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Educating the Teacher: Poet to Poet, Ann Bracken & Michael Dickel

I think more than half the poets I know are also in education or were educators at one time. It’s not surprising then that academia is one of our key concerns.  Here we have one poet/educator interviewing another.  Michael isn’t new to these pages, but I’m happy to introduce Ann Bracken from the University of Maryland College Park.  Brief bios are posted under the interview. Look for poetry from Ann and Michael in the next issue of The BeZinePub. date: 15 January 2016 issue. J.D.

Ann Bracken
Ann Bracken

I had the pleasure of meeting Michael in Salerno, Italy, last summer when we both participated in the 100Thousand Poets for Change Conference. Michael joined me, along with Laura Shovan and Debby Rippey, my travel companions, in sharing a gourmet Salerno lunch in a wonderful ristorante. Michael also served as the emcee for one of our poetry nights. His work speaks of struggle and peace, and he is committed to using the arts for social change.

Ann: Welcome, Michael.

Does teaching have to contribute to the status quo? Must it be dominated by business models that value efficiency over humanity and greed over compassion?

MICHAEL: Yes and no. But, it doesn’t have to be this way.

This is my story. It just happened. And it’s been happening for years.

Michael Dickel
Michael Dickel

I’m letting go of teaching. I’m kicking and screaming, hanging on with my fingernails, letting go.

I’m sixty. I’m “outside faculty” (literally translated from the Hebrew, adjunct in plain English). One of my bread-and-butter teaching gigs will evaporate with a just-launched Ministry of Education, free, online, self-study English reading course.

And things are not working so well at a new gig this semester, where an administrator seems to have taken a dislike for me. I don’t want this constant battle in my life anymore, the struggle to make a living doing something I believe should have value.

After three months teaching, a group of us who are “hourly” teachers this semester saw a contract for the first time. It was dated Monday, the 18th of January. It begins three months before, 18th October. And, the contract expires this Friday, the 22nd. Four-days after they presented it to us. That’s, not coincidentally, the last day of classes for the semester.

One of the many problems with this end date is that we had been told to be present at the final exams on Monday, the 25th. Please note, that is after the contract ends. And, in addition to the paragraph that say, “you are hired from this date to that date,” paragraph seven also says something that loosely translates as: to be very clear, after the end date above, you are no longer an employee of the university, unless you are explicitly given an extension in writing. There is no extension of the dates.

This attitude toward those of us who teach is as destructive to education (and, by extension, society) as almost any other force other than war.

I hate having to fight for employment rights, like getting paid. The constant battling leaves me feeling like a failure. I am letting go of this work, which is no longer teaching, but a form of war.

I am hanging on to a lot of anger. I felt it as I left campus today. Boiling under the virus, feeding its fever. I am seething. And I need to find something else to hold on to.

I teach English as a Foreign Language reading comprehension to international students, Israelis, and Palestinians, in a post-high school prep program, called in Hebrew a mechina. (Yes, these students study together in the same classroom.) I love my students. I want to hold on to those marvelous relationships with students we teachers have the honor of sharing with them, where we learn together.

Today was our last regular meeting as a class. As I often do, I invited them to keep in touch—they have my email. Use it, I said. I’m on Facebook, I added. Three have already sent friend requests. Two of them are Palestinian students.

And just before supper, a student sent me an email (uncorrected and shared with permission of the student):

Hi Michael, this is __________, from English.

I want to tell you that you are a awesome teacher. Since the first lesson, I want to stay in your class. When I heard that we have to redo the [placement] exam. It’s my first time that I started to worry about if I can still be in a specific class.

I love the way you teaching, although sometime it is a little bit boring. I still remember that you played guitar and singing with us. And you told us that the purpose of teaching us is teach us how to think, about critical thinking. Since that, I knew that I was in the right class.

This particular student comes from China. He wants to study in Israel. He knows English already, and has been learning Hebrew. He also takes math, history, physics…a full load of prep-courses that has most of the students studying from 8:30 to 5 or later.

What he wrote at the end of his email, I will hold onto forever:

And I mentioned that I have something to share with you, the topic is that the relationship between war and education.

I found that, if a country want to get strong, it must have to good education in the nation. And the way to show others that you are strong, is to show them you have high tech and strong military. I would like to say high tech in some way is for high tech weapons. So who will provide the nation researchers and scientists to make weapons? Education do.

So in this way. I can say education make this world worse not better. And it get worse after every year. I believe that one day this world will get destroyed by those weapons and war. So who cause this? Education.

What do you think about this?

We had a unit on comparative education. The students spent a couple of classes online, looking at websites for places like Summerhill School (Democratic education), reading articles about Tiger Mom’s and Finland’s education system, and listening to TED Talks on the need for more creativity in education.

We did not discuss war, or its connection to education. That came from an amazing student. It didn’t come from me. Yet, providing students a chance to think such thoughts and to ask such questions—that is why I teach. And a successful teacher is someone to whom a student could write: I have something to share with you…What do you think?

I will hang on to the memory of this email. And hanging on to it will allow me to let go of frustrations with the difficulties and unfairness of a system that is stacked against him more than it is me. Hanging on to what matters will help me let go of what doesn’t matter.

It will also help me let go of this form of the work.

I wrote this student a long reply, which allowed me to hang on to what I really value. And, paradoxically perhaps, to let go of the job. The end of what I wrote went something like this:

If education doesn’t ask the questions that need to be asked, or, more importantly, teach how to ask important and critical questions, then you are right, education is part of the problem. It becomes an accomplice, helping to build the structures of dominance and power. Then, it feeds the cycles of greed. All of these things threaten our world today. If education is about training workers and obedience to authority, if it teaches accepted facts and does not challenge students to think for themselves, we are in trouble.

I think that this is one of the reasons why the Humanities are under attack, politically and economically, in much of the world today. It is why many politicians attack education—not because it is “failing,” but because it challenges. And why “reforms” are regularly introduced that use over-simplified models of “manufacturing knowledge,” teaching doctrinal facts (in whatever discipline or doctrine)—serving a purpose of producing workers and even leaders who “fit,” but not inspiring thinkers who question.

We need to find ways to inspire students to think—as I see you have been doing—about our world, about how to make it better, about how to find reasonable and well-reasoned approaches to fixing the problems we see and providing a sustainable, healthy, and worthwhile future for our species.

I don’t have the answers. I hope that we will find the right approaches, or at least, good enough approaches. And I hope that education does not end up only serving the powerful, the military, and the greedy.

However, it is always about possibilities. We must look for and welcome new possibilities into our lives.

From the Jewish tradition, we have this teaching, too: “You are not obligated to complete the task, but neither are you free to desist from it” (Pirke Avot 2:21).

I believe that we can stop the destruction you fear. I hope that we can. May we not desist (stop) from trying. May we continue to seek forms of truth, practice heartfelt communication, and learn compassion for each other. May we cooperate and share with each other solutions as we find them. And may we always look to improving the world, not simply existing, or, worse,“using up” the world.

I believe that you could be someone who makes a difference. Start with your questions. And then, look for those possible solutions. That is all I know to say to you as an answer to your question about whether education is causing the destruction of the world. Yes and no. And, it doesn’t have to be this way.

With respect and hope for your generation,
Michael Dickel

BIOGRAPHY: Michael Dickel (Fragments of Michael Dickela writer and digital artist, currently lives in (West) Jerusalem, Israel, and teaches in Tel Aviv. He is the chair of the Israel Association of Writers in English. His most recent book is War Surround Us (Is a Rose Press, 2014), available at bookstores and online.

BIOGRAPHY: Ann Bracken (Ann Bracken, Poet, Author, Creator of Possibilities) memoir in verse, The Altar of Innocence, was released in 2015 by New Academia Publishing. Her poetry, essays, and interviews have appeared in anthologies and journals, including Little Patuxent Review, New Verse News, Scribble, Reckless Writing Anthology: Emerging Poets of the 21st Century, and Women Write Resistance: Poets Resist Gender Violence. Ann serves as a contributing editor for Little Patuxent Review, lectures at the University of Maryland College Park, and leads workshops for creativity conferences, book clubs, schools, and adult education programs.

Education: Bachelor of Arts, Speech Pathology and Audiology, Towson University

Master of Science, Communication and Learning Disorders, Johns Hopkins University

Training in Poetry Facilitation and Journaling, National Association for Poetry Therapy

Post-graduate Diploma, Drama in Education, Trinity College, Dublin, Ireland

© 2016 Ann Bracken and Michael Dickel, text and photographs, All rights reserved

Non-state Terror Attacks, January 1, 2013 – November 14, 2015

Note: I didn’t pull this piece together.  It was created by Michael Dickel and is posted here with his permission.  Michael’s most recent poetry collection, the chapbook War Surrounds Us (Is a Rose Press, 2015), is a moving collection, a cry for peace as is this feature.  My piece, The Poet As Witness: “War Surrounds Us,” an interview with American-Israeli Poet Michael Dickel, is HERE. J.D.

Using a Wikipedia list, even with all of its faults, provides a sobering view of terror in the world. The countries listed below were the sites of at least one and often several terror attacks in the last (almost) three years. Some of those attacks resulted only in injuries, most caused one or more death—victims and / or perpetrators. Many attacks killed dozens of people. A few, one-hundred or more. Not all of the perpetrators are from Islamic groups—many come from other “political, religious, or ideological” motivations. According to the Wikipedia site, the list of attacks that I used to find the countries:

…is a list of non-state terrorist incidents that have not been carried out by a state or its forces (see state terrorism and state-sponsored terrorism). Assassinations are listed at List of assassinated people.

Definitions of terrorism vary, so incidents listed here are restricted to those that:

              • are not approved by the legitimate authority of a recognized state
              • are illegally perpetrated against people or property
              • are done to further political, religious, or ideological objectives

Comments on the Wikipedia listing indicate that it is incomplete and may be biased. Still, I found 56 countries on the list for the three years I looked at, and I remembered the larger attacks from news reports. If it is incomplete, there could be more countries. If it is biased, there could be other countries, as well.

This list should give us all pause—not only for our world, but for the children growing up exposed to this global level of war. This is their normal world. They are at risk on so many levels. As adults, we must stop and remember the children. And we must find just solutions to the underlying causes of this violence that literally reaches every corner of the earth. 

In memoriam a black rectangle vertical next to the list of countries
In Memoriam

Non-State Terror Attacks:
Jan 1, 
2013–Nov 14, 2015

  1. Afghanistan
  2. Algeria
  3. Australia
  4. Bahrain
  5. Bangladesh
  6. Belgium
  7. Bosnia and Herzegovina
  8. Cameroon
  9. Canada
  10. Central African Republic
  11. Chad
  12. China
  13. Columbia
  14. Denmark
  15. Djibouti
  16. Egypt
  17. Ethiopia
  18. France
  19. Germany
  20. India
  21. Indonesia
  22. Iraq
  23. Israel
  24. Italy
  25. Japan
  26. Kenya
  27. Kosovo
  28. Kuwait
  29. Lebanon
  30. Libya
  31. Macedonia
  32. Madagascar
  33. Malaysia
  34. Mali
  35. Mozambique
  36. Niger
  37. Nigeria
  38. Norway
  39. Northern Ireland
  40. Pakistan
  41. Philippines
  42. Russia
  43. Saudi Arabia
  44. Somalia
  45. South Korea
  46. South Sudan
  47. Syria
  48. Tanzania
  49. Thailand
  50. Tunisia
  51. Tunisia
  52. Turkey
  53. Ukraine
  54. United Kingdom
  55. United States
  56. Yemen

Source

From Americans Against Islamaphobia
http://on.fb.me/1kVA7zP

The Mission …

Hand of Fire, Hand of Creation<br/>Moshe Dekel (age 5)
Hand of Fire, Hand of Creation by Moshe Dekel (age 5)

Reblogged from: The BeZine blog, 26 September 2015.  This is our mission for our 100TPC event, which is still open to submission from you. Much appreciation to Michael Dickel for this and for MCing the day …

Welcome to the 5th year of 100,000 Poets (Musicians, Artists, Mimes…) for Change, and the 2015 edition of The BeZine Online 100TPC Event! If you’ve done this before and you know the score, skip to the comments or Mister Linky at the bottom of the post and begin. If you are wondering, hey, what are you folks up to then check out some serious non-fiction here:

Our mission here today as poets, writers, artists, photographers, musicians and friends is a sort-of fission for change—a burning with and expression of the desire for peace, environmental and economic sustainability, social justice, inclusion, equity and opportunity for all. We seek through our art to do a bit of old-fashioned consciousness raising, to stimulate thought and action leading to the kind of change that is sustainable, compassionate and just, and to engage in the important theme of the issues facing humanity today—but all with a goal to alleviate suffering and foster peace. We don’t want to just “talk about it,” we want words, art and music that help us take action in some way for positive change wherever we are in our lives, in our world.

We see a complex inter-woven relationship between peace, sustainability, and social justice. We all recognize that when people are marginalized and disenfranchised, when they are effectively barred from opportunities for education and viable employment, when they can’t feed themselves or their families or are used as slave labor, there will inevitably be a backlash, and we’re seeing that now in violent conflicts, wars and dislocation. Climatologists have also linked climate change, with its severe weather changes and recent droughts, to the rise violence in the world, and even contributing to inequities in areas – like Syria – where a severe drought destabilized food production and the economy, contributing to the unrest that led to the civil war, according to one study.

Jerusalem in an unprecedented dust storm that engulged much of the Mideast, linked by one climate scientist to the Syrian civial war and ISIS conflict
Jerusalem in an unprecedented dust storm that engulfed much of the Mideast, linked by one climate scientist to the Syrian civil war and ISIS conflict

There are too many people living on the streets and in refugee camps, too many whose lives are at subsistence level, too many children who die before the age of five (as many as four a minute dying from hunger, according to one reliable study—more info), too many youth walking through life with no education, no jobs and no hope. It can’t end well…

Syrian refugee camp, photo: The Telegraph
Syrian refugee camp
photo: The Telegraph

More than anything, our mission is a call to action, a call to work in your own communities where ever you are in the world, and to focus on the pressing local issues that contribute to conflict, injustice, and unsustainable economic and environmental practices. The kind of change we need may well have to be from the ground up, all of us working together to create peaceful, sustainable and just cultures that nurture the best in all the peoples of this world.

Poverty and homelessness are evergreen issues historically, but issues also embedded in social and political complexity. They benefit the rich, whose economic system keeps most of the rest of us as, at best, “wage slaves,” and all too many of us in poverty, without enough to provide for basic needs or housing (including the “working poor,” who hold low-paying jobs while CEOs are paid record-breaking salaries and bonuses in the global capitalist system). We are united in our cries against the structures of injustice, where the rich act as demigods and demagogues. We have to ask of what use will all their riches be in the face of this inconceivable suffering and the inevitable backlash from the marginalized and disenfranchised. We need fairness, not greed.

So, with this mission in mind, and with the complexity of the interrelationships of social justice, sustainability and peace as a framework, we focus on hunger and poverty, two basic issues and major threads in the system of inequality and injustice that need addressing throughout the world.

We look forward to what you have to share, whether the form is poetry, essay, fiction, art, photography, documentary, music, or hybrids of any of these—and we want to engage in an ongoing conversation through your comments on all of the above as you not only share your own work here today but visit and enjoy the work of others, supporting one another with your “likes” and comments, starting or entering into dialogues with writers, artists and musicians throughout the world and online viewers, readers, listeners.

Think globally, act locally, form community.

—Michael Dickel, Jerusalem (with G. Jamie Dedes, California, USA)

DIRECTIONS FOR PARTICIPATION

Share links to your relevant work or that of others in a comment The BeZine blog post HERE or by using Mister Linky below. To use Mister Linky, just click on the graphic. (Note: If you are sharing someone else’s work, please use your name in Mister Linky, so we can credit you as the contributor—we will give the author / artist name in the comments, from the link when we post the link in a comment.)

You may leave your links or works in the comment section of The BeZine post HERE. If you are sharing the work of another poet or artist, however, please only use a link and not the work itself.

In addition to sharing, we encourage you to visit others and make connections and conversation. To visit the links, click on Mister Linky (the Mister Linky graphic above) and then on the links you see there. (Some Mister Linky-links can be viewed in the comments section after we re-post them.)

28 September 2015 note: In addition to what you’ll find through Mister Linky, you’ll see that there are many many pieces in the comments section or links to them.  We haven’t tallied everything yet, but we think we’re approaching 75 or 80 works.  J.D.

Thank you! 

All links will be collected into a dedicated Page here at The BeZine and also archived at 100TPC.

Thank you for your participation. Let the conversation begin …

The BeZine, 15 Sept. 2015, Vol. 1, Issue 10 (Poverty/100TPC)- Table of Contents with Links

15 September 2015

For the past five years, September has been the month of 100,000 Poets for Change (100TPC). All over the world, poets (musicians, artists, and, yes, mimes) have organized events on or near a Saturday in September each of those years, this year, on the 26th. For this, the fifth anniversary of 100TPC, there are over 500 events scheduled throughout the world. The readers of, contributors to and publishers of The BeZine have participated with a virtual event in the past and will again this year on the 26th.

Meanwhile, The BeZine’s theme for September also supports the 100TPC call for peace, sustainability, and social justice, with our focus on poverty in general and homelessness in particular. This focus relates to social justice in an obvious way. Yet, how could we speak of sustainability without social justice? If we still have poverty and homelessness, what is sustained other than inequality? And, without social justice could there be peace? For that matter, could peace be sustained without both justice and environmental plus economic sustainability? Our choice is not to put one of these three above the other, but to recognize that all of these three important themes, necessary areas of change interrelate in complex ways. So we chose one aspect to focus on, and in so doing, this issue clearly points to all three themes through the lens of poverty.

We open by featuring three incredibly powerful poems by Sylvia Merjanian, Refugee, Second Chance, and Collateral Damage. Refugee and Collateral Damage come from her collection, Rumor (Cold River Press—proceeds go to help Syrian refugees). Second Chance debuts here. These poems show the relationship of war to poverty, oppression, and sexual abuse. In reading these, one senses the immense personal costs of war, especially to women and children. They provide an important window into the staggering worldwide refugee crisis, currently the largest human migration since World War II. Refugees are homeless in so many ways, even when they have a house to live in. And, the world seems to conspire to keep them destitute.

That war directly and indirectly causes poverty does not surprise. You might not know, until you read James Cowles’ essay, The Roots of Institutionalized Poverty, that something called The Compromise of 1877, which ended the post-Civil War Reconstruction Era, provided the political and economic structures of poverty that continued strong through the Civil Rights Era and, in many ways, still exist today. Certainly we know that poverty is not new in the United States, and neither is homelessness. In this issue you will hear music of the Depression Era that sounds too familiar today. The first time I personally participated in an editorial and writing publication related to homelessness was in 1989, for the University of Minnesota student paper, the Minnesota Daily. We produced a special finals’ week issue, title Ivory Tower, dedicated to the theme.

Poverty and homelessness are evergreen issues historically, but issues also embedded in social and political complexity. They benefit the rich, whose economic system keeps most of the rest of us as, at best, “wage slaves,” and all too many of us in poverty, without enough to provide for basic needs or housing (including the “working poor,” who hold low-paying jobs while CEOs are paid record-breaking salaries and bonuses). Our second feature, Jamie Dedes’ poem, Some Kind of Hell to Pay, cries out against the structures of injustice, where the rich act as demigods and demagogues, and it asks of what use will all their riches be in the Hell realm of the inevitable backlash from the marginalized and disenfranchised.

photo credit: Sharon Frye
photo credit: Sharon Frye

The poems, prose, photo essay, and art in the rest of the September BeZine will ask you to feel, to see with empathy, to hope defiantly, and always to resist the status quo. The writers often look beyond the borders of the U.S. or Western Europe to see the injustices of a world-wide economic system of war, greed and injustice that makes it difficult to live outside of its oppressive realities—and for those pushed out, choices do not sustain their lives, their dreams, or their spirits.

Yet, people live, they dream, and they hope with spirit—often in defiance, sometimes by dying (see John Anstie’s As if and Sharon Frye’s Jacob’s Ladder in this issue), sometimes by living despite all of the forces lined up against their lives. Victoria C. Slotto’s Homeless Man tells of a “destitute” man whose story reveals that he may in fact have the most rich life of any of us. Always, there is more than what we see.

Read these words. Think about the change that could help to heal creation as Michael Yost’s poem Who Am I to Judge and Michael Watson’s essay The Realm of the Unimaginable speak to. Remember the admonition to think globally but act locally. And, most of all, imagine.

Then, join us on 26 September 2015, on our blog. Add your own thoughts, your own poems, your own essays. Join in our virtual, worldwide 100TPC event from wherever you live. We will post a page with instructions on our blog on the 26th. The posts will go up live. And, after the 26th, we will organize and archive the event (see the 2013 and 2014 pages in the tabs at the top of the page).

—Michael Dickel, Jerusalem

My poem from the 1989 Minnesota Daily Ivory Tower

Soil

i
The plow cuts, disk or chisel?
How much of what lies below to bring up
leave exposed
to dry in the wind?
What residue of last years’ crop
to leave upon the soil,
cover over
to rot, return to the fertile land?

What fetish draws me along this furrow?
Street and curb meet here.  Step up or down into slime.
Dust, trash tossed around and dropped by the blind wind.
What fate ties strings to which embedded hooks,
Pulls my flesh forward forever forward towards the street?

The Spring fete begins, seeds in muck
anticipating dilettante dance of the chosen few.
Weed out the hungry whose appetite starves wind-pressed grain shafts;
water the rows of the obedient who face slick harvest,
brittleness in the searing sun and death with Winter.

I move, farmer in these city streets, man among the chaff,
I offer to fetch my elegant plow-tongue, to stop the wind,
describe the deep earth and the rotted residue, the dry grasses and newspaper
blown by, salvaged for shelter by the quick grasp of an old hand,
pulled on top of gray hair to keep rain out.

ii
I would pull the plow, but a voice from under the newspaper
covers my shoes in mud and mire.

    What d’you know ’bout
all this?
              He spit

from mown rye-stubble fields,
        fetid earthen face
          Cracked
crumbled
          creased

  Caressed once, long ago

     All you see’s a bum.
      Fuck you, you son of a whore.

At home I do not wash the dirt from me,
I scrape it off, place it in a box
with a key I open my belly and
secure the box within, sated.

The weeds fend for themselves

photo credit: Jamie Dedes
photo credit: Jamie Dedes

September 2015

Theme: Poverty

Lead Features

Rumor, Silva
Some Kind of Hell to Pay , Jamie Dedes

Articles/Creative Nonfiction

The Realm of the Unimaginable, Michael Watson, Ph.D.
The Roots of Institutionalized Poverty in the Compromise of 1877,  James R. Cowles
Farming a Dancing Landscape, Priscilla Galasso

Poetry

As if, John Anstie

Why do you judge me?, Brian Crandall
Homeless, Brian Crandel
I Understand, Brian Crandall

Poverty Line, Sharon Frye
Jacob’s Ladder, Sharon Frye
Barometer of Bones (A Baltimore Teacher Remembers Freddie Gray), Sharon Frye

The Search, Joseph Hosch
Cold Comfort, Joseph Hesch

more Washington rumors, Charles W. Martin
five dollars and some change, Charles W. Martin

The H wor(l)d, Liliana Negoi

I Am Not Alone, Lana Phillips
Pulling Myself Up, Lana Phillips
Wounded Healer, Lana Phillips
Undeserving, Lana Phillips

~ Under ~, Corina Ravenscraft

Le Mendicant, Victoria C. Slotto
Homeless Man, Victoria C. Slotto

Who Am I to Judge, Michael Yost

Photo Story

Out in the World, Naomi Baltuck

Art

Mother and Child, Roy DeLeon, OSB

Special Feature
An Art Lesson with Leslie White … music by Grandpa Elliot

Music
nueva canción de Ameríca Latina
(the social justice music of Latin American) 

Sólo le pido a Dios (with translation and brief bio), Mercedes Sosa

from the Great Depression (1929-1941)

The Ghost of Tom Joad, Pete Seeger and Bruce Springsteen
I Ain’t Got No Home, Woody Guthrie
Hobo Bill’s Last Train Ride, Merle Haggard
Brother, Can You Spare a Dime, Rudy Vallee
Nobody Knows You When You’re Down and Out, Bessie Smith

Contemporary

Democracy, Leonard Cohen

BIOS WITH LINKS TO OTHER WORKS BY OUR CORE TEAM AND GUEST WRITERS

FOR UPDATES AND INSPIRATION “LIKE” OUR FACEBOOK PAGE, THE BARDO GROUP/BEGUINE AGAIN

MISSION STATEMENT

Back Issues Archive
October/November 2014, First Issue
December 2014, Preparation
January 2015, The Divine Feminine
February 2015, Abundance/Lack of Abundance
March 2015, Renewal
April 2015, interNational Poetry Month
May 2015, Storytelling
June 2015, Diversity
July 2015, Imagination and the Critical Spirit
August 2015, Music