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Jazz Is, a poem by Moe Seager

Photograph courtesy of Jens Thekkeveettil, Unsplash

“Jazz, like left-wing politics and ‘the common man’, was a cause.” Martin T. Williams, King Oliver



Jazz is
A way in to a way out
Way up down deep inside
An audio odyssey
A jet stream blowing in from Ghana
Belted out in Congo square
Jazz is a round trip ticket
Round the world of Africa and Africa touched

Jazz is
New Orleans second line
Voodoo queen looking so fine
Jazz is a diva’s honey croon
Looking for love, spell of full moon
Jazz is a man down and out in Chicago
Jamming entranced beyond his sorrow
Jazz is a child with a sense complex
A feel for a world beyond that given
Jazz is Havana throwing off heat
Blaze of a trumpet, bodies in beat
Jazz is a Jew on a clarinet
No hold back, he lets it rip
Jazz is a gypsy heeding the call
To new found sounds in his finger tips
Jazz is in duo with Mozart and Bach
A spoon in tune with Cafe Vienna
Jazz is a niche on a back-street in Paris
Rendezvous lovers, loners and poets.

Jazz doesn’t know solitary confinement
Be big band, be bop, slow motion shuffle
Be ballad, be blue.
Lay back and be cool
Come in and go out
Each time unique
Like the last time

Jazz is
A cargo the trade winds sail
To the door of the depot of the lost be found
To ring your ears and throb your heart
Stormy Monday turning sunny
Feel the blues depart

Jazz is
A riff that walks me home
Is a bass line I climb to the top of the stairs
Is the hand holding mine when nobody cares
Jazz softly whispers – I know how you feel

Jazz is
Chump change and scratch
Is chewing through the gristle
To suck on the bone
Jazz is a holler, a cat call, a hymn
Dollar down, dollar a month
Why I’m so broke I can’t pay attention
Jazz is red wine, white wine, up in smoke
Raising caine, strung on dope
Jazz is singing Lush Life in the shower

Jazz is
An instrument of fingers and tongues
A vessel of muscle and breath
Body and mind in sync with itself
Jazz time tics free off the clock
A serpentine march out of formation
Jazz can leap to the end of the line
Makes every stop along the block
Jazz goes uptown to get down
Calls night time the right time
And the right time is now

Jazz is
A teller of history, a history maker
Jazz be love oh so tender
Off the chart form the heart
Jazz is memory come with forgiveness
Jazz is a bitch
She´s the mother load

Jazz is
Sweet smells of incense, of jasmine, of hormones
Deep note moans, high pitch groans, twists and turns
Sharps that burn, flats that howl
Guitar licks that sparkle
Drum beats driven off the four corner map
And the beat goes on and the beat goes on
Through the Rio night, the Harlem dawn

Jazz is
A gas, a liquid
A solid mass of substance
A floating island in the center
Of the infinite sea
So vast is jazz, so deep and wide
How the middle passage
Placed us side by side

Jazz is
A family, a family of man
Whose taproot is the music of the Af-ri-can
Poly-rhythmic pollination from the talking drum
Graced in gospel, rolls of rag time
Tears and laughter of the blues
The gifts of many makers
Freely given me, freely given you

Jazz is
A way in to a way out
Way up down deep inside
A way to, a path through
The mindless rubble,
The poison propaganda
Lies of the masters
The illusion castors
Now cross you over to another side
No papers, no passports, no human claims denied
No charges pressed, no back-seat guests
Welcome to a dynasty of open borders
Jazz is
A free country

© 2020, Moe Seager

Moe Seager

MOE SEAGER (Moe Seager- Paris Calling) is a poet and jazz & blues vocalist who sings his poems on stages in Paris, New York and elsewhere and has recorded 2 jazz-poetry c.d.s. Seager founded and hosts Angora Poets (Paris) World Caffé, 100 Thousand Poets for Change, Paris and is one of the coordinators for le Fédération des Poètes paris. He has 5 collections of poetry and currently publishes published with Onslaught press, Oxford, U.K. Other poetry collections are issued from the French Ministry of Culture – Dream Bearers,1990. One World, Cairo Press – in Arabic translation, 2004. We Want Everything in French translation, les Temps des Cirises, Paris, 1994. Perhaps, La Maison de la Poesie, Grenoble, France, 2006. Fishermen and Pool Sharks Busking editions, London, 1992. Additionally Seager won a Golden Quill Award (USA) for investigative journalism, 1989 and received an International Human Rights award from the Zepp foundation, 1990. He teaches writing in Paris.


Jamie Dedes:

Your donation HERE helps to fund the ongoing mission of The Poet by Day in support of poets and writers, freedom of artistic expression, and human rights.

Poetry rocks the world!



FEEL THE BERN

For Peace, Sustainability, Social Justice

Maintain the movement.

“Democracy is not a spectator sport.” Bernie Sanders



“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Join in Angora Poets World Caffé Virtual Poetry Reading via Zoom, April 19th

Photograph courtesy of Artsy Vibes, Unsplash

“Like déjà vu, poetry
intimates that the past
is never quite over
and done with.”
Matthew Brevis, Poetry, March 2020 issue



ANGORA POETS WORLD CAFFÉ, VIRTUAL POETRY READING

SUNDAY, April 19, 2020 at 8 p.m. -11 p.m. UTC+2

An Invitation

Copyright Angora Poets World Caffé

Angora Poets Sunday April 19 at 20h – 8 p.m; Paris time. Join Zoom Meeting // Poets, Prose, Spoken Word, Performance Artists. All languages welcome. Connect on Facebook HERE for more details.

“When I say All Languages welcome: our poets present in English, French, Spanish, Arabic, Russian, Italian. We are truly a world caffé.” Moe Seager



Jamie Dedes:

Your donation HERE helps to fund the ongoing mission of The Poet by Day in support of poets and writers, freedom of artistic expression, and human rights.

Poetry rocks the world!



FEEL THE BERN

For Peace, Sustainability, Social Justice

Maintain the movement.

“Democracy is not a spectator sport.” Bernie Sanders



“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Mothers and other Collateral Damage, a narrative poem by Mike Stone

Photograph courtesy of Eric Froehling, Unsplash

“Anything is better than lies and deceit!” Leo Tolstoy, Anna Karenina



This is not an epic tale in dactylic hexameter
Such as Homer’s Iliad or Odyssey;
No kidnap of Helen or destruction of Troy,
Nor a lover’s star-crossed tragedy,
But an Ohio story, not as unique
As you might well imagine:
My father aspired to escape his parents
And their protective quarantine,
To write stories for the radio,
And met a beautiful poetess
With the soul of a whippoorwill
And a heart born in the wilderness.
She could poem all day
And poem all night,
She could poem you a poem
Till the dawn’s first light.
She could rhyme you by the river,
She could rhyme you in the wood,
She could rhyme you in the field
Where the scarecrow stood.
She could mete out any meter
Like galloping horses on a plain,
Dactylic or iambic
Till you went insane.
He put a ladder to her window
And they ran away together
To a justice of the peace in ol’ Kentuck
Too young to know any better
And got married, till death did them part.
O how we loved them both,
My little sis and I,
Their happily-ever-after troth.
But I’m getting ahead of my story –
I was born respectably later
And my sister sometime after that
Not knowing of the traitor.
Mama suckled me on poetry
Instead of mothers’ milk.
Maybe that’s why I grew up skinny
With a voice as soft as silk.
Dad told me stories sitting on his lap
O how he could spin yarn,
He could tell me stories
That would burn down an old barn
And Mama burned his face with kisses
After we were put to sleep
Dreaming dreams with safety nets,
Little souls deposited in God’s keep.
If only our stories had continued so
We would have been content,
But that was not what was to be
And nothing we could prevent.
Maybe Dad grew jealous of her poetry
Or his parents threatened him
That if he didn’t break it off,
His fortune would be slim.
One night she was loved and cherished,
The next night she was betrayed.
Her fragile soul was broken
When she saw their vows unmade.
I’m sure they didn’t mean to hurt us,
We were just collateral damage,
Thinking we had somehow caused it
And felt like abandoned baggage.
How could she stop being Mama?
Things like that couldn’t be,
Such was inconceivable
To a seven-year-old and one who’s only three.
We were raised by housekeepers
For the next two years,
Grandma made sure they were ugly as sin
To assure there were no affairs.
I remember Missus Weber
Told me of the Rapture at the end of days
And scared the bejesus out of me
With the world being set ablaze.
Then Dad brought home another Mom.
They told us Mama never loved us,
That she’d take a pancake turner to me
If something made her fuss.
The new Mom, that’s what I was to call her,
Not stepmom; that she wouldn’t stand for,
She promised she would love us
Better’n we’d been loved before.
Years later I grew to understand that
Love meant something else to her
Than what we had understood:
Cooking meals and pots were stirred,
Making sure we brushed our teeth and
Washing behind our ears.
No poetry would feed our souls,
No one would wipe our tears,
The ten commandments would have to do for us,
We pretended that was love
And laid our dreams to rest
In the starry night above.
One day Mama married another man,
They moved to Panama
And adopted two new infants
But a careless driver killed Mama.
My little sis and I grew up and moved away
To escape from our ordeal,
Sis went to live in Connecticut
And I moved to Israel.
We’d keep alive our memories
Of evidence of Mama’s love.
Sis was always certain of it
But I had doubts thereof.
What with all the fictions I’d been told,
What memories could I believe?
I continued to play the son
But myself I couldn’t deceive.
Dad passed away; it’s been ten years now.
Soon after that, Mom became demented.
Her brain was strip-mined by disease
And claims that she had married Dad were soon rejected.
With all the fictions gone, all that was left was truth:
That sis and I were Mama’s kids, Mom had to agree.
A few years ago, the infant girl Mama had adopted
Sent us Mama’s book of poetry,
Casting away my many doubts
And resurrecting love from Lazarus’ cave.
Mom passed away some months ago,
Buried next to Dad, grave to grave.
Maybe they’ll warm each other’s bones
On the long train-ride to eternity
Pointing out the windows with bony fingers
At stars and galaxies flying by.

February 16, 2020
(c) Mike Stone 2020

MIKE STONE (Uncollected Works) is a regular participant in The Poet by Day, Wednesday Writing Prompt. We are always delighted with the opportunity to read  and share his work.  Mike was born in Columbus Ohio, USA, in 1947 and was graduated from Ohio State University with a BA in Psychology. He served in both the US Army and the Israeli Defense Forces. He’s been writing poetry since he was a student at OSU and supports his writing habit by working as a computer networking security consultant. He moved to Israel in 1978 and lives in Raanana. He is married and has three sons and seven grandchildren. Mike’s Amazon Page is HERE. His work is recommended without reservation.


Jamie Dedes:

Your donation HERE helps to fund the ongoing mission of The Poet by Day in support of poets and writers, freedom of artistic expression, and human rights.

Poetry rocks the world!



FEEL THE BERN

For Peace, Sustainability, Social Justice

Maintain the movement.

“Democracy is not a spectator sport.” Bernie Sanders



“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

In the Wake of COVID-19: Free Speech and Freedom of Artistic Expression Threatened

Rivera himself, as a pug-faced child, and Frida Kahlo stand beside the skeleton; mural in Mexico City courtesy of Diego Rivera Núñez and one more author under CC BY 2.0

“Freedom of expression is a human right and forms Article 19 of the Universal Declaration of Human Rights. Freedom of expression [a foundation for other rights] covers freedom of speech, freedom of the press, and gives individuals and communities the right to articulate their opinions without fear of retaliation, censorship or punishment. (The right to freedom of expression wouldn’t be worth much if the authorities also had the right to imprison anyone who disagrees with them.) An effective media also depends on the legal basis that freedom of expression gives the right to function and report freely, sometimes critically, without threat or fear of punishment.

“Freedom of expression is not an absolute right: it does not protect hate speech or incitement to violence. That said, many other rights which are intrinsic to our daily lives build on and intersect with this protection for free thought and individual expression. Freedom of expression covers everything from satire to political campaigns to conversations in your own home. It’s a fundamental human right which allows for citizens to speak freely and without interference.” Ten Reasons Freedom of Expression is Important, The Legal Media Defense Initiative (UK)



It’s not news that in times of upheaval when confusion reigns, the power elite use that as cover or excuse for violations of human rights and the rule of law.  With the outbreak of COVID-19, we saw the beginning of this type of abuse relative to the virus when Chinese physician, Li Wenliang, conscientiously sounded an alert and was subsequently arrested and accused of “rumor-mongering” by Wuhan police. According to Worldometer.info, as of today deaths from this virus total 2,081,733. That number would include the good Dr. Wenliang and no doubt underestimates the total since testing is not widely available.

To one degree or another the curbing of the arts and of news articles related to COVID-19 is happening all over the world in both developed and developing nations. Certainly, in my own country (the U.S.), we’ve seen journalists, advisors, and politicians denounced, fired, or banned based on their reporting, advice, or political positions. Just yesterday Missouri Governor Mike Parson’s placed a ban on attendance by reporters at state briefings. Reporters are now required to email their questions one hour in advance of meetings for prescreening by officials.

Earlier this month three Burmese artists were arrested for painting a mural depicting the dangers of COVID-19.  “Zayar Hnaung, Ja Sai, and Naw Htun Aung were charged with violating article 295A of the Myanmar penal code, which criminalizes speech that ‘insults or attempts to insult’ religion or religious beliefs. The artists were arrested after painting a mural intended to raise awareness about the coronavirus epidemic.” reports PEN America. The intent of the mural was to urge citizens to stay at home. It depicted the grim reaper, which some Buddhists said looked like a monk. Hence the accusation.

On Monday, the Indian government filed a complaint against  Siddharth Varadarajan for reporting on one of Uttar Pradesh’ officials for not adhering to the national public lockdown.

This is by no means a comprehensive report. It is, however, a sad sample of the current state of affairs, especially sad when so many lives are in danger in the most absolute terms and in terms of quality of life.
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The resources for this post include: The Media Legal Defense Initiative (UK), PEN America, Kansas City News, and The Indian Express, 
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Some resources for journalists and artists at risk:
RELATED:

Jamie Dedes:

Your donation HERE helps to fund the ongoing mission of The Poet by Day in support of poets and writers, freedom of artistic expression, and human rights.

Poetry rocks the world!



FEEL THE BERN

For Peace, Sustainability, Social Justice

Maintain the movement.

“Democracy is not a spectator sport.” Bernie Sanders



“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton