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Into timelessness, poems in response to the last Wednesday Writing Prompt

“Will the day tell its secret
Before it disappears,
Becomes timeless night.”

Dejan Stojanovic, Circling: 1978-1987



These responses to the last Wednesday Writing Prompt, melting into timelessness (i.e., God, Source, Being, the Ineffable), October 10, 2018.

Kudos and thanks to Sonja Benskin Mesher, Bozhidar Pangelov (bogpan), Marta Pombo Sallés, and Anjum Wasim Dar. A very warm welcome to Bhaga and to Shaik Sana.

I’ve included links to blogs or websites. I hope you’ll visit these poets and get to know their work better. It is likely you can catch up with others via Facebook.

Enjoy! … and do join us tomorrow for the next Wednesday Writing Prompt.


Aaaahhh…
This one I like.
This one I can enter in
With pleasure
And melt in it
Into Timelessness…
The Foreverness,
Fullness
And Sweetness
Of Spirit…

© 2018, Bhaga (Lab of Evolution, For Research on Conscious Evolution)

I enjoyed Bhaga’s spontanious response to the last prompt and am delighted to introduce this wise bilingual (French and English) blogger here. Bhaga has mixed ethnic and national origins.She grew up in West Africa and spent significant time in France. You can read more detail about origins HERE and name HERE. The MIssion Statement HERE. Lab of Evolution is a stimulating, though-provoking site and worthy of you time. It makes a soft rather unique expression in our blogosphere. / J.D.


Imagine

But just imagine
Your home next to mine
‎And
‎You next to me. .
‎We’ll be laying
‎Side by side
‎Under the tree,
‎Talking about
‎Dreams and our
Coming destinies,
And just like that
We’ll live forever
In our own
Timed infinity.

© 2018, Shaik Sana (eleven eleven * Everyone Dreams of Being Home *)

c Shaik Sana

SHAIK SANA tells us, “I’m a medical student from State of Andhra Pradesh in India. Even though I’m committed to medicine, I have a thing for both history and literature. I like writing poems when the idea hits me.”


 

 

 

. the birds fly up.

it is a clear word

as water pure and bouncing

off rocks

a bird

or

messing about

remembering #

days mud building dams

fighting the tide

pushing back years

running the path

fighting for freedom

then it comes

unexpected

like

the lark

bird

having written of the hour,

move on when all is lost.

the days remain

timeless.

today, we walk the woods,

back home.

© 2018, Sonja Benskin Mesher


A true compass

(Jamie Dedes)

“Our fate like cast lead can not
to change.
Nothing can change. ”
G. Seferis

Like a desperate winter …
Do you hear – how do the branches
the trees crack
under the night snow.
Bones under your weight.
You who embraced the frozen
water to see only
your body.
Your remote body.
I spoke to you out of the law.
Sometimes.
Not always
(“forever”it is for the prophets).
How lied your experience,
which accumulate the old gods
in the blood.
The true rulers of fate.
Who else talks behind your voice?
As soon as the homes touch,
who comes with the torches?
Glare of glass, ash
of the stars you make …
And deaf loneliness like a bell
(Lead gives nothing).

I tried.
Behind the ground and the winter.
On the day of John.

© 2018, bogpan [Bozhidar Pangelov]  (bogpan – блог за авторска поезия блог за авторска поезия)


Marta writers: “How is it possible to make something timeless when we are finite beings and born to die, as Lana Del Rey sings? Yes, God is timeless, but so are human-made creations and memories that pass from generation to generation. Where does timelessness start? Lewis Carroll gave me an answer when Alice spoke with the Caterpillar. They were both responsible for a bit of inspiration to write this poem.”

I Tasted Spring

I tasted spring through my body,

closed my eyes and felt

that touch on my lips.

Memories of a dream revival

where everything felt so true:

My mouth on yours,

your delicious touch,

your willingness,

our timeless embrace

where nothing receded

in the open air,

in the magic moment

of timeless soulmates.

Time suddenly froze,

it turned into

Eternity…

Can you capture time?

Do you know how to freeze it?

“I can beat music”,

said Alice to the Caterpillar.

So there is time in music.

Any musical piece has indeed

frozen time forever

just as well as the other arts:

Photography, painting…

And writing…

How could I make this happen

with our delicious kiss,

the best I have ever tasted

although it was just a dream.

© 2017, Marta Pombo Sallés (Moments)

“And here is another one with the issue of time linked with cruelty.”

Time and Human Cruelty

Time
cannot be changed
or escaped.
Time is a thief,
a friend to no one
and every day is
a gift.

You cannot change time
or travel back
to reverse those things which
should never have taken place.
People killed for no reason
or
is there ever a reason
to kill other human beings?

Those people did not get lost.
When you’re lost you’ll sooner or later
find the way back.
Or perhaps not.
But you’re not erased from Earth.

Those people were killed,
just a few compared to other countries
in our world.
None of them will ever return
to the world as we know it.
They’ve just been removed too soon,
swept away by the cruelty of others:
white supremacists, Muslim terrorists …

But which governments are orchestrating
such massacres in our world?
Who’s feeding the monsters
is equally a monster.

Let’s tackle the root of the problem.
Only this way we’ll be able to say:
I am not afraid!

Time and human cruelty
are friends to no one:
Charlottesville, Barcelona, Cambrils
and many more.
The outcome is always the same.

© 2017, Marta Pombo Sallés (Moments)


Only My Heart Can See

every moment a tiptoe sounds

I close my eyes to see

as I feel the page

as words take shape and form

my thoughts encircle the song

inside the circle of the dance

is it the dancer or the dance?

Ah! only my soul knows

Only my heart can see-

I close my eyes to look

up from the book

at the love of purity

which is but a scent sweet

I reach out to touch

Nothingness ‘

Ah The presence in Nothingness’

Love of Eternity ‘

Close…

closer than the thorn is to the rose

growing from dust

glowing in the dust

dust to dust we rose

engulfed spirits in time

destined together to repose…

arms spread out to receive

like the scattered petals

of the beloved rose…..

my eyes on the book I close

the dancer moved bent and rose….

life went on, life goes….

far far away, forever

© 2018, Anjum Wasim Dar


ABOUT

Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation Press, The River Journal, The Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

 

“A Dark Matter” … and other responses to the last Wednesday Writing Prompt

“We sit and talk,
quietly, with long lapses of silence
and I am aware of the stream
that has no language, coursing
beneath the quiet heaven of
your eyes
which has no speech”
– William Carlos Williams, Paterson


These responses to the last Wednesday Writing Prompt, your darkness, my light – how is it that love transforms us, October 3, 2018, delight, intrigue, thrill your mind and touch the heart. I know you will enjoy them and the two “value-added” sections (Frank’s lastest victory and Mike’s comment) as much as I have.

Kudos and thanks to Renee Espiru, Frank McMahon, Sonja Benskin Mesher, Marta Pombo Sallés, Mike Stone and Anjum Wasim Dar. A very warm welcome to Christi Moon. I’ve been reading her work on Facebook for some years and am delighted to have the opportunity to include her here today.

I’ve included links to blogs or websites where available. I hope you’ll visit these poets and get to know their work better. It is likely you can catch up with others via Facebook.

Enjoy! … and do join us tomorrow for the next Wednesday Writing Prompt.


Arrivals

(foreword)

I want to write about a man beside a train.
A year later and I’m still looking for the words.
The palm of that strong hand-
balm on small of my lower back;
always, pulling.

I’m getting closer.

Arrivals

I’ve only taken a few steps
when my legs stop responding
to the signals from my brain

my vision locked
on an image

you’re running
beside the train
your green hat folded
in your hand

five hundred thousand minutes
careen

into this
one

my feet can’t feel the ground

airy echoes
of your name
far away and
thrumming

she sounds like me

in s l o w m o t i o n
cinematography
we are captured
in these frames

in front of the lens
behind the lens
we are the lens

we are

standing still
and spinning

as the clocks vanish beneath

we are

heaved beyond
the gates

of this brief ceiling

© 2018, cs moon

CHRISTI MOON grew up in a small coastal town in California and currently resides in rural southeastern, Pennsylvania.  Her poetry has been published in the journal Brush Strokes and Ink Spots, an Anthology of Poetry and Art ~ The River Journal, Nomos Review edition 3 ~ Women on War and Conflict, Meat For Tea ~ The Valley Review Vol 8, Need Change, Poets Against War, and Twisted Tungz art & literature magazine, and online on Combustus, VerseWrights, The Creative Nexus, Solstice Initiative ~ Aqueous, and The River Journal. When not writing poetry, her personal interests also include; photography, yoga, and exploring local nature trails. She also facilitates poetry workshops for local cancer patients.


Flourishes & Whorls

When I first made your acquaintance
my hand wrapped ’round you
and found warmth & light

even though a tiny fragment of cedar
I minded not the lustrous feel of
your soft black carbon
within

as I grasped you time & time again
my muse trembled in anticipation
as she watched gradations of lines
forming

creating magic with loops curving
in every direction
to give life to every breath I
inhaled & exhaled

giving substance to the wind
to the very universe of which
the rotating earth is
contained

with each flourish & curve
you became as putty in my hand
as burning fuel for my muse

whereupon the light of day
merged with the dark of night
transforming sunrises
sunsets

igniting the embers in my soul
within my heart
into a flame

I have kept you close since
that crucial moment
the dawning of
a single
letter

© 2018, Renee Espriu (Renee Just Turtle Flight)


EVOLUTION

It takes a big leap of the imagination
to see the line of descent from dinosaur to
blackbird, until you view the fossil record. But
you still can’t quite collapse fifty million years into
an hour’s time-frame. Think then instead about falling
in love and being in love. Falling, but more
crucially, being caught in passion’s net, held or trapped
depending. Two tyros learning their moves on high-wire
or trapeze, diving earthwards, hands outstretched. Maybe
love really begins when they both discard the net.

This poem was first published in England in The Cannon’s Mouth.

© 2018, Frank McMahon

COSMOLOGY

Some millions of years ago two stars collided,
creating cosmic dust of platignum and gold.
Seven shillings: your nuptial ring, signifying
the conjunction of orbits,love’s trajectory,

not like Cassini, all mapped out. Some few details
clear, the rest to be discovered in those early
starlight days; trial and error, error and trial; flesh and
blood, proud children, losses, carefree days and friends,

small frustrations and winter days
yet love lacing a necklace of stars
round deepening inner space, new elements
re-fashioning our Periodic Table.

© 2018, Frank McMahon

Frank McMahon’s first radio play was broadcast last week.  It concerns the last two years in the life of William Tyndale, the priest and scholar who translated much of the Bible into English and was convicted of heresy for so doing. If you want to hear it, then go to: http://www.Corinium Radio.co.uk, follow the link to Listen Again and look for Somewhere Else Writers Present ” A death in Flanders.” Bravo! and Kudos! to Frank.  

Tyndale, before being strangled and burned at the stake in Vilvoorde, cries out, “Lord, open the King of England’s eyes”. Within four years, four English translations of the Bible were published in England at the King’s behest, including Henry’s official Great Bible. All were based on Tyndale’s work. Woodcut from Foxe’s Book of Martyrs (1563) / Public Domain.


.love . the numbers.

he kindness that is. glass reflecting. slowly it starts. maybe we need to check our numbers?

© 2018, Sonja Benskin Mesher

. mathematics .

irregular, you came, your best clothes shining. never mind. the first tune hit the mind, patterns and mathematics. the kindness that is.

he said. machine you see. glass reflecting. slowly it starts repeating. the walls of differing colours. we have the dvds. on and on repeating on and on repeating on and on repeating.

back to the counting, how many have there been, how many are left still standing. an issue for some, yet we amend the figures here and move on. lucky ones, maths divides and decimates others.

1.2

repeating.

© 2017, Sonja Benskin Mesher


The night is speaking like a cascade

The night is speaking like a cascade.
She’s knitting filigreed lights and shadows.
Sunk in the deep sea
of Sargasso eyes
I stay quiet and don’t find words.
And the scars on your hand
are fading, in order to burn
in my heart.
Oh, sailboats after a long trip
with all the winds in the sails –
sand is calling you.
But it isn’t death!
Oh, it isn’t the end too!
The hand
is going to knock up a hut for you
and in the wide garden
it smells with magnolia and manuscripts…

And I am a sign.

© 2018, bogpan [Bozhidar Pangelov]  (bogpan – блог за авторска поезия блог за авторска поезия)


When Silent Love Met with Boasting Vanity

A long time ago
I got used to living with
My open wounds,
The last withered while
I was staring at the sunset
In the middle of the fog.

Yes, you told me so many times
About your suffering,
How your heart shrunk
Fisted in bleeding red
While your eyes tasted
The salt of the ocean waves
And cristal pearls were running
Down your cheeks.

On that plane you felt
The freezing coldness
Where just one thing
Would not freeze:
The fountain of your tears.

Yes, indeed I remember
All the pain on that plane.
You sent me back to the
Land of rejection.

Yet I am a resilient rock
With my withered wounds
That I carry since ancient times
On this eroded earth.

But to exist is to resist
And so I dwell in human hearts
Who care for each other.
And may I receive your boasting waves
Crashing on my shores
Those hearts will restore me again
For I am silent love and not vain.

© 2018, Marta Pombo Sallés (Moments)


“Your lines (and prompt), “your darkness my light” caused an explosion of thoughts in my mind. I thought about the latest scientific speculation about the composition of the universe, that most of it is composed of dark matter and dark energy that don’t interact with the matter and energy that we sense. I thought about how we focus on the sources of light and its reflections, the things that exist, the presences, but gloss over the sources of darkness, dismissing it as merely the absence of light, rarely able to sense the absence of things that once were, or that never were. Our world is filled with those things, words that were never spoken, or were spoken and unheard, or forgotten. I will try to come up with a poem that embodies these thoughts before the prompt is due, but I do have one poem that is more-or-less on theme. [Dark Matter – below]

“… and of course there’s the idea of somebody composed of dark matter falling in love with somebody composed of “normal” (baryonic) matter, although current laws of physics declare that impossible. Dark matter is not anti-matter. Anti-matter and matter interact by destroying each other. Dark matter and regular matter are just ships passing (through each other) in the night.” Mike Stone (Uncollected Works)

“A Dark Matter”

(Raanana, October 4, 2018)

I see you everywhere I go
You follow me even into the bedroom
And crawl into bed beside me
Entering my dreams.
You are the dark sun shining your dark photons,
Your shadows are my only light.
You are every age you’ve ever been,
You are the idea of you
Just after I discovered I was pregnant,
You are this thing growing in my belly
Now, this homunculus bursting from my womb
Suckling my breast,
And suddenly you are human,
Helpless, still inchoate, primal.
Then you see me seeing you and you smile,
You crawl, you stand unsteadily on your feet
And then you start to run.
You hold my hand, going to the nursery
And won’t let go.
Suddenly you’re holding her hand
Going to the Homecoming
In our car.
Then you come home
From the place you can’t talk about,
Your uniform full of grease and stench
Which I wash and iron throughout the night,
Then they knock on the door
And tell us you can’t come home,
That we can’t see your body
Because there’s nothing left to see.
When you were alive,
You were just a single person
In just one place, nowhere else.
Now that you are dead,
All of you,
The idea of you, the homunculus,
The primal human,
The little boy holding my hand,
The young man holding her hand,
The soldier coming home,
The soldier never coming home again,
Are everywhere, all the time.
You are my darkness,
I want no other light.
Your absence is so palpable to me
I don’t think I could live without it.

© 2018, Mike Stone (Uncollected Works/Call of the Whippoorwill) 

“Dimdumim”

(Raanana, September 14, 2018)

Here they call it dimdumim
But you call it twilight,
Still light when the orange sun
Sinks behind the distant trees
Or the purple sea under the far horizon
And the colors of the things around you,
The whites, the browns, and the greens,
The grass and trees, even the faces of people,
Bleed into gray, move farther away than before,
Not yet dark, yes, darkening perhaps,
But not quite dark. Suddenly the air
Through which you wade cools slightly,
Is easier to breathe, making you almost weightless,
Waiting for the absolute darkness of night.
In its obscurity possibilities hide,
Almost anything can happen
In the cool darkness
And the obscurity takes any shape
That thoughts can touch.
When night does come
You never see just when
The dimdumim disappears.

© 2018, Mike Stone (Uncollected Works/ Call of the Whippoorwill )

“A Poem Unwritten”

(Raanana, March 9, 2012)

No one has ever written a poem about a poem unwritten
Of the many virtues of such a poem
The perfect meter of noambic nometer
The clarity and minimalism leave
Even haiku silent with envy.
The language of silence is universal
Requiring no translation.
It will be unread by billions!
It’s amazing that no one has thought of it,
No one and I.

© 2012, Mike Stone (Uncollected Works/Yet Another Book of Poetry)

“Waiting to Be”

(Raanana, December 4, 2015)

What does a poem look like
Before it is written?
Just like a lover looks
Before you have met her
Or an infant looks
Before it is conceived
Like a soul looks
Whenever you look
Like potential,
Pregnant but barren,
Like the blank page of a notebook
But more than that
More than nothing
But undefinable
Waiting in the dark
To collect itself
To be.

© 2015, Mike Stone (Uncollected Works/Yet Another Book of Poetry)

Bemused is Mike Stone’s third book of poetry, covering the years from 2016 to 2017. The title means “perplexed” but Mike intended a more literal meaning: “in thrall to the Muse”. Mike has been in the Muse’s thrall for most of his seventy years. This collection shows his maturity as a writer and his courage in facing the dilemmas of life’s endgame without fear or delusion.

Kindle (digital): https://www.amazon.com/dp/B0786JQJHQ/ ($2.99)

Amazon (paperback): https://www.amazon.com/dp/1981543775/ ($19.95)

Mike is one of The BeZine’s nominees for Best of the Net 2018.


Does Age Matter

And I believed in you because

I loved you

as a charming human being

Knowledgeable attractive witty and quick

And I tried to bear with your weaknesses

Because we all have them and impress

And I believed in you because

I wanted to

For I could see the tremendous potential

In you as a creative enthusiastic loveable

Charming personality that

The Almighty

Had made you.

And I believed you

That you knew so much more

than me

You could drive the car so perfectly

And examine the patients

so expertly

as your learning taught you.

And I believed you that you would share

With me all

That I wanted to tell you

That I wanted you to learn

You could do so much more

In your profession

And I believed you when you said

I always say’ Help yourself’

And you planned your time

And tried to read every book

that came your way

and after meeting you I had hopes of

reviving my shattered faith and trust

In relationships

And I loved you because

I believed we could make it together

I gave you all the chance

And I am still hopeful

That despite our age difference

We can still be happy with each other

And share care and learning and achievements

And I am sure it will be so

Because I believe in You.

CER © 2018, Anjum Wasim Dar (Poetic Oceans)

This is Anjum’s poem in Urdu. Unfortunately, I was unable to get the breaks right for which I apologize to Anjum and to any readers who speak/read Urdu. At least we have this, another example of how our poetry crosses borders.

مسکراؤں تو کس کے لئے آنکھوں کو چمکاؤں تو کس کے لئے غم کو بھول جاؤں تو کس کے لئے کوئی اپنا تو ہو کیوں دنیا ایسی لگے کیوں اپنے بوجھ بڑھیں کیوں اپنے غیر لگیں کیوں میں غیر بنوں میں بے وفا تو نہین چمکتی ہوں سب کے لئے رات بھر ٹمٹماتی ہوں خاموش کس کے لئے کوئی اپنا کہنے والا نہ ایگا کبھی انجم دل کا دروازہ کھلا رکھنا ، محبت انجن جگہ پانے گی


ABOUT

Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation Press, The River Journal, The Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

Paul Brookes of “The Wombwell Rainbow” Interviews Bulgarian Poet Bozhidar Pangelov a.k.a. bogpan,

Bozhidar Pangelov

All of the interviews on Paul’s blog – The Wombwell Rainbow – are interesting and worth your time. Paul’s doing a fabulous job. I have selected Bozhidar Pangelov’s interview to feature today because it includes a tidbit of a reference about what it is like to be a writer and lover of literature in times and places of repression. Though those of us who came of age during the Cold War are conscious of this, I often wonder about younger people. Perhaps I’m just out of touch. Bozhidar also shares some thoughts on authenticity that I appreciate as well as his practical perspective on the poet as professional. 

At any rate, many of you are familiar with Bozhidar’s work since he is a frequent contributor to The Poet by Day, Wednesday Writing Prompt (as is Paul) and he has also been featured on this site before.

My thanks to both Paul and Bozhidar for permission to share this interview with you here today. And thanks to Paul for doing this series. I think it’s a real contribution. / J.D.


Prolific Yorkshire Poet, Paul Brookes

PAUL BROOKES (The Wombwell Rainbow): “I am honoured and privileged that . . .  poets, local, national and international have agreed to be interviewed by me. I gave the writers two options: an emailed list of questions or a more fluid interview via messenger.

“The usual ground is covered about motivation, daily routines and work ethic, but some surprises too…”



Bozhidar Pangelov

BOZHIDAR PANGELOV (bogpan – блог за авторска поезия  блог за авторска поезия ) was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles was written entirely with an unknown author but in a complete synchronicity on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is the editor of his next book Delta. She is the woman to whom The Girl Who… is dedicated. Bozhidar’s last (so far) book is The Man Who. A bilingual poetry book A Feather of Fujiama is being published on Amazon as a Kindle edition.

Some of Bozhidar’s poems are translated in Italian, German, Polish, Russian,Chinese, Turkish, Arabic, Romanian, Portuguese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe .. takes Europa ein Gedicht. Castrop Rauxel ein Gedicht RUHR 2010 and the project SPRING POETRY RAIN 2012, Cyprus.

Bozhidar’s pen name “bogpan” means “god Pan” – in Greek religion and mythology.

The Fourth Century St. George Rotunda is considered the oldest building in Sofia, the capital of Bulgaria, the city in which Bozhidar was born and lives. Photo courtesy of Sveti Georgi underCC BY 2.0 license.

The Interview

  1. What were the circumstances under which you began to write poetry?

I have the feeling that I have always written poetry. At home we used to have quite rich book library. Throughout my awkward past the (the political system), reading was a way of having a life in another worlds. Can you imagine that there used to be long queues for each translated book from a foreign author! Well, eventually the cause of writing my first poem was quite funny. Me and a friend of mine used to be in love with the same girl. The conflict about who is going to meet her was resolved after each of us wrote a poem. Romantics of the youth.

2.       Who introduced you to poetry?

To answer this question I would like to make some clarifications concerning the educational system in my country. In that system literature is considered as a compulsory subject and leads to serious exams that allow you to apply for a higher educational degree. In the study books are included national as well as international authors. In that aspect, if you like literature you just start writing.

3.       How aware were you of the dominating presence of older poets?

During the time when I was young, the government used to dictate names of poets, but I have always been a rebel and that’s why I never accepted any names. Later on, when the political system changed what remained was my love and amusement by the great worldwide poets.

4.       What is your daily writing routine?

I am not a professional poet and I don’t need to write every day to earn my living. Certainly I don’t trust poems written by professional poets because in most of the cases these poems have unclear aesthetic values and are there to satisfy the popular reader’s taste.

5.       What motivates you to write?

The emotions. Despite the fact that everybody feels the defined emotions as love,pain and etc., each person senses them in their own unique way. The thought that inevitably exists in a poem rests between the conscious and unconscious. I think that a poem written only by the conscious effort of one’s mind is rather a short essay or a short novel. Still there should be a cross point between poetry and prose and for me that’s the emotions.

6.   What is your work ethic?

George Seferis [Georgios Seferiades] (1900 – 1971). One of the most important Greek poets of the last century, a diplomat and a Nobel laureate.
I understand this question as related to writing. Ethic for me means to write a “real” poem. Now I sense the forthcoming question which would be what is the criteria or how would you determine what “real” is. A possible answer to this question is the one of the Nobel winner of Greek origin Georgius Seferis, who answers to a similar question in the following way: “But he must somehow have an instinct—a guiding instinct—which says to him: ‘My dear boy, my dear chap, be careful; you are going to fall. You are exaggerating at this moment.'” In this sense my instinct tells me that it’s an absurdity to expect everybody to understand poetry. Whoever wants to understand everything can read newspapers or magazine news. Still it’s uncertain that one will understand everything. At that point I would like to remind the following thought of T.S. Eliot:  “Genuine poetry can communicate before it is understood.“

7.   How do the writers you read when you were young influence you today?

Youngsters, who tend to get highly impressed after reading an author who relates to their inner self remember this artwork and this author which remains forever in their subconscious no matter if they are aware of it or not. That’s how the model works, which we reproduce in our own way. A poem doesn’t emerge from the nowhere.

8.   Who of today’s writers do you admire the most and why?

Considering my experience and age it’s hard for me to get impressed. I just get extremely happy when I come across with an author, who has his/her own unique style, who is distinguishable from the majority. I would like to point at one single name, so I don’t miss out on some of my favourite authors. Stefan Goncharov – a young poet, who established his presence in a quite powerful and mature way just within few months time and having in mind that these were his first poems! As I can say – this man was born a poet.

9.       Why do you write?

With writing I’m trying to express the inexpressible.

10.   What would you say to someone who asked you “How do you become a writer?

In case that your question is – how can I become a professional writer, I can’t reply. I guess that this is something you can learn at the creative writing courses. For me this question has never been important. I just write. I think that if one wants to become a good writer, not only many books need to be read, but that person at a certain point needs to forget about all the knowledge and without a fear start writing in the way of expressing his/her own thoughts and feelings. To be honest with himself/herself and without thinking how to be liked by the readers. There isn’t an ultimate audience of readers that is there to like your writing. Here I would give a longer quote from the interview with Georgius Seferis – Henri Michaux “You know, my dear, a man who has only one reader is not a writer. A man who has two readers is not a writer, either. But a man who has three readers”—and he pronounced “three readers” as though they were three million—“that man is really a writer.”

Нова асоциална поезия

New Asocial Poetry Translations

11.   Tell me about the writing projects you have on at the moment.

At the moment I don’t run my own projects. I’m engaged as an editor of the monthly magazine, New Asocial Poetry. We are preparing surprises for the published authors and new sections. There is already a new section for translations from mostly English language. At this point I would like to say that most of the young people know English, but unfortunately only few people for whom English is their mother tongue know my language. Maybe the reason for that the Cyrillic alphabet is mistaken for the Russian alphabet. Historically is exactly the opposite. Translations require hard work, especially when the literature is created in another language. For that reason we came up with the idea of having a new section for foreign literature dedicated to foreign authors who are a living example for language’s application and usage. All the authors, who are interested in participating in such project can read more about it HERE. .Whoever wants to learn more about the publishing requirements is kindly invited to apply with his/her literature by contacting me at newasocialpoetry@gmail.com.


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

“Tears of God” … and other poems in response to the last Wednesday Writing Prompt

“It’s ironic that poets use words to convey what lies beyond words, that poetry becomes most powerful where simple language fails, allowing one to bridge the conscious and unconscious.” – Diane Ackerman, poet and writer



These responses to the last Wednesday Writing Prompt on parenting and being parented (yes! I coined an ackward word), September 12 are likely to bring you to tears, to awaken forgotten memories or validate ones that are vivid in mind. Thanks to Gary W. Bowers, Paul Brookes, Irma Do, Renee Espriu, deb y fell (Debbie Felio), Sonja Benskin Mesher, Tamam Tracy Moncur, and bogpan (Bozhidar Pangelov) and a warm welcome to Jennifer Collins.  Brave, wise and wonderful poets all.

Read on and do join us for the next Wednesday Writing Prompt tomorrow.  All are encourage: novice, emerging and pro.


The long road home

The umbilical cord between us,
Invisible to the naked eye,
Has a life of its own.
No matter how hard I try,
To pull away, even at my age,
It has an elastic snap
And cuts me short, then bounces
Me back to you.

I wonder how long it spans,
Even as you get carted away,
Across highways,
Somewhere upstate,
I know I will feel the internal tug,

Pull and tug and pull,
Till the pain brings tears to my eyes
And I run to the kitchen to grab hold
Of the scissors to cut and cut and cut
Me away from you.

But no matter how hard I try,
The damn thing finds its way back
And re-attaches itself to my heart,
To my gut- to your beating belly center
From which it was born.

© 2018, Jennifer Collins

JENNIFER COLLINS: I’m a writer, yoga instructor, social worker, wife and mom. I live on long Island. Writing for me has always been an outlet and a way to navigate and understand the world and my experiences. It is my compass, guiding me through the rough and quiet waters of my life.

 


toughish love

dad had a note he would send
one of the three of us brothers
to the store with: “please sell my son
2 packs of pall malls”

i didn’t like to do it
i never liked to do it

one day i refused.
i had to not lie.
“dad. i’m not going to do this
any more.”
i looked at him
and made my eyes say You
Want Me To Help Kill You.

in his eyes
was a question.
Do I Let You Defy Me?

Then there was an answer:
Ah, Well,
It’s Because He Loves Me.

dad said, “okay,”
and i never bought him cigarettes again.

i was twelve,
he was thirty-three,
but i was the parent that day.

© 2018, Gary W. Bowers (One With Clay, Image and Text)


Tears Of

God

My sons eyes are cold.
I have seen this look before.
He lugs my dog Sheba by her mane,

hauls her along the floor
a piece of meat, slopping over gunnels
in an abattoir, blood down the drains.
Her paws scratch and scrape
he dumps her at my feet.

“Bite its ear!”
I shake my head.
“If it’s done wrong, and it has
bite its ear.” I shake my head
mumble

“Done nothing wrong.”

“Eh! Speak up woman!”

“It ‘aint done nothing wrong. Jack!”

Fine rain falls through grey skies
in the pub yard, and a yellow
fluid flows out from under the dog.

“Dirty bitch!”
He kicks Sheba in her side.
She whimpers, puts her head
pleadingly on the black shiny
surface of my court shoes.

“I’ll do it then!”
Snatches her up
by the scruff

“Getting a dog
and not bringing it up right.
Stupid cow!”

He snaps at the silk of her ear.
She yelps. I cry.

“Stupid sodding cow!”
He slaps me hard
across my face. I feel
his gold rings on my cheek.

“Stop whimpering!”
Pushes me up against
the wet wall. His cold eyes
up close make me shiver.

One hand on my throat,
the other points at her. I mumble.
“Not again Jack. Please!”
My legs have gone.

“Treat the bitch right
and it’ll treat you right.”
Sheba inches against the wall,
low and hung back like the grey clouds.

Jack lets me fall. The pub door slams
Sheba, up on her legs again,
licks my face, lays down by my side
puts her head on my black court shoes.

Her neck is warm. My back hurts.
They call the rain the “Tears of God”

Originally published in Degenerate Literature, Domestic Violence Edition, Weasel Press

© 2017, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imaginationand now running The Wombwell Rainbow Interviews [of poets and writers] )

Billy

still wears a nappy at seven
doesn’t understand
why folk tell him off

climbs through an open
window with his six year old
sister whose dress tears

as they tumble on wet
grass in the garden
amongst the dogshit

and mucky diapers mam
has chucked out the kitchen
door, and they walk

on the broken glass
from beer bottles dad
has lobbed out onto

the asphalt path to the front
garden gate that has only
one hinge and they totter

down the street to the big
sign of the supermarket
where steal some sweets

and sit outside and somebody
shouts at him and tells him off
and he doesn’t know why.

originally published in Nixes Mate Magazine

© 2017, Paul Brookes  (The Wombwell Rainbow / Inspiration. History. Imagination)

“A fist in

the ear.”

he whispers to me

“What she needs.
She pushes me to it.
Harder than any squaddies.

And her children.
Her little bastards,
that’s what they need

I tell her,
a fist in the ear
and they don’t
lack discipline anymore.

They’ve got to tell me
she’s got to tell me,
where she goes,
what she does,
who she meets.

I’ll not worry then
will I?

What she needs,
If she’s off with some other
I’ll bring a shotgun to her.”

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination)

No More Fetch

you here,
Fetch you home.

Fetch my lips to thine.
Fetch my arse to this.

Fetch you dinner.
Fetch you a snog.

Fetch your groceries.
Fetch your washing and ironing.

Fetch your slippers
Fetch my social to your wallet.

Fetch my hand up to stop thy fist.
Fetch your belongings in a black bag.

Fetch your gob and its mouthful.
Fetch mesen to thy want.

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination )


Details

I zero in

On the cracks in the walls

The spaces between the tile and grout

The layer of dust on the grand piano

The peeling Formica under 80’s sought after giveaway cups

The places where your innovative nature took precedence over getting the job done right.

I zero in

On the grays in your hair

And the spots on your hands

The slowness in your cane aided walk

Your mouth agape during your afternoon nap

The hand me up shirt you’ve been wearing for decades because it still fits

I zoom out

And see the humor and kindness in your eyes

The hands that lovingly prepare my favorite meal

The 20 year old bed that fits generations

The clock where time has stopped but happiness lives on

The struggle of remembering and honoring and forgetting and accepting.

I zoom out

And notice what you do without

What you’ve sacrificed

What you’ve preserved

What you’ve done with love

What you’ve done for love.

I zero in on that detail.

© 2018, Irma Do (I Do Run,And I do a few other things too …)


Oranges and Apples

A mother is what she needed
not a friend that played
jacks, marbles and jump rope

where she was left
to her own devices of
making mischief
with her brother

or watching a locomotive
barrel down steel tracks
to crush a penny
newly set
upon them

but her mother an only child
longed for siblings
for playmates
to fill
a yearning

so even as she needed
wanted a mother
oranges and apples
would not mix

yet her mother turned flour sacks
into underclothes and slips
for her sewn dresses
to lie upon

her mother cooked food
laden with the aromas
of love

pies trimmed in the lace
of gold brown crust
even when money
was a
luxury

she would surmise in life
that mothers do the best
with what life
gives them

© 2018 Renee Espriu (Angles, My Muse & Turtle Flight)


It’s No Big Deal

A minor slight —
sliver of glass
under the skin
every day

how bad could it be?

© 2018, deb y felio

Broken

How can we not
when it is in our
blood

How can we not
when it is in our
histories & herstories

Broken love —
self seeking,
conditional,
misunderstood
assumptions.

How can we not
when it is in our
cultures

How can we not
when it is in our
pasts and presents

How can we not
hurt/break others
when we start that way

enter broken —
what else can be given
but brokenness
passed generations
to generations
in disguised iterations

I will never be
her, him, them
but how can I not

Memory in words
action, emotion
overwhelm, repeat

How can we not
what else is there —
only practiced brokenness.

Father forgive them
Father forgive me
When I cannot.

© 2018, deb y felio


.mother love.

mother loves; son loves.

three. sons arrive. two.

father disappears a while,

&

while he is gone they grow.

up.

mother loves; son loves.

a while.

middle one dies, elder blames

mother, abuses her daughter.

a while.

the younger blinks and stutters.

mother loves; son loves.

he has a different story.

mother loves; son loves.

© 2018, Sonja Benskin Mesher

Second response

..slabbed..

lay dead . do not speak nor ask for fear.

lay quiet. do not write nor tell. there are

new shoes by the wardrobe. at an angle.

still. do not move nor participate in any

way.

do not breathe, nor cry. there are new

shoes by the wardrobe, new shoes.

© 2018, Sonja Benskin Mesher


The Shadows of Addiction

Addiction
Affliction
Abuse
What’s the excuse?

Substances infuse the brain
No pain
Worries…anxieties flee
Mocking reality

Illusions of joy
Permeate the atmosphere
No fear
Confidence in abundance
Eradicates the twins
Insecurity and timidity

Crack cocaine dances with heroin
Down opioid lane
The life of the party has been born
Sworn in only to begin
The cycle over and over again

The belle of the ball
Begins to fall
Tumbling…tumbling…tumbling
Into the depths of despair
Where even love-starved children
Cannot pierce the fierce
Grasp of addiction

Brokenhearted families
Succumb to the numbness
Of a devastating madness
Found in pipes…pills…powders
In the streets…prescriptions
over the counters
living death destroying
the fabric of love…

Addiction
Affliction
Abuse
What’s the excuse?

© 2018, Tamam Tracy Moncur (The Road of Impossibilities)

Pain In Your Heart

“Art creates the dream of life”

Is that the season?
The leaves are hitting the silent windows
and some roots of trees are creaking,
but I am a dream.
I do not recognize the colors,
when the sun of that town
without time shelters me like Mum.
Which flowers shall I gift to you?
I am not a saint – I cannot revive you.
I cannot even grieve

To gift to you – a last flower.

© 2018, bogpan / Bozhidar Pangelov (bogpan – блог за авторска поезия  блог за авторска поезия )


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.