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“Seasons of Becoming” and other poems in response to last Wednesday’s writing prompt

Last Wednesday’s writing prompt, May 31, 2017: Tell us in prose or poem and in terms of the seasons where you used to be in life and where you are now.

Thanks to those intrepid poets who came out to play. Enjoy the seasons everyone … Read on …


Static Cycles

Summer is my favorite
I can’t wait for Fall
Something ’bout Winter magic
Spring is best of all

Summer is my favorite
I can’t wait for Fall
Something ’bout Winter magic
Spring is best of all

Summer is my favorite
I can’t wait for Fall
Something ’bout Winter m

© 2017, Christopher Troy

(c) Christopher Troy

This is Christopher’s debut with us, so … introducing CHRISTOPHER TROY: Born in Chicago, Illinois in 1978 to a middle class family in an immigrant neighborhood on the city’s north side, Christopher Troy left for Paris in 1996 to study philosophy and political science at the Sorbonne. He spent the next nine years living there, where he was introduced to the arts and Paris’ infamous nightlife. He returned to America after his studies and began a successful decade-long career in politics, until deciding to walk away from it and become a writer. “I’d rather have people applaud me for my lies than be appalled by them,” he said to a friend on the day he left Washington, D.C. He is currently living in Greece and working on his first novel. Examples of his prose and poetry can be found at Christopher Troy Stories.


Four Haiku

Spring

anguish of sunlight
when the people you wait for
don’t turn up on time

Summer

the train stops nowhere
under clear blue morning skies
in total silence

Autumn

yesterdays’ bonfire
drifts into my dreams
– woodpigeon dawn

Winter

plane leaf & puddle
at the grey end of the year
puddle & plane leaf

© 2017, Colin Blundell (Colin Blundell, All and Everything)


Born Old

coddled in wool blanket drifts
Sun sears baby eyes through bright windows,
hospital paths cleared tall walls
of snow either side. I howled

a gust down shop aisles, on street
to the dentists. Crowds frowned.
Summer bike rides in country lanes
Spring divorced winter.

Summer was another dialect. Coarser,
to play was to laik, sweets were spice.
Wide games in a silver wood, ventured
into cold huts. Fun with sausages and custard.

Hull hunkered in Christian winter, relieved by Summer gamelan and hope for a vocation
to last manual work and taking the pillock.
It didn’t. Winter of closing pits.

Bristol summered in performance
Classes on interview technique, teach
Teenagers how to think into a job.
beyond unemployment benefit office screens

Spout words over dripped lager louts,
Back in summered day buzz of words clapped,
then winter cancered into debt
and prodigal return. No fatted calf

only steroid fatted bald mam and chores
in garden until I met my future wife
for a bet in breaks between admin.
Summered teach adults write and history.

A winter that lasted twelve years headset
yoked ears bent to abuse from wronged
Customers and peddled official lines.
Summer came with an unwanted death,

A years enjoyment of travel and delight.
Summer comes in to autumn with cash gone.
Life a priority. Bills must be paid. Work
only part time, buzz when I help customers.

© 2017, Paul Brookes (The Wombwell Rainbow)


The Season of Becoming

Is this the Winter of her discontent as with
Shakespeare the world around might seem one
that is indifferent to her sadness that age
has besieged her but no it is not so harsh
as the icy cold winds and snow harboring
a breath that will not seek to warm her skin
for it has become like the Season of Summer
where the warming rays of the sun stretches wide
to cover the new growth from Spring that offers
new bright green leaves that will be transformed
into variations of darker greens providing shade
to all of nature’s life beneath boughs of trees
who watch as life is born from tiny tadpoles
becoming frogs to the larvae of dragonflies to
a multitude of birds peering from the safety of eggs
to all beginning a journey of grand proportions
where Fall will see a quiet settling in to harvest
and rest amidst the beauty of all that has become
for stepping into the Winter of her life she now sees
her discontent not as a sadness but as one of observing
all that has come before, all that has become who she is
for it is another beginning and one of transformations
that will show her all the brilliance of her colors
enabling doors to naught hidden as opening to reveal

© 2017 Renee Espriu (reneejustturtleflight)


. for seasons .

frozen, the code will not work, nor will the counting with interruptions, all things moved about. there is a discount, on top the discount, so a discussion ensued on buttons.

now there is an understanding. the season of it all fits, the picture is made the pieces are in place. left on the tray, photographed for all to see.

talked in numbers and rhythms. a train passed, gulls flew the heat haze. on return, no one spoke.

i have written of them before, now in sign and symbol, i regard, that ‘again’ brings a sense of permanence, that familiarity does not always mean contempt , yet continuity.

spring comes round, and we keep the little things, again.

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher RCA

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“as you take the road to Paradise” … and other poems by reader poets in response to last Wednesday’s prompt

WEDNESDAY WRITING PROMPT May 24, 2017: Tell us in poem or prose what it feels like to be you on your best day.

It’s always interesting to see how different are the responses to the same prompt. Bravo, poets!  Enjoy, readers! J.D.


as you take the road to Paradise 

about half-way there
you come to an inn
which even as inns go is admirable

you go into the garden of it
and see the great trees and the wall
of Box Hill* shrouding you all round

it is beautiful enough (in all conscience)
to arrest you without the need of history
or any admixture of pride of place

but as you sit in a seat in the garden
you are sitting where Nelson sat
when he said goodbye to Emma;

if you move a yard or two you will be
where Keats sat biting his pen
thinking out some new line of poem

  • Box Hill is in Surrey, England. It is my ‘soul home.’

© 2017, Colin Blundell (Colin Blundell, All And Everything)


Glistening Bits of Gold

On a day where time stands still she sees
each quintessential increment of time
like the sun hitting tiny seed pods that
have fallen on the street glistening as
tiny bits of gold sparkling as jewels
that offset the black asphalt street
turning the harsh landscape of tar into
that of a black silken cape waiting
to be garnered by nature’s queen as
she strolls the avenue bending only
momentarily to gaze lovingly at all that
she has made from the beauty of flowers
orange as the poppy to that of the shrubs
close to the ground shading tiny insects
to the majesty of towering evergreens
she becomes entwined in the moment and
she is ensconced and feels content

©2017, Renee Espriu (Renee Just Turtle Flight)


::these days ::

are longer now, i feel younger now,

i am older. we do so many things.

we are no longer afraid.

make the best of summer days,

winter follows.

he remarked that it was

good enough for the

chelsea flower show.

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA)

27 May ( another day in paradise )

we walked the stone,

he kept the place special, closed a while,

is open now . as the sky clears

through willow arches, white calves

and butterflies.

he cuts the shrubs, hedges, and rakes the path tidy.

it is arthur’s stone.

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA)


My Summer Town zoom

Zoom in to gold world,
on green metal celebratory gate
in centre of town between the shops

Look at it’s green metal pictures.
an old pump, miners lamp,
glass bottles, cricket/tennis bats,
canal boat navigates nothing

Rain constellations bus window,
cars backwash tarmac,
droplets break tension ripples natural birdbath.

Squashed plastic blue pen,
empty grey fag packet,
lobbed lottery ticket
middle of road
revelation.

Empty black/red polystyrene
Coke Zero cup circles
street middle black/white fat cat
waddles across road life design.

After nimbus drops
inhale moss
like marine pool kelp
after wave sea breeze fresh glowing Wombwell by the sea.

Pigeons, spuggys
shadow puppetry streets, houses.
Tarmac warm shivers.
Radiant windows flash mirror
passing traffic.

Evening spitting,
growling, flaming,
fluid lads/lasses on heat,
short shirts tempers.
This is the barbecue.

backyard, eye swag silver,
two joy, pica pica purplish-blue
iridescent sheen
wing feather green gloss tail.

On train squeal chatter,
vivid, green, blue, beavers,
cubs, scouts, ventures
anarchy in uniform.

Unshaven bald man,
open green raincoat,
brown leather shoes,
hauls local paper
packed lime green trolley.

Old folk bench gab,
mothers stroll babies
down funeral paths
eye gambolling squirrel,
cemetery a parkland.

Blackbird gob skyward
atop Victorian six pointed
terracotta Crown top
chimney pot
trills red brick streets

bright yellow sharp
edged box hedge sun
cracked pavements
yellow metal skip
blocks alleyway
All sun snogged

Bright cemetery leaves
behind dark,

bakers window 6 loaves,
one burnt,
nurse boards bus,
‘I was miles away’

Sunstruck leaf bunch
drips bright molten
green glass, other leaves
luminescent silver stars
in green matter, shade cut.

Patient silver hubcap
rests under stone cemetery wall
behind blue bus stop halo,
full moon fall: day waits.

Shadows pass over bus
as if it is stop motion animated.
I get on the animation.
Hand held camera
glare work journey.

Town a small canvas tent
unzipped tied back crowcall,
fragrant grass, earth close,
sun blue. Is on holiday

light quality early noon
than morning, 3 patient
full brown potato bags
by grocers,
cloud dispersal pend

© 2017, Paul Brookes (The Wombwell Rainbow)


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“the doctrine” and other poems in response to the most recent Wednesday Writing Pompt


The last Wednesday Writing Prompt, May 10: Words have power to hurt, heal, fool, free or nourish. They have weight. Sometimes a word – worthy in its way – is just not right for an occasion or circumstance … or for your latest poem or story. It doesn’t meet the test of your vision; but you believe  the right word will come to you. You work at it, play with it and sometimes wait quietly, as an invitation of sorts, until the perfect word arrives and speaks to you, the word that you know will speak to others as well.

What are the stale words – the inadequate words – you hear used to describe something you value? What words are better or best? Tell us in prose or poem.


. words needed .

alongside gestures of despair,

may communicate thought

better. or worse?

so lets be singular

enjoy our own space,

and be friends, forever.

she says that you

cannot see some people’s souls,

perhaps we need to look harder.

there is a lot going on.

© 2017, sbm.

:: those words again ::

rather a lot of words were said in friendship.

yesterday.

good words.

#writing for jamie.

words on health and well

being.

recovered, we admired

the socks, little boots.

she knew who i meant, a small

description. the bluebells are down

the road she told us.

kind words come in memory and subjected

elements.

some folk cannot connect other than eyes

while some utter such kind words; honey

and furry bears.

© 2017, sbm (Sonja Benskin Mesher, RCA)


the doctrine 

of inevitable progress –
the present the highpoint
of cultural and personal development –
the ancestors treated with condescension
the thinkers ignored unread
(those who told it how it really is) –

the present (so they say – the powerful ones
in their powerful ignorance) is
the threshold to a Golden Age –
provided you accept our
version of events…

tissues of false imagery
& abstraction

progress is the ghost
of a big black dog
cocking its leg against the lamp-posts
of infinite dark streets –
a convenient construct;
an unsubtle trick of the imagination;
a laying of eggs
in a basket that does not exist

© 2017, Colin Blundel (Colin Blundell: All and Everything)

“This comes from my collection The Recovery of Wonder (2013)
I focused on ‘words that fool’ and remembered this one. There are many words that fool, especially abstractions. The way to recognise an abstraction is to wonder whether you could put whatever the word is supposed to represent into a wheelbarrow. You could put a pound of apples in a wheelbarrow but what about ‘justice’, ‘beauty’, ‘love’, ‘democracy’, and in this case ‘progress’?” Colin


Being Unpolished and Knowing

Like strands of pearls uncultured, unconnected
they lie strewn at your feet tantamount to words
discarded and useless unable to be linked as one
until something more refined comes along

she knows this every moment of every day speaking
is broken by hesitation, pauses and frustration
like diamonds rough from nature not yet expertly cut
by the jeweler’s hand in minuscule sharp detail

something like disparate but not really the same
just as peculiar is not exactly being self-serving
for who can say she is not the bowels of that same venue
as she compiles opinions based on incomplete knowing

she ultimately sees herself on the fringe of everything
and anything but peculiar touting her uniqueness as
that of shrewdly knowing but like that of the pearls
as that of the diamond she too can be unpolished

© 2017, Renee Espiru (Renee Just Turtle Flight)


No Words

Like Light On A Needle

light shivers on a cobweb strand
between curved lace frills
of a woven white table cloth
in a spring front room.

Glare of harsh words
incandescent behind watery eyes
focus on insignificant details
as each of us folds our legs
away from the other

in the silence
below the radio songs
below the doppler
of cars and people outside
waves break up sunglint
on a pebbled shore

Don’t Read

this sentence.

Don’t understand this meaning.
Don’t interpret this link between words.

Don’t interrogate each word
as having a separate existence
from this context.

Don’t recall where you first heard,
or read these words as they
have no history.

They have not been written before.
They are new born, awaiting meaning.
They need maturity to fit in correctly.

Will have their wild times in places
where they shouldn’t be, next to words
they will be embarrassed to recall.

Second Fiddle

Always the presence
never in the presence of…

Always carries the coat,
never owns the coat.

Always opens the door to…
never for whom it is opened.

Always the ghost…
never the blood and sinew.

Always mouths other’s words
never mouth’ own.

Always imitative
never innovative.

Always derivative
never different enough….

First Fiddle

never in the presence…
Always the presence

never carries the coat,
Always owns the coat

never opens the door to…
Always for whom it is opened

never the ghost…
Always the blood and sinew

never mouths others words
Always mouths own

never imitative
Always innovative

never derivative
Always different enough….

Finding

Chat to the motor museum curator
at his post behind the counter.

“Have to bring my wife. She was into bikes, and can remember every…”

He looks at me.

“every…”

I am an idiot.

“Those things with numbers and letters on the front of cars?”

“Number plates”.

He replies with sharp sarcasm,
and no smile.

The older I get
what were once obvious words arrive less
and less when and where I need them.

© 2017, Paul Brookes (The Wombwell Rainbow)


From Mike Stone (Uncollected Works) via comment)

“I’m reading an excellent book, “To the End of the Land” by Israeli author David Grossman. I just came across a review of the book that does good justice to Grossman’s latest novel (http://www.tikkun.org/nextgen/a-wayward-eulogy), but I wanted to mention just one of the many pearls in his book: “… Do you mean these paths speak Hebrew? Are you saying language springeth out of the earth? …” I loved the idea that our languages spring from the land that our forefathers and descendants live and die in, that Hebrew and Arabic have exactly the right sounds to onomatopoeicly express the realities of the Middle East. Of course the English poems I write about Israel can never really capture the essence of this land, unfortunately for me. My ears were formed by the backwoods of Ohio and Indiana. I feel like Moses standing on Nebo Peak seeing Israel from afar, but unable to enter it. I am in Israel, but in some other dimension of it.”


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“Parable of the Red Birds” and other poems by poets in response to last Wednesday’s Writing Prompt

Last Wednesday’s Writing Prompt (April 19,2017): “We’ve probably all been there and/or known someone who’s been there, thinking if they change where they live, who their married to, where they go to school, things will be better. Maybe they will, but probably not unless there are some internal changes. What’s your view or experience? Tell us in poem or prose.”

I think each of these poets did a fine job in responding. I enjoyed their work and know you will too.  Read on …

Parable of the Red Birds

The cardinals outside my window
Have two babies cuddled in the nest-
I peered in to see gray downy bundles
Rather ugly little fellows, mouths all agape.

Today, the fledglings are out of the nest.
The male cardinal has been vigilant,
Constantly flying to the little dears,
Dropping food in their open mouths.

While they flap clumsy tiny wings
The father flits about, devout in his care
Leaving me to wonder, where is Momma?
What is that Momma Cardinal up to?

After a little reading, I have discovered
No—she didn’t fly the coop with a lover-
She’s off to make her second nest of eggs.
The father is feeding her and the babies!

So what does this have to do with the grass
Looking greener over the fence? Nothing.
Sometimes everything is as it should be-
Your home is where your family assembles-

Either the family you’re been born with
Or the cackle of friends you’ve chosen
And gathered, dear one by dear one,
And it’s the place you build your wings.

© 2017, Sharon Frye (The Poetry of Sharon Frye)

Sharon is new to this exercise but not new to this site.  She was featured here as American She-Poet (12). Her new collection, Blue Lamentations (Cold River Press, 2017), is now available.


quite often these days

I focus on a moment from the past
identify strongly with it
and very soon find myself back there
pursuing a path that leads
from that moment into other moments
that just might have been

so that I am lost in passageways
I never took—corridors of time
I maybe only half-explored; it’s an effort
to wrench myself away back here
where all’s strange and unaccountable
& forlorn with a sense of great loss

so it was when I discovered (used as
a bookmark) a letter I never answered
asking me if I was happy now
I had left her and gone my own way—
if I could let her know (she said) she’d
rest content so I disappear into her

missing me and start wondering how
to reply—the letter is fifty-five years old
for god’s sake but as I said I’m prone
to follow up these distant naked leads
fully expecting the characters I bring to life
to make a response to me as I do to them

©Colin Blundell (colinbludell.com),  From The Recovery of Wonder published in 2013 under Colin’s Hub Editions imprint)


and…..

:: when ::

when small boys wake early,

when the journey is long,

the other disturbing the night

until all around is tired,

no real work done.

breaking backs.

have you really lost your arm,

have you really changed your life,

have you lost your sun glasses

in paradise?

do you know the people here,

who think i have sold my house,

who look after the dead,

© Sonja Benskin Mesher (Sonja Benskin Mesher, RCA)


FLIGHT OF A FASHION

She traveled north
with her husband she chose
based on society’s mores
his decision accepted based
on her need to fly

trading asphalt and concrete
for a similar landscape
peppered with evergreens

leaving behind her self
melting in the heat of day
preparing for a rain cleansing
her of tainted memories

she traded her self-identity
with the prospect of years
rearing children alone
in unfamiliar landscape
needing to fly

always tethered & wings clipped
by a ritual of custom
her wings a rainbow

coloring her inside and out
brightened by the sun
dampened by the rain
her self conflicted interests

birds fly home to roost and nest
innate to their very being
so each time she returned to
her place of birth she
fell into memories

coming to know her colored feathers
of self would always remain
inside no matter
the need to fly

© 2017, Renee Espriu (Renee Just Turtle Flight)


1.) Picked Apple Falls Hard On Him

Him On Her

agápē
apples, little earths
of laughtered kisses

of words that tickle
of giggle flesh,

deep red and green
or change in colour

from one to the other
windfall
or pick one.

Your apricots, peaches
and nectarines

a predatory sweetness
invites the unwary

as you feel slightly soft
and pull away easily

blackcurrant berries
swell to full size and turn

a shiny blue-black
incise deep past

the mantel to core
molten with sweet
juice oozes

over your tongue
out of the flesh

out of the month
through holes in the bones
life agape

Picked Apple, woodbride,
you tend gardens with skill,

devoted to orchards’ care,
love fields and branches

laden with ripe apples,
carry a curved pruning knife,

cut back scraggy growth,
lop limbs spread too far,

split bark, insert a graft,
provide sap from different stock
for trees bairns.

Will not suffer them being parched, waters twining tendrils o’ their thirsty

root. This is your love, your passion,
no need of lust. Workaholic, close

yourself off in an orchard, post a notice, ” No Men Allowed”.

2.) Her On Him

glance and you’re a scraggy girl darkened in denim,

a bespectacled man in a ballooned jumper, honeyed farmer, shy hunter,

mollusced fisherman.
I wake up to a tupped shepherd,

come back to a wick carjacker.
You’re everyone else, but yourself.

can’t pin you down,
my turning year,

first grape that darkens
on purpling bunch,

spiky corn-ear that swells
with milky grain; near my toes

you’re sweet cherries, autumn plums and a mulberry redder

in summer,
a change in the weather,

a new set of clothes,
an alteration in the air,
and I love you.

3.) My Seduction

A challenge. Never impress
you as myself.

Too young, no prospects.
Men have to invent

themselves to get anywhere.
I want to see you all the time.

So I turns up at your door
a rude farmer,

brought you a basket
filled with ears of barley.

Next, my forehead bound with freshly cut hay, as I might have been tossing new-mown grass.

“Sorry. No men. Busy.”

Another day I lumped horses
bridle in my stiff hand,

so you’d swear I’d unyoked
a weary team.

“No stables. Goodbye!”

With knife I were a female dresser
and pruner of vines:
“No vines here. I’m busy.”

Sometimes I’d carry ladder
and bucket a Window cleaner.

“No windows here. Goodbye.”

A scraggy girl darkened in denim,
beg a bunch of wildflowers
for her mam and you say
“Nothing wild in this garden, girl.
Sorry, mowed them all down”

A bespectacled man in a ballooned jumper, honeyed farmer, shy hunter,
mollusced fisherman.

“Sorry. Read the notice. No men allowed.”

4.) The Old Lass

I wrap my head with a coloured scarf,
lean on a staff, sprout grey hair, wrinkled

as a decaying fruit, caved in hollows,
thin skin, fungus faced, moles, brown

blotches, sour breath, stink of stale piss lingers, and a small spiky moustache.

She lets me in her well-tended garden,
to admire fruit and fruit of her

She a Pear’s sweetness
salves a searching tongue,

a Peach’s blush like sunrise
a Plum’s scent entices, smooth and laughing,

a Cherry’s scarlet lips rain sodden
a blossoming branch
makes bees dance

a secret orchard
‘You are so much more lovely’,

I snog her.
Then apologise.

Sit on flattened grass,
look at branches bend weighed
down with fruit.

Vine and Tree
There is an elm opposite,

gleaming bunches of grapes.
I tell her
“Remarkable tree, and its entwining vine.
But, if that tree stood there, unmated,

without its vine, it wouldn’t be sought after for more than its leaves, and vine

also, joined to and rests on the elm,
will lie on the ground,

if it were not married to it, and leaning on it.’

You reply “It is a tree. Marriage means nothing to me.”

“A thousand men want you,
you shun them, turn away.”

But, if you are wise,
if you want to marry well,

listen to me, an old lass,
as loves you more than you think,

more than them all, reject others
and choose Change to share your bed!

You have my pledge as well:
he’s not better known to himself

than he is to me: he does not wander
hither and thither, lives by himself

and he doesn’t love latest girl he’s seen.
You’ll be his first love, and his last.

He’ll devote his life only to you.
He’s young, blessed with natural charm,

can take on a fitting appearance, if needs be. Whatever you want,

though you ask for all of it,
he will do.

He doesn’t want fruit of your trees,
or sweet juice of your herbs:

he needs nothing but you.
Take pity on his ardour,

and believe that he,
who seeks you,

is begging you,
in person, through my gob.

I’ll tell you the tale
of Stone Lass

“Spunk sees Cruel lass from afar
gobsmacked by her looks
he gets smitten hard
and determines she’ll be hooked

Asks her mates for her mobile number,
and all her social media pages,
scours internet for details,
winds himself up in rages.

Gets his message through once
or twice but she mocks him
” Fancy me. You do right. I’m gorgeous”
and promptly blocks him.

Finds her home and knocks
and her Dad answers and says
“She don’t want to know, son.
Thinks your a stalker. Away!”

Writes his first letter and posts
it personally through her door,
it tells her she’s won and he’ll be gone
she can celebrate and more

she can see him lose his life
which is all he has left for her.
Cruel scoffs at this but goes along
for the crack and laughter.

She sees him throw a rope
already knotted around a beam
put his neck in the noose
and let out a scarifying scream.

Then she feels herself harden
stone thoughts
stone mouth
stone neck
stone chest
stone limbs
stone heart
calcified flesh and bone
she is a statue.”

Picked Apple has no reaction.
Change thinks stuff it

and becomes himself
young, virile and fresh.
Picked Apple falls hard for him.

© 2017, Paul Brookes (The Wombwell Rainbow)


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We continue with the current recommended read: On Tyranny: Twenty Lessons from the Twentieth Century by Timothy Snyder. Left, right or center – American or not – it’s a must read.

LESSON ELEVEN: INVESTIGATE. “Figure things out for yurself. Spend more time with long articles.  Subsidize investigative journalism by subscribing to print media. Realize that some of what is on the internet is there to harm you.  Learn about sites that investigate propaganda campaigns (some of which come from abroad). Take responsibility for what you communicate with others.” Prof. Snyder,  On Tyranny, Twenty Lessons from the Twentieth Century


Go to art, not war.

Poem on …