Sept. 17: Livestream of Digital Disinformation and the Threat to Democracy hosted by FEC Chair Ellen Weintraub, PEN America, and Stanford’s Global Digital Policy Incubator

“Democracy is the worst form of government, except for all the others.” Winston S. Churchill



On September 17, scholars, policymakers and representatives from major social media platforms will meet at the Federal Election Commission’s headquarters in Washington to discuss how best to combat digital disinformation in the run-up to the 2020 election season. The daylong symposium – hosted by FEC Chair Ellen Weintraub, PEN America, and Stanford’s Global Digital Policy Incubator – is designed to frame and understand the risks and challenges posed by misleading ads, posts, and messages and how that disinformation could impact the upcoming campaign and election.

WHAT: “Digital Disinformation and the Threat to Democracy: Information Integrity in the 2020 Elections”

WHEN: Tuesday, September 17 from 9am until 12:45pm

WHO: Remarks from Sen. Mark Warner, Rep. Stephanie Murphy, former DHS Secretary Michael Chertoff; additional confirmed speakers include Ellen Weintraub, chair of the US Federal Election Commission; Suzanne Nossel, PEN America CEO; Eileen Donahoe, Stanford University’s Global Digital Policy Incubator executive director; Ginny Badanes of Microsoft; Graphika’s Camille Francois; Twitter’s Kevin Kane; Lou Jacobson, PolitiFact senior correspondent; Nate Miller of Avaaz; Laura Rosenberger of the Alliance for Securing Democracy; Google’s Clement Wolf; and Kara Swisher, The New York Times writer and editor-at-large for Recode.

WHERE: Federal Election Commission, Hearing Room, 1050 First St. NE, Washington DC 20463

LIVESTREAM: HERE

AGENDA:

8:00: Doors open
8:30 – 9:00: Coffee & registration
9:00 – 9:10: Introduction: Framing the challenge
9:10 – 9:45: Keynote: Senator Mark Warner of Virginia
9:45 – 11:00: Session 1 Understanding the global challenge: How disinformation and new technologies affect the way people think & what we have learned from the international experience
11:00 – 12:45: Session 2: Facing the challenge in the U.S.: Solutions in the fight to save the 2020 elections
12:45 – 1:00: Closing and next steps

Afterward, the symposium organizers will distribute a list of recommendations and calls to action addressed political actors, tech companies, journalists and policy makers.

****

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible. PEN America is headquartered in New York City, with offices in Los Angeles and Washington, D.C.


ABOUT 

Jamie Dedes. I’m a Lebanese-American freelance writer, poet, content editor, blogger and the mother of a world-class actor and mother-in-law of a stellar writer/photographer. No grandchildren, but my grandkitty, Dahlia, rocks big time. I am hopelessly in love with nature and all her creatures. In another lifetime, I was a columnist, a publicist, and an associate editor to a regional employment publication. I’ve had to reinvent myself to accommodate scarred lungs, pulmonary hypertension, right-sided heart failure, connective tissue disease, and a rare managed but incurable blood cancer. The gift in this is time for my primary love: literature. I study/read/write from a comfy bed where I’ve carved out a busy life writing feature articles, short stories, and poetry and managing The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications Poets Advocate for Peace, Justice, and Sustainability, YOPP! , September * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

100TPC Read a Poem to a Child Compilation & Curriculum; U.S. Library of Congress Literacy Awards

POETRY IS GOOD FOR DEVELOPMENTAL LEARNING In child education, children’s verbal and written skills are somewhat underdeveloped. Poetry helps by teaching in rhythm, stringing words together with a beat helps cognitive understanding of words and where they fit. Additionally, it teaches children the art of creative expression, which most found highly lacking in the new-age educational landscape. In essence, poetry gives them a great tool for developing one’s self.” MORE Robert Lee Brewer, Senior Editor of Writers’ Digest



READ A POEM TO A CHILD WEEK

September 23rd – September 28th 2019

The compilation and curriculum are the result of a collaboration among 100,000 Poets for Change, Florida State University, and Reading Is Fundamental with selections from The John MacKay Shaw Childhood in Poetry Collection of Florida State University Libraries Special Collections and Archives.

Download the Poetry Compilation for Readers.pdf

Download the curriculum Simple ways to make poetry engaging 2.0  and the poetry workbook.

Freely accessible Sound Cloud playlist of 100TPC Read a Poem to a Child Initiative



“As centuries of dictators have known, an illiterate crowd is the easiest to rule; since the craft of reading cannot be untaught once it has been acquired, the second-best recourse is to limit its scope.”  Alberto Manguel, A History of Reading



Three organizations working to expand literacy and promote reading in the United States and worldwide will be awarded the 2019 Library of Congress Literacy Awards at the National Book Festival gala, Librarian of Congress Carla Hayden announced yesterday.

Hayden and philanthropist David M. Rubenstein will award the top prizes to: ProLiteracy Worldwide of Syracuse, New York; American Action Fund for Blind Children and Adults of Baltimore; and ConTextos of Chicago.

David M. Rubenstein

The Literacy Awards, originated by Rubenstein in 2013, honor organizations doing exemplary, innovative and replicable work. They spotlight the need for communities worldwide to unite in working for universal literacy.

“Literacy is the ticket to learning, opportunity and empowerment on a global scale,” said Librarian of Congress Carla Hayden. “Through the generosity of David M. Rubenstein, the Library of Congress is proud to honor and celebrate the achievements of these extraordinary organizations in their efforts to advance reading levels and give people the foundation for a better life.”

Prizes and Recipients

David M. Rubenstein Prize ($150,000): ProLiteracy Worldwide, Syracuse, New York
ProLiteracy Worldwide advances and supports programs to help adults acquire literacy skills needed to function more effectively in their daily lives. It has 1,000 member programs across 50 states and works with 30 partners in 25 countries to provide a wide range of adult literacy and basic education services to vulnerable populations. ProLiteracy builds capacity among frontline literacy providers by modeling proven instructional approaches, developing affordable, evidence-based learning resources, and providing professional development and technical assistance. ProLiteracy was formed by the 2002 merger of Laubach Literacy International (founded in 1955) and Literacy Volunteers of America (founded in 1962). For more than 60 years, ProLiteracy has scaled successful practices and driven advocacy efforts by activating its grassroots network, resulting in a broad and sustained effort to improve and advance adult literacy at the community level.

American Prize ($50,000): American Action Fund for Blind Children and Adults, Baltimore
Established in 1919, the American Action Fund for Blind Children and Adults is a service agency that assists blind and deaf-blind persons in securing reading matter, educates the public about blindness, provides specialized aids and appliances to the blind, gives consultation to governmental and private agencies serving the blind, offers assistance to those losing vision in their later years, offers services to blind children and their parents, and works toward improving the quality of life for the blind and deaf-blind. This includes services such as free braille books, free braille calendars and free white canes. Central to the organization’s work has been a commitment to braille literacy and the knowledge that braille is the only true means for literacy for the blind.

International Prize ($50,000): ConTextos, Chicago
ConTextos brings literacy to schools, prisons and communities in El Salvador via two programs: Soy Lector (I’m a Reader) and Soy Autor (I’m an author). The Soy Lector Program trains local community members and teachers to develop libraries to encourage reading and the discussion of ideas in the community and schools. The Soy Autor Program encourages youth affected by violence to write their memoirs. Through this writing exercise, they work through the effect that violence has had on their life, either as a victim or perpetrator. In the process, participants develop critical literacy skills. The program has been replicated in Guatemala and Honduras and continues to grow. To date, ConTextos has created 84 libraries across El Salvador; 11,092 students have access to high-quality books; and 853 young authors have published their memoirs.

The Library of Congress Literacy Awards Program is also honoring 15 organizations for their implementation of best practices in literacy promotion. These best practice honorees are:

  • Bring Me a Book, Redwood City, California
  • The Conscious Connect, Springfield, Ohio
  • Friends of Matènwa, Cambridge, Massachusetts
  • Hartford Public Library, Hartford, Connecticut
  • The Jane Stern Dorado Community Library, Dorado, Puerto Rico
  • Literacy for Incarcerated Teens, New York City
  • LitWorld International Inc., New York City
  • Meridian Library District, Meridian, Idaho
  • Nal’ibali Trust, Cape Town, South Africa
  • One World Education, Washington, D.C.
  • The PEN/Faulkner Foundation, Washington, D.C.
  • Razia’s Ray of Hope, Wellesley, Massachusetts
  • Ready for Reading, Dorset, Vermont
  • Riecken Community Libraries, Washington, D.C.
  • Western Massachusetts Writing Project, Amherst, Massachusetts

David M. Rubenstein is the co-founder and co-executive chairman of The Carlyle Group. He is a major benefactor of the Library of Congress and the chairman of the Library’s lead donor group, the James Madison Council. More information on the awards is available at read.gov/literacyawards.

The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov; access the official site for U.S. federal legislative information at congress.gov; and register creative works of authorship at copyright.gov.



ABOUT 

Jamie Dedes. I’m a Lebanese-American freelance writer, poet, content editor, blogger and the mother of a world-class actor and mother-in-law of a stellar writer/photographer. No grandchildren, but my grandkitty, Dahlia, rocks big time. I am hopelessly in love with nature and all her creatures. In another lifetime, I was a columnist, a publicist, and an associate editor to a regional employment publication. I’ve had to reinvent myself to accommodate scarred lungs, pulmonary hypertension, right-sided heart failure, connective tissue disease, and a rare managed but incurable blood cancer. The gift in this is time for my primary love: literature. I study/read/write from a comfy bed where I’ve carved out a busy life writing feature articles, short stories, and poetry and managing The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Opportunity Knocks: “The BeZine” September Activities; 6 Calls for Submissions, 3 Competitions

“Looks like what drives me crazy
Don’t have no effect on you–
But I’m gonna keep on at it
Till it drives you crazy, too.”
Langston Hughes, Selected Poems



Of Note: 

The current Wednesday Writing Prompt is still open for participation.  Poems on theme will be published next Tuesday.

Opportunity Knocks replaces Sunday Announcements. I post it when there are enough leads. Many leads are only announced on The Poet by Day Facebook Page.

Links to articles, events and news of interest to poets and writers are regularly published on The Poet by Day FaceBook Page.  

You are welcome (encouraged) to share your work and announcements on The BeZine Arts and Humanities Facebook Group Page

MARK YOU CALENDAR: SEPTEMBER 28, 2019 is 100,000 POETS FOR CHANGE, GLOBAL, 2019 and THE BeZINE 100,000 POETS FOR CHANGE VIRTUAL EVENT, with Michael Dickel as master of ceremonies. Look for updates on this site, The BeZine, and at 100tpc.org



“This is a space where we hope you’ll delight in learning how much you have in common with “other” peoples. We hope that your visits here will help you to love (respect) not fear.

“We acknowledge that there are enormous theological differences and historical resentments that carve wedges among and within the traditions and ethnic or national groups, but we believe that ultimately self-preservation, common sense, and human solidarity will empower connections and collaboration and overcome division and disorder.” excerpt from The BeZine Mission Statement

CALL FOR SUBMISSIONS FOR

Our Annual 100,000 Poets and Friends for Change Issue

September 2019

Calls for submissions of poems, feature articles, fiction, creative nonfiction, art and photography, music videos, and documentary videos on the themes of peace, sustainability and social justice is open now through September 10, 2019.

ART & PHOTOGRAPHY: Note we also are looking for something special to be the header for The Table of Contents Page.

Your original previously published work may be submitted as long as you own the copyright.

NO simultaneous submissions for September please.

Email submissions to bardogroup@gmail.com. Please note in your subject line: For Zine September 2019.

Among the guidelines: our core team, our guest contributors, and our readership are international and diverse. No works that advocate hate or violence, promote misunderstanding, or that demean others are acceptable.

The BeZine is an entirely volunteer effort. While we do not pay for content, neither do we charge submission or subscription fees.

The BeZine is featured by
pf poetry
Second Light Live newsletters, website, and magazine
Duotrope®



CALLS FOR SUBMISSIONS

AUTHORS PUBLISH MAGAZINE publishes feature articles (250-1200 words) and eBooks about writing and publishing. Paying market. No submission fee. Details HERE.

JET FUEL REVIEW is published by Lewis University and is open for submissions of fiction, artwork, creative nonfiction, and poetry through October 15, 2019 for its fall issue. No submission fee. No payment. Details HERE.

NEWFOUND is open as of today for submissions of fiction, flash, creative nonfiction, poetry, translation, and visual arts for its Spring 2020 issue themed Virtual Realities. No fee. Honorarium. Details HERE.

THE SOUTHEAST REVIEW is published by the English Department of Forida State University. It is a biannual review that featuring poetry, literary fiction, creative nonfiction, book review, interviews, and art. Reading fee: $3. Details HERE.

YOPP! is a social justice blog dedicated to civil rights education, elevating voices of marginalized people, and reducing oppression through the publication of opinion pieces, media critiques, creative non-fiction, narratives, interviews, content reviews and recommendations, compilations of resources, opportunities to help others, advanced activism theory, humor, grief, empathy, Your Story. No submission fee.  Details HERE. Read an interview with Yopp! founder/editor/curator, Kella Hanna-Wayne:  Putting the “Active” in Activism

COMPETITION

15TH ANNUAL WRITER’S DIGEST POPULAR FICTION AWARDS is open for entries through September 16, 2019. Short story (up to 4,000 words) categories are: Romance, Thriller, Crime, Horror, Sci-Fi/Fantasy, and Young adults. Entry fee. Cash award and other benefits. Details HERE.

2020 NEWFOUND PROSE (fiction or nonfiction) PRIZE is open for entries from 15 September 2019 to 15 March 2010, Reading fee: $15. Cash award, publication, and contributor copies. Details HERE.

THE PENN REVIEW POETRY AND FICTIONS PRIZES are open through October 15 2019.  Entrance fee: $10. Cash award $1,000 and publication. Details HERE.



ABOUT 

Jamie Dedes. I’m a Lebanese-American freelance writer, poet, content editor, blogger and the mother of a world-class actor and mother-in-law of a stellar writer/photographer. No grandchildren, but my grandkitty, Dahlia, rocks big time. I am hopelessly in love with nature and all her creatures. In another lifetime, I was a columnist, a publicist, and an associate editor to a regional employment publication. I’ve had to reinvent myself to accommodate scarred lungs, pulmonary hypertension, right-sided heart failure, connective tissue disease, and a rare managed but incurable blood cancer. The gift in this is time for my primary love: literature. I study/read/write from a comfy bed where I’ve carved out a busy life writing feature articles, short stories, and poetry and managing The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Women Poets, Here’s an update on Second Light Poetry Competition and information on ARTEMISpoetry Call for Submissions

Artemis pouring a libation, c. 460-450 BCE photo  courtesy of Jastrow and generously released into the public domain

“So many more women have found now their voice. Let’s celebrate poets who excite us, from Emily Bronte (say) to Jorie Graham (say). We can also start thinking seriously about differences and about inflated reputations. Let’s be wary about ‘celebrity status’. This tends to narrows true appreciation. Read voraciously. Include lesser known poets and dead poets. You will be impressed by how much exciting writing is on offer.” Convener (Founder) of Second Light Network of Women Poets, Dilys Wood, in an interview in The Poet by Day HERE.



SECOND LIGHT POETRY COMPETITION is open for entries of poetry by women on August 6th. The competition includes first prizes for best long length poem [no length limit] and best short length poem, as well as 2nd and 3rd prizes and commendations publication in ARTEMISpoetry magazine for all these [or extracts in the case of long poems]. Also readings to prize winners and commended poets. For full details got to Second Light Live HERE

UPDATE: I’ve published the announcement on this competition twice, once HERE and then again yesterday included in Opportunity Knocks. According to the guidelines HERE: “Poems on any subject. Must be the unaided work of the writer and must not have been previously published unless in a magazine only.” I asked for clarification and Myra Schneider and Dilys Wood confirmed that “magazine” includes Zines and personal blogs. Good news for those of us who publish online and have been included in digital publications. Note the deadline is August 4th but you may submit via email, so go for it.  Good luck.


ARTEMISpoetry is the bi-annual journal (May and November) of the Second Light Network of Women Poets, published under their Second Light Publications imprint. Members receive a copy as part of their membership benefits. Issues are available to non-members by subscription at £9 p.a. or as a one-off purchase at £5 a copy (plusp&p).

Prices with p&p:
Subscription:   UK £12,   Eur £17,   ROW £20
Single Issue:   UK £6,   Eur £9,   ROW £10

Cheque payable to “Second Light” and send to Administrator, Anne Stewart at 20 Clovelly Way, Orpington, Kent, BR6 0WD. Please use the Subscription order form and include your telephone number with your order in case of query. Or you can subscribe online here. Enquire for back copies and/or Sold Out issues as pdf for £4 (e-mail Administrator editor@poetrypf.co.uk).

See Dilys Wood’s Guest Blog on Ambitious Women Poets at Brittle Star

ARTEMISpoetry at the Poetry Library’s digital archive

ARTEMISpoery (& Myra Schneider/John Killick’s Writing Your Self at the Bluebell Books blogspot

ARTEMISpoetry at Abegail Morley blogspot

Submission Guidelines

Submission is open to women only, including non-members. We aim to publish new work, so submissions should be unpublished (by ‘published’ we mean: in print, on the internet or by way of media broadcast or on CD), and not ‘out in submission’ elsewhere, whether to magazines or competitions.

ARTEMISpoetry Issue 23, November 2019 (& Issue 24, May 2020)

Editors for Issue 23 are: General & Artwork – Dilys Wood and Myra Schneider; Poetry – Anne Stewart.

Readers’ Letters are invited. Comments on the journal’s content or anything you would like to see discussed in relation to women’s writing. (max 100 words).

All submissions: submit paper copy initially to Dilys Wood, 3 Springfield Close, East Preston, West Sussex, BN16 2SZ. Please write “ARTEMISpoetry” on your envelope. (Enquiries only: e-mail Administrator editor@poetrypf.co.uk)

Poems: Issue 23 deadline – 31st August 2019

Poems by women of any age. Poems should be typed, or if written, then very neatly. Each poem should commence on a new page, headed “Submission for ARTEMISpoetry”. Please SEND TWO COPIES. Do include your name with each poem and include your name and full contact details in your submission. Long poems are considered. Submit up to 4 poems to a maximum of 200 lines in all. Our line counts are for poem (and any footnote) text lines only, so excluding titles and breaks.

Contributors whose poetry is accepted will be notified by 31st October 2019.

Poetry Editor: Anne Stewart, whose latest collection is The Last Parent, published in April this year by Second Light Publications. She has an MA (Dist.) in Creative Writing from Sheffield Hallam. Awards include The Bridport Prize (2008), the Southport Poetry Prize, the Silver Wyvern (Poetry on the Lake, Italy), and a Hawthornden Fellowship. She created and runs the poet showcase site poetry p f. More at Anne’s website.

Artwork: Issue 23 deadline is 14th September 2019

Black/white photographs or line-art, maximum of 4 pieces. Please give a title for each work. We are looking to include a wide range of subject-matter and style. Images which work best have good definition and contrast. … Paper copy to Dilys Wood (as above)

Contributors whose artwork is accepted will be notified by 31st October 2019.


“SECOND LIGHT is affirming and creative, thoughtful and wide-ranging. It is unique in offering practical advice, support, activities geared to promoting visibility and publication outlets for older women poets.” Poet, Katherine Gallagher


ABOUT

Recent in digital publications: 
* Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)(July 2019)
* Over His Morning Coffee, Front Porch Review (July 2019)
Upcoming in digital publications:
* The Damask Garden, In a Woman’s Voice (August 2019)

A busy though bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Levure littéraireRamingo’s Porch, Vita Brevis Literature, HerStry, Connotation Press, The Bar None Group, Salamander CoveI Am Not a Silent Poet, Meta/ Phor(e) /Play, Woven Tale PressThe Compass Rose and California Woman.

I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a virtual literary community and publisher of The BeZine of which I am the founding and managing editor. Among others, I’ve been featured on The MethoBlog, on the Plumb Tree’s Wednesday Poet’s Corner, and several times as Second Light Live featured poet.

Email me at thepoetbyday@gmail.com for permissions or commissions.