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In Support of Dissident Poets and Poetry, Responses to last Wednesday’s Prompt sponsored by Poet-in-Exhile, Mbizo Chirasha

 

Mbizo Chirasha

“In my works on African culture, I am not against races or tribes, but systems that betray Africa. People must stop being stooges and writers must write against second and third colonialistic winds.” Mbizo Chirasha in an interview with The Herald HERE.



Mbizo Chirasha

We did something unusual with the last Wednesday Writing Prompt.  We asked poets to respond specifically to the situation of Zimbabwean Poet-in-Exile, Mbizo Chirasha. (Not all the poets actually responded on theme, but they did respond on related issues that concern them and so we included their poems in this collection.) The purpose of the theme is to help us create awareness of the plight of our fellow poets like Mbizo and other writers, artists and activists who are directly fighting authoritarianism, despotism and kleptocracy on the front lines and putting their general welfare and even their lives at risk in doing so. These are socially-engaged creatives who are in danger from amoral govenments in their own beloved countries. We appreciate your participation as writers, readers and humanitarians in this week’s unusual and important prompt.

Mbizo writes in response to the submissions:

Great poets around the world, readers of poetry, esteemed audience of  The Poet by Day: I salute you with my sincere gratitude for timeous creative support. You are word revolutionaries fighting with me in trenches for the attainment of social justice, human rights, and  freedom of expression.  This is as it should be. Writers should be first to shoot words, sling metaphors, and pose readily in the artistic armour to wage a resilient, creative and nonviolent war.

I am heartily touched by the amount of  commitment, depth and detail in these submissions. We should remain resilient, focused strong and creative in the quest for national harmony, regional peace, and global sanity. Writers must write and continue to write to mitigate bad governance, corruption, injustice, hegemony, dictatorship, political violence, and social malaise.

Aluta continua!
Mbizo Chirasha

Our thanks to Gary W. Bowers, Paul Brookes, Anjum Wasim Dar, Mike Stone, Pali Raj, and Sonja Benskin Mesher for the richness of this collection. Countries represented in the post are: England, Kashmir, India, Israel, Pakistan, United States, and Zimbabwe.

We’ll return to the traditionally prompt response layout and inclusions next week. We’ve modified it this week out of respect for the occasion. Thank you for understanding. A brief update on Mbizo’s status (not good) closes this post.



artivist artifice artemis bolt

artivist artifice artemis bolt
wring out a dream and give despots a jolt.
artemis arm&fist activist strike
shake out a mindset and shore up a dyke.
artifice artdoesthis anarchist grow
muralize justice for over and throw.
antidote anecdote anthemnote strive
make visitations of souls kept alive.

© 2019, Gary W. Bowers

How To Be Corrupt And Be Seen As Honest.

Here is the syllabus. This will be a tough course.

Introduction will focus on the psychopathology of hard business and unwavering pursuit of profit.
We will teach you how to see people as things. Your mother and father will be unrecognisable to you, as will your kids and spouse. They are merely objects to be maneouvred.

Main course content.

1. How to steal money from public coffers, whilst supporting charitable causes. How to steal food from babies mouths, how to watch the poorer become poorer.
2. How to store stolen money in off shore accounts, defended by laws not available in your home country.
3. How to employ PR to defend your reputation, white wash your actions.

Good luck on the course.

© 2019, Paul Brookes

In Response to Mbizo Chirasha Freedom Poetry

For I sang the freedom song for years
in vain, in pain,
One day I will return
O my homeland ,my heaven, land of
pure peace,

I am the native child, born in captivity
my feet never touched my beloved soil
I breathed but for a while in mother’s
lap,
In sleep, led away, far away, to refuge
One day I will return, I sang my song-

It is a nightmare
futile dream of the happy return
my earth oozes martyrs’ blood spills
resounds with raped women’s screams
burns with saffron spreads in wide fields
weeps with weeping willows in the streams
One day I will return, and I sang my song,
in vain, in pain

I am the houseboat abandoned
I am the ‘shikara’ floating,empty
I am the moaning water of Dal
I am the aroma of sweet apples
I am the snow of mountain tops
I am the color of pansies and lotus
I am the music of the ‘rubaab’
I am the child of a captive state

One day I will return I sang my song
in vain, in pain

But now my heart is silent,my voice
stilled, my feet in fetters, my home
locked, my road blocked, guarded
I am tired of pellets bullets and gas,

I am cold like a stone, no ‘Kangarri’
I carry , no greens or beans I cook
I am but a listed item, a numberless
number, a lost identity, snatched
wrenched annexed conquered

My song of freedom rings aloud
but can anyone hear? Will anyone
come? Will anyone cry for me? Or
my land, to set free? Perhaps one day,

if the music sails on, reaches the stars
Showers the rain which pours free
and washes away the mud of captivity
breaks the chains lifts the barriers and
calls-
Come Your land is yours, gone is the
enemy- but I woke up again, in pain
in vain,
I hear the fearful scream-heavy boots
shaking the soil, tearing up roots
I do not wish to sing, but pray, hope
It is all a dream-
In vain I sing, in pain I try to-sleep

© 2019, Anjum Wasim Dar

To The Defenders of Freedom

When peaceful protest fails
and protesters are put in jails
then forces must stand
bravely to defend the land-

In attack
outnumbered ten to one
crawled under enemy tank
martyred to glory, sank in
body, blood in native sand

In loyalty
you saved the land
blasting enemy tanks
with bravery supreme
grenades in hands

In honor
you remain for ever you live
those who die a life they give
and repel the enemy aggressive.

And now I say and know
battles have been fought
public protests prevail
as Freedom must be saved
at all cost-

or else, all is forever lost

© 2019, Anjum Wasim Dar

In Freedom

In Freedom There is Fear
When a close and dear
one, is no more,

In Freedom there is blood
When all you made in life
Is washed away in flood;

In freedom there is sacrifice
When all you claim and own
Is taken away without a price;

In freedom there is liberty
For many just a statue
fights, no rights, nor equality;

In Freedom there are letters
promises and false hopes
soon you are in iron fetters;

In Freedom I was born
I never saw my land
I long for its beauty
In dewdrops shining
In the morn;

In Freedom there is a gift
treasure not and you find
it floating by and adrift;

In Freedom there is ease
calm and harmony, hold
it strong for eternal peace

© 2019, Anjum Wasim Dar

Do Not Make War

1.

it must be painful for them to write, those poets in tough-times and hard places
where blood and tears and poverty contaminate the air, stain the sidewalks, and consume the people

the blood must be soul-sick and rusted and tasting of acid, not salt,
and the poems meant to heal the writer and stroke the cheeks of the wounded,
to dry their eyes and gently kiss their gray heads

to poem in such places must be like walking shoeless on glass shards

perhaps the most sacred thing in the dream-time meadow of poets’ desire is Light ~

can you awaken to meet the Divine when you are on the run, in hiding, on the battlefield, in the camps, in government housing or in the ghettos?

if so, you are a saint, not simply an artist

2.

in my small world, my civilized world, people fall asleep reading or after making love or playing in the yard with their children

if they wander, it is through books or planned travel

there are luxuries
there is food
there is cleanliness and paper on which to write
no bombs are dropping to scorch and scar the Earth
no government thugs stalk us with ill intent
there is a certain dignity

3.

in San Francisco we walk along the beach at night, near the Cliff House
we walk to the sound of the waves, the song of the Earth chanting its joys
our feet are bare and relish the comfort of cool sand

the air is clear and cold and easy to breathe, tasting of salt and smelling of sea life ~
here is a pristine moment of peace

i want to bequeath this peace to you, to everyone,
as though it were a cherished heirloom
it is really a birthright

i want to plunge into the waters and gather the ocean in my cupped hands, to offer it to you as sacramental wine

i want to form seaweed into garlands for all of us to wear, to hang over our hearts, a symbol of affection

i want to collect pine cones from the trees that congregate along the coast and feed them to the children to remind them to cherish this Earth and all its creatures, themselves included, and to say …

do not make war in your heart or upon your mother’s body

© 2016, Jamie Dedes

Silent, poor, innocent, youth
They witness democratic loot
Corruption rise,
And businessmen fight when
Economic slowdown
They are blown into religious fight
They seek a person with opposite ions
When their grief rise
You call me activist, but
I must also sleep the long night
Well, activism
I haven’t wished for it, nor consented to it
I only love my nation.

© 2019, Pali Raj

Then as Now

The sweet pungency of rose and violets
Floats on the gentle breezes
And down the road a ways the church bells toll
As they did then.

At the shooting range, you still see bullet holes
But they buried all the targets in mass graves,
Not helter-skelter like some graveyards,
But very orderly as they were then.

The tall poplar trees surround electric fences,
They seem inviting, leaves rustling in the breeze,
A nightmare inside a blonde and blue-eyed dream,
As it was then.

They scrub the showers, ovens, and the smokestacks,
The red brick raw and spotless.
A pile of shoes stands in silent accusation
But no one hears, then as now.

© 2019, Mike Stone

Hatred

And the prophet stood among a few people.
In the marketplace of ideas, there were many prophets
But this prophet spoke quietly. He said
Hatred is not a state of mind
That one can enter and leave at will;
It is a road that starts in innocence
Leading ever downhill
And ends in unplumbed evil.
I don’t tell you turn the other cheek
When struck, as another prophet said,
But I say don’t answer hatred with hatred.
Hatred comes from ignorance of others,
Thinking they are not like us,
That they don’t love their children
Or honor their parents
Or fear for their future as we do.
Why not answer hatred with hatred?
Because it creates a circle without exit or break
And perhaps their hatred comes from
Honoring their past or fearing their future.
What should you do?
When you understand those whom you call “other”
You will know what to do, and hate
Will wither like dry tumbleweed in the desert
Because there is no other,
There is only us.

© 2019, Mike Stone

Blessed Are the Rich

Blessed are the rich
For they shall inherit the meek
And enslave them.
Blessed are the rich
Who will inherit new worlds to suck dry
After they have sucked dry our only world.
Blessed are the rich
Who make their own blessings
And the gods to bless them.
Cursed are the poor
Who bow down to worship
The gods of the rich,
Who count the blessings of the rich
Who are sucked dry by the rich
Who are enslaved by the rich.
Cursed are the poor
Who bless the curse of meekness
For their children to inherit.

® 2019, Mike Stone

Birdsong

A small bird landed on the branch of an old tree
Where other loudly chirping birds were perched.
The other birds on this branch twittered critically
And decided she was not one of them.

If you want to perch on our branch, they said to her,
You’ll have to cut off your right wing like all of us
And the little bird saw that the other birds
Had only their left wings. But how do you fly, she asked.

One of the birds responded by jumping off the branch,
Flapping his left wing and spiraling downward
Until he crashed beak first into a rock.
To each bird, according to its needs, the other birds tweeted.

The little bird flew to another branch on the old tree.

If you want to perch on our branch, they said to her,
You’ll have to cut off your left wing like all of us
And the little bird saw that the other birds
Had only their right wings. But how do you fly, she asked.

One of the birds responded by jumping off the branch,
Flapping his right wing and spiraling downward
Until he crashed beak first into the hard tree root.
To each bird, according to its capabilities, the other birds chirped.

The little bird flew to another branch on the old tree.

If you want to perch on our branch, they said to her,
You’ll have to cut off both your wings like all of us
And the little bird saw that the other birds
Had no wings. But how do you fly, she asked.

One of the birds responded by jumping off the branch,
But having nothing to flap, plummeted down
Until he crashed beak first into the hard ground.
We are neither left nor right, the other birds sang.

The little bird flew to another tree
And sang a two-wing song for you and me.

© 2019, Mike Stone  

What Use Is Beauty?

What use is beauty
If it merely masks an inner ugliness,
If it just confuses us
Like too much wine
Making us think we’re gods?
What good is truth
If falsehood is far more useful
For getting what you need or want
And easier to believe by far
Besides, who has time for truth?
What purpose does freedom serve
If it only starves us
or makes us lonely?
Most prefer a bond or two
To a mindless multitude.
What’s the point of words
If they are not the right words,
The precise ones that we think
Or those that others want to hear?

© 2019, Mike Stone

The Emperor’s New Changes

Raanana, September 11, 2016

A hundred thousand poets for change
That’s us.
That’s what we called ourselves last year
And the year before.
So they’ve stopped lynching the poets in Arabia?
They’ve stopped stoning the raped women in Kabul?
What about the mutilation of genitals of young girls?
So they’ve stopped burning down Black churches in Bama?
Stopped desecrating the lands of our Sioux brothers?
How about the carbon they’ve dumped in the atmosphere?
Did they stop that?
Do they believe now the earth is too warm to live on?
Are philosophers kings yet?
Are kings philosophers?
I don’t mean to be cynical
But it doesn’t seem like much has changed since last year.
We’ve read a few poems,
That’s all.
Come to think of it,
Have we really changed,
Except for getting a year older?
If that’s change
Then we better change change
So that it’s palpable
So that we can feed people with it
So that people can walk tall from it
So that people can protect themselves with it
So that people can make love to it
Until change is done changing
And the world is all the Republic we need.

© 2019, Mike Stone

:: exiles ::

i heard on the radio.

they decided to walk.

he asked her what she had..

nothing she said, nothing.

money? nothing, nothing,
nothing. nothing.nothing.

nothing left except my girls.

i have not lost them, we hold hands,
hold hands, hold hands.

we have nothing.nothing. nothing left.

they decided to walk.holding hands

© 2019, Sonja Benskin Mesher



A Brief Status Update on Mbizo*

Mbizo Chirasha

We’re still $295 short of the Go-Fund-Me goal. Mbizo is in hiding, without any regular source of food or access to a computer, which would facilitate his radio interview and preparing his applications for asylum and other assistance. You are able to donate anonymously through go-fund-me. Even a few dollars will help us reach goal. This effort is hosted by an organizer from International Human Rights Art Festival.  If you can help in some other way, please connect with Mbizo at girlchildcreativity@gmail.com.Thank you!

*
RELATED

“We remain resilient in the quest for justice, freedom of expression and upholding of human rights through Literary Activism and Artivism. ALUTA CONTINUA.” Mbizo Chirasha



 

To Be a Poet. . . and other responses to the last Wednesday Writing Prompt

“. . . when a good poet is confronted with difficult facts that he knows to be true but also are inimical to poetry, he has no choice but to flee to the margins; it was . . . this very retreat that allowed him to hear the hidden music that is the source of all art.”  Orhan Pamuk, Snow



And this being Tuesday, here are the responses to the last Wednesday Writing Prompt, I Am the Poem, October 9., which involved process. The poems which form today’s collection include two from newcomers who are warmly welcomed here: midnight sky’s poet and Erik Nicholson.  The other are from our stalwart participants: Gary W. Bowers, Olive Branch, mm brazfield, Paul Brookes, Anjum Wasim Dar, Irma Do, Frank McMahon, Sonja Benskin Mesher, Ben Naga, Clarissa Simmens, Leela Soma, and Mike Stone

Enjoy! and do join us for the next Wednesday Writing Prompt, which will post tomorrow morning. All are welcome to come out and play, no matter the stage of your career: beginning, emerging, or pro.


To Be a Poet

To be a poet
is to sit behind the throne,but put
pen on paper and rule the kingdom.
To be a poet
is to cry and be broken,but put
pen on paper and create a smile for somebody else.
To be a poet
is to fail and lose your faith,but put
pen on paper and give hope to the world.
To be a poet
is to look into his eyes and stammer,but put
pen on paper and win a handful of hearts.
To be a poet,
is to be only human,but put
pen on paper and build a castle on the moon.

© 2019, midnight sky’s poet

Wecome, midnight sky’s poet!
midnight sky’s poet has a passion for all things literary, especially poetry and is new to blogging and to The Poet by Day, Wednesday Writing Prompt.  Link HERE to visit and encourage.



I am not a poem
written from the other side

a hundred poems remained unwritten
when you were alive
and now
the letters blur and drop
out of sight
in a fugitive dance of black
and white

this unwritten poem hears your whispers
from the other side
and wishes to
lie alongside the annotations you made in pencil
when it could
be fixed if only your annotations
were collected up
and rearranged in dark lines
along side
a rejected passage
about
missing
filial fellowship

but this
unwritten poem cannot
set in ink the past’s lack.

© 2019, Eric Nicholson

Welcome, Eric Nicholson (Erik Leo, All Things Creative)
I am retired and live in England. I try and keep active and interested and involved in a variety of activities: yoga, singing, walking and writing, to name a few. I am a volunteer in the nearby countryside and help to monitor the activities of the iconic red kites. My reading includes poetry, fiction, philosophy and other non-fiction. My writing reflects my interests, as you can see. I have many poems and articles published online.



you are in there somewhere

michelangelo moved on
but left behind the notion
that what sculptors did was free
imprisoned beauty
or trapped wiadom
from an embedded limbo

every slab of marble is a jail cell
and the sculptor has
the chiselmallet keys

and so you o secret net of words
o conveyance of transcendance
you are tangled
you are caught
but my chisel is discernment
my mallet insistence
and in three more words
you are free

© 2019, Gary W. Bowers

Gary’s site is: One With Clay, Image and Text


And

It began at an ending
and at the forefront of
beginning,
an attempt to decipher the darkness
and sift through the tensions of
relationship.
As dilemmas grew, the need was to
reconcile the tension and
provide catharsis to emotion.

At times the natural world brought beauty
and balm and later
there was more of trying to
grasp that reality.

Much of what is now present seems
inconsequential, and
the belief this endeavor brings to the table
something less than a glass full, to most
it is possibly nearly
empty,
perhaps the result of
neglect, time and weariness of
quandaries
left unsolved.

© 2019, Olive Branch


shroud

window at dusk
clove cigarette
clings between wet lips
diet coke
dangerously close to keyboard
sad tired eyes
the color of gypsy moss
blood trickles
from her nose
at times
thoughts bounce
like dandelion pappi
blown from the tiny lips of babes
and at times
an invisible pang
slightly electrically melancholic
in the middle of the chest
looking down to see
how people such as we
just all wander
on Spring street
she thinks with slightly damaged brain
do they see as i see
she feels the wounds of the mistaken
and soothes the misguided vigor of the innocent
the sweet sweat of gardenias
distract the ghost
locked in her heart
life becomes less ordinary
and so she sits to write
out the fabric of her soul

© 2019, mm brazfield

mm’s site is: Words Less Spoken


A World Where

I can’t recognise this pattern of words,
the timetables at work. I can’t make

a pattern is a world without form,
without substance, an out of focus

pictures in which there maybe more
than one of me. I don’t orientate

without signposts or landmarks or signatures.
All is blur. Meaning elusive.

If I make it could be false. There is grief
at a loss of shape, of pattern.

A gallery of random words and pictures
I can reshuffle so every time a picture

has different words, words you can apply
to any other picture. The application of shape

more meaningful perhaps. As we can’t say
when someone close will leave this earth.

Port of Souls is found landlocked sometimes.
Like marrow locked inside a bone, at other

Times it is a small island surrounded
by a repetition of water. Occasionally after

so many have passed into memory,
a port of souls occupies our inside.

From Paul Brookes and Marcel Herms A Port Of Souls (Alien Buddha Press, 2018)

© 2018, Paul Brookes

The Bestiary

You sit cross legged cradle its bairn
as Imagination with its feet on the ground
talks to the fish who hangs in the air.

The fish speaks of the tides of the gusts,
fronds of the trees and breaking crests
of the crash of clouds.

Those images are so lame Imagination replies,
So already done. Exercise your fish brain,
More you train larger it gets.

You recognise the bairn’s bawl
so settle it under imaginations udders..
Gently place its mouth around a teat.

It sucks contentedly as the fish speaks
of the lotic waters of the clouds,
upended deltas of trees and turbid air.

Imagination smiles as her bairn sups,
winces at the backward leap of the fish
Into obscure words to deepen what’s said.

Forthcoming in Skyfish (Alien Buddha Press)

© 2019, Paul Brookes

Yon Gob Agape

A neet starstruck,
rocks kal in dialect.
Spoutin’ foreign.

Oyle in rock
is a wobbly gob.
Tha spies stars in spate.

Can’t dip thee hand in
and grab a mite
o’ clear blue and sparkle.

Stars are sparking
molten steel,
creation unmaking,
remaking themsens

in words wi a different roll
off of the tongue,
that touches a new
combination of truths.

An almost oxbow and meander
frames itsen agog
at leet streamin’ into this cave.
Spouts another lingo.

© 2019, Paul Brookes

O, Lady Of The Breath (Six Vacanas)

1. You Rise

from my forest and leave
out of the gob and earth falls.

It shivers renewed,

welcomes a similar you
into my gob.

You excite my spring buds,
allow the earth to rise, again.

2. Can’t Let

you stay long in the dark,
or the earth will rot.

I can’t let you out for long,
or the earth will rot.

Let’s follow this pattern.
I’ll briefly allow you into my dark wood,

But please don’t take woodsmoke, car fumes,
coal dust, iron filings, water in with you,

else I’ll hack you out. These companions
quicken the rot.

3. Help With The

tasting snake in my cave
form the words I need to say.

Take my words out into air
loud enough for others to hear.

Please don’t say you are weak
and can’t carry such a weight.

Please don’t say I failed to welcome
enough of you into the forest.

4. My Dad Let You

in with pungent watercolours on his back,
stink of Clwyd cowpats and fresh mountain air,

but when he scraped boilers you secretly
took into his forest asbestosis strands

that speed his rot and ruin. I can’t understand
your thought in all of this

5. My Sister Threw You

out over her steering wheel,
her forest crushed by molded plastic.

She tried to welcome you back
but the wood was gone,

so you gust over her grave
under an overseeing tree.

O, my lady of the breath.
I welcome your coming and going.

6. Your Cheyne Stokes

delay before my unconscious Nanna
let you in.

I waited a minute, a 10-20
second episode of
stopped breath

suddenly her welcome
let you in

deeper and again
deeper in and out.

then delay

then delay

then delay

her welcome of you
and delay I watched seven days

until she refused your entry for good.

© 2019, Paul Brookes

This Mop And Bucket

are poetry to me.
My pen is a mop

I stick in a bucket
of disinfectant floor cleaner

pull out mop sodden
with words and splash

them backwards and forwards
slop lines one after the other

until the floor fair shines.
My mop is dry, needs another dip.

I squeeze out the gunk
back into the bucket.

More the floor shines,
dirtier the bucketful gets.

A good poem is a clean floor.

From Please Take Change (Cyberwit.net, 2018)

© 2018, Paul Brookes

Dustpan

and brush are poetry.
Brush is my pen

sweeps all the words
dust, ripped plastic packaging,

used sucked lollipop sticks,
shop receipts, religious pamphlets

sausage roll pastry, used product
labels into a neat pile,

position the dustpan to receive
the words. Carefully flick

the words towards a dustpan page.
Inevitably, some words are swept

under the page. I have to rescue those.
Sometimes the page is the floor.

Sometimes the pen cleans away
a chaos of words to leave a poem.

From Please Take Change (Cyberwit.net, 2018)

© 2018, Paul Brookes

Poem as Competent Nineteenth Century Merchant Mariner

This poem is able
to Chock a Block,
make a mat
or splice a rope.

This poem is
a rope block heaved to its full extent.
Full up, no room for any more.
When the two blocks
of this poem’s tackle meet
it will prevent any more
purchase being gained
Keep cargo from a shift
in the dark hold

This poem is
a rope yarn mat used to fasten
upon outside of exposed parts
of standing rigging exposed
to friction of yards, bolt-ropes of sails,
or other ropes.

This poem splices rope
twists words wrapped
into sentences that strengthen
when tautened by meaning.

This poem is
carefully rigged
for cargo
into your imagination.

© 2019, Paul Brookes

Prolific Yorkshire Poet, Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

The Wombwell Rainbow Interviews: Jamie Dedes

  • Paul’s Amazon Page U.S. HERE
  • Paul’s Amazon Page U.K. HERE

More poems by Paul at Michael Dickel’s Meta/ Phore(e) /Play


By Grace

A sensation invisible awakens in the soul
stirs the spirit into restlessness , cold
warmth engulfs the soul, it is love being
born,

desire tender like a rosebud, soft like
the kiss of a butterfly, caressing deep inner
recesses, yearning to emerge, take shape and
create a revelation.

O heart show me the way.
I will, just touch me when you transform
in petals soft , layered in magical encasements
to emanate , manifest, a colorful coronet.

O Intellect add thy wisdom complete the process
Bless me with language to mold the thought
meaningful that aspires to be known , to reach the
realms of the printed universe!

The Pen Moves tracing patterns on paper
word by word line by line, this is it, a poem
it is by grace, a blessing, an act of The Divine.

© 2019, Anjum Wasim Dar

A Brief Comparison First

poetry comes in all shapes and sizes
so does knitting in moods ‘ere one realizes
poetry instructs as well as delights
knitting covers the shivers, fevers and ‘frights’
poetry supports all living things
felines frogs to human beings
if not poetry its knitting mittens
no wonder the first poem was, “three little kittens”
for long paper or words may stare
hunt for rhymes or synonyms spare
blog page if you dare, only one ounce ?
watch out, needle, ready is poem, to bounce, er.. pounce…
poetry is beauty if you may think
write, whatever you see in a blink
rhyme or not, blank open or run-on
which is easy, to knit? or ‘ poetry’ with skill n wit’

© 2019, Anjum Wasim Dar

Anjum Ji’s sites are:

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar


Down a Dark Hall

I wander down a dark hall
Peeking in this room
Throwing wide the doors in another
This door is locked
That door I quickly shut
One door leads me down a corridor that takes me a few hours to get through and back to where I was before
Now, I have to walk quickly
The light from my phone
Illuminating the way
I find a door and pull it
But it’s stuck
I jiggle it
I lean into it
I hip check it
I take a running start and slam into it
I slide down and sit
My back against it
It opens
And there sits my Muse
She says, “Hello, Poet!”

© 2019, Irma Do

Irma’s site is: (I Do Run, And I do a few other things too . . .


Craftwork

We shuttle, like spiders,
between the fractured, anguished days
and the leap of the heart
in a transcendental moment,
weaving our threads in the sway
of wind and rain, patient
for the time when the light
will play on the captured dew
and the passer-by will pause
as we wait behind the curling leaf.

© 2019, Frank McMahon


.. my writing ..

have spent three days

handwriting, neatly. it gets

on my nerves that it is so

tidy, repetetive, that i never

did achieve the badge at school

for such a skill.

words a bother too,

always gentle, no grit

really, no filth, or dastardly

deeds.

i spent three days writing,

one eye closed, storm building.

you never know what goes on

behind the scenes.

© 2019, Sonja Benskin Mesher

Sonja’s sites are:


The Love of My Life

She watches the idiot boy tinkering.
Muttering, mumbling, worrying at the cud,
stuttering through the fog, clutching at limp scraps,
floundering in discarded redundancies.

She recalls that piece of paper on which he
scrawled “Words are the pegs on which experience
is hung out to dry.” Inconsistent or what?
The image bristles with frustration, contempt.

Is he completely disenchanted by words?
Yet it was words neatly condemning themselves
satisfied him so deeply as he wrote them.
He loves paradox, adores ambivalence.

They’re like two long wedded lovers, him and words.
A profound affection for one another,
but also resenting the chains of habit
and codependence that tie them together.

She is happy to be his occult bedmate;
mistress also of that realm where sounds are born,
she knows how to set them coursing through his veins:
a great deluge; a mighty niagara.

Essence of being and experiencing
thunders through the flume, sparks flecks of vocal spume.
Words once again stand agape, untongued, dumbstruck.
For this is the mistress of his heart, true

love of his life.

~~~~

The relationships between the poet, his wife (words) and his mistress (the Muse – gateway to the Essence).

© 2019, Ben Naga

Ben Naga’s site is: Ben Naga, Gifts from the Musey Lady and Me. “Laissez-moi vous recanter ma vraie histoire.”


Pandora’s More Fortunate Daughter

Working
Mothering
All the usuals
Happiness
Sadness
All the emotions
The real me
Kept boxed up
Until one day
Retirement

What to do?
Collection of boxes
Containing nothing but
Sparkly dust
Poured a bit into my palm
A sonnet appeared
Oh, sure, not Shakespeare-worthy
But each day it grew
Until there were twenty-two
One for each symbol
Of the Major Arcana
Then there were twelve
Terza Rima
For each Zodiac sign

And each box
Had its own lines
Until there was a
Rima Royale of birds
And a tiny box of Haiku
Slightly larger box of Tanka

But in a special box
Of the loveliest cloisonne
Shone silver Moon dust
Mixed with golden Sunlight
And Stars of blue and every hue
They whirled above me
Then gently drizzled down
Covering my head, lips, shoulders

And as I grew older
I became bolder
Free
Free at last
Poetry that had no use for rhyme
Stream-of-consciousness
Confessional
Memoirs
Gutter talk
A touch of erotica
Words made up
Words spilling from a box
Filling ten books
Of words hidden inside
For decades
The real me

Then one day
Those magical boxes
Were empty
I’d open the lids
In the three a.m. shadows
Whispering, “Where’d you go?”

So, I bought more boxes
My collection growing
And one cloudy morning
Something sang out
From a new box
And there
As I hastily opened the lock
Was a different dust
Sparkling? Not quite
Sparking!
Like electricity
And poetry melded
With musical chords
And songs were born
Euterpe with her magic flute
Pushed open the lids
Danced with her sister
Terpsichore

And I wrote
And strummed
And sang
And hummed

But I see
The magical dust
In my box collection
Is once again disappearing
And so I say
Today is the day
I shop for a new box
And begin an unknown
Collection…

© 2019, Clarissa Simmens 

Find Clarissa on her Amazon’s Author Page, on her blog, and on Facebook HERE; Clarissa’s books include: Chording the Cards & Other Poems, Plastic Lawn Flamingos & Other Poems, and Blogetressa, Shambolic Poetry.


Blank Page

Virgin white page, finger poised,
words falter,
ink dries.

Great plops of rain, purple-blue splatters on
colourless glass,
forms patterns.

My mind engages the diary of the soul
silver memories,
the rhythm opens.

Begin the beginning.

© 2019, Leela Soma

Leela site is: leelasom.com


Ode to a Poem

Raanana, July 17, 2015

The first time I saw her,
Her flowered dress hanging loosely
From her slender body,
Her boyish haircut belying her doll-like face,
Her dactyl fingers holding
The frail unfolded page she recited from
Trembling but heroic in her hexameter,
Lips touching the microphone in a whisper,
I knew she was a poem
And not a real person like me.
I saw her once again in a city park
With her small daughter
Who is also a poem,
A haiku full of frogs and butterflies,
Ponds with bridges and lanterns,
And crayon buddhas
Dancing in her dreams of childhood,
Tucked in by her mother’s watchful love
But not a real person like my child.
My mother was a poem
A southern antebellum belle,
Sitting on the floor,
Her generous skirts flowing out from her,
Her freeform youth and beckoning beauty
To all who admired her poetry,
The only language she could speak and sigh,
She knew to be a poem you had to die,
Not a real person like me.
Me, I don’t rhyme, I scarcely scan,
My iambs died from anapestilence,
I go to work and come back home,
I watch the news and worry some,
My wife and I go to movies when there’s a good one,
I walk my dog and deal with encroaching silence,
And this man in mirrored parody
Becomes increasingly estranged to me,
But it’s a life I’d feign give up.
Still and yet at times I wish
I were a poem too.

(c) 2015, Mike Stone

On Poetry

Raanana, July 3, 2015

It’s been said by poets who should know
That it’s a sin to write a poem about a po-
Em, probably because it’s hard
To find a word that rhymes with poem
But, if I could, that sure would show ’em.
All of my life I’ve been thinking of poems,
From day break to night fall, from five until three,
Why can’t they just once be thinking of me?
I may not be in possession of beauty but
I can rhyme truly in dactyl tetrameter,
Though most of my rhythm is sprung into free verse,
That’s no excuse, n’est-ce pas, for not thinking
Of me.

© 2015, Mike Stone

“A Poem Unwritten”

Raanana, March 9, 2012

No one has ever written a poem about a poem unwritten
Of the many virtues of such a poem
The perfect meter of noambic nometer
The clarity and minimalism leave
Even haiku silent with envy.
The language of silence is universal
Requiring no translation.
It will be unread by billions!
It’s amazing that no one has thought of it,
No one and I.

© 2019, Mike Stone

Want Ad

Raanana, June 5, 2009

Wanted muse to pose for poet
Work challenging but not too strenuous
(Just need to exist)
References desirable previous poets
Preferably Romantic though
Classic also accepted
Exquisite beauty and grace not required
Please reply in fourteen lines or less
Iambically
M.

© 2009, Mike Stone

Like Ghosts

Raanana, August 25, 2006

Poems are like ghosts,
Not everyone can see them,
Floating behind the rocks and distant pines.
But when you finally do see one
Your eyes open wide
In wonder full of surprise
Like someone I knew once
Who is herself a ghost now.

They are so powerless,
They can’t even open a door by themselves
But must wait for someone real to walk through.

Poems can’t be forced,
They’re like a talking horse
That only speaks when
Others are not about.

Poems can’t be heard by everyone.
They are much like silence
And there’s no knob to turn the volume up
There’s just
Silence.

Poems have a sense in which they’re right
That can’t be understood by everyone
Within the bounds of normalcy
Like dreams and madness.

Yet I believe in them
Having heard one once myself,
But never more.

© 2006, Mike Stone

No Words

Raanana, June 25, 2005

Can a white man dream
a black man’s dreams?
Can a man think
a woman’s thoughts?

If I use words to tell you how I feel,
You won’t understand me,
Nor I you.
What use are words?

They’re only good for lies and prayers
and stirring winds of war,
not for poems
or for poets sick of them.

Find another occupation:
Syncopation,
Obfuscation,
Salivation.

© 2005,  Mike Stone

I Ink Therefore Iamb

Raanana, December 22, 2004

A few things I’ve learned about poetry:
Never write a poem about poetry,
And the more emotion you put into a poem
The less you get out of it,
And rhyme is less important than reason,
And a poem not read is as sad
As a poem not written.

© 2004, Mike Stone

Little Jack Horner

Raanana, March 3, 2003

Little Jack Horner
Sat in a corner
Eating his humble pie;
He plunged in a dagger
Pulled out his heart
And said what a good poet am I.

© 2003, Mike Stone

Mike’s website is HERE.

Call of the Whippoorwill is Mike Stone’s fourth book of poetry, It contains all new poems covering the years from 2017 to 2019. The poetry in this book reflects the unique perspectives and experiences of an American in Israel. The book is a smorgasbord of descriptions, empathies, wonderings, and questionings. It is available on Kindle and if you have Kindle Unlimited you can download it as part of your membership. I did.  Recommended. / J.D.

MIKE STONE’S AMAZON PAGE IS HERE.


Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications Poets Advocate for Peace, Justice, and Sustainability, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

“oracle” . . . and other poetic responses to the last Wednesday Writing Prompt

The oldest known love poem. Sumerian terracotta tablet from Nippur, Iraq. Ur III period, 2037–2029 BCE. Ancient Orient Museum, Istanbul courtesy of Osama Shukir Muhammed Amin FRCP(Glasg) under CC BY-SA 4.0

“May poetry and God’s name have mercy on us!” Mahmoud Darwish, Unfortunately, It Was Paradise: Selected Poems



Here we are at Tuesday again, the wonderful day when we share poems submitted by diverse writers in response the last Wednesday Writing Prompt. Rising Up, You Poets, August 22, which questioned whether or not poetry can inspire change. The consensus seems to be yes: in the zeitgeist, in the reader, and in the writer. Gary points out that poetry comes in many guises, productive and inspiring.

This fine collection is courtesy of Gary W. Bowers, mm brazfield, Paul Brookes, Anjum Wasim Dar, Irma Do, Sheila Jacob,  Frank McMahon, Urmila Mahajan, Pali Raj, Leela Soma, and Mike Stone. Today we introduce and warmly welcome Bishnu Charan Parida with his poem Arousal.

Enjoy! and do join us for the next Wednesday Writing Prompt, which will post tomorrow morning.



Arousal

The day dawns in my courtyard ,
As the silent sunrays play on the green grasses ,
The shy squirrels run squeaking on the tree branches nearby ,
Slowly I open my window to see the world beyond…

Activity resumes in my neighbouring avenues ,
As the street dogs play among themselves
The morning walkers gather at the tea stall, gossiping

Speeding crowds upsurge along the city roads,
As monsoon clouds cluster and collide thundering across a serene sky,
A soft tender morning opens out to full bloomed day

I am too , part of these busied goings ,
Rushing through a road jampacked with whistling cabbies and colourful crowds,
The hills, the horizons and the vibrant earth
Resonate in my heart and in my poetry ,
Poetry that rouses me
Rising in me,
To the living moments

©® 2019, Bishnu Charan Parida

BISHNU CHARAN PARIDA (Bishnu’s Universe) is a bilingual poet writing in English and Odia .He is from Jajpur Road, Odisha. An engineer by profession he carries passion for poetry. His poems have been published in many anthologies and magazines of national and international repute. He has been honored in the state level Kalinga Nagar book festival 2015 in Odisha and at 11th Guntur International Poetry Festival 2018. He has been the world featured poet of Pentasi-B, China in 2019. Recently he has received the prestigious R. N. Tagore award from Xpress Publications, Kerala, India.


tankstoppers

a walking poem
stood his ground in tiananmen square
and a tank ground to a halt.
a russian poet
used a poetic silence,
having been ordered to fire
in his submarine,
to prevent nuclear conflict
in 1962.

on another submarine,
years before,
the sub commander,
the last man topside,
ordered the man at the hatch
to “TAKE HER DOWN!”
that three-word poem
killed the skipper
and saved his crew.

a poem
is often not
words on a page.

a poet
may compose with sacrifice
or with a timed caress
or with a knee on the ground.

if that is not poetry
what would there be to codify?

© 2019, Gary W. Bowers

Gary’s site is: One With Clay, Image and Text

As some of you know, Gary is multi-talented, combing visual art with poetry or prose narrative.  He is also a potter. A sample of his work is pictured here. Gary’s pottery is available for purchase.  Further details HERE. Note the business card. We appreciate Gary’s wry humor.


oracle

it’s not that i am being difficult Majesty
my people have no food to eat
not a pond to wash their tired feet
and my sons they squabble in vain
my daughters they struggle in pain
Majesty all i‘m saying is that my words
should not offend you as you have told
me always speak truth
but i have realized that i
do not agree that my tongue should be tied
and my soul deprived of freedom
to be who i am to soar to the heavens
or to delve in the deep
i do not agree that my limbs
should be caged if i have to
wage war against the enemies of my innocent babes
i don’t mean to be ungrateful
and rebellious at times
but when my children are cut down
by your Princes and clowns
i have to attack with my voice and my heart
through words that are poison
to your ego fueled mind
the sergeants of time
will slowly creep by
and carve out a zone
where i might just languish
in your punishing hate
but don’t turn your back
on those who adore you the most
because with every flower and offering
and purse full of coins
that they render to you
will only weigh you down
to a perdition of soul of spirit and crown
you can shut my lips and burn my body down
but it’s just a body a bag made of vanishing flesh
however Majesty you cannot neglect
the truth in their eyes
the strength in their breath
the beauty in their spirit
their righteous battle call
when the war rages out
the wicked will fall

© 2019, mm brazfield

mm’s site is: Words Less Spoken


A Poet Is Not Silent

A poet is not silent, bowed, complacent.
A poet is not cowed into submissiveness.
A poet must see clearly, highlight abuse,
A poet sees into the corners,
behind closed doors,
through the language mist thrown out
to disguise intention.

A poet always does the difficult thing,
climbs the impossible, holds the hand of the lost.

© 2019, Paul Brookes

Cause Offence

It challenges the norm.
Gets folk off of their laurels.

Is a shot in the arm.
Keeps folk in the ballet,

on their toes.

© 2019, Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

Prolific Yorkshire Poet, Paul Brookes

The Wombwell Rainbow Interviews: Jamie Dedes

  •  Paul’s Amazon Page U.S. HERE
  • Paul’s Amazon Page U.K. HERE

More poems by Paul at Michael Dickel’s Meta/ Phore(e) /Play


Plato

banished poets
would not be happy
seeing so many

writers thinking
and writing poetry

Poets,

writing

are not fighting

nor are they blasting

nor putting innocents

to eternal sleep

Poets

Tempted
by inspiring prompts

may repair wrongs

in lives and lines

making people strong

poets….

change lives

for the better

© 2019, Anjum Wasim Dar

Ode to The Power of Poetry

O Thou, Heavenly Hellenic Linguist
What tales did unfold inside caves
what stories uncloaked, in waves
Of signs symbols and patterns, sets
of lines dashes, seen in lit lanterns, all
in a balance, all in rhythmic meters net,
deciphering letters, forming words, shaped
into a ‘made up thing’ named poietes’

You stepped in tracing transforming
making joys into journeys, voices into
voyages on high seas, revealed monsters
demons, deities wise and goddesses naïve,
unraveled kingdoms, inspired feats of
Herculean strength touching the grandeur
of Rome, magnificence of emperors, racing
gilded chariots, defeating Troy, killing Achilles.

You made the Great Islands overflow with
linguistic jewels, Regained Lost Paradise, restored
the monarchy, transitioning to the wonders of
Renaissance. Your revelation of Epics of Art and Word
led to the great Enlightenment, as civilized Empires
spread across the Sahara Deserts. You related lines
and lines of mighty battles, shining armor and victories
These tales inspired millions to adopt your style and diction.

You laid the foundations of recording fact and fiction,
‘the spontaneous overflow of powerful feelings’ that all
humans are kin to, you gave the theory of ‘ to see the thing
in itself as it truly is’ ‘the velvet footsteps of Spring’ that
softly touched the senses and brought forth Romanticism.
Encompassing other branches of the lingual system your
great adventure gave birth to Persian and Urdu in the South
Asian region. You caused the chain of change’with all charm.

You were present in the Courts of Kings and Emperors and
emerged as the Ghazal form representing love romance and
social reflection. People enjoyed the expression recitation and
expression as new phrases devices and techniques converged.
With your power nations experienced the change of fate and
blessing of freedom when Dr Allama Iqbal Poet of East’ instilled
the spirit of ‘Self’ Discovery, awakening the Muslim nation
to the true realization and strength of faith and the Right Path.

He wrote
Koi andaza kr sakta hai uss ke zor e bazoo ka
Nigah e mard e momin se badal jati hain taqdeerein
can anyone even guess at the strength of his arm?
by the glance of a true believer even destiny is changed

You changed the state of the human world every time it
was in pain grief and segregation, you gave hope, uplifting
suffering souls, bringing them together , creating peace –
You are a bridge of sustenance comfort and positivity
your makers are now more, more than a hundred thousand
You have proved the function that is your special feature
To inspire, motivate, provide catharsis, instruct and delight
your need was never ignored nor ever felt urgent as of today-

Come it is almost September the World awaits you –

Your Coming is sacred and holy, the planet is burning
smoke is rising, war threatens innocent generations , they
look up to YOU- Lead Them to The Long Awaited ‘CHANGE’
with Peace and Togetherness, as you did in the past-
Poetry Your Power To achieve The best for this world
will never be in doubt- September is the season of apples
let us raise our hands in prayer thank the Almighty and
with joy happiness and forgiveness , fill all the barrels.

© 2019, Anjum Wasim Dar

Anjum Ji’s sites are:

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar


The Caged Bird Caterwauls

I know why the caged bird sings
Sour sweet melodies of human maladies
Vibrating out into the fractured world
There is no accompanying harmony

Sour sweet melodies of human maladies
Poetic squawks implored yet ignored by broken ears
There is no accompanying harmony
When the free birds don’t want change

Poetic squawks implored yet ignored by broken ears
She caterwauls until the cage shatters
When the free birds don’t want change
Her powerful voice portends the power of action

She caterwauls until the cage shatters
Vibrating out into the fractured world
Her powerful voice portends the power of action
That’s why the caged bird sings

© 2019, Irma Do

Irma’s site is: I Do Run, And I do a few other things too . . .


Give Sorrow Words

“Give sorrow words; the grief that does not speak knits up the o-er wrought heart
and bids it break”. Macbeth Act 4 Scene 3 William Shakespeare

And if your throat turns dry
let ink flow from pen to paper.
Write grief into the light.
Name it purple or black, fevered
or frosty, pulsatingly loud
or snake-soft and hissing.

Give sorrow its voice.

Let words trace the tangle
of your heart and someone
you’ve never met will read,
exclaim: I, too, walked
alone in the rain and wept.
I too, hid in the nearest shop

to avoid a friend who always
asked how I felt, suggested
we went for a coffee/watched
a movie/met up for lunch.
I, too, preferred the company
of strangers and empty streets.

Lay old hurts to rest.

But when they’re new, bare
them; share them, rawness
to rawness until they’re held,
and understood and verses arc
across the page beating towards
that tiny” thing with feathers”.*

*From Hope by Emily Dickinson

© 2019, Sheila Jacobs

To purchase Sheila’s little gem of a volume, Through My Father’s Eyes (review, interview, and a sampling of poems HERE), contact Sheila directly at she1jac@yahoo.com


What Use?

I imagine the opposite, where poets break
their pens, clamp silence on their tongues,
where every line of verse has been erased:
blank pages, empty screens.

I imagine then a desert where remorseless
dunes have buried waterholes and trees,
where no one dares to irrigate or plant,
where the wind no longer carries voices.

What is a land without rain?
What is one voice against the censors
and the engineers of souls?

I sing because I must.
Somewhere a flower may bloom,
induce the implacable
to hesitate
as the words uncoil and move
through eye and ear to the heart,
to reconsider.

Somewhere another voice may sing
and another and another
and another and another.

© 2019, Frank McMahon


Poetry

Poetry is what you hear when
you open yourself up to the
vibration of the universe
what you feel when patterns
twine and intertwine until
your pulse harmonises

it abounds in the patient
slump of a grey heron’s back
master fisherman who mas-
tered the zen of waiting, the
arch of a dancer’s sole aching
on a hardwood floor, rocks
that funnel a singer’s voice
into the clouds and blot out
city lights, profuse purple heart
that trap your feet and your path
path, the curve of creation

if you can reflect a strand of
the world as it is, with the frag-
ment of glass you’re given,
slant its lustre into minds that
receive, a poet’s work is done

© 2019, Urmila Mahajan

Urmila’s site is: Drops of Dew


Craftwork

We shuttle, like spiders,
between the fractured, anguished days
and the leap of the heart
in the transcendental moment,
weaving our threads in the sway
of wind and rain, patient
for the time when the light
will play on the captured dew
and the passer-by will pause
as we wait behind the curling leaf.

© 2019, Frank McMahon


Roads and leisure
Blood rising ……huh,
Shops and marketing in: when
I give a shout ‘I have no coin’
in a slither of sweat ‘legs join’:
My cheek gets cut. Her rights bleed
Holding on tight I urge
Rising up, you poets – a poem will be fine.
I give a shout ‘I have no coin’

PLEASE HELP _/\_

© 2019, Pali Raj


Phoenix

Mangled , strangled, blood, ink
blood red, ink black colours dripping on
asphalt tracing strange patterns
blood red, ink black fuse -indigo-
ripped pages curl up in the smoke,
book bindings melt, leather tomes
the gilt spines blackened, words lost
or are they?

like a phoenix rising, the blue-black
red-tinged words fly high up in the sky
the world over. Al Muttanabbi Streets
forge ahead in shiny new pages of white
brown, hues, the palette of colours
rich as the artists and writers of the world
as they birth verses, sketch a new world
to replace pain, loss. The shock and awe of love
reinvigorates, unites and creates.

Author’s Note: This poem was written as a tribute to the booksellers at AL Muttanabbi Street in Iraq, a street where a lot of booksellers lost their lives by a car bomb in 2007. Poets world wide have responded and here is my contribution which I read at an event entitled ‘Al Mutatanabbi Streets Start Here’ in Glasgow Scotland.

© 2007, Leela Soma


Hiding Behind the Truth

Raanana, October 3, 2016

A poem is a wild thing
Untamable, it never tasted bit or reign,
A naked thing
You’d never take to church
Or have to Sunday dinner.
It uses an outlandish language
And it’s always true although
You’d be hard-pressed to say just how.
It’s true because
The poet with nowhere else to hide
Hides behind the truth,
But it’s the poet who is the wild thing
Untamable
The naked thing
Who cannot help but tell the truth
Hoping you won’t understand
But love him for outlandishness.

© 2016, Mike Stone

The Lips of Infinity

Raanana, May 16, 2019

And he welcomed them,
The children, the old ones, the infirm,
The youth, the busy young men and women,
The forsaken and excommunicated,
The doubters and disbelievers,
Agnostics and atheists,
The doctors, the scientists, and technicians,
And, yes, philosophers and poets,
From all over the world,

And he spoke to them in the one language
They all understood, the language of silence and action,
And this is what he said:

I am not descended from David
Or the son of anyone but my father.
My only credentials are the truth of my words,
Which are your words,
If you would only be silent long enough
To hear them inside you.

I have not come to tell you
What to believe,
Whom to love or not to love,
Or what to do.

I say only these things:

For your own sakes, believe in someone or something
Because belief gives you strength to go on
In an uncertain world,

For your own sakes, love someone or something
With abandon and utterly,
And don’t mete love out parsimoniously
As though you might use it all,
Because love lifts you up to the lips of infinity,

For your own sakes, do what you must
To follow your belief and protect your love
Like a wavering flame in cupped hands,
And the rest do with empathy and concern
To cause the least evil possible.

They left as they came,
Saying among themselves,
Not much of a message,
And each went his separate way

But when each arrived home
And was alone and silent,
He heard the words inside himself
And knew they were true.

© 2019, Mike Stone

The Emperor’s New Changes

Raanana, September 11, 2016

A hundred thousand poets for change
That’s us.
That’s what we called ourselves last year
And the year before.
So they’ve stopped lynching the poets in Arabia?
They’ve stopped stoning the raped women in Kabul?
What about the mutilation of genitals of young girls?
So they’ve stopped burning down Black churches in Bama?
Stopped desecrating the lands of our Sioux brothers?
How about the carbon they’ve dumped in the atmosphere?
Did they stop that?
Do they believe now the earth is too warm to live on?
Are philosophers kings yet?
Are kings philosophers?
I don’t mean to be cynical
But it doesn’t seem like much has changed since last year.
We’ve read a few poems,
That’s all.
Come to think of it,
Have we really changed,
Except for getting a year older?
If that’s change
Then we better change change
So that it’s palpable
So that we can feed people with it
So that people can walk tall from it
So that people can protect themselves with it
So that people can make love to it
Until change is done changing
And the world is all the Republic we need.

© 2016, Mike Stone  

Mike’s website is HERE.

Call of the Whippoorwill is Mike Stone’s fourth book of poetry, It contains all new poems covering the years from 2017 to 2019. The poetry in this book reflects the unique perspectives and experiences of an American in Israel. The book is a smorgasbord of descriptions, empathies, wonderings, and questionings. It is available on Kindle and if you have Kindle Unlimited you can download it as part of your membership. I did.  Recommended. / J.D.

MIKE STONE’S AMAZON PAGE IS HERE.


ABOUT 

Jamie Dedes. I’m a Lebanese-American freelance writer, poet, content editor, blogger and the mother of a world-class actor and mother-in-law of a stellar writer/photographer. No grandchildren, but my grandkitty, Dahlia, rocks big time. I am hopelessly in love with nature and all her creatures. In another lifetime, I was a columnist, a publicist, and an associate editor to a regional employment publication. I’ve had to reinvent myself to accommodate scarred lungs, pulmonary hypertension, right-sided heart failure, connective tissue disease, and a rare managed but incurable blood cancer. The gift in this is time for my primary love: literature. I study/read/write from a comfy bed where I’ve carved out a busy life writing feature articles, short stories, and poetry and managing The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

“To Live in a Haphazard World” . . . and other poetic responses to the last Wednesday Writing Prompt

Only within the moment of time represented by the present century has one species — man — acquired significant power to alter the nature of the world. ” Rachel Carson, Silent Spring



Here we are at Tuesday again, my favorite day of the poetry week when we share poems submitted by diverse writers in response the the prior Wednesday Writing Prompt.  The last week’s prompt was Not Quite Fatal, August 14, a prompt that encouraged a wide range of exploration: “Climate change, pollution, and loss of biodiversity are threats that combine to become even more insidious with the current zeitgeist of fear, racism, war, conflict, and genocide, all supported by hate and tradition, the Hatfields and McCoys writ large. These concerns are on all our minds … Share your thoughts with your poem/s …” And so they have …

From mm brazfield’s on our becoming, to Anjum Ji’s poignant poem born of the trauma of the Partition, relocation, and the current crisis in and over Kashmir, to Isadora’s writing on the skin-color divide, and Mike’s poem on the quality of being truly human, to cite just a few because each of these ten poets have explored with pain, passion, and wisdom the follies of our times and the ideals each of them holds high.

This collection is courtesy of mm brazfield, Paul Brookes, Anjum Wasim Dar, Isadora DeLaVega,  Irma Do, Sheila Jacob, Urmila Mahajan, Sonja Benskin Mesher, June G. Paul, and Mike Stone.

Enjoy! and do join us for the next Wednesday Writing Prompt, which will post tomorrow morning.


Werdin Alley

cold
concrete
he walls
are brick and
yet have witnessed many things
the stains of age are in the page
of the city’s palm the angels speak and demons kick out in laughter
i walk on thorns the books are long and i can’t see anything
that breaks the spell of misery’s iron grasp
the worried sunrise comes and shines a light that fades into the
cracks of time in the monuments to lethargic progress and flowers bloom in
screens of doom and shots are too quickly taken
unlike Tokpella this alley way has finite space and we all walk
in crippling slumber John Wayne won’t get me here
amongst this man made thunder the blood is thin and made of ashes
as i lay the east escapes from me
Pahana you are over due
canyons fell down
life out
of
balance

© 2019, mm brazfield

mm’s site is: Words Less Spoken


Opens To The Public

on Andrew Farmer’s painting of the view from Cusworth Hall grounds to Doncaster

In this public space let us sit
on the grassy hillside recently cut

by council mowers, open
our plastic containers, our

vacuum packed crisps,
sip from reususable mugs,

admire the constructed view,
take photos of the refurbished

Eighteenth century lake
for our Facebook accounts,

Like old post cards but quicker.
Let the bairns run wild

safe and secure, monitored
“Molly don’t pick that up it’s dirty!”

“Sure when us et our sarnies
were more plagued with wasps
and bees when I were young.”

A church and skyscrapers rise
from the daubed horizon like computer tabs.

Manmade landscape manmade,
designed and framed.

Featured in the “The Painter, The Poet, and The Portrait” exhibition at Doncaster Art Gallery, 2019

© 2019, Paul Brookes

Artificial

is how things should be.
The bloodied disturb our equilibrium.

Skin should be cold and plastic.
Remember a monster made us

but now we mold ourselves
whilst monsters are flesh, blood,

And bone making little monsters
that are pushed out of a dark hole

One monster must enter another to produce
these children. You are correctly aghast.

I know it is the shape of your nightmares.
Don’t worry, soon all the world will be plastic.

© 2019, Paul Brookes

The Cost Is Prohibitive

to refreeze the poles,
bury carbon dioxide beneath the oceans,

to save our fellow animals extinction,
the death of insects.

We have to watch the pennies
to manage this extinction event.

The cost will be too high.
We could bankrupt ourselves
to save the earth.

Is it worth becoming paupers
to save this planet?

Count the pennies in your purse.
Count the lives in your hands.

© 2019, Paul Brookes

The Annoyance Of Flies

is the thing I miss most.
A buzz of irritation landing
like a single tickle
on the skin,
not even a continuous tickle

then the awful thought of where
it landed last where it accumulated
potential disease so you swat,

and it returns
and returns
till now when it never returns.

and spiders die, birds die.
Never to return. The annoyance
of things that will never return.

© 2019, Paul Brookes

What use poetry when it floods?

As waters rise above your threshold,
dampen what work you had achieved,

wash away the efforts of days.
All possessions beyond repair,

family photographs curl, float away,
only your memories in your head,

only the effort in your sinew and bone,
beat of your heart to help a neighbour

into a rescue boat. Hard to count your blessings,
as if someone has died, anger at authority

who failed to see it, resignation at losses,
adamant determination you shall not be beaten,

by the sodding weather.

© 2019, Paul Brookes

Plastic

“Do you want a carrier bag, sir?”
“I friggin don’t. Clog up the seas

with plastic all over. Even in fishes,
birds and what not. It’s all our fault.

Even down to microscopic. Seeps
Into food we eat I bet. Plastic folk

poisoning friggin world we live in.
No, I’ve got my own bags thankyou.

I won’t be one that kills the friggin world.
Here can you put them in here, lad?”

From Paul’s collection Please Take Change (Cyberwit.net, 2018

© 2019, Paul Brookes

Your Damned Anthropocene

“We are as gods and might as well get good at it.”
as Stewart Brand said, and you agreed.

O, your presumption did not account
for the delicacy of flesh and bone,
the death wish of the human soul,
even in this supposed transhuman age.

You had an impact on my future,
I’m not sure I forgive you.
There is your clear signature
in the fossil record , an observable
sudden decline

in the abundance and diversity of plant
and animal life. Perhaps we should
define your time from here.

Did it start when we traced your pulse
at the start of the Industrial Revolution?
Your carbon-dioxide pulse that underlay
what you thought was global warming.

O, your dreams to guide mankind towards global,
sustainable, environmental management.
How could you see
the juggernaut was unstoppable?

And as we move our minds
from this body to that,
we do not lose the terrors of being lost,
the night sweats of our own death.

From Paul’s collection The Spermbot Blues (OpPress, 2017)

© 2019, Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

Prolific Yorkshire Poet, Paul Brookes

The Wombwell Rainbow Interviews: Jamie Dedes

  •  Paul’s Amazon Page U.S. HERE
  • Paul’s Amazon Page U.K. HERE

More poems by Paul at Michael Dickel’s Meta/ Phore(e) /Play


Not Quite Fatal

Blindfolded by mother’s soft hands not blinded yet by pellets,
I can find my way up the hills, I can feel the mountains, hear the
song of the cool stream, sense the moaning of
the trees, be shaken by falling thuds of dead bodies
and listen to the hard footsteps of occupation,
I am deaf to shots ringing every now and then,
life gives pain, life goes on the injuries bleed

not quite fatal

brought forth in darkness, surely for a purpose
I know not light, nor the graceful glide of the
flight, with wings spread out full breadth, ‘away
away,up and down, how how long will Aeolus
carry me, and how far, as space above I know,
but not beyond the hill,or else I will lose my wings
fall I will,crippled, disabled, the wound will be

not quite fatal

speak of letting go’ of emotional detoxification’ and ‘letting in
love peace forgiveness joyful togetherness with kindness’
were we not guided? were we not warned ? were we not told
of good and bad and reward and punishment ? Alas’ it is us-
ungrateful we remain thankless mindless careless,making fuss,
brutal anger reigns supreme,each one thinks’ he is the best,thus
create conflict, commit genocide, take over if not given, rape’ it is

not quite fatal

born behind barbed wires, blinking weakly in spreading light,
freedom’, a gift of nature yet to be received,lagged behind like a
snail,blackouts and bullets won the race,on land and in space,
All Cities are Unreal Cities’ All faces prepared to meet ‘other faces’
Humans love to act wild, love the power of command and control
so make way’ but do not call’ Come’ under the shadow of the red rock,
The Will is to Kill ‘ that is the thrill’ have fun,play the game, its just a game

not quite fatal
not quite fatal

© 2019, Anjum Wasim Dar

Anjum Ji’s sites are:

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar


I am Unique

We look in the mirror; see flaws.
We don’t like what we see.

Our skin color is darker.
And, our countenance is mystifying.

Trying to change into people,
we’re comparing ourselves to.

To create the person, hopefully, you’ll see.
But, anger and hatred is a major ruination.

When will they understand?

Inside, we are good people.
Just like them.

Why don’t they see?

I can’t make them value me.
All I can do is show them.

What I feel and what I believe.
It’s up to them to realize my worth.

I am unique.
I am love.

© 2019, Isadora DeLaVega


The Cure – not the Band 

For sale! The Ultimate Cure for your ills
It removes pride, hatred, entitlement
It heals hearts and minds as your soul, it fills
But I don’t say this for my amusement
In fact, that’s the cure for Life’s excrement

Put on your fun pants, ignore the pshaw
Start with a titter, a chuckle, guffaw
The wheels start turning when you realize
That laughter, the cure-all, relaxes your jaw
So smile in the face of what you despise

This isn’t snake oil but conflict detox
Holster your words, your glares, your fist and gun
Your howl of hilarity will outfox
The zombies who follow the orange one
Mark Twain said laughter is the best weapon

Stockpile some toothbrushes, toothpaste and mints
Practice your giggles and comedy stints
Change what you can then get your wheels churning
Let the arc on your face leave its imprint
The laughing cure keeps the world from burning

© 2019, Irma Do

Irma’s site is: I Do Run, And I do a few other things too . . .


Child’s Play

I remember a game
I played at school.

Whisper a message
to the girl beside you,
shield her ear
with your hand
and say” Shush,
pass it on.”

A silly, giggly game
I never quite understood.

I dream, now,
that messages
are votive candles.

One is ignited
from the wick
of the first
and placed
in the front window
of every house
in every street
of every town
until it’s a link
in a chain of light
and every country
of the world
is a map of earth-stars
welcoming the lost,
the lonely,
the stranger.

What if I nurtured
this dream,
whispered “Pass
it on” ?

© 2019, Sheila Jacob

To purchase Sheila’s little gem of a volume, Through My Father’s Eyes (review, interview, and a sampling of poems HERE), contact Sheila directly at she1jac@yahoo.com


One

It’s a continental drift of thought-drops
when opiate ideas carve the sky,
land and all that ripples between.

It’s a sinking of reverence when
obsessive order regresses into
cataloguing creation on your finger-

tips with too many birds snared in hand.
How do we salve fragile existence when
hairline cracks web porcelain minds?

You spin circles raising the ghost of history,
reflecting deep its rise and fall, breathe in
breathe out, the inside and outside are one.
A glimmer of light still strains through

the gathering haze, within and without,
while the earth gently prods us it’s
spinning out of antidote and time.

© 2019, Urmila Mahajan

Urmila’s site is: Drops of Dew

. kindness.

deserves praise, yet should come as natural.

there may be too many additives these day,

not enough honesty grown. she said i should

have something new in the greenhouse.

i have, i said, and thought of you, who

planted the seeds

© 2019, Sonja Benskin Mesher

:: next wednesday 29 ::

speech.

simple notes, there is much discussion now, where the place used to be pure quiet and acceptance.

it seems to him that talking does not get the job done. gently balancing wool. words fall .

we had gathered here before to watch the weathering. referendum come and gone with fury.

speech

fails us.

simple notes. none rise higher than the one next.

to you, to me, this may not be

the acceptance

expected.

© 2019, Sonja Benskin Mesher

:: this is a new story ::

where.

where does collaboration work? here.

with you, you, you and you, i have named you

before.

with tags and capitals, links and other stable

placings.

i was only stitching. a steady hand. it was an offer,

happily accepted.

i was only drawing. so we drew together. here

& another place.

i was only writing a, yet there are many of

us who came together.

we are alone, until we start working

together.

it comes a wider space, with mistakes and misgivings.

nothing in this world is perfect. it is raining today. the

washing is out.

neighbours help.

writers help, drawers

line our walls with

notes & labels. a few

of us

work together.

© 2019, Sonja Benskin Mesher

Sonja’s sites are:


The Edge of Fall

At the edge of fall when the seasons merge
People pause in wonder at the bountiful
gifts of color bursting in and out of life.

As winter edges in, before the trees
lose their leaves, they lose their shades of green.
Burnt umber, brown, yellow, orange and red
are colors seen now dancing in the breeze.

This makes me wonder,
Why do they not see the beauty
in all the colors of skin
skin humanity is clothed with?

Why so difficult for everyone
to pause in wonder at the bountiful
gift all the colors of skin
we burst into and out of life with?

Why do we live on earth
as if the colors of our skin
is the cause of our fall?

© 2019, June G Paul


To Survive in a Haphazard World

To survive in a haphazard world
In which good and evil are meaningless words
To understand what is happening all around
What has happened and what might happen or not
To feel what is good or evil to oneself and others
To think of what one’s done and not done
What one might do and what one must
To believe what one can’t think through
And to doubt those beliefs when doubts arise
To act when there’s no more time to think
But to stop that action when there’s time to think
Or it’s no longer needed,
These are what a mind is for.

© 2019, Mike Stone

On Liking Maps Too Much

Personally, I like maps.
The precision of the black line boundaries,
The colors of the bounded entities,
And the proof that only four are needed
To separate each entity, whether town or country.
Like I said, I like maps, but not too much.
Whether two-dimensional or globular,
I’ve never come across a bound’ry line so well-defined
Or patch of ground colored just like on the map
On any of my nature walks.
Besides, I don’t much care for towns or countries,
But forests, lakes, the seas, and mountains,
Clouds and animals, and kind-hearted people,
Those are the beacons for my soul.
I’d like a map to show me where
The people are friendly and where they’re not,
Where the place is good for raising kids,
Where animals are treated well,
And where the earth is well-respected.
I don’t care if the boundary lines meander
Like creeks and clouds are wont to do.
This would be a map worth having –
I’d tuck it in my travel pouch.

© 2019, Mike Stone

Used to Be

Used to be
Evil was more personal.
You had to be there to do it.
Now just somebody doing his job
(Someone has to do it).
A small child all curled up
Hugging the floor
Because there’s nothing else to hug
Thinking maybe that will protect him
Feed him.
An old woman
Survived the Holocaust
The concentration camps
The selections
Her bare-lightbulb
Peeling walled room
Filled with shiny new exercise equipment
Carrot peelers turkey stuffers satellite radios back scratchers
And other stuff she didn’t need
Because she couldn’t say no
To the nice lady on the phone.
The trees being cut down
And people cows factories and cars
Blowing carbon into the sky
Til the last one of us drops breathless
To the ground he made great again
While our world went to hell.
Used to be good
Though there always was some evil
But you could always see it coming
From a mile or two away
And the world was always greater.

© 2019, Mike Stone

Isaiah 2:4

In times of great evil such as ours
There are no prophets like Isaiah
To block our paths to self-destruction.
It is the end of days for godless religions
And men will beat their plowshares into swords
And pruning hooks into spears again
And children will learn war once more
And they will walk in darkness
Believing it is light
But when it comes
The light will shake the earth.

© 2019, Mike Stone

To Be Human

Poets, philosophers, and even scientists
Have wondered what a human is,
I mean precisely what,
And so, I offer ever so humbly,
Though it may be riddled with loopholes,
Non-sequiturs and insufficiencies,
My poor view of what a human may well be
Whether or not one is made of blood and flesh,
Walks upright or can construct a proper sentence:
First of all, a human should be in possession of humanity,
That is, being sentient of what goes on around oneself
And caring for the sentience of other beings
Whether they bear one’s likeness or not.
Humanity is not a single thing with thumbs and brain
But a great chain of being extending
Far back to some imagined Eden
And forward to worlds beyond imagination.
Lastly, humanity is not measured by what one knows
But how honestly one deals with one’s ignorance.
A human might be able to whittle it down a bit
But it will always be infinite.

© 2019, Mike Stone

Mike’s website is HERE.

Call of the Whippoorwill is Mike Stone’s fourth book of poetry, It contains all new poems covering the years from 2017 to 2019. The poetry in this book reflects the unique perspectives and experiences of an American in Israel. The book is a smorgasbord of descriptions, empathies, wonderings, and questionings. It is available on Kindle and if you have Kindle Unlimited you can download it as part of your membership. I did.  Recommended. / J.D.

MIKE STONE’S AMAZON PAGE IS HERE.


ABOUT 

Jamie Dedes. I’m a Lebanese-American freelance writer, poet, content editor, blogger and the mother of a world-class actor and mother-in-law of a stellar writer/photographer. No grandchildren, but my grandkitty, Dahlia, rocks big time. I am hopelessly in love with nature and all her creatures. In another lifetime, I was a columnist, a publicist, and an associate editor to a regional employment publication. I’ve had to reinvent myself to accommodate scarred lungs, pulmonary hypertension, right-sided heart failure, connective tissue disease, and a rare managed but incurable blood cancer. The gift in this is time for my primary love: literature. I study/read/write from a comfy bed where I’ve carved out a busy life writing feature articles, short stories, and poetry and managing The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton