THE BeZINE: Vol. 5, Issue 2, Theme: Sustainability, Subtheme: Readers and Writers Speak Out on Abuse


June 15, 2018

“Having the right priorities in a wrong world will humble you with a journey that only love can sustain.”  Bryant McGill, Simple Reminders: Inspiration for Living Your Best Life

As I sorted through the sustainability submissions for this issue, I was struck by two things: a preponderance of both love and sadness. The love with which so many of us – I’d like to think most of us – have for this planet, its natural beauties, and its voluptuous generosities and a sadness for the issues we largely lay at the feet of unenlightened irresponsible corporate and government policies. The former combined with our willingness to speak up and speak out gives me hope that we will overcome the profound challenges of our day. We have after all the power to unite our voices, vote with our dollars, and refuse to play the games.

You’ll find here this quarter a collection of works on nature and the environment that encourages and admonishes, that makes love to the earth and its natural beauties, that shares frustrations and anger, and that hearten us with their very breath of awareness.

Special thanks to team member, Priscilla Galasso, for our lovely cover photo this quarter.

We’ve also included a profoundly moving collection of work on abuse, mainly domestic. This section is published in response to reader requests and together the collection affirms courage and provides confirmation, insight and information. We are honored to have England’s Emergency Poet, Deborah Alma, introduce this section. Deborah is the editor of #MeToo, rallying against sexual assault and harassment, a women’s poetry anthology.

We welcome contributions from all over the world and know that you will appreciate the work of our new guest contributors (writers, photographers, and artists) this month as well as old friends and our core team members. Please support them with your “likes” and comments. This year in October we plan to nominate writers (guests, not team members) for Pushcart, so do please leave notes to let us know your faves. Thank you! 

In closing, once again I share this quotation (as I did in the last edition of The BeZine) from L.R. Knots. It seems to encapsulate the best rallying cry for our times.

“Do not be dismayed by the brokenness of the world.
All things break. And all things can be mended.
Not with time, as they say, but with intention.
So go. Love intentionally, extravagantly, unconditionally.
The broken world waits in darkness for the light that is you.”
—Author and counselor, L.R. Knost

In the spirit of peace, love (respect), and community
and on behalf of The Bardo Group Bequines,
Jamie Dedes
Founding and Managing Editor, The BeZine

TABLE OF CONTENTS


How to read this issue of THE BeZINE:You can read each piece individually by clicking the links in the Table of Contents.
To learn more about our guests contributors, please link HERE.
To learn more about our core team members, please link HERE.


NATURE and SUSTAINABILITY


SPECIAL FEATURE

What Fossil Fuels and Factor Farms Have in Common / Hint: They’re both issues of environmental injustice, Wenonah Hauter, Executive Director of Food & Water Watch and Food and Water Action, Originally published in Yes! Magazine

BeATTITUDES

Crossing the Great Divide, John Anstie
Shkinah III: My beloved whispers in my ear, Michael Dickel
Insatiable =/= Sustantable, Corina Ravenscraft
Sustain What?, Steve Wiencek

POETRY and ART/PHOTOGRAPHY

Hypocrite DespOILer, Gary W. Bowers
Earthquake and devastation, Michael Dickel
Multiplying Media, four poems, Michael Dickel
Gertrude’s Poem, Michael Dickel
Sustainability Should Be Our Creed, Mark Andrew Heathcote
When NASA Finishes Mining & Carbon Footprint, Zoë Sîobhan Howarth-Lowe
Clear the Brush, Ursula Jacobs
Climate Changes, Patricia Leighton
Life Eternal, Patricia Leighton
Gifts to the Poet’s Newborn Child, Patricia Leighton
Species Sustainability, Carolyn O’Connell
Evil Ones, Eliza Segiet


ABUSE and HOPE


We all know the wisdoms around why it is so important to speak up about any form of abuse; the reasons are many and various. But often our abusers are close to us, members of our own family or community and so speaking out is a great act of bravery. It may be difficult because we may also carry feelings of guilt, responsibility or shame. But if we can overcome such strong reasons to be silent, we are hugely empowered; we are made stronger by facing our fears.

It can also help to turn the abuse into a narrative that distances us from the pain in each retelling; an act that helps us to understand, to process and then to move beyond it; and in an act of alchemy to turn it into the piece of art that is the poem; that gives us gold out of the dirt. We ourselves as writer are transformed by it and for those who come after as readers, the work can hold out its hand from those who have been there before, who have worked something out for us.

To read the stories and poetry of those who have been abused can also act as a warning or a flag that says ‘Yes this IS abuse. Take care! This is how I made myself safe or sane again.’

– Deborah Alma, Poet and Editor


#MeToo Anthology, The Back Story, Deborah Alma, poems by Sheila Jacob, Jane Commane, and Roberta Beary, and an introduction to Persephone’s Daughters
Hell Prefers Unaware, Susie Clevenger
Never Had a Chance, Isadora de la Vega
a man, a woman and a stick, Jamie Dedes
Closed Doors to Hotel Rooms, Michael Dickel
When Sexual Harassment Goes Public, Michael Watson

SPECIAL FEATURE

Wild Women in Art, Poetry and Community featuring Gretchen Del Rio’s Art and Victoria Bennett’s “The Howl or How Wild Women Press Came to Be”

EXCEPT WHERE OTHERWISE NOTED,
ALL WORKS IN “THE BEZINE” ©2018 BY THE AUTHOR / CREATOR


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Rueben Woolley is not a silent poet …

U.K Poet, Reuben Whoolley
U.K Poet, Reuben Woolley bares witness

Reuben Woolley’s poetry is minimalist, sinuous on the page – or sometimes scattered like landmines waiting to explode. I find his work addictive and his latest book UntitledSkins (Hesterglock Pess, 2016) is going to be a gift to myself next month. Proceeds from sales go to CalAid.

Reuben’s poems, while exquisitely trimmed of all excess, are still rich with imagery and emotion.

Stylistically, I’m reminded of e.e.cummings.

Yes! I like the way he writes. More importantly, I’m glad Reuben chose to use his deft pen and kind heart to bring more awareness to the darkness in humanity, hanging our dirty laundry out to be seen and not denied. He tells the hard truth. If you are not devastated then you have grown numb to the injustices of our world. This is why we need poets like Reuben, to sound the clarion call and to bare witness.


With Reuben’s permission, here are two poems and look for more of Reuben’s work in the January 15 issue of The BeZine.

lessons

this is the fear
of a first breath

start counting
now

this is laughter
through bleeding membranes

don’t hope
for wings

or terminal
stations

we walk the subway
mazes.the painted
maps & all their changes

…………drilling
skulls gives no answers
& death itself
is rarely clean


to this we came.not this

wrapping
a mind round wires
& razors
……………..cut

i’ll wear the given
shoes so well in these
white
streets

……………....it isn’t
the same
the running from metal

……………….the bombs
they make who give
the shoes but

still

they’re laughing at us
mother


THE FOURTH INTERNATIONAL FESTIVAL OF POETRY, MARRAKESH

Reuben is invited to the Fourth International Festival of Poetry in Marrakech, Morroco in April. He plans to take poems from I am not a silent poet, his online magazine. The Festival covers hotel and catering costs but doesn’t pay anything towards transport. Like all of us who live off the proceeds of poetry, his purse is a little light. Reuben set-up a crowd funding page to raise the money for the airfare. That’s the main reason I wanted to introduce Reuben to you today. Here’s the invite. The “Mrs.” is a typo and festival organizers have promised to correct it. Reuben’s crowd-funding site is HERE.

marrakech-invitation


51m8en2wll-_sx329_bo1204203200_Reuben Woolley is published in various magazines including Tears in the Fence, The Lighthouse Literary Journal, The Interpreter’s House, Domestic Cherry, The Stare’s Nest and Ink Sweat and Tears. His collection, the king is dead was published in 2014 with Oneiros Books  and a chapbook, dying notes, in 2015 with Erbacce Press. Reuben was runner-up in the Overton Poetry Pamphlet competition and the Erbacce Prize in 2015. A new collection on the refugee crisis, skins, was published by Hesterglock Press, 2016:
Reubensays, he “pretends to be busy editing the online magazines: I am not a silent poet and The Curly Mind.”

I am not a silent poet is a zine dedicated to poetry and artwork of protest against abuse in all shapes and forms. Reuben’s motivation for founding the site: “I have seen such increased evidence of abuse recently that I felt it was time to do something. I am not a silent poet looks for poems about abuse in any of its forms, colour, gender, disability, the dismantlement of the care services, the privatisation of the NHS, the rape culture and, of course, war and its victims are just the examples that come to mind at the moment.”

© 2017, poems,and photograph, Reuben Whoolley; bookcover art by Sonjia Benskin Mesher