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When I Asked My Mother About War . . . and other poems in response to the last Wednesday Writing Prompt

nights with ghosts
.
dear samueri, my friend
i will never see you again;
maybe i will.
but i shall not know
until father finds us a new address
,
addresses!
we have none anymore.
we are of no address.
.
now that i have written this letter,
where do i post it to?
shall i say, samueri,
care of the next rubble
harare?

—child’s poem
This poem was included in an article by American poet Karen Margolisin the now defunct Poetry of Solidarity. You can read the backstory on this poem HERE.



Here we are at Tuesday again, the day when we share poems submitted in response the last Wednesday Writing Prompt, Some Mothers’ Hearts Have Stopped, September 18, which brought attention to the hearts of mothers who have lost their children to war.  I know people didn’t like the photo I put up with it, but I felt that the reality needs to be faced. We may not like to look at it, but it is the what some people in some places face everyday. Often they have never known another way of life.

This compassionate collection is courtesy of  Anjum Wasim Dar, Sheila Jacob, Urmila Mahajan, and Sonja Benskin Mesher. Today we introduce and warmly welcome Benedicta Boamah with her poem Flaws. Benedicta also made her debut in this month’s issue of The BeZine.

Enjoy! and do join us for the next Wednesday Writing Prompt, which will post tomorrow morning.


Flaws

An indelible wound
Shaded in taking sides
Stabbing ruins of fierce restraints
Obvious bruises that shadows pains of the past
In the middle of questioned thoughts
A gaze and a stare
With events of civil unrest
The peculiar cry of the heart
Fights with unending demands
Voices of grief
Engraved in words
Penetrating struggles for peace and freedom
A protest in waiting

© 2019, Benedicta Boamah  

BENEDICTA BOAMAH is a skilled emergency nurse in Ghana who writes poetry during her leisure periods. I was born in Bloemfontein, Free State though a Ghanaian and completed my degree program as a professional nurse in Garden City University College in Kumasi, Ghana.I’m the fourth and last child and as it stands my parents are retired lecturers. Currently, I have a personal blog on WordPress and a partner organisation that deals in emergency courses and live webinars. I have an inner passion to write daily from the heart in making a difference as a poet in an outstanding literary world.



A Tragedy
For The Mother Alone

Innocent child smiling laughing
with the front teeth missing
running wild with open arms
happiness flooding with a toy
oblivious of time trial or suffering
death or exhaustion-
just a colorful world of fun and joy
of toffees chocolates and ice creams
of sound sleep and sweet dreams
But hark! Stillness creeps, Look Out!
speeding trucks, shells and bomb blasts
cruel and wild, dashing falling fast-
bubbling laughter turned to screams
twisted iron and ripped seams-
A light extinguished
A silenced home
A love lost
A shattered dream’
Many more put to sleep
in the vicious scheme-

people stood and looked
stared and stared,no one shared
no one could share
the shock the grief the pain-
the invisible cutting chain
can a child be called, ‘my own?’
how the soft warm heart turns
into a hard feeling less, stone-
the silent perpetual moan is
For The Mother Alone-
For The Mother Alone

© 2019, Anjum Wasim Dar

No Breath, No Shroud
Life to end some day
no win war,kill or be killed
in hatred no hope
war blue pale cold still
frozen children innocent
dust,no breath no shroud
flung in rubble lost
mothers heart stopped bombed shot dead
hush,no breath no shroud
© 2019, Anjum Wasim Dar

The Piper Has Called

and I wonder,I wait-
whose turn would it be
which country which people
after the Kashmiri?
and like many other on other
lands, ruled by hate and race
as if each one came first
all is mine no matter what-
what possessiveness strong
resides in man, making him blind
what to say with guns and pellets
no traditions no laws no bonds
distances, absences, missing sons
and husbands, walls and fences
‘grieving hearts in survivor bodies’
how to move on in fear and blood
no more would there be the music
of the pipe- what good to follow hence
we wait for -then The One Man who
will come, help guide comfort and
make all the difference-

© 2019,  Anjum Wasim Dar

May the God Lord Help You All

white is natural and so is black
but for black white would not be-
in darkness stars are the light
by day it is the sun
variegated colors of the world
in deserts yellow in fields green
in people dark and pale
in animals spots and lines
in wars, red with blood
covered or uncovered
heads are round –
bullets guns missiles
are the same, all kill
in oceans or mountains
on land and sea-
nothing matters when
hate comes in –
‘Hope is the thing with feathers
that perches in the soul’ and
sings the tune without words
and never stops-at all-‘
despair reigns in camps
isolated parched famished-
can an emoji reflect captivity
curfew torture rape or death ?
Hark ! I believe I hear the Piper’s Call
May the Good Lord help us all
Amen.

© 2019, Anjum Wasim Dar

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar

When I Asked My Mother About War

She said she wasn’t afraid.
Just got on with things,
everyone did, they had no choice.

Yet there were nights when Heinkels
droned across the sky.
Bombs fell like leaden birds
and roofs collapsed
in clouds of rubble.

Wasn’t she afraid her house
might be hit?
Didn’t she have nightmares
of Nazi troops landing on the coast:
of tanks rumbling through local streets
and grinding past the sweet shop,
grocers and Parkfield Café?

She turned eighteen
the month war was declared
and knew it wasn’t a game;
worked in a factory during the week
and discussed with other girls
whether or not to join the ATS.
She went to the pictures
on Saturday afternoons
and spent Sunday mornings at church;
prayed for the King and Queen,
her Dad, sister, elder brothers
stationed “somewhere in England”
and whispered an extra Our Father
for her Mom who held down
two jobs, queued for rationed meat
and conjured tasty meals from scraps.

She insisted she didn’t dwell on death
and perhaps she didn’t.

Perhaps fear was the shadow
at her heels some evenings
as she waved her Mom off to work,
heard sirens wail in the distance
and closed the blackout curtains.
Perhaps she hurried
to the kitchen’s warmth,
sat with hands clenched
and white-knuckled
around a mug of strong tea.

© 2019, Sheila Jacob

To purchase her little gem of a volume, Through My Father’s Eyes (review, interview, and a sampling of poems HERE), contact Sheila directly at she1jac@yahoo.com


War and Peace

Let’s talk about war
humanity sunk to
new levels of the old
salivating avaricious

degrading everything
precious
hovering over a fate
that ordains one must
watch others die
before succumbing

let’s not talk about clouds
of chickens in a poultry pen
like a company of pigs
awaiting the sticking knife
icing a throat to end appeals
in a universal language

we’ve reserved the fanfare
of war for ourselves

life’s a fistful of rupees at
the local bazaar
awash with the lilies of
heated haggling to hide
the smells of fear and pain
carnage unleashes in
daily forms on warm
families of bodies huddled
under less privileged names

knife wielding peace
makes little sense
to the other side
hovering over a fate
that ordains one must
watch others die
before succumbing

double edged slaughter
stains severing hands

beasts of war will be nourished
until life is viewed in entirety
and impresses both
sides of the coin

© 2019, Urmila Mahajan

Urmila’s site is: Drops of Dew

..the civil war..

i posted it, titled it. civil war.

stopped and wondered how any war, any fight,

any death, anger and destruction. any child hurt.

can be termed, ‘civil’.

even with punctuation.

© 2019, Sonja Benskin Mesher

:: other peoples’ children ::

i guess yours sleep in bed,
clean and cosy, safe, loved and cherished.

others love and cherish , yet their families
sleep in mud, on streets, wherever they can find.

they have left the place where bombs drop on children.

yes. a person simply decides to drop barrel bombs on children.

on everything.

now be angry.

© 2019, Sonja Benskin Mesher

Sonja’s sites are:


Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications Poets Advocate for Peace, Justice, and Sustainability, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton


the piper will call, a poem

“no one leaves home unless
home is the mouth of a shark …
Warsan Shire, Home



Lost the family traditions, the familiar grounds, the
Old home place, the neighbors and neighborhoods
Left behind in the great leap to safety, hope dreamed
But not found through forced marches across the
Desert or sailing the brutal sea in boats that shed
Them, so much flotsam, drifting and nameless,
Leaving grieving hearts in their survivor bodies
Stories shared, commiseration with strangers, now
Tents dot hectares of campgrounds, like so many
Emojis of despair and anger, leaving their stain
And soon or late, count on it, the piper will call

© 2019, Jamie Dedes


Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications Poets Advocate for Peace, Justice, and Sustainability, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Immersive Exploration Into Auteur’s Theatrical Career: In the Company of Hal Prince, Broadway Producer, Director, Collaborator

Broadway director Harold Prince receives the Golden Plate award from Nobel laureate (literature) Toni Morrison at the American Academy of Achievement’s 46th annual International Achievement Summit in Washington, D.C. on Saturday, June 23, 2007 / Courtesy of the Academy of Achievement and generously released into the public domain

“I was nine. I saw Orson Welles in ‘Julius Caesar.'” It was involving, emotional, imaginative. I’ve never forgotten it.” Hal Prince



For many many reasons, I’ve loved musical theatre almost from day one. Partly, of course, it’s just fun, but I’ve also always been intrigued by the collaborative nature of the medium. Naturally writers are included in that collaboration, perhaps a career aspiration for some readers here. After all, what is theatre about if not storytelling? As poets and writers, that’s what we’re about too. We love to read stories, write them, view them, listen to them. It’s a never-ending love affair and how wonderful it is that musical theater brings story together with song (poetry, if you will) and dance.

“Way way back: Music, poetry and dance came into the world together. Sometimes they get lonely for each other.” Joy Harjo during her Inaugural Reading as Poet Laureate of the United States

Few people have helped to define American musical theatre more than Hal Prince (1928-2019), who died this past July in Reykjavík. His plays include some of my all-time faves: West Side Story, Fiddler on the Roof, Cabaret, Damn Yankees, Phantom of the Opera, and Zorba.

Hal Prince’s significant influence on Broadway stemmed from his reinvention of musical theatre from the script-and-score-based model to a more visual, almost cinematic art form in which the director is auteur. But it also stemmed from his appreciation for collaboration and his trusted collaborators, talented friends and colleagues who could help achieve his singular vision for a production.

Photo of Hal Prince by Van Williams. Billy Rose Theatre Division of the New York Public Library for the Performing Arts. copyright: NY Public Library

Now, in the interest of education, theatre history, homage, and the absolute shear pleasure of it, there’s a new free exhibition In The Company of Harold Prince: Broadway Producer, Director, Collaborator. Through the exhibition,The New York Public Library for the Performing Arts explores Prince’s creative trajectory and showcases the team of designers, stage managers, press agents, composers, and writers he assembled to create so many history-making shows. In The Company of Harold Prince is at the Library’s Donald and Mary Oenslager Gallery and will be on display through March 31, 2020.

Curated by Doug Reside, the Lewis B. and Dorothy Cullman Curator of the Library’s Billy Rose Theatre Division, the exhibition will display original costumes, set models, and archival video, and borrows from the aesthetic of immersive theatre, inviting visitors to pick up, examine and interact with reproductions of documents and objects from the Library’s unparalleled collections. Facsimiles of the paperwork for Pajama Game and Damn Yankees will be scattered over a recreation of Prince’s desk for visitors to look through. Digital recreations of stage manager Ruth Mitchell’s scripts will be linked to thousands of never-before-seen photographs from the Library’s collections. The exhibition will end with an open cabaret stage will allow visitors to perform songs from his shows or record their own stories about their experience with Prince’s theatrical work.

“I had the pleasure of getting to know Hal over the course of planning this exhibition,” said Reside. “Showing him initial designs and ideas about the direction of the exhibition was a thrill, as was hearing his stories about his career and the collaborators he so loved working with. We’d planned this exhibition believing that Hal would be here to enjoy it with us, and I’m so sad that that’s no longer the case. The whole Library mourns the loss of our friend, supporter, and legend, and we’re honored to celebrate his life and achievements through this exhibition.”

​A major highlight of ​​In The Company of Harold Prince is an area devoted to his collaborations with set designer​​ Boris Aronson. Aronson designed the sets behind some of Prince’s most iconic productions, and many of these models, often constructed by Aronson’s wife and design collaborator Lisa Jalowetz, have been recently restored and will be on view together for the first time public. Sets on display will include ​​Fiddler on the Roof, Cabaret, ​​Zorba​​, ​​Company, ​​Follies, ​​Pacific Overtures, ​and ​​A Little Night Music.

Other highlights from the exhibition include:

  • Recreation of Prince’s office with George Abbott in Rockefeller Center
  • Prince’s roulette wheel, which he kept in his office to illustrate that “theatre is a gamble”
  • Footage of Taganka Theatre’s production of Ten Days That Shook The World, which deeply influenced Prince’s aesthetic
  • Materials from the original production of Merrily We Roll Along, including cast newsletter, video of the original production, and the stage manager’s script
  • Patti LuPone’s Buenos Aires dress and wig worn during Don’t Cry For Me Argentina from the original Broadway production of Evita
  • Original costume designs by Patricia Zipprodt for Fiddler on the Roof, and Florence Klotz for Show Boat

In conjunction with the exhibition, the Library for the Performing Arts will also present a series of free public programs.

In the Company of Harold Prince Public Programs

GREAT PERFORMANCES

Harold Prince: The Director’s Life 

MON, OCT 21 | 6 pm

Advance registration required

Lonny Price and David Thompson discuss and screen their documentary film Harold Prince: The Director’s Life, which premiered on PBS GREAT PERFORMANCES in November 2018. In addition to archival clips, this fascinating performance-documentary includes interviews with many of Prince’s renowned collaborators, including Stephen Sondheim, Andrew Lloyd Webber, Mandy Patinkin, John Kander, Susan Stroman, Angela Lansbury and others, all sharing their firsthand insights into his pioneering achievements in the theater.

Yes, Mr. Prince: An Evening with Harold Prince’s Assistants

THURS, OCT 24 | 6 PM

Advance registration required

From 1960 to 1976, Annette Myers scheduled the appointments, transcribed the memos, and took down the messages, as her boss brought Cabaret, Company, Follies, and other legendary Prince productions to Broadway. For this special program, Meyers and other people who worked as Prince’s assistant step out of the office and onto the stage to share their untold stories and insights on the making of theatre history.

Harold Prince’s Library Jukebox

TUES, NOV 19 | 7 PM

Advance registration required

Join Thomas Z. Shepard, legendary record producer of dozens of Broadway’s most beloved cast albums, for an interactive sound salon of Harold Prince Broadway hits.  Choose your favorite show tunes from a menu of Prince musical numbers, listen to cast recordings, and marvel at rarely seen artifacts from the Library’s unrivaled theater collections, including Jerry Bock’s home recordings, Jerome Robbins’ choreography notes, Stephen Sondheim’s discarded drafts, memos, models, manuscripts, and more.

A Marriage of Two Modernisms: Boris Aronson and Lisa Jalowetz 

MON, DEC 19 | 6 PM

Advance registration required

The spinning, Chagall fantasy of Anatevka…The tarnished, mirror-topped Kit Kat Klub…the Erector-set skeleton of city life…Director Harold Prince and artist Boris Aronson used scenic design as theatrical narrative. Behind Aronson’s sets was a unique partnership with his wife Lisa, whose Viennese modernism complemented his Russian Constructivism. Cultural Historian Marc Aronson presents on the many layers of his parents’ work.

Parade Reunion

MON, JAN 13 | 6 PM

Advance registration required

In 1997, Broadway’s most famous and successful director, Harold Prince tapped the unknown composer Jason Robert Brown to write the score for perhaps the most challenging work he’d ever conceived: Parade, a complex musical tragedy about violence, anti-Semitism, and love through adversity. Brown and playwright Alfred Uhry reunite on the Library’s stage to celebrate Prince and share memories of Parade.

Harold Prince Birthday Party, Sing Along Show and Tell 

THURS, JAN 30 | 6 PM

Company, Follies, A Little Night Music… Phantom, Evita, Cabaret, Fiddler… Merrily! Sweeney! West Side! Oh my… Lend your voice to our Harold Prince celebration. Play games, win prizes, and sing along to live performances of beloved songs from Prince musicals.

Additional programs will be added through the duration of the exhibition. Please check nypl.org/lpa for updates.

All programs listed below are free and take place at The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center located at 40 Lincoln Center Plaza. Programs are first-come, first-served unless otherwise noted. When indicated, advance registration can be handled online or in person at the Library’s Welcome Desk. Visit nypl.org/lpa for details.

This post is courtesy of the New York Public Library, Wikipedia and my (admittedly questionable at this point) memory.


Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications Poets Advocate for Peace, Justice, and Sustainability, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Cohering Clashes: William Blake’s The Red Dragon and The Woman Clothed in the Sun, a poem by Linda Chown

Bible for Thomas Butts (series)
c. 1805
pen and gray ink with watercolor over graphite

“The purpose of art is to impart the sensation of things as they are perceived and not as they are known.” Viktor Shklovsky

“Everything can go wild within the fierce symmetry of Blake’s art.” Laura Cumming

“Good and evil may well have the same face or physique in Blake’s conceit.” Laura Cumming



Brown bears in Yosemite, the rangers said in the heat, beware.
In all the splendor of this gray stone, thick smells of money over-
whelm the perfumed shorts of the extra-tanned tourists.

These bears they said could jump and strike,
so be safe, they said. It was almost like someone
had struck a match and turned safety upside
down. Made the dawn-to-dusk-already-insecurity-of
our-flimsy-poor- man’s-Camp-Curry-life more unfamiliar
and fearful. Made daily life big and soupy, defamiliarized.
Russian Formalist Viktor Shklovsky once urged artists to make
old things new by turning them strange and unfamiliar.
All these people saying unfamiliar things I muttered soft over their saying.

William Blake, he takes these extremities
and clashes them closer.
Mashes them into themselves.
When I look hard at these bold colored shapes:
that huge monster dragon, the woman pressed dainty upon a yellow sun-heart,
I don’t know if I’m seeing juxtaposition or sameness. Or know what he’d hope I’d see. They kind of collapse together curiously, peaceful and disturbed: different and bound.
In fact they meet strangely and fill space up almost as a voracious bundle.
I had almost missed their looking, that hot frozen attention,
examining each other inside like a scientist counting cells
What stuns when I look more is that they are so big,
so nearly eye to eye.
They stare hard it seems to preserve
the astonishment of this wordless moment

Just like the always strangeness of the way William Blake kisses our eyes,
daring our looking more in the fervent struggle to see it his way.
He takes emotions on a life ride, much like life in Yosemite
he rides us far into our fear of bears and awe of the stone and then that woman
oddly “clothed,” nearly buried in the sun who flaunts her looking
at the dragon, daring him with coy looking like a Victorian lady would.

Blake collided good and evil like this, he welded and wedded them,
Close and ineffable. Astride and authentic.
His heart-life on the side of the woman and goodness
But he would keep it whole and near, keep it together.
Laura Cummings surmised that good and evil may well
have the same face or physique in Blake’s conceit.
White and dirty, big and small.
Good and evil. Innocence and experience.
Those basics which we differentiate too soon.

Blake’s wild and immaculate art helps look deeply beyond that division,
To see it not as something finished, tamed and pretty
But its naked contrasts raked and real, agitated, and spun
In a sea/see of magnificents like they are, in all of this fixed looking.
Master Blake puts on his canvas what he knows when he sees it, not after.

© 2019, Linda Chown

Linda Chown

LINDA E. CHOWN grew up in Berkeley, Ca. in the days of action. Civil Rights arrests at Sheraton Palace and Auto Row.  BA UC Berkeley Intellectual History; MA Creative Writing SFSU; PHd Comparative Literature University of Washington. Four books of poetry. Many poems published on line at Numero Cinq, Empty Mirror, The Bezine, Dura, Poet Head and others. Many articles on Oliver Sachs, Doris Lessing, Virginia Woolf, and many others. Twenty years in Spain with friends who lived through the worst of Franco. I was in Spain (Granada, Conil and Cádiz) during Franco’s rule, there the day of his death when people took to the streets in celebration. Interviewed nine major Spanish Women Novelists, including Ana María Matute and Carmen Laforet and Carmen Martín Gaite.


Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications Poets Advocate for Peace, Justice, and Sustainability, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton