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#19 SuffrageStories . . .

Copyright the Smithson

“There never will be complete equality until women themselves help to make laws and elect lawmakers.” Susan B. Anthony

 

The Smithsonian, Library of Congress and the National Archives have launched #19SuffrageStories, a nineteen-day social media campaign that is sharing stories about the long fight for women’s voting rights in the United States.  They started posting on August 3 and will continue posting through Aug. 26 as a count-down to Women’s Equality Day Aug. 26, this coming Wednesday. The institutions have also released a set of social media stickers and GIFs to encourage the public to join the conversation.

On Aug. 26, 1920, the 19th Amendment to the Constitution was enacted, declaring that the right to vote shall not be denied on account of sex. However, for many women, especially women of color, the fight for the right to vote continued long after the amendment became law. The stories of the diverse communities and organizations that fought for equal voting rights are not shared widely today. To mark the centennial of the 19th Amendment, these three leading cultural institutions have joined forces to share lesser-known stories about the fight for women’s suffrage. Using items from their collections, they are sharing stories spanning from the Seneca Falls Convention in 1848 through events in the 1960s to provide a broad look into the history of women and voting.

The countdown began on Aug. 3 with the 19th Amendment to the Constitution, which is held at the National Archives. The public is invited to examine this landmark document on Twitter and Instagram and consider its significance. New stories will be revealed every weekday, with the countdown closing Aug. 26. The public is invited to follow the countdown on social media and on the web:

Additional information about the stories shared each day will be available on the Smithsonian American Women’s History Initiative blog and the Library of Congress and National Archives websites.

To coincide with the campaign, the organizations are also releasing a set of 10 voting-inspired social media stickers and GIFs. Instagram users can add a historic sash sticker to their selfies or add the words of suffragists Ida B. Wells, Marie Louise Bottineau Baldwin and Mabel Ping-Hua Lee to their posts. To add the stickers on Instagram, users can create an Instagram Story, click on the sticker icon and search for #19SuffrageStories. Animated GIFs of the stickers are also available through GIPHY for use on Twitter or other social media platforms. The full set of GIFs can be found online, and descriptions of the stickers can be found in this blog post about the #19SuffrageStories campaign.

The three institutions are also collaborating in August on a 19th Amendment virtual Wikipedia Edit-a-thon. The public is invited to make nineteen edits to Wikipedia pages throughout the month of August to help expand the coverage of the women’s suffrage movement online. Virtual trainings will be held every Tuesday and Thursday in August, 11:30 a.m.–1 p.m. ET. The public can register for the trainings on Eventbrite, no experience required.

The Smithsonian, Library of Congress and the National Archives remain largely closed to the public due to the coronavirus (the Smithsonian’s National Zoo and Steven F. Udvar Hazy Center reopened July 24). More information about the operating status of these organizations is available on their respective websites.

This post is courtesy of the following institutions:

The Smithsonian

Since its founding in 1846, the Smithsonian Institution has been committed to inspiring generations through knowledge and discovery. It is the world’s largest museum, education and research complex, consisting of nineteen museums, the National Zoological Park, education centers, research facilities, cultural centers and libraries. There are more than 6,300 Smithsonian employees and 6,900 volunteers. There were more than twenty-two million visits to the Smithsonian in 2019. The total number of objects, works of art and specimens at the Smithsonian is estimated at nearly 155 million, of which nearly 146 million are scientific specimens at the National Museum of Natural History.

The United States Library of Congress

The Library of Congress is the world’s largest library, offering access to the creative record of the United States—and extensive materials from around the world—both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov and register creative works of authorship at copyright.gov.

The National Archives

The National Archives is an independent federal agency that serves American democracy by safeguarding and preserving the records of our government, so people can discover, use and learn from this documentary heritage. The National Archives ensures continuing access to the essential documentation of the rights of American citizens and the actions of their government. From the Declaration of Independence to accounts of ordinary Americans, the holdings of the National Archives directly touch the lives of millions of people. These holdings include the original 19th Amendment and extensive documentation of the struggle for Women’s Suffrage.

Jamie Dedes:

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“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

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SHALOM, SALAAM, GREETINGS: HAPPY HANUKKAH AND A JOYOUS CHRIST’S MASS

hanuka-menorah-by-gil-dekel-2014

gerard_van_honthorst_-_adoration_of_the_shepherds_1622-1

If you are reading this in an email subscription, you’ll have to link through to the site to listen to this charming and cheery musical dialogue between Judaism and Christianity.

ENGLISH VERSION:

SPANISH VERSION:

A musical dialogue between Rabbi Marcelo Polakoff and Bishop Monseñor Pedro Torres, with musical production by Fernando “Rahe” Israilevich. A greeting of good omens for the whole world.

♥ ♥ ♥

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Celebrating American She-Poets (2): Ruth Stone, 1915-2011

What-Love-Comes-To-by-Rut-001-1I first published this piece on Ruth Stone in 2013, but I love her poetry so much I had to include her early in this Thursday series of mine inspired by the work of poet Dilys Wood and the London-based Second Light Network of Women Poets (SLN), which Dilys founded. SLN encourages and supports the poetry of women, including those women with voices emerging in their third act. 

Poems clutter the landscape of my mind with bite-sized portions easily committed to memory, ready to be pulled out in a moment of need or want. I like to think of poetry as literary dim sum, which means “touch the heart.” And poems do spring themselves on me and touch the tender places. Depending on the poem and the poet, they may also tickle my funny bone, stimulate my intellect, or affirm some insight. In the art of living hugely, poetry is warp and weft.

Whether I am writing poetry or reading it, poetry gifts to me those blessed eureka moments, the moments when I understand myself or another, can put a name to the demons, or simply realize that I am not alone in my joy or sorrow. Think of W. H. Auden’s Funeral Blues and the simple line, “Pack up the moon and dismantle the sun.”  I am getting older, approaching elderly, and though I am always making new friends, I’m of an age where I lose a friend or two each year. Bereft at the loss of someone precious and shocked that the earth hasn’t stood still, I think of this line and know that in this circumstance, everyone feels what I do . . .

. . . and all it takes is one disappointment in love to relate to Mad Girl’s Love Song by Silvia Plath, “I dreamed that you bewitched me into bed/And sung me moon-struck, kissed me quite insane./(I think I made you up inside my head.)

Of the many poets I dearly love, I particularly appreciate Ruth Stone for her quality of giving things their true names and for the practicalities embedded in her poems. “Dear children,/You must try to say/Something when you are in need./Don’t confuse hunger with greed;/And don’t wait until you are dead.”

Ruth Stone was an American poet and poetry teacher born into an impoverished family at Roanoke, Virginia in 1915. She lived most of her life in rural Vermont, attended the University of Illinois at Urbana-Champaign, won many awards for her poetry and was a finalist for the Pulitzer Prize for her last collection, What Love Comes To: New & Selected Poems (2008). She was wry, bold, conversational, edgy, philosophical and used the language and imagery of the natural sciences to good effect.  Her second husband, the poet Walter Stone, committed suicide leaving her with three young children and an experience that indelibly etched itself on her life, heart and poetry. She once remarked that she spent the rest of her life writing to him.

Not Expecting an Answer

This tedious letter to you,
what is one Life to another?
We walk around inside our bags,
sucking it in, spewing it out.
Then the insects, swarms heavier
than all the animals of the world.
Then the flycatchers on the clothesline,
like seiners leaning from Flemish boats
when the seas were roiled with herring.
This long letter in my mind,
calligraphy, feathery asparagus.

When Ruth Stone won the Whiting Writers’ Award, she got plumbing for her house. When she received the Walter Cerf Award for Lifetime Achievement in the Arts at the National Book Awards, she said “I’ve been writing poetry or whatever it is since I was five or six years old, and I couldn’t stop, I never could stop. I don’t know why I did it.… It was like a stream that went along beside me, you know, my life went along here . . . and all along the time this stream was going along. And I really didn’t know what it was saying. It just talked to me, and I wrote it down. So I can’t even take much credit for it.”

Ruth Stone died in 2011 leaving behind thirteen collections of literary dim sum. This poem, which gave its name to a collection that I just purchased, is a new favorite.

In the Next Galaxy

Things will be different.
No one will lose their sight,
their hearing, their gallbladder.
It will be all Catskills with brand
new wrap-around verandas.
The idea of Hitler will not
have vibrated yet.
While back here,
they are still cleaning out
pockets of wrinkled
Nazis hiding in Argentina.
But in the next galaxy,
certain planets will have true
blue skies and drinking water.

In the scant two-minute video that follows, the writer Elizabeth Gilbert (Eat, Pray, Love) shares the revealing story of her meeting with Ruth Stone.

Resources:
Ruth Stone, Amazon Page
Poems of Ruth Stone, World Poetry Database
Ruth Stone Obituary, New York Times
On Ruth Stone by Sharon Olds

© 2013, essay, Jamie Dedes, All rights reserve – This piece originally published in October 2013 on Plum Tree Books website

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Celebrating American She-Poets (1): feminist poet, Anne Bradstreet, 1612-1672

Cover art c publisher
Cover art c publisher

 

Inspired by my long-distance poetry friends at London-based Second Light Network of Women Poets (SLN), which is dedicated to encouraging and promoting women poets and women’s poetry, I’ve decided to feature one American woman poet each week on Thursday. I hope you’ll join me for these short tidbits by way of celebration.

OPPORTUNITY KNOCKS: Second Light Network of Women Poets publishes well-regarded anthologies and the biannual magazine ARTEMISpoetry, which feature the works of both contemporary well-known A-list women poets as well as talented emerging voices. Membership and publication is not limited to the UK but there are demographic restrictions: age and gender. Associate memberships are available for women under 40. Recommended.

I had eight birds hatched in one nest,
Four Cocks there were, and Hens the rest.

Note: I recognize that more correctly Anne Bradstreet would be considered an English poet. I have decided for my purposes here, I’d include her as “American.”

The illustration above is Anne Bradstreet on the cover of The Works of Anne Bradstreet published by The John Harvard Library . The book’s introduction is by contemporary American Poet, Adrienne Rich. Some say she (Bradstreet) was the first serious woman poet in colonial America. It could be though that she was the first to be taken seriously and published while other talents plied their art in the women’s-work ghetto of obscurity

From the publisher:
“Anne Bradstreet was one of our earliest feminists and the first true poet in the American colonies. This collection of her extant poetry and prose, scrupulously edited by Jeannine Hensley, has long been the standard edition of Bradstreet’s work. Hensley’s introduction sketches the poet’s life, and Adrienne Rich’s foreword offers a sensitive critique of Bradstreet as a person and as a writer. The John Harvard Library edition includes a chronology of Bradstreet’s life and an updated bibliography.”

public domain illustratio
public domain illustration

This is telling of the times:

Let Greeks be Greeks, and women what they are
Men have precedency and still excell,
It is but vain unjustly to wage warre;
Men can do best, and women know it well
Preheminence in all and each is yours;
Yet grant some small acknowledgement of ours.

And yet, Anne Bradstreet did have confidence in her gender as we can see in this portrait of Queen Elizabeth:

Who was so good, so just, so learned so wise,
From all the Kings on earth she won the prize.
Nor say I more then duly is her due,
Millions will testifie that this is true.
She has wip’d off th’ aspersion of her Sex,
That women wisdome lack to play the Rex

Resources:
•The Works of Anne Bradstreet
•Anne Bradstreet, The Poetry Foundation
•Anne Bradstreet poems, Poem Hunter
•Wendy Martin, “Anne Bradstreet’s Poetry: a Study in Subversive Poetry,” in Shakespeare’s Sisters, edited by Sandra Gilbert and Susan Gubar (Bloomington: Indiana University Press, 1979)