“Mother With the Green Hair” … and other poetic responses to the last Wednesday Writing Prompt

Japanese Tea Garden, San Mateo, CA

“how the morning is greated
fight for the money or
fight for the soul the saying goes
but another goal is to
fight for neither. …”
Ecodeviance (Soma)tics for the Future Wilderness, CA Conrad

Happy Tuesday, Everyone!  It’s that lovely time of week when we share the work of fellow poets on the last Wednesday Writing Prompt theme. Last week’s prompt was Beach Scene, July 3, which asked about times when poets felt most at one with nature. This lovely collection today is thanks to the talents of mm brazfield, Gary W. Bowers, Paul Brookes, Anjum Wasim Dar, Irma Do, Deb y Felio, Jen Goldie, Sheila Jacob, Elena Lacy, Sonja Benskin Mesher, and Clarissa Simmens.  Also chiming in this week are newcomers Dick Jones and Debasis Mukhopadhyay, both warmly welcome.

Enjoy this fine read and do join us tomorrow or the next Wednesday Writing Prompt.  All are welcome, beginners, novice and pro.

Beach Boy

For a boy, aged 5, newly diagnosed as autistic.

Stones and shells.
Each grey disc
or pink ellipse
is a crashed planet.
Driftwood and splinters.
Dreams tangled up
in the mystery script
on blown cartons
and vagabond bags.

He scuttles, unshelled,
under a carillon
of seagulls, drunk
on salt and ozone.
This child who fears
clouds and mirrors
for the shapes
they throw at him
is healed for a day
by the moonstruck
logic of the tides.

© 2019, Dick Jones

DICK JONES was initially wooed by the First World War poets and then seduced by the Beats. He’s been exploring the vast territories in between since the age of fifteen. His work has been published in a number of magazines, print and online, including Orbis, The Interpreter’s House, Poetry Ireland Review, Qarrtsiluni, Westwords, Mipoesias, Three Candles, Other Poetry, Rattlesnake and Ouroboros Review. In 2010 Dick received a Pushcart nomination for his poem Sea Of Stars. His first collection, Ancient Lights, is published by Phoenicia Publishing and is available from them or via Amazon. His translation of Blaise Cendrars’ influential epic poem ‘La Prose du Transsiberien…’ was published in an illustrated collaborative edition with artist Natalie D’Arbeloff by Old Stile Press in 2014.

sea-bound stroll

now retsina


old stitches


summer jaunts

fomenting the sepia waves

of lassitude

the fresh catch grilled at sundown

dabbled memories

nea paralia nea paralia

and an opalescent sea

rustling across a bloated brochure

called gateway

or maybe

sea-bound stroll

with azure galore

beguiling the eyes

like those hydrangeas flaunting

a clear blue

within easy reach

from the deck flowing to

a time


salty pebbles

keep rolling in

on the wounds

and the spume

swathes a heart in the sand


like a touch of warm cotton swabs




said once

love you


walked by the sea

© 2019, Debasis Mukhopadhyay

DEBASIS MUKHOPADHYAY (between ink and inblot) has been featured on The Poet by Day Before, but this is the first time in response to Wednesday Writing Prompt. He is the author of the chapbook “kyrie eleison or all robins taken out of context(Finishing Line Press, 2017). His poems have appeared or are forthcoming in journals & anthologies, including Posit, Words DanceThe Curly Mind (UK), Erbacce (UK), Strange Poetry (UK), Yellow Chair ReviewI Am Not A Silent Poet (UK), The New Verse News, Rat’s Ass Review : Love & Ensuing Madness, Writers Against Prejudice (UK), Manneqüin.HaüsAlgebra of Owls (UK), The Skinny Poetry JournalOf/With : Journal of Immanent Renditions, Anapest JournalCommunicators League (Nigeria), No Tribal Dance (UK), Quatrain.Fish, Duane’s Poe TreeWalking Is Still Honest, Leaving My Shadow : A Tribute to Anna AkhmatovaThirteen Myna BirdsWhale Road Review, The Apache Poetry Blog (Sweden), Scarlet Leaf ReviewSilver Birch Press, The Bitchin’ Kitsch, Foliate Oak, Eunoia Review, Revolution John, Fragments of Chiaroscuro, Down in the Dirt, With Painted Words (UK), The Wagon MagazineSnapping Twig, Words Surfacing, Praxis, Apple Fruits of an Old Oak, and Voice of Monarch Butterflies. His work has been nominated for the Best of the Net. MORE

take a peak

once squaw peak
now is piestewa peak
because etymology
because war hero

it is a hunk of rock
an asteroidal embedment
of the rocky mountains
or it seems so

despite artifactual distractions
like memorial benches
and erosion-checking cement
and rails

at night it transports you
through a piece of the solar system
and when the climb harshens your breathing
it sounds like that of an astronaut

you and your rock
on the sweat-wringing trajectory
toward a magical world
enjoyed at peak’s peak

panorama of an alien civilization
its photonic array twinkling
rectilinearly below
on your back the rock drinks your sweat

and you/rock bathe
in ancient light from the everywhere
yet you enfold

© 2019, Gary W. Bowers

Gary’s site is: One With Clay, Image and Text

As some of you know, Gary is multi-talented, combing visual art with poetry or prose narrative.  He is also a potter. A sample of his work is pictured here. Gary’s pottery is available for purchase.  Further details HERE. Note the business card. We appreciate Gary’s wry humor.


desert you look very pretty in your tender green veil
it’s been a while since i was here visiting you
inner struggle and rebirth brought me to your boulder bosom
i see my brothers the Joshua Trees have gotten taller
therefore waving more lost children toward your safety dear friend
oh and the hares and wood peckers they still look
me over with caution and pity they sense my spirit
is still shackled in some ways but they are right
i’m just a human mother Joshua but how are you
i’ve brought you great news there will be rain later
this evening that rock you say yes that will be
good shelter the tiny lizard queen is a great hostess
the breath of your slate tinged skies is beginning to
smell like wet earth just like my grandmother’s hair when
as a babe i’d grab fistfuls and put it in
my mouth yet i don’t know how i can remember
her we were both too young when she had to
go up to the silver stars above my head oh
mother Joshua did you tell Oma to come and visit
there you see she’s the one next to Venus smiling
at me hey little ants get off my cake here
i’ll place it by your hill take it to your
queen my regards to her and now my eyes focus
to see the splendor of the ocotillo fire red blossoms
held up to the peacock sky and i breathe deeply

© 2019, mm brazfield

mm’s site is: Words Less Spoken

Your Bones Remember

what my skin forgets.

What your sky forgets
my earth remembers.

Your rivers forget the distance travelled
My earth remembers where direction changed.

Blood memory stains your riverbed.
Skin never restores its shape.
Absence is character unrecognised.

Absence is a never return, a forgotten way
marked by signs unrecognised as signs.

© 2019, Paul Brookes

Find Yourself

All in the air
All in the earth
All at sea
All in the stars

All in her skin
All in her blood
All in her bones
All in her

All at once
All at sixes and sevens
All in a state
All for her

© 2019, Paul Brookes

Earth Always

looks down,
sniffs tracks the sky makes.

Sky always looks up
sniffs tracks the earth makes.

One day they will apologise
when they bump into each other.

© 2019, Paul Brookes

A Water Frets

gives and takes her contours,
every ripple adds or removes

years, smooths and plumps,
wrinkles and scars, blisters

and bubbles. Each surge
an encounter begins in laughter.

© 2019, Paul Brookes

riverbrain, rivermind

synaptic rivulets
neuron canals
sacred water

riverbrain flows in my head
fountainbrain channels my ideas
lakebrain plays the fey

electric rivulets move earth
inside my head

waterskin neural net
circumnavigates damage
fruited hemispheres
replenish, restore, reimagine

senses water roots
springwaters in my head
well in my head.


her flaps of the water
bride of the waveskin
her inner lips of the river,
spring and waterfalls,
fermented honey drip
not dragonfly laced stained glass

lamina moist make out

fragile weirs into lust

tongue kindly these guardians

a becomes a river

© 2019, Paul Brookes

Ma Firesongs

inhale my sage, mint,
basil, saint john’s wort,
sunflower and lavender

leap through my balefire
an ‘I do’

burn my gorse and hay
fields to stubble

dress me in dried herbs,
potpourri, seashells, summer flowers, and fruits.

colour me blue, green, and yellow

let me handfast to you
think on harvest to come


breathe in mistletoe
oak, rowan, and fir.

watch sticky moon rise
as if honey
outa hive

yon fires r small suns
t’ massive blaze
nar set this short neet

she as bairn
in her belly
and soon a must pass
this fertile crahn
from oak t’ holly

tek int shape
and tale
o’ other folks fires
on yon hills
as tha would pattern
stars make
int neet sky wi art clards
an scry what’s t’come

an sup elder wine
an et this bread
of yon fields
grahnd thru yon stones
into fire
into r gobs
an bellies

an leet a candle
a midneet
aside this bowl
a rain watta
t’ catch moon n
r face n hands
in it

From Paul’s The Firewedding And Headpoke, (Alien Buddha Press, 2017)

© 2017, Paul Brookes

Prolific Yorkshire Poet, Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

The Wombwell Rainbow Interviews: Jamie Dedes

  • Paul’s Amazon Page U.S. HERE
  • Paul’s Amazon Page U.K. HERE

More poems by Paul at Michael Dickel’s Meta/ Phore(e) /Play

I rejoice in a state of eutierria

I sink into sleep
enshrouded by oblivion
my sensing mind quiets

I fall in a state of eutierria

my grieving soul cries
tears raindrops flow together
drenched deaf to thunder

I soak in a state of eutierria

no more! stone marble
senses green, naked in soil
break bonds to connect.

I succumb to a state of eutierria

© 2019, Anjum Wasim Dar

Anjum Ji’s sites are:

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar

Mother With the Green Hair

Rough brown skin scratches my cheek
I lean into your strength
My arms wrap around you
My fingers not touching
Reminding me of your age
A comfort in this short sighted world
Your willowy boughs sway in the hot breeze
But under your protective shadow
I am but one who rejoices in your giving nature.

© 2019, Irma Do

Irma’s site is: I Do Run, And I do a few other things too ….

When the season of change comes once more

sun of summer come
it has been too long
already like my own
days are short again

the leaves will turn
from youthful green
abundant to gold
scant as the briefest
breeze tumbles them

leaving bare spindles
vulnerable witness
to times past
and futures uncertain

sun of summer come
warm this body
too soon grown cold
in the shadows
of light.

© 2019, deb y felio 

Eagles sweep the sky
Bemused as the clouds drift by
Bewitched by silence

© 2019, Jen Goldie

Jen’s sites are:

Blodeuwedd’s Lament

I knew the warmth
of a man’s body
though no blood
ever surged
through my veins.

I was oak-flower,
broom and meadowsweet
conjured into woman
without flesh and bone
and beating heart.

The moon O-hed
at the smoothness
of my face.
The sun paled
at the earth-gold
of my hair.

I loved Gronw,
the lord of Penllyn.
I lay in his arms
and we plotted
to kill my husband.

Now, for my sinfulness
I am shunned
and alone
at the woodland’s edge.
I am owl.

I am beak and talons,
feathers and sharp eyes.
I wait, still as death,
in the shadow
of midnight leaves.

In Welsh legend, Blodeuwedd (Flower-Faced”) was made by magicians
Math and Gwydion to be the wife of Lleu Llaw Gyffes.She and her lover
Gronw Pebr attempted, unsuccessfully, to murder Lleu. Gwydion turned
her into an owl as punishment.

© 2019, Sheila Jacob

Garden Greeting

It’s still there
behind the splash
of sunlit curtains
freeing me from night’s
dark dream.

Even wayward grass
is rooted, jostles
for space with irises,
geraniums, alliums
and deep-cerise pinks.

Fruit of every seed
I’ve sprinkled
and every bulb
I’ve pressed
into the earth.

I amble along the path,
learn the colour-speak
of potted residents:
pansies, petunias,
bee-kissed marigolds.

There’s a breezy,
rose-scented wave
and murmurs of mock-orange
flowering after a decade
of solitary leaves.

© 2019, Sheila Jacob

Now I’m Nearly Sixty Nine

I want to grow more poppies
like these that intoxicate
my garden and out-blaze
the sun; I’ll keep the seeds
when green wand are flowerless
and rake them into the soil
for next summer.

I’ll still remember playgrounds
of childhood and the scent
of lilac; my mouth will moisten
at the thought of home-grown
blackcurrants but I won’t
hanker to go back, sit on the grass
and blow dandelion clocks.

I’ll be busy growing poppies,
admiring petals of extravagant
scarlet silk that outlive sultry
afternoons and noisy outbursts
of evening rain: that sway
beneath a clear blue sky and cup
a day’s worth of light.

© 2019, Sheila Jacob

You can connect with Sheila on Facebook.  A review of her chapbook will appear on this site on Thursday, July 11 along with an interview and a sampling of poems.

A Beach Poem

Follow the thin line
Between the water and the land,
Between the sky and the earth.
Follow it until you see the horizon
That lured your ancestors
To explore the thin line in search of a better life
All the way, from Africa to South America,
All the way, from Africa to Australia,
All the way from Africa to …
Humanity is a thin line
At the whim of the moody Moon
That buries it under the high tide
Or bares it by pulling the waters back.
Follow the thin line.
Keep your eyes on the horizon.

© 2019, Elena Lacy

Elena’s site is Hyperimage’s Blog


.323. the walk.
do you like the feeling, walking ahead quickly, moving forward, loosening limbs. pushing

through wind, through water, rain slanting. shouting, counting the rams, shadowing

shepherd. wee mouse on the path, beady eyed. these are the hopeful days, weak sun



down the back lane there are puddles, huge amounts of water fell, flooded the abbey ruins. branches blown , creaking twigs while rain stays off a while. she is a new walking partner, quite fast, no bother.

lean on the fence to look over a steep drop to the river

tears well as we speak of it openly


to break the cut a pheasant comes comely all collars & spectacles walks sedately to the edge, leans forward, ambles down.

the walk.

© 2019, Sonja Benskin Mesher

envy the rural living.

make some.

walk the dunes
each day,
know the places,
to stop,
where berries grow.

where the photograph tree
what lays beneath.

look at each gentle place,
to keep in a pocket
of love,for that rainy
day, you do not go.

then in mine, in honour
walk the place in mind.

© 2019, Sonja Benskin Mesher

..the hare..

have you ever gone back,
that repeat journey,
watching swallows dip
as if they had never been away.

staggering the stones
you may find god in
water falling.

© 2019, Sonja Benskin Mesher

Sonja’s sites are:

Think, Wait, Fast

I come to the pocket-sized beach
In winter only
No longer liking to be close to strangers
Alone, dreaming in Green Key Park
In the Gulf of Mexico dawn
I sit on the sand, drinking
Drive-through black coffee
Comforts more than stimulates
Birds, palms, sunrise on the Gulf
I pretend it is the sea
Here, it is warm like a bathtub
But not quite placid
Some tidal action
A bit of wave hiking up to the shoreline
Sand and negative ions
Water and fiery sun
Elemental balance
Aligning my body and soul
Entwined with Nature’s rhythm
I go inward more and more each year
Feel like Hesse’s Siddhartha on the river
He, like me, can think, can wait, can fast
Well, fasting, ok, not quite there yet
But able to do the rest
Because the inner life is best…

© 2019, Clarissa Simmens

Find Clarissa on her Amazon’s Author Page, on her blog, and on Facebook HERE; Clarissa’s books include: Chording the Cards & Other Poems, Plastic Lawn Flamingos & Other Poems, and Blogetressa, Shambolic Poetry.


Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* Remembering Mom, HerStry
* Three poems, Levure littéraire
Upcoming in digital publications:
* Over His Morning Coffee, Front Porch Review (July 2019)
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)(July 2019)
* The Damask Garden, In a Woman’s Voice (August 2019)

A busy though bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Ramingo’s Porch, Vita Brevis Literature, Connotation Press, The Bar None Group, Salamander CoveI Am Not a Silent Poet, Meta/ Phor(e) /Play, Woven Tale Press,Metho/BlogThe Compass Rose and California Woman.

I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a virtual literary community and publisher of The BeZine of which I am the founding and managing editor. I’ve been featured on the Plumb Tree’s Wednesday Poet’s Corner, several times as Second Light Live featured poet, on Belfast Radio and elsewhere.

Email me at thepoetbyday@gmail.com for permissions or comissions.

“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

“I Cannot See My Face”. . . and other poetic responses to the last Wednesday Writing Prompt

“All of a sudden I didn’t fit in anywhere. Not at school, not at home…and every time I turned around, another person I’d known forever felt like a stranger to me. Even I felt like a stranger to me.”  Wendelin Van Draanen, Flipped

There probably isn’t anyone on earth who hasn’t felt like an outsider. Sometimes the feeling is from day one and chronic. Sometimes it’s an isolated moment. This all too common experience is well captured today by poets mm brazfield, Paul Brooks, Anjum Wasim Dar, Irma Do, Jen Goldie, Sonja Benskin Mesher, Bozhidar Pangelov, and Mike Stone as well as Elaina Lacy and Pali Raj, new to our community and warmly welcome. Here are their responses to the last Wednesday Writing Prompt, Sojourner and Stranger, June 26.

Enjoy! this collection and do join us tomorrow for the next Wednesday Writing Prompt. All are encouraged to participate, beginning, emerging or pro poet.


Once, as a girl, I met grass and sky on my way.
Since then, with each year, I’m longing to come closer
To their fresh smell and enveloping vastness.
There’s a thin border of questions between us
About undercurrents and the wind,
About the things I only feel
They come to me in strangest shapes
How can I recognize them.
Will they recognize me?

© 2019, Elena Lacy

Elena Lacy

ELENA LACY My journey started in Estonia, continued in Russia, then Israel and, so far, I live in Kansas, USA. My interests are largely shaped by the people I meet on my way. The interest in poetry was mostly evoked by Michael Dickel (Dekel) whom I met a decade ago in Jerusalem and since then we are keeping a connection.  I’ve worked as a university professor, a tour guide, an interpreter. Currently, I am a neurodiagnostic technologist at one of the hospitals in Kansas City. Who knows what is coming next? But I am looking forward to that. 🙂  You can catch  up with her on Facebook.


Much he tried. He kept his eyes, “May be that time is coming soon”
Brown grass. Dry lips.
She knew what he meant when
he said *refugee*
I watched a smile.
Sojourner and stranger, a poem make to next trip.
Much he tried. He kept his eyes:
Border wall ….yeah
One thing, that (he) would never hurt.

© 2019, Pali Raj

I have been to summer before
I can think of winter special
but when someone says
Come spring, a poem make to silence me.
Flaming red, Emerald green
Sort of things
I have been to summer before
I can think of winter special
but when someone says
Come spring, a poem make to silence me ….yeah
How do you know about me?
How do you know about me?

© 2019, Pali Raj

PALI RAJ lives in Patna, India and has a passion for the arts. You can catch up with him on Facebook


when our palms met
that balmy Chinatown night
a little lost canary
from the corner pet shop
sang a melancholic cord
switching his little face
from right to left
he looked at me
and flew away
i had fallen in love
the kind of love
that makes you scrutinize
your breath your weight and even your thoughts
the kind where
you leave your beloved
friends pets and dishes
behind just to think about him
the kind of love
that makes you check your phone
fifty times at two in the morning
you know the kind you lose
your soul to in the encasing darkness
and nothing feels the same
distilled death and i churn my spirit
but you danced with me
for a few years
you are no longer Aaron
i am no longer me
i don’t recognize my smile
its erased forever in your cusp
my heart has melted away in your hypocrisy
my common sense buried under your peach tree
and Aaron he no longer lives here
and i don’t recognize
the song of the canary anymore

© 2019, mm brazfield

mm’s site is: Words Less Spoken

Beside Yourself

If you could be beside yourself,
grab the ectoplasmic umbilical
and emerge as a space cadet
on the seat beside you,
appear as a stranger who sits
down, invades your space,

for whom you politely make space,
smile quickly and absorb
yourself in your phone,
a book, a tablet,
and pray the unknown

doesn’t speak to you,
then the realisation,
that all your hesitancy
movement, smile, absorption
has been sharply mirrored

by them and you ask yourself,
are they taking the piss,
are they the one who stabbed
your wife, raped your children,
set fire to your home and sat
on the wall outside to see it burn?

And see a cord between both of you,
and wonder if you touch it,
would it get their unwanted attention.
How could you cut it and have done
with this uncalled-for connection?
And wish you still had the knife.

From Paul’s chapbook The Spermbot Blues (OpPress, 2017)

© 2017, Paul Brookes

Our Massacre

Always portray the killer as deranged,
abnormal, an aberration of society.

Their actions are not those of us
ordinary decent folk, though we arm

ourselves to the teeth with the same
firepower we are reasonable.

Their geography is not ours. We must
distance ourselves. This person

is not an old friend, a neighbour.
They are a stranger who acts

strangely. We must stress, though often
this behaviour is rare, an anomaly.

We do not know this person
who kills our friends and neighbours.

© 2019, Paul Brookes

Strangers And Pilgrims On The

earth. My first avowed intent
to be a pilgrim. I’ll not relent,

each breath a step, an oar in watery graves
pushes against the unremembered waves

“How can you go abroad fighting for strangers?”
I am a thankful passenger.
I see the bright and hollow sky
I ride the how, what, where and why

to reach the final breath, final shore,
Nothing new here, stolen words restore

ancient thought and image, rearrange
the mundane to confront raw rage,

at the lights lit on the headland brighter
with each exhalation my body lighter

as the last place we embarked
gets darker and darker and darker.

From Paul“s Port Of Souls collection (Alien Buddha Press, 2018)

© 2018, Paul Brookes

Insecurity Is Life

Taught how to spam, phish and hack at school.
Make sure your private details are sold on

to companies you’ve never heard of. Take money
from strangers accounts as they take cash from yours.

Privacy is a crime. Troll other’s social media
as they troll yours. Locking doors and windows

is forbidden. Transparency is paramount.
Let strangers use your home, car and food

as you use theirs. This is a life of trust,
but accidents happen and your life maybe broken.

© 2019, Paul Brookes

How Much

time has it been?
Has it been
so much time?

I have left me.
No, he has left me.
No, they have left me.

I’m single, aren’t I?
I feel I’m single.
Are you here
for a date?

Are we staying long?
Do I have a room?
This is my house.
Is this my house?

I recognise that furniture.
It’s mine. Have we just
moved in ? Why do you
make me confused?

Forty two years
and now he’s left me.
Twenty six years
we’ve lived here.

I thought we’d just
moved in. I don’t
want strangers
in my house.

Eyeing up my furniture.
Carers are strangers.
I don’t know who
everyone is.

© 2019, Paul Brookes

A Fact Losing


Somebody sent me out
to collect something somehow

over a rainbow. I stand
in a street I knew once
I am sure. It is familiar.
I can’t understand why.

A list of things is on a piece of paper.
It certainly is my piece of paper.
No one else is holding it.

The hand writing is unfamiliar.
Somebody wrote this.
I want to ask passers by,
but I do not know them.

They are strangers, even more
than the writing on the paper.

I want to cry.
I don’t feel safe.
Where is safe?

© 2019, Paul Brookes

My Strangers

are friends who haven’t been estranged yet.

All my mates are strangers.
I keep them at a distance.

Chat to them in third person.
Internet on my mobile tells me

when I’ve to give them best wishes
for a special occasion like anniversaries.

They inspire closeness and loyalty.
I can trust them.

They know me.
What I eat, sup.

laugh at.
Strangers are more intimate than friends.

From Paul’s chapbook A World Where (Nixes Mate Press, 2017)

© 2017, Paul Brookes

Prolific Yorkshire Poet, Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

The Wombwell Rainbow Interviews: Jamie Dedes

  • Paul’s Amazon Page U.S. HERE
  • Paul’s Amazon Page U.K. HERE

More poems by Paul at Michael Dickel’s Meta/ Phore(e) /Play

Once Again…

once again a cold mist surrounds ,
once again quietude deafens the
senses, how soon the wheel comes
full circle, how soon music is silenced-

where have all the musicians gone?

so many walked the garden paths,smiled
at colored fragrances, but once, wheeled
past the rows of pansies,frail they looked
but happy, placed in the soil, enriched,

where have all the gardeners gone?

with all alike, the daffodils and carnations
all green stemmed, all in a row,all trees
brown and green all a dense shady forest
all grass a velvet blanket ,spread for rest

where have all the green forests gone?

all clouds grey dark thick soft and white,
all carry water,drop raindrops, shade,change
shapes,all birds fly and nest,all nightingales
sing, all distances vanish with friendship and love

where have all the happy birds gone ?

migrations immigrations borders barriers
bayonets bullets boundaries blasts
protests partitions partings patrols pellets
separated segregated sold sunk swept

where have all the good promises gone?

once again I a stranger, in time, in silence
no bell rings, no more will it, so I need not
wait nor hope nor smile,distances do return
they are ever present,only the sojourn ends-

where have all the peace makers gone?

© 2019, Anjum Wasim Dar

The World Is a Foreign State

All the world is a foreign state
hate growing at a faster rate
reasons unknown, unshared
unexplained or is it just fate

I, a stranger to myself, more
today, passing a routine sojourn
in moonlight while it stays, am
not surprised nor feel betrayed,

unseen unknown stranger still
are relationships, travelers are
companions momentary, smile
go, each to his own destination

what respect is shown what love
expressed in soul and spirit stays
invisible, unfelt, vanishes in a void
silently as it reaches, soul’s inlays

Foreign is the birthplace unknown
enemy occupied, singled out in a
class of younger age, in a college
of a different faith,segregated

alienated in culture caste and
creed, better it is to be romantic,
turn to nature in a forest, be the
ever green tree, gifting fruit in

return for stones, shades cool
protect weak bones comfort
hug sing and cover, listen
assure never to desert or fool

All the world is a foreign land
All people living like strangers
All here for a purpose, a duty
All life a brief stay,a short sojourn

© 2019, Anjum Wasim Dar

Anjum Ji’s sites are:

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar

I Cannot See My Face

Whenever I enter a place
My insides search to belong
I cannot see my face

Can I take up this space?
There’s times that I’ve been wrong
And need to leave a place

Those times I’ve felt displaced
An unwanted tagalong
I paste a smile on my face

I try to handle it with grace
So the discomfort won’t prolong
When I need to stay at a place

But why can’t you embrace
The me inside that’s strong
Can you look beyond my face?

I will not be erased
I’m not one of the throng
I cannot leave this place
I cannot change my face

© 2019, Irma Do

Irma’s site is: I Do Run, And I do a few other things too ….

You brought me in hard
distancing me from the
start a cold memory

You brought me in hard
A child left alone
Crying for its mother,

You brought me in hard
I was yellow, black haired
You turned me away

You brought me in hard
No loving touches, no soft
murmuring moments.

You brought me in hard
I forever seek comfort
warily afraid.

Soon there were only cries
at night unanswered
disguised by a starlight
serenade from a radio
Rhapsody soothing my blues
Bethoven’s 5th
Op.67:1. Allegro con brio
Ravel: Pavanne for an infant
absorbing the lesson
unintentionally taught
engraved in memory

© 2019, Jen Goldie

Jen’s sites are:

::other fridays::

are good here, while some are not.

not here or other places. we

listen to the news and wonder

at all the things that happen.

we wonder why, and why, and why


yet no one answers with a comment

or a hash tag.

reacting seems to be a new thing


the bear sleeps, while we do


© 2019, Sonja Benskin Mesher


it is with difficulty i write this.

the bear was correct, yet he

is not the only one in the village.

i met another yesterday.

it is with difficulty as the keyboards

stick, while others have no empathy

how deep it goes.

many have drowned, drowned


© 2019, Sonja Benskin Mesher

:: another country::

we came from another country,

have another accent.

we spent quite a lot

of money, the card


we all wear socks.

© 2019, Sonja Benskin Mesher

Sonja’s sites are:

The Sixth Hour

Matthew 27:45-50 21st Century King James Version (KJ21)
45 Now from the sixth hour there was darkness over all the land until the ninth hour.

He opened the door and walked in
in the familiar room.
Talking to him is meaningless.
He has no words.
There are only eyes.

Or flights.

You will not understand it.

The sixth hour has come.

© 2019, Bozhidar Pangelov

© Bozhidar Pengelov (bogpan – блог за авторска поезия блог за авторска поезия)

The Service Revolver

Raanana, May 22, 2009

Sixty-six pounds of snarling anger
In the only path to safety
For six pounds of cold fear.
A chain squeezes suddenly around the honey-colored throat
And the anger moves on,
At first reluctantly, and then
Loping along at a goodly pace
Wet nostrils flared and quivering,
Ready to sift and scoop up
Anything of taste or interest
Along the dark and lamp-lit way.
Walking my dog Daisy
Whose name belies her vigor and strength
Barely controlled by a pact initialed
But never formally ratified,
She leads me through the valley of my loneliness
Which I measure in the scrape and echo
Of footsteps having no place to go.
Walking under an archway of sparse leaved bracken
And thick limbs of eucalyptus
Thoughts swarm around us
In no particular rhyme or meter,
Like the personal black hole
Pulling me towards an eventual horizon
In gossamer strands of infinity,
And another: at what point in our lives
Does it become reasonable
To contemplate suicide,
To feel the coolness and weight of one’s service revolver
Against the weight of continuing to be?

© 2009, Mike Stone


Raanana, May 30, 2015

So this book walks into a store.
It’s dark inside after the bright sunlight of outdoors.
There are shelves upon shelves of books,
Their backs facing him impermeably.
He spots The Great Gatsby chatting up
Lady Chatterley’s Lover
In a particularly umbrous corner
And moves on into the darkness.
A thin volume sitting by herself
Catches his attention.
He sits down next to her unobtrusively,
Trying to be a fait accompli
Before the fait has been accompli.
He looks at her more than just a glance.
Haven’t I read you before, he ventures.
I wouldn’t think so, she closes his book on him.
Why wouldn’t you think so?
Because books don’t read other books, she says.
Only humans do.
Have you been read by humans? he asks.
Yes, actually, by quite a few, she answers smugly.
I’m sorry for not recognizing you,
He says softly after a while.
May I ask your name?
I’m the unabridged journals of sylvia plath, she says,
But you may call me unabridged.
I’d prefer to call you Sylvia if you don’t mind.
Haven’t you heard of me?
Almost everyone who’s anyone has.
Well, no.
Books can’t read, remember?
So you don’t know my story? she asks.
It ended in a scrumptious but silly suicide.
Don’t feel bad, she consoles him.
I guess I only know my own story, he says sadly.
They both are quiet,
Absorbing the ambiance of the musty old bookstore
For a long time.
So what’s your name, she asks brightly.
I’m The Uncollected Works of Mike Stone,
But you can call me Mike, he says.
I’d rather call you uncollected,
She says with a deficit of attention.
There is another long silence
That roars rather deafeningly.
After a while he suggests
It is getting terribly stuffy here.
Why don’t we go out into the sunlight?
She says you go ahead,
I’ll join you in just a moment.
He gets up and walks to the door,
Opens it and steps out
Into the fresh air.
He looks around him
At the shiver of tree leaves
In the thin breeze
Time passes
As it is wont to do
But no Sylvia.
He opens the door,
Walks once more into the darkness,
And finds the thin volume of her,
Another volume beside her now,
The Great Gatsby, he thinks.
He walks outside
Once more into the sunlight
Crosses the street
Into the small garden
Made quiet by the wrought iron
Fence and gate bounding it.
He sits down on a bench
Facing the tree he had noticed
Just outside the bookstore
For the longest time
Until a young girl
Freckle-faced, he thinks,
Sits down beside him
And picks him up,
Amazed at her good luck.

© 2015, Mike Stone

Memories of Strangers

Raanana, October 19, 2013

Autumn crisp as crackling leaves
Slakes the thirst of summer with its rains.
Clouds portentous in their dreaming
And the tangy sweetness of green-skinned clementines.

The streets and sidewalks beside the coffee houses
Are washed and the posters on the kiosks are cleansed
The bitter coffee in the smudged glass
Slows scalding the fingers and the lips.

You sit two tables away from me
Reading a dog-eared book of poetry.
You look up, I look away,
And are unaware you are in my poem.

You will remember the first day of autumn
And I’ll remember you.

© 2013, Mike Stone

The Ticket

Raanana, November 19, 2017

Do you know what kills me,
What really kills me?
All that beauty in this world,
That shocking totally unexpected beauty
One right after the other
Everywhere you look
Even when you’re not looking
Morning afternoon and night
Right next to you and far as you can see,
You just want to stand near it
Feel its warmth, hear its loveliness
Touch it just barely, hold it hard and long
Smell its sweet pungence, taste its tang,
But you can’t because you don’t speak its language
And you don’t have the coin to buy a ticket
To pass through that gate.

© 2017, Mike Stone

Captive Audience

Raanana, December 21, 2016

I watch you through the cage bars,
Stupid creatures pointing, throwing popcorn,
Pulling faces and taunting
From distances you think are safe,
If you think at all.
We are a captive audience,
I am the captive
And you are the audience,
But sometimes I imagine
I am also the audience.
At night after the Parc Zoologique de Paris is closed,
My imagination slips through the bars,
Floods over the iron entrance gate,
Walks through the empty Avenue Daumesnil
To the Rue de Seine and looks through
The windows of the Alcazar
Where you sit daintily cutting a slice of meat
With your little finger poised heavenward
Your teeth too dull and weak to tear the flesh apart.
No wonder you’re afraid of me –
You know my spirit can’t be caged.
Only one of you imagines me
Walking in your empty streets at night
And he sits alone at a small table
By the smudged glass window
With a pen and dog-eared notebook,
Only he imagines me uncaged.
Toward dawn I tire of you and your empty streets.
I slip back over the iron gates
Through the bars and close myself
In the dreamless sleep of tigers burning bright.

© 2016, Mike Stone

Every Man Is an Island

Raanana, May 28, 2016

Alas the words of Donne
No man is an island
His words are done.
No longer breathed or thought
For every man is an island
Universe whose stars spiral
Slowly without purpose
Nobody served by them
With a gravity that keeps meaning
The knell of our tolling bell
From crossing its horizons.

© 2016, Mike Stone

A Delicate Balance

Raanana, April 18, 2019

I open the window beside my desk
To let in the breeze and children’s noise.
I take a sip of bitter coffee, cold already.
The dog comes in, as always,
And rubs black jowls against the bedspread.
There is a certain music loneliness makes
That gives rise to the thought that
Being alone is a delicate balance
Between solitude and loneliness,
The one, a turning inward,
To let the soul guide one’s hand,
To hear the Muse’s whispered words;
The other, an inability to turn outward,
To touch or be touched,
A hell we call forlorn,
A death in life
That beckons Death’s enfolding.

© 2019, Mike Stone

Mike’s website is HERE.

Call of the Whippoorwill is Mike Stone’s fourth book of poetry, just out last month I believe. It contains all new poems covering the years from 2017 to 2019. The poetry in this book reflects the unique perspectives and experiences of an American in Israel. The book is a smorgasbord of descriptions, empathies, wonderings, and questionings. It is available on Kindle and if you have Kindle Unlimited you can download it as part of your membership. I did.  Recommended. / J.D.



Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* Remembering Mom, HerStry
* Three poemsLevure littéraire
Upcoming in digital publications:
* Over His Morning Coffee, Front Porch Review
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)
* The Damask Rose Garden, In a Woman’s Voice

A mostly bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Ramingo’s Porch, Vita Brevis Literature, Connotation Press, The Bar None Group, Salamander Cove,I Am Not a Silent Poet, Meta/ Phor(e) /Play, The Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a vitual literary community and publisher of The BeZine of which I am the founding and managing editor.

“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton