful poem, posted here with permission…
·

WOMEN RUNNING

by

Myra Schneider

after Picasso: Deux femmes courant sur la plage

·

Look how their large bodies leaping

from dresses fill the beach, how their breasts

swing happiness, how the mediterraneans

of sea and sky fondle their flesh. Nothing

·

could rein them in. The blown wildnesses

of their dark animal hair, their hands joined

and raised, shout triumph. All their senses

are roused as they hurtle towards tomorrow.

·

That arm laid across the horizon,

the racing legs, an unstoppable quartet, pull

me from my skin and I become one of them,

believe I’m agile enough to run a mile,

·

believe I’m young again, believe age

has been stamped out. No wonder I worship

at the altar of energy, not the energy huge

with hate which revels in tearing apart,

·

in crushing to dust but the momentum

which carries blood to the brain, these women

across the plage, lovers as they couple

and tugs at the future till it breaks into bloom.

·

Order through Second Light Publications or directly from myraschneider@gmail.com

You can link to Myra’s website that includes information about her other poetry collections and her schedule of poetry classes and other events HERE.

© 2012, cover art and poem, Myra Schneider, All rights reserved
Illustration ~ Carolyn Sheridan, public domain

Δ

“You’re here to have fun …”
 
·
RAY BRADBURY (1920-2012)
American Author
fantasy, science fiction, horror, and mystery
twenty-seven novels
six-hundred short stories
eight million copies sold
thirty-six languages
HE WILL BE MISSED.
·
Video posted to YouTube by  
Photo credit ~ U.S. Government, Public Domain

SATURDAY ReVIEW: Writing Your Self, Transforming Personal Material

Copyrighted cover art, fair use.

We wrote the book because we believe that personal writing is very potent both for the writer and the reader, because some of the greatest literature is rooted in personal material. Myra Schneider in an interview HERE.

The subtitle of this book about personal writing is “transforming personal material.”  I think it is implicitly also about personal transformation. It always seems to me that writing and reading about life is a healing activity, a way to live hugely, and a way to empower ourselves and others. If we can do it well enough to engage others, whether our purpose is to leave a record behind for family, to set the record straight, or simply to share and entertain, the experience is rewarding.

Writing Your Self is the most comprehensive book of its type that I’ve yet to read, and I’ve read many. It is organized in two parts:

  • Part I: Here the focus is on life experiences, the exploration of those human experiences that are universal. These include childhood, self-conceptions, relationships, displacement, physical and mental illness and disability, and abuse.
  • Part II: Here the focus is on writing techniques, recognizing material that is unfinished, working on refinements, and developing work projects.

Writing Your Self is rich with examples from known and unknown writers including the authors. By example as well as explanation the authors reinforce what we all intuitively understand to be true: that telling stories preserves identity and clarifies the human condition. It helps us understand what it means to be human. The experience of working through the book was something like a rite of passage.

I very much can see the use of this book by individuals training themselves and by teachers of adult learners who wish to write memoir, poetry, fiction, or creative non-fiction. It would be useful in hospital therapeutic writing programs or in writing programs for active seniors.

Memories, both recent and distant, tell us who we are and so play a crucial role in our experience of life…

You may have memories which you want to plunge into or you may have material like a diary or letters which summon them up. There are other ways though of triggering memories. We offer a series of suggestions. Chapter 13, Accessing memories, secret letters, monologues and dialogues, visualizations.

I think Chapter 13 alone is worth the price of admission. I work a lot off of childhood memories and even the event that happened two minutes ago comes back to me with a dreamlike quality when I sit to write. I have not thought of the things I do naturally as triggers, but indeed they are. It was quite interesting to see these natural aids laid-out and organized on the page to read: objects and place as starting points, physical sensation as triggers, people in memory, and predominant feelings. The section on secret letters – that is, letters that you write someone and never send – was particularly interesting. I’ve only done this twice in my life, but I know some folks who do it all the time. I’m sure it is a common practice and would make a fine jumping-off point for some. The authors go on to monologues and dialogues – now everyone does that in their heads – and visualization. Hey, if you can see it, you can write it.

I’m an experienced writer and I enjoyed the book and the exercises and learned a few new things, got a few new ideas. If you are inexperienced or stuck midway in a transition from one form of writing to another, you’ll benefit from the exercises, ideas, and instruction in Writing Your Self: Transforming Personal Experience. This one’s a definite thumbs-up.

Myra Schneider  is a British poet, a poetry and writing tutor, and author of the acclaimed book: Writing My Way Through Cancer. Your can visit her HERE.

John Killick was a teacher for 30 years, in further, adult and prison education, but has written all his life. His work includes both prose works and poetry. You can visit him HERE.