“In traditional Japanese aesthetics, Wabi-Sabi is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete.” . . . Characteristics of the wabi-sabi aesthetic include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and appreciation of the ingenuous integrity of natural objects and processes.” Wikipedia MORE
As always, all poets have come through beautifully for us, putting their own creative mark on Wabi Sabi.
Thanks for this collection go to: Gary W. Bowers, Anjum Wasim Dar, Urmila Mahajan, Sonja Benskin Mesher, Eric Nicholson, Pali Raj, and Leela Soma. Enjoy! and do join us tomorrow for the next Wednesday Writing Prompt. All are welcome to join in: novice, emerging, or pro.
wobbly sobby
on the potter’s wheel is an opportunity
to fail. the future potter rarely raises a cylinder
the first time, nor times two through ten.
getting good at wheel-throwing takes a
determination shared by marathoners
and golfers and ballroom dancers. meanwhile,
the future potter uses his wire tool
to cut heap after heap of wobbly, wet clay
from the wheelhead or the batt. when at last
a cylinder is up, there are almost always
many things wrong with it.
here is a still-future potter
and his new creation. it slumps
slightly. it wobbles
when the wheel is brought up
to trimming speed. the hat
drawn by dr. seuss for his cat
has a similar shape.
the still-future potter doesn’t care. he sobs,
but not out loud, for joy. he will never
feel as though raising a cylinder
is out of his reach. that it took
so many times, and wobbles, and sobs,
only reinforces the bedrock
of his foundation
of his becoming.
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
Philip Larkin told us Days
bring the priest and doctor
running over the fields.
On this rainy day I’m pressed
into the Day’s four walls, the cold
seeping into my bones. Restless
I’m too aware the Day doesn’t fit me;
it’s like an oversized overcoat.
My brother texts me and I reply,
Winter isn’t my favourite time,
Ditto, he replies. Afterwards
I resist thinking of summer sun
and wish I could wear each day
like a well-tailored suit.
Morning dew like jewels on spring green grass
crystals shimmering in the glow of a dawn sunrise,
drip, drip of tiny of raindrops, a soft chord
Or drizzle from heaven brushing soft on my eyelids
mist, layers of mist over rivers that flow ever so gently
Silver spray, sea foam caressing my ankle on the shore
Rippling, the swash, the crest white returning to the blue
trees swaying fiercely as autumn winds denude them
Music of orphaned leaves lying uncared for like
carpets of gold, brown and red over grey pavements
Scrunching sounds under foot, like a beat to
the hailstones falling on the roof tiles. Cold
frost and ice a chilling serape of winter hibernation
snow-sprinkled homes with a soft light in the window
nature’s notes, musical score, a beautiful symphony.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
“In my works on African culture, I am not against races or tribes, but systems that betray Africa. People must stop being stooges and writers must write against second and third colonialistic winds.” Mbizo Chirasha in an interview with The Herald HERE.
Mbizo Chirasha
We did something unusual with the last Wednesday Writing Prompt. We asked poets to respond specifically to the situation of Zimbabwean Poet-in-Exile, Mbizo Chirasha. (Not all the poets actually responded on theme, but they did respond on related issues that concern them and so we included their poems in this collection.) The purpose of the theme is to help us create awareness of the plight of our fellow poets like Mbizo and other writers, artists and activists who are directly fighting authoritarianism, despotism and kleptocracy on the front lines and putting their general welfare and even their lives at risk in doing so. These are socially-engaged creatives who are in danger from amoral govenments in their own beloved countries. We appreciate your participation as writers, readers and humanitarians in this week’s unusual and important prompt.
Mbizo writes in response to the submissions:
Great poets around the world, readers of poetry, esteemed audience of The Poet by Day: I salute you with my sincere gratitude for timeous creative support. You are word revolutionaries fighting with me in trenches for the attainment of social justice, human rights, and freedom of expression. This is as it should be. Writers should be first to shoot words, sling metaphors, and pose readily in the artistic armour to wage a resilient, creative and nonviolent war.
I am heartily touched by the amount of commitment, depth and detail in these submissions. We should remain resilient, focused strong and creative in the quest for national harmony, regional peace, and global sanity. Writers must write and continue to write to mitigate bad governance, corruption, injustice, hegemony, dictatorship, political violence, and social malaise.
Aluta continua!
Mbizo Chirasha
Our thanks to Gary W. Bowers, Paul Brookes, Anjum Wasim Dar, Mike Stone, Pali Raj, and Sonja Benskin Mesher for the richness of this collection. Countries represented in the post are: England, Kashmir, India, Israel, Pakistan, United States, and Zimbabwe.
We’ll return to the traditionally prompt response layout and inclusions next week. We’ve modified it this week out of respect for the occasion. Thank you for understanding. A brief update on Mbizo’s status (not good) closes this post.
artivist artifice artemis bolt
artivist artifice artemis bolt
wring out a dream and give despots a jolt.
artemis arm&fist activist strike
shake out a mindset and shore up a dyke.
artifice artdoesthis anarchist grow
muralize justice for over and throw.
antidote anecdote anthemnote strive
make visitations of souls kept alive.
Here is the syllabus. This will be a tough course.
Introduction will focus on the psychopathology of hard business and unwavering pursuit of profit.
We will teach you how to see people as things. Your mother and father will be unrecognisable to you, as will your kids and spouse. They are merely objects to be maneouvred.
Main course content.
1. How to steal money from public coffers, whilst supporting charitable causes. How to steal food from babies mouths, how to watch the poorer become poorer.
2. How to store stolen money in off shore accounts, defended by laws not available in your home country.
3. How to employ PR to defend your reputation, white wash your actions.
For I sang the freedom song for years
in vain, in pain,
One day I will return
O my homeland ,my heaven, land of
pure peace,
I am the native child, born in captivity
my feet never touched my beloved soil
I breathed but for a while in mother’s
lap,
In sleep, led away, far away, to refuge
One day I will return, I sang my song-
It is a nightmare
futile dream of the happy return
my earth oozes martyrs’ blood spills
resounds with raped women’s screams
burns with saffron spreads in wide fields
weeps with weeping willows in the streams
One day I will return, and I sang my song,
in vain, in pain
I am the houseboat abandoned
I am the ‘shikara’ floating,empty
I am the moaning water of Dal
I am the aroma of sweet apples
I am the snow of mountain tops
I am the color of pansies and lotus
I am the music of the ‘rubaab’
I am the child of a captive state
One day I will return I sang my song
in vain, in pain
But now my heart is silent,my voice
stilled, my feet in fetters, my home
locked, my road blocked, guarded
I am tired of pellets bullets and gas,
I am cold like a stone, no ‘Kangarri’
I carry , no greens or beans I cook
I am but a listed item, a numberless
number, a lost identity, snatched
wrenched annexed conquered
My song of freedom rings aloud
but can anyone hear? Will anyone
come? Will anyone cry for me? Or
my land, to set free? Perhaps one day,
if the music sails on, reaches the stars
Showers the rain which pours free
and washes away the mud of captivity
breaks the chains lifts the barriers and
calls-
Come Your land is yours, gone is the
enemy- but I woke up again, in pain
in vain,
I hear the fearful scream-heavy boots
shaking the soil, tearing up roots
I do not wish to sing, but pray, hope
It is all a dream-
In vain I sing, in pain I try to-sleep
it must be painful for them to write, those poets in tough-times and hard places
where blood and tears and poverty contaminate the air, stain the sidewalks, and consume the people
the blood must be soul-sick and rusted and tasting of acid, not salt,
and the poems meant to heal the writer and stroke the cheeks of the wounded,
to dry their eyes and gently kiss their gray heads
to poem in such places must be like walking shoeless on glass shards
perhaps the most sacred thing in the dream-time meadow of poets’ desire is Light ~
can you awaken to meet the Divine when you are on the run, in hiding, on the battlefield, in the camps, in government housing or in the ghettos?
if so, you are a saint, not simply an artist
2.
in my small world, my civilized world, people fall asleep reading or after making love or playing in the yard with their children
if they wander, it is through books or planned travel
there are luxuries
there is food
there is cleanliness and paper on which to write
no bombs are dropping to scorch and scar the Earth
no government thugs stalk us with ill intent
there is a certain dignity
3.
in San Francisco we walk along the beach at night, near the Cliff House
we walk to the sound of the waves, the song of the Earth chanting its joys
our feet are bare and relish the comfort of cool sand
the air is clear and cold and easy to breathe, tasting of salt and smelling of sea life ~ here is a pristine moment of peace
i want to bequeath this peace to you, to everyone,
as though it were a cherished heirloom
it is really a birthright
i want to plunge into the waters and gather the ocean in my cupped hands, to offer it to you as sacramental wine
i want to form seaweed into garlands for all of us to wear, to hang over our hearts, a symbol of affection
i want to collect pine cones from the trees that congregate along the coast and feed them to the children to remind them to cherish this Earth and all its creatures, themselves included, and to say …
do not make war in your heart or upon your mother’s body
Silent, poor, innocent, youth
They witness democratic loot
Corruption rise,
And businessmen fight when
Economic slowdown
They are blown into religious fight
They seek a person with opposite ions
When their grief rise
You call me activist, but
I must also sleep the long night
Well, activism
I haven’t wished for it, nor consented to it
I only love my nation.
The sweet pungency of rose and violets
Floats on the gentle breezes
And down the road a ways the church bells toll
As they did then.
At the shooting range, you still see bullet holes
But they buried all the targets in mass graves,
Not helter-skelter like some graveyards,
But very orderly as they were then.
The tall poplar trees surround electric fences,
They seem inviting, leaves rustling in the breeze,
A nightmare inside a blonde and blue-eyed dream,
As it was then.
They scrub the showers, ovens, and the smokestacks,
The red brick raw and spotless.
A pile of shoes stands in silent accusation
But no one hears, then as now.
And the prophet stood among a few people.
In the marketplace of ideas, there were many prophets
But this prophet spoke quietly. He said
Hatred is not a state of mind
That one can enter and leave at will;
It is a road that starts in innocence
Leading ever downhill
And ends in unplumbed evil.
I don’t tell you turn the other cheek
When struck, as another prophet said,
But I say don’t answer hatred with hatred.
Hatred comes from ignorance of others,
Thinking they are not like us,
That they don’t love their children
Or honor their parents
Or fear for their future as we do.
Why not answer hatred with hatred?
Because it creates a circle without exit or break
And perhaps their hatred comes from
Honoring their past or fearing their future.
What should you do?
When you understand those whom you call “other”
You will know what to do, and hate
Will wither like dry tumbleweed in the desert
Because there is no other,
There is only us.
Blessed are the rich
For they shall inherit the meek
And enslave them.
Blessed are the rich
Who will inherit new worlds to suck dry
After they have sucked dry our only world.
Blessed are the rich
Who make their own blessings
And the gods to bless them.
Cursed are the poor
Who bow down to worship
The gods of the rich,
Who count the blessings of the rich
Who are sucked dry by the rich
Who are enslaved by the rich.
Cursed are the poor
Who bless the curse of meekness
For their children to inherit.
A small bird landed on the branch of an old tree
Where other loudly chirping birds were perched.
The other birds on this branch twittered critically
And decided she was not one of them.
If you want to perch on our branch, they said to her,
You’ll have to cut off your right wing like all of us
And the little bird saw that the other birds
Had only their left wings. But how do you fly, she asked.
One of the birds responded by jumping off the branch,
Flapping his left wing and spiraling downward
Until he crashed beak first into a rock.
To each bird, according to its needs, the other birds tweeted.
The little bird flew to another branch on the old tree.
If you want to perch on our branch, they said to her,
You’ll have to cut off your left wing like all of us
And the little bird saw that the other birds
Had only their right wings. But how do you fly, she asked.
One of the birds responded by jumping off the branch,
Flapping his right wing and spiraling downward
Until he crashed beak first into the hard tree root.
To each bird, according to its capabilities, the other birds chirped.
The little bird flew to another branch on the old tree.
If you want to perch on our branch, they said to her,
You’ll have to cut off both your wings like all of us
And the little bird saw that the other birds
Had no wings. But how do you fly, she asked.
One of the birds responded by jumping off the branch,
But having nothing to flap, plummeted down
Until he crashed beak first into the hard ground.
We are neither left nor right, the other birds sang.
The little bird flew to another tree
And sang a two-wing song for you and me.
What use is beauty
If it merely masks an inner ugliness,
If it just confuses us
Like too much wine
Making us think we’re gods?
What good is truth
If falsehood is far more useful
For getting what you need or want
And easier to believe by far
Besides, who has time for truth?
What purpose does freedom serve
If it only starves us
or makes us lonely?
Most prefer a bond or two
To a mindless multitude.
What’s the point of words
If they are not the right words,
The precise ones that we think
Or those that others want to hear?
A hundred thousand poets for change
That’s us.
That’s what we called ourselves last year
And the year before.
So they’ve stopped lynching the poets in Arabia?
They’ve stopped stoning the raped women in Kabul?
What about the mutilation of genitals of young girls?
So they’ve stopped burning down Black churches in Bama?
Stopped desecrating the lands of our Sioux brothers?
How about the carbon they’ve dumped in the atmosphere?
Did they stop that?
Do they believe now the earth is too warm to live on?
Are philosophers kings yet?
Are kings philosophers?
I don’t mean to be cynical
But it doesn’t seem like much has changed since last year.
We’ve read a few poems,
That’s all.
Come to think of it,
Have we really changed,
Except for getting a year older?
If that’s change
Then we better change change
So that it’s palpable
So that we can feed people with it
So that people can walk tall from it
So that people can protect themselves with it
So that people can make love to it
Until change is done changing
And the world is all the Republic we need.
We’re still $295 short of the Go-Fund-Me goal. Mbizo is in hiding, without any regular source of food or access to a computer, which would facilitate his radio interview and preparing his applications for asylum and other assistance. You are able to donate anonymously through go-fund-me. Even a few dollars will help us reach goal. This effort is hosted by an organizer from International Human Rights Art Festival. If you can help in some other way, please connect with Mbizo at girlchildcreativity@gmail.com.Thank you!
“We remain resilient in the quest for justice, freedom of expression and upholding of human rights through Literary Activism and Artivism. ALUTA CONTINUA.” Mbizo Chirasha
Thank you for sharing your love of words. Comments will appear after moderation.
“May we find the language that takes us to the only home there is ~ one another’s hearts ….” from TAKING THE SKY: A Palestinian Childhood by the Palestinian-American poet, writer, educator and humanitarian, Ibtisam Barakat (ابتسام بركات).
Tuesday again! One of our fave days: Here are the responses to the last Wednesday Writing Prompt, Heart Knowledge, October 16. The poems which form today’s collection include one from Steven Tanham, new to The Poet by Day, Wednesday Writing Prompt and warmly welcome. Thanks to Steve, Gary W. Bowers, mm brazfield, Paul Brookes, Anjum Wasim Dar, Sonja Benskin Mesher, Ben Naga, Eric Nicholson, and Pali Raj we offer a heart felt (okay – corny, but I couldn’t resist) collection.
Enjoy! and do join us for the next Wednesday Writing Prompt, which will post tomorrow morning. All are welcome to come out and play, no matter the stage of your career: beginning, emerging, or pro.
In Heart
Found always within itself
Yet never discovered
You named me so that
I could wander the world
And be known
By what turned out
To be me
All along
STEPHEN TANHAM (Sun In Gemini, Steve Tanham – Writing, Mysticism, Photography, Poetry, Friends) lives in the English Lake District, where it rains all the time but is very green. He writes poems, articles and books centred around the human search for authentic love and the self’s mystical quest. He also takes a lot of photographs.
heart of the matter
i love going to the hills
atop Silver Lake
where i can see Hollywood
my home my western shore
my dusty concrete paths
winding with a promise
to all that we are alive
in the City of Illusions
and that life is no illusion after all
paradox is my goddess
and Los Angeles my church
my habit was my pope
and my grit was my curse
perhaps we all strive
to go back home to reconcile
the hemorrhaging broken vein
and that’s all we want
with an imagined ribcage like the box
schrodinger kept his imagined cat in
let us bring to thought-experiment life
a heart that is not only both alive and dead
but also both stone and gold
both weeping and exultant
hard and soft
sleevebound and hidden
light and leaden
but instead of poison
and coinflip
there would be an unknown substance
and rheostatic delivery
perhaps love potion #9
perhaps oil of cloves uncapped in a forest glade
perhaps the memory of shunning
or the sight of a breathtaking face
and the release would not be binary all-or-nothing
but any intensity from barest hint
to full blast
the physical heart of an unborn human being
may be heard through the uterine wall
and its resting rate is quicker than that
of most of the born
if my unborn daughter was typical
and as i listened to her rapid-blessed vitality
it seemed to me that her heart not only beat
but spoke
a repeated word of yearning:
wishwishwishwishwishwishwish
some day some ultrasoundish nanotech
may make available to us
a means to free our own schrodinger’s hearts
from their ribcage confines
and reveal to us via virtual emoji and annotation
a snapshot of the exact shape and substance
and level of toxicity
or salubrity
how alive
how free
and how
attuned
are our
hearts
Their long heart stretches
from sunrise to sunset
from moonrise to moonset
arcs skies as if travels
to another world.
Their short heart blinks once
at sunrise and at sunset,
at moonrise and moonset
never arcs across skies
stays where it is.
Their great value heart,
meets their expectations,
is thoughtful of others
tells them how they’re doing,
and how they might improve
is open to suggestions and feedback,
especially when things go wrong.
FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.
O Heart I never saw you nor ever will,
you give me life keep me pure and strong-
do you hold me or do I keep you?
Others told me that you do,
I must be grateful
O heart you were with me, I knew that day
when I gave you away, I could hear your
sound, but felt you were not there, you
sustain me constantly without rest in the
Bony cage and give me the best-
I must be grateful
With a faint rhythmic whispering beat
I heard my inner seat of the will, speak-
I keep the epignosis for you , the intellect,
feelings and spring of all desire, you keep
me clean and tranquil , without ire
Fill me not with indigestible oily food
nor pride or deceit or sheer laziness
nor hate nor envy nor revenge or
greediness, keep me joyful and good.
You must be grateful
O heart my unseen life , keep me warm
with love and strength, fill me with care
that I may with others share, drench me in
peace that I may spread and sprinkle everywhere
O Human then use the knowledge that I
carry within, the line between life and
death is tender fine and thin….
work in time do not be late
lest loss become your final fate.
“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
Mr Runciman’s instruction sustains disgrace
in my long memory. He gave no indulgence
to the extraordinary gift I had of drawing delicately
with the pen-point. Yet he taught me much.
He taught me perspective and composition;
he cultivated in me the habit of looking
for the essential points in nature so as
to abstract them decisively. I find my quite first
sketchbook, an extremely inconvenient upright
small octavo in mottled and flexible cover; the paper
pure white and ribbedly gritty, filled with outlines
irregularly defaced by impulsive efforts at finish.
I have set aside for preservation the first really fine
sketch I ever made from nature being No.1
of a street in Sevenoaks for which I had no praise.
2. Art Tutor
Imagine this dialogue if you wish:
Please sir make artists of us.
I could as soon tell you how to
manufacture an ear of wheat
as to make a good artist of you.
Perfect art proceeds from the heart;
imperfect art proceeds from the grasping hand.
There are two paths; see how the lotus
is rooted in the mud. Don’t quit this living
stem; quitting root and branch
leads to death; the other dark path.
First: seize some natural facts, say
a silvery necklace-web
and the glistening jewel in its centre,
and let them lead to the life
of the crowned spirit. Make
your choice boldly and avoid seeing
your manufactured face. Learn to belong
to yourself and give the gift of a flower
to a stranger.
3. Pedagogical
Have we only to copy, and again copy,
for ever and ever, the imagery of the universe?
Not so. We have work to do upon it,
but the work is not to improve, but explain.
The infinite universe is unfathomable; every
human creature must spell out each part, extricating
it from infinity as one gathers a violet out of grass,
making the flower visible in a new way.
Here’s a painter casting his whole soul into space,
content to be quiet amongst the rustling leaves
and sparkling grass, and purple-cushioned heather;
simple-minded as a child, his brush lovingly
dropping pigment into rose-suffused clouds,
now flying with the wild wind and sifted spray,
now climbing with the purple sunset, now resting
among modest grasses and humble snails;
but always working with the passion of nature’s
freedom burning in his own heart. * ® 2019, Eric Nicholson
I included this mantra along with my poem in the last Wednesday Writing Prompt:
Heart Mantra
gate gate pāragate pārasaṃgate bodhi svāhā / gone, gone, everyone gone to the other shore, awakening, so be it
In response, Ben Naga shared this video. If you are reading this post from an email subscription, it’s likely your’ll have to link through to the site to view this.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
And the week flies by and we find ourselves at Tuesday again, the wonderful day when we share poems submitted by diverse writers in response the last Wednesday Writing Prompt. Everyone Should Have a Chair, September 11, a peaceful suggestion this time around asking poets to tell us about their favorite spot in which to write. A modest collection today courtesy of Jason Muckley, Paul Brookes, mm brazfield, Sheila Jacob, Urmila Mahajan, Sonja Benskin Mesher, and Pali Raj. Along the same theme, I’ve added a short seven minute documentary featuring Roald Dahl and his writing hut.
Enjoy! and do join us for the next Wednesday Writing Prompt, which will post tomorrow morning.
The Mountain
The mountain calls
Draws me to her slopes
Overlooking the world below
Above, my perspective changed
The solitude is freedom
A peace and rest
To forgive
Begin again
Mind clear of every expectation
My thoughts flow
Responding to the mountain
JASON MUCKLEY: I have been writing since childhood and I self-published my first collection of poetry in July 2018. Writing is both a hobby and a way to express myself that I don’t find in any other facet of life. It is something I truly love but also I feel like the more I write, the more I have to write.
My first self-published book is called “Poems for Warriors,” and it is available on Amazon, Kobo, and Barnes & Noble.
When I am not writing, I work full-time as a Project Manager. I have a degree in Mechanical Engineering. I am also a father of three.
Jason says of his poetry collection: “We are at war. Life is a battle. Every day we fight for joy, peace… love. This is correspondence from the frontlines. Exploring themes of the struggle, love, and change, this book of poetry will take the reader through the ups and downs of life. The reader will journey through the exhilaration and challenges of being in love, of working through difficulty in a relationship, and reflecting on what you have and what it costs. The reader will descend into the pain and trials faced day in and day out. The reader will see the clouds breaking as the morning dawns and everything begins to change. This book is the story of one man’s life, similar to a life lived by millions as he tries to make sense of the constant battle that surrounds him.”
we buy you fry
my favorite chair
are the sidewalks
those in the 20’s and 30’s
edge of downtown streets
a mix of rustic houses
shacks and alley ways
some with flowers
some with trash
my favorite chair
is not comforting at first
it affords me front row view
to the less palatable aspects
of genteel society
exposed vaginas cocks
twisted tongues
defecation out of
hundreds of orifices
then there’s the strip mall chair
with the upright and honest
vendor my favorite one
is Donicio from Panama
he has a way of telling
funny stories
across from there
is another chair
‘you buy, we fry’
it’s mostly busy
on the sabbath
my eyes their
veils of formal education
lifted and the life of life
exposed to all my senses
there is something thrilling
about hopscotching through
dog shit in a city
that treats us all the same
my favorite chair
in the bars of the people
although people aren’t
what they used to be
my amiga Casimira
has the latest I Phone
when i want to look in to
her deep brown eyes
and have her Oaxacan accent
transport me to another land
especially on jury duty day
to no avail
i lost my friend
to the latest pop up store
at the end of most days
when the journey’s done
i go home to my derelict
dog and two jaded kitties
with caffeine in one hand
Phoebe Ann the cat on my lap
the memories of my rest stops
deposited silently
in the removable data bank
FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.
To purchase Sheila’s little gem of a volume, Through My Father’s Eyes (review, interview, and a sampling of poems HERE), contact Sheila directly at she1jac@yahoo.com
The Rocking Chair
It gleams
genuine teakwood I’m told
so smooth
ideal for dreaming through a tv show
contemplating voices in my head
staring at finely worked saptaparni
leaves past a money plant
frothing the window ledge and
a white metal flash of car roof
reflected in the pumpkin soup
in my white ceramic spoon
and carved too
ideal for leaning into the pillowed
back, cancelling muscles and
joints completely
heavy-set
rocks gently
not the best place to work alert
at anything remotely productive
and yet it can be
durable
for I carry its numbing ease
through the day
enduring between thoughts
that flow between the glazed
slats imprinted on my mind
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
Old, young, he or she
Everyone shouts after me 😀
because everybody likes
happy to be
While you are human being so
Everyone should have a chair, a poem requests
Old, young, he or she
Everyone shouts after me 😀
We are human beings 😊
Jamie Dedes. I’m a Lebanese-American freelance writer, poet, content editor, blogger and the mother of a world-class actor and mother-in-law of a stellar writer/photographer. No grandchildren, but my grandkitty, Dahlia, rocks big time. I am hopelessly in love with nature and all her creatures. In another lifetime, I was a columnist, a publicist, and an associate editor to a regional employment publication. I’ve had to reinvent myself to accommodate scarred lungs, pulmonary hypertension, right-sided heart failure, connective tissue disease, and a rare managed but incurable blood cancer. The gift in this is time for my primary love: literature. I study/read/write from a comfy bed where I’ve carved out a busy life writing feature articles, short stories, and poetry and managing The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
Recent and Upcoming in Digital PublicationsPoets Advocate for Peace, Justice, and Sustainability, YOPP! , September * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 *From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 *Three poems, Our Poetry Archive, September 2019
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
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