PEN America celebrates the release of Turkish Journalist and Artist, Zehra Doğan

“Art should never be a crime. [Zehra] Doğan is a model of courage for all journalists and artists for standing up against injustice and silence, especially because of her determination to work and create while incarcerated.” Julie Trébault, Director of the Artists at Risk Connection (ARC) at PEN America



Last week PEN America celebrated the release of Turkish painter, journalist and feminist activist, incarcerated Zehra Doğan (Free Zehra Doğan • Zehra Doğan’a özgürlük). Doğan was released on February 24 after spending 600 days in a Turkish jail after courts deemed her journalistic and artistic work to be “terrorist propaganda.”

Doğan was the editor of Jin News Agency (JINHA), a feminist Kurdish news agency. She was arrested on July 21, 2016, and detained until December 2016 when she was released pending trial. On March 7, 2017, Doğan was sentenced to prison for 2 years, 10 months and 22 days on charges of “terrorist propaganda” as a result of her reporting, social media posts, and her paintings about the Turkish military’s operations in the largely Kurdish town of Nusaybin. The indictment stated that one of her paintings, which depicted a real-life scene of Turkish flags on war-torn buildings and was based on a photo circulated by the Turkish military on social media, went ‘beyond the limits of criticism.’ JINHA was also shut down as part of the government crackdown following an attempted coup in 2016.

“We are delighted that Zehra has been released and reunited with family and friends after her unjust imprisonment, which was an appalling affront to free expression,” said Julie Trébault, Director of the Artists at Risk Connection (ARC) at PEN America. “Art should never be a crime. Doğan is a model of courage for all journalists and artists for standing up against injustice and silence, especially because of her determination to work and create while incarcerated. Many other journalists in Turkey remain behind bars. As we celebrate Zehra’s release, we call for the release of all other Turkish journalists, artists, and activists who are in prison for their journalism or their expression.”

While imprisoned, Doğan rigorously continued to work on her paintings using diverse media including pomegranate shells, tincture of iodine, and bedsheets, despite restricted access to painting materials. Following her release, she told BBC Turkish that she had never painted as much as she did in prison. Also while in prison, she founded the 8-page handmade newspaper Özgür Gündem Zindan (Free Agenda Dungeon) with the help of several of her fellow inmates. As an inmate, Doğan received public support from numerous human rights organizations and renowned artists, including the graffiti artist Banksy and prominent Chinese artist Ai Weiwei. During her imprisonment, Doğan became the second woman in Turkey to receive the International Women’s Media Foundation’s “Courage in Journalism” award. She also received the Freethinker Prize from the Swiss Freethinker Association. Most recently, Doğan was shortlisted in the Arts category for the Index on Censorship Awards 2019.

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Post and photograph courtesy of PEN America.

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.


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Debut Writers and Women Writers Sweep Up the 2019 PEN America Literary Awards

“Don’t write about what you remember; write about what you are unable to forget.” Sandra Cisneros



Nana Kwame Adjei-Brenyah Wins Book of the Year PEN/Jean Stein Award With Largest Prize | Playwright Kenneth Lonergan Receives Debut PEN/Mike Nichols Award for Performance Writing | Sandra Cisneros Honored for Illustrious Career That Transcends Genres, Cultures, and Languages

Yesterday, PEN America announced the winners of the 2019 Literary Awards at a  ceremony where literary luminaries and publishing tastemakers celebrated emerging writers and paid homage to established voices. Debut authors and works by and about women prevailed in a year with a record number of submissions in the nation’s largest, most comprehensive literary awards program.

The worlds of Hollywood and literature converged with the debut of the PEN/ Mike Nichols Award for Performance Writing, conferred on film director, playwright, and screenwriter Kenneth Lonergan for his exemplary portfolio of work in 2018, including two Broadway stage productions that ran simultaneously:“The Waverly Gallery,” originally produced in 1999, which follows an aging leftist activist as she battles Alzheimer’s, and“Lobby Hero,” originally produced in 2002, which chronicles the story of personal ambitions amid a murder mystery. The award, established by PEN America and Saturday Night Live creator and director Lorne Michaels, highlights transformative works that enlighten and inspire audiences in the tradition of venerated film and theater director, producer, and comedian Mike Nichols, who passed away in 2014. Matthew Broderick, who presented the award to Lonergan, said: “I always saw Mike as a teacher, and I find myself feeling the same way about Kenny. It’s not every day you get to present an award named for a dear friend, to a best friend.”

Mexican-American Writer, Sandra Cisneros

Novelist, poet, and essayist Sandra Cisneros (one of my personal faves), author of The House on Mango Street, Woman Hollering Creek and Other Stories, and many more beloved works, was lauded for a lifetime of extraordinary literary contribution and presented with the PEN/ Nabokov Award for Achievement in International Literature. Judges Alexander Chee, Edwidge Danticat, and Valeria Luiselli noted her “formidable and awe-inspiring body of work, which includes fiction, memoir, and poetry,” adding that “it’s hard to imagine navigating our world today without her stories and her voice guiding us toward much needed reclamation and endurance.” Maria Hinojosa, presenting the award, recalled advice Cisneros had given her: “Don’t write about what you remember; write about what you are unable to forget.”

Cisneros dedicated her award to all those who have touched her life and shaped her as a writer: “Writers, poets, editors, truth tellers who offer light in the time of darkness; librarians and booksellers, patron saints in the age of distraction; the 6th grade teacher whose name I cannot remember, whose kindness I will not forget.”

In a shortlist dominated by debut writers, Nana Kwame Adjei-Brenyah emerged as the winner of the PEN/ Jean Stein Award for book of the year, with the largest prize at  $75,000, for his short story collection Friday Black. Praised for its combination of “the real and surreal, the concrete and the mythological,” the judges lauded Adjei-Brenyah’s “cool control over his prose and dialogue while allowing his imagination to abandon constraints and conventions, exploring genetic enhancement, frenzied retail work, and soft friendships. At turns horrifying and funny, tender and savage, these stories stick with you, probing the American psyche and persistently asking more of us.” In his remarks, Adjei-Brenyah shared that: “In writing this book, I wanted these stories to be out in the world even if my name wasn’t associated with them. Maybe someone would feel seen, push a conversation that needed to happen… If we can imagine a world much worse than ours, we can collectively imagine one that is much better.”

Celebrating debut short story collections, the PEN/Bingham Prize was awarded to Will Mackin for Bring Out the Dog, portraying the devastation, absurdity, surrealism, and compassion in modern warfare, drawing from Mackin’s own experiences as a U.S. Navy veteran. Nafissa Thompson-Spires took home the PEN Open Book Award for Heads of the Colored People, her debut collection of short stories, a funny, sly, and devastating collection that examines the precariousness of black lives in the United States; and Imani Perry won the PEN/Bograd Weld Award for Biography for Looking For Lorraine: The Radiant and Radical Life of Lorraine Hansberry, an insightful, sharp, and empathetic exploration of the life of Hansberry—writer, cultural icon, and the first black female author to have a play performed on Broadway. Michelle Tea took home the prestigious PEN/Diamonstein-Spielvogel Award for the Art of the Essayfor the “singularly irresistible” voice of Against Memoir. Translator Martin Aitken won the PEN Translation Prize for his “luminous translation from the Norwegian of Hanne Ørstavik’s haunting novel Love, which follows the distant, orbiting lives of a mother and son like a telescope through one cold winter’s night.”

“Rather than a traditional celebration of achievement, PEN America’s juried awards probe the depths of the contemporary canon to identify and elevate essential voices and bring them to the widest possible audience,” said PEN America Chief Executive Officer Suzanne Nossel. “The PEN America Literary Awards are set apart by the alchemy of venerated names among the ranks of both winners and judges, and the bracing new talents whose careers are rocket-boosted by gaining recognition just as they burst on the scene.”

Katherine Seligman won the PEN/Bellwether Prize for Socially Engaged Fiction for her manuscript If You Knew, an urban noir exploring issues of homelessness and community in rapidly gentrifying San Francisco. In addition to a prize of $25,000, Seligman will receive a publishing contract with Algonquin Books.

Lifetime achievement and career awards were conferred upon authors, journalists, editors, playwrights, and poets. Jackie “Mac” MacMullan was awarded the PEN/ESPN Lifetime Achievement Award for Literary Sports Writing, in recognition of the literary quality of her sportswriting, her exemplary use of the oral history form, and her many years as a newspaper columnist; she is also the first woman to receive this award. Larissa FastHorse received thePEN/Laura Pels International Foundation for Theater Award in recognition of her exemplary and prolific output in a little over a decade that examines modern families, histories, languages, cultures, and communities. The Apogee literary journal’s Alexandra Watson won the PEN/Nora Magid Award for Editing for her exemplary stewardship of the publication, and for foregrounding writers of color and engaging with issues of race, gender, and class through the “Alternate Canon” series. Celebrating great promise in an early career poet, thePEN/Osterweil Award for Poetry was conferred upon Jonah Mixon-Webster for the high literary character of his debut collection, Stereo(TYPE), which explores the intersection of space and body, race and region, and sexuality and class; and wrestles with the ongoing crisis in Flint, Michigan.

In closing the ceremony, PEN America President Jennifer Egan reminded the audience that “the daring works we celebrate today are a testament to the freedom we have to write them.”

The sold-out ceremony was studded with musical, poetic, and dramatic performances, and riveting, live announcements of each winner. The evening included performances by Sweet Megg & Wayfarers, a dramatic rendition of FastHorse’s Urban Rez and What Would Crazy Horse Do by Jake Hart and Sera-Lys McArthur, and a moving tribute to literary icons lost in 2018. Comedian, filmmaker, and Ceremony host Hari Kondabolu brought roaring laughs, and sent the audience home with sound advice: “please get home safe: no reading and driving!”

All of the winners of the 2019 Literary Awards can be found HERE.

Photographs from the Literary Awards Ceremony will be available here. The video will be available on pen.org.

For over 50 years, the PEN America Literary Awards have honored many of the most outstanding voices in literature, bestowing 20 distinct awards across genres from fiction and drama to sports and science writing, with cash prizes totaling more than $370,000 to writers and translators. This annual fête of literary excellence has become one of the defining literary events of the year.

This post is courtesy of PEN America. Photo credits: Sandra Cisneros courtesy of ksm36 under CC BY-SA 3.0 license. Nafissa Thompson-Spires courtesy of her publisher via her Amazon page.

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PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible. pen.org


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PEN’S WORLD VOICES FESTIVAL 2019 WILL ADDRESS THE BLURRING BOUNDARY BETWEEN PUBLIC AND PRIVATE

Programming Highlights for 15th Anniversary Edition of United States’ Leading International Literary Festival Include Events with Bridgett M. Davis, Jennifer Egan, Dave Eggers, Rodrigo Fresán, Sue Halpern, Isabella Hammad, Mohammed Hanif, Sheila Heti, Christos Ikonomou, Shiori Ito, Marlon James, Édouard Louis, Ma Jian, Emiliano Monge, Scholastique Mukasonga, H.M. Naqvi, Joyce Carol Oates, Tommy Orange, George Packer, Inês Pedrosa, Philippe Petit, Rodrigo Rey Rosa, Arundhati Roy, Sonia Sanchez, Elif Shafak, Dani Shapiro, Pajtim Statovci, Kara Swisher, Miriam Toews, Colm Tóibín, Tara Westover, Liao Yiwu, Shoshana Zuboff, Raúl Zurita, and many more …


PEN America presents the 2019 PEN World Voices Festival: Open Secrets (May 6-12), focusing on the dissolving boundary between the public and the private in the literary, cultural, social, and political realms.  A flowering of the genres of literary memoir and personal testimony has been accompanied by increased digital avenues for story-telling, revelation, and exposé before both designated and public audiences. Movements like #MeToo and continuing reports of abuse within religious organizations have demonstrated the political velocity of deeply personal revelations, surfacing suppressed experiences and forcing society-wide reckonings. Personal narratives and individual stories have become catalysts for social change.

Meanwhile, the digital revolution has enabled political micro-targeting and the leveraging of personal data in insidious ways that have the power to reshape attitudes, buying habits and even democratic decision-making.

In 60+ events in dozens of venues across New York City, the 15th anniversary edition of the festival will gather fiction and nonfiction writers, poets, translators, thinkers, and activists to discuss what we withhold and what we reveal, and the opportunities and dangers inherent in the rapid reconfiguring of the public and the private.

Arundhati Roy (b. 1961)

Yesterday PEN America announced highlights of the 2019 PEN World Voices, including its keynote speaker, an author whose work as an artist and activist has had a profound global resonance—the 1997 Man Booker Prize-winning author and activist Arundhati Roy (The God of Small Things, The Ministry of Utmost Happiness, My Seditious Heart). She will deliver this year’s Arthur Miller Freedom to Write Lecture, and will be joined in discussion by Siddhartha Deb (winner of the PEN/Open Book 2012 prize for The Beautiful and the Damned) on May 12.

Chip Rolley, Director of the PEN World Voices Festival and Senior Director of Literary Programs at PEN America, says “Presenting Arundhati Roy as the keynote speaker of this festival is nothing short of a dream come true for me. Throughout her illustrious writing career, encompassing fiction of arresting lyricism and essays of incisive urgency, Arundhati Roy has been one of the most valiant defenders of the rights of both the individual and the collective. She caps a week of events that confront our society’s fast-evolving approach to personal narrative, exposition, and exposé. Our participants include some of the most potent exemplars of how social norms governing gender, race, ethnicity, and sexuality have been up-ended by the sheer force of personal stories entering the public sphere. The festival offers audiences a ringside seat in witnessing the power of narrative in changing the world.”

Susanne Nossel

PEN America CEO Suzanne Nossel says, “The voluntary surrender of privacy in return for convenience, access, and human connection is fast reshaping expectations of what remains personal. As digital technologies steamroll forward, we aim through this Festival to hit the pause button to examine why these borders are being redrawn and how writers, creators, thinkers, and individuals can influence what aspects of our lives remain truly our own as well as how to shape narratives once they enter the public sphere.”

PEN America President Jennifer Egan says, “PEN World Voices offers an annual occasion for writers, artists, and intellectuals to pool resources for a weeklong exchange of creativity and ideas. In our era of global and national discord, such collaboration is essential—both as a refuge and a way forward.  We hope that this year’s exceptional line-up, applied to a timely theme, will prove revelatory for participants and audience alike.”

Amidst a surge in new platforms of communication, people have harnessed the mobilizing power of personal stories; exciting new voices have emerged and established authors have been emboldened to explore new territory. In It Happened to Me (May 11), Édouard Louis(Who Killed My Father), Scholastique Mukasonga (The Barefoot Woman), Pajtim Statovci(Crossing: A Novel), Grace Talusan (The Body Papers), journalist and filmmaker Shiori Ito(Black Box), and poets Romeo Oriogun and Paul Tran—all of whom have, in their work, embraced the often-liberating effect of disclosure—will present an evening of powerful testimony. On May 10, Shiori Ito, poet Gerður Kristný (Bloodhoof), Miriam Toews (Women Talking), Anne Summers (Unfettered and Alive: A Memoir), and journalist Rachel Louise Snyder(No Visible Bruises) will speak of why we need to bring domestic violence into the public realm, and how they’ve done this in their own writings, in Intimate Terrorism. In Secrets and Lives,memoirist Dani Shapiro (Inheritance: A Memoir of Genealogy, Paternity and Love) and Bridgett M. Davis (The World According to Fannie Davis) will share the secrets that defined their families (May 12).

Open Secrets will also include those who have boldly undertaken the dangerous—and monumentally important—work of exposing the abuses they themselves have experienced at the hands of governments. Thirty years after the Tiananmen Square Protests, the festival will feature Rise Up: Tiananmen’s Legacy of Freedom and Democracy (May 7), a celebration of the dauntless courage and youthful defiance that challenged China’s authoritarian establishment, spotlighting and honoring those who continue to fight for freedom around the world today. Participants will include Ma Jian, Tiananmen Square student protest leaders Zhou Fengsuo, Wang Dan, and Fang Zheng, poet, novelist, musician, and documentarian Liao Yiwu, musician Martha Redbone, and more. In a return of a bravura event from last Festival, Ma Jian, Chilean poet Raúl Zurita, Egyptian PEN/Barbey Freedom to Write Award recipient Ahmed Naji (Using Life), author and PEN International President Jennifer Clement (Gun Love), Ukrainian poet Marianna Kiyanovska (The Voices of Babyn Yar), and Russian poet Kirill Medvedev (It’s No Good: poems/essays/actions) will participate in this year’s Cry, the Beloved Country, offering eloquent accounts of the struggles in their respective countries, in their original languages with simultaneous translation on screen (May 9).

After Raúl Zurita’s imprisonment by the Pinochet regime in 1973, the legendary poet of resistance chronicled atrocities committed against the Chilean people, including attacks on their language; on May 8, Zurita will read his poetry, and join poet Norma Cole and poet/translator William Rowe in conversation. On May 9, in Essex Hemphill: Remembering and Reimagining, author/activist Darnell L. Moore (No Ashes in the Fire); writer, poet, and playwright Timothy DuWhite; interdisciplinary artist, performer and writer Ni’ja Whitson, and filmmaker and writer Michelle Parkerson will pay homage to Essex Hemphill, the incisively political poet who gave voice to the experiences of black gay men in America during the 1980s and 1990s.

Digital technology has the potential to democratize global politics, empower activists, and facilitate free speech, but recent events have also shown us how technology can also exert a sinister influence on democratic practices. In Orwell’s China (May 8), exiled Chinese-born novelist and dissident Ma Jian (China Dream) and journalist Leta Hong Fincher (Betraying Big Brother: The Feminist Awakening in China) will speak with Chip Rolley, addressing the heightening surveillance culture, police state, and attacks on feminism in China. Digital technology has also, of course, abruptly reshaped our personal lives; featuring Niviaq Korneliussen (Last Night in Nuuk) and Gabriela Wiener (Sexographies), Love in the Time of Tinder will look at how literature depicts the tumultuous digitized terrain of modern love and sexuality (May 7).

Highlights of the 2019 PEN World Voices lineup of challenging and enlightening contemporary writing include recent examples of some of literary fiction’s richest offerings from the U.S. and abroad. In Women Uninterrupted, Elif Shafak (Three Daughters of Eve), Inês Pedrosa (In Your Hands), and Pulitzer Prize-winning novelist and PEN America President Jennifer Egan(Manhattan Beach) will speak about writing unforgettable fictional female characters (May 11). Acclaimed Latin American authors Rodrigo Rey Rosa (Severina) and Rodrigo Fresán (The Invented Part) will discuss their work in The Library of Borges (May 7). Resonances—moderated by PEN World Voices co-founder Esther Allen—will feature Niviaq Korneliussen, Bridgett M. Davis (The World According to Fannie Davis), Gabrielle Bell (Everything Is Flammable), and Willivaldo Delgadillo reading passages from their own works as well as writing by authors who influenced them (May 9).

A festival that transcends genres and media, PEN World Voices will feature living legend Philippe Petit (On the High Wire)—who famously walked between the roofs of the Twin Towers in 1974; he has, in the words of Mikhail Baryshnikov, achieved “a precise balance of chaos and creativity,” and will share what it takes to do this with fellow artist Elizabeth Streb in Artists of the Air (May 7). George Packer (The Atlantic, former New Yorker staff writer) has written Our Man, a compelling biography of Richard Holbrooke, arguably the last great American diplomat, which he will discuss with PEN America CEO Suzanne Nossel in A Very American Diplomat(May 7). On May 10, PEN World Voices will feature the New York premiere screening of Kirill Serebrennikov’s film Leto, following Kino co-founding singer-songwriter Viktor Tsoi on his early journey from underground experimentation towards Soviet Union-wide stardom. With the film touching on Soviet censorship in the 1980s, and Serebrennikov currently under house arrest in Russia, the event will, on multiple levels, serve as a tribute to uninhibited creativity in the face of institutional oppression. In Countering Colonialism: A Queer Ritual of Healing, PEN World Voices turns toward yet another expressive form: queer Nicaraguan performance artist Elyla Sinverguenza will present their new work, Saint Peter Goose/Duck Pulling, reimagining a violent hyper-masculine ritual as a healing act (May 11).

On May 8, Soledad Castillo and Gabriel Méndez—who, through the oral history initiative Voice of Witness, shared their stories of border crossing to escape manifold horrors at home—will speak with the platform’s co-founder, acclaimed author Dave Eggers (The Parade), and the organization’s executive director Mimi Lok, in My Story, My Journey, My Freedom.

PEN World Voices’ Next Generation Now series of events for children and families this year includes the fun and fabulous Drag Queen Story Hour (ages 3-8, May 11) featuring Miz Jade, as well as the creative workshop Spellbound Theatre: Today I Will Be Fierce! (for children up to age 8, May 11), featuring story time with Nidhi Chanani (illustrator of I Will Be Fierce!).

PEN America will announce additional programming—featuring Sue Halpern, Isabella Hammad, Mohammed Hanif, Sheila Heti, Christos Ikonomou, Marlon James, Emiliano Monge, H.M. Naqvi, Joyce Carol Oates, Tommy Orange, Sonia Sanchez, Kara Swisher, Colm Tóibín, Tara Westover, Shoshana Zuboff, and many more—as the Festival approaches.

Photo credits: post header photo, ©Jamie Dedes; Arundhati Roy courtesy of Augustus Binu under CC BY-SA 3.0 license; Susanne Nossel in 2014 courtesy of PEN American Center

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PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Our mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.


POPULAR POLITICAL BLOGGER, LAURA BERLIN, DENIED PRESS CREDENTIAL TO COVER IOWA’S 2019 LEGISLATIVE SESSION

“PEN declares for a free press and opposes arbitrary censorship. It believes that the necessary advance of the world toward a more highly organized political and economic order renders free criticism of governments, administrations, and institutions imperative.” PEN Charter, 1948



“The Iowa House’s decision to deny press credentials to influential political blogger Laura Belin (Bleeding Heart, A community blog about Iowa politics) is a disturbing limitation on her First Amendment rights,” PEN America announced in a statement earlier this week.

Laura Belin, a writer and blogger who has covered political news at the Iowa state legislature since 2007, recently applied for and was reportedly denied a formal press credential that would have allowed her to cover the 2019 legislative session. The press credential would have provided deeper access to lawmaker briefings throughout the session as well as a workspace to focus on her blog, The Bleeding Heartland, which receives more than 1,500 unique daily visitors when the legislature is in session. Belin has been touted as “one of the best political reporters in Iowa” by news executive Michael Gartner. In denying Belin’s application, the Iowa House stated that “press credentials are not issued to members of the public.” Belin told the Associated Press that other non-traditional news outlets have been issued press credentials in the past and suggested that the reason for the denial may be the liberal-leaning nature of her blog. Belin has attempted to appeal the House’s decision and is considering legal action.

“There is little obvious reason why the Iowa House might have denied Belin’s press credential application, and it would be deeply concerning if their decision was motivated by wanting to restrict the political viewpoints espoused in her blog,” said Nora Benavidez, Director of U.S. Free Expression Programs at PEN America. “The general lack of transparency around the House’s process for approving press credentials creates space for unfounded restrictions of journalist access. We caution the Iowa House that any content-based limitations on journalists’ ability to report on government business would be an affront to press freedoms.”

In October 2018, PEN America filed a lawsuit, PEN America v. Trump, that seeks to stop President Trump from using the machinery of government to retaliate or threaten reprisals against journalists and media outlets for coverage he dislikes.

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Photo credit: The State Capitol of Iowa, with its Golden Dome courtesy of Iqkotze under CC BY-SA 3.0 license.

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.


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Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman. My poetry was recently read by Northern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”


The BeZine: Waging the Peace, An Interfaith Exploration featuring Fr. Daniel Sormani, Rev. Benjamin Meyers, and the Venerable Bhikkhu Bodhi among others

“What if our religion was each other. If our practice was our life. If prayer, our words. What if the temple was the Earth. If forests were our church. If holy water–the rivers, lakes, and ocean. What if meditation was our relationships. If the teacher was life. If wisdom was self-knowledge. If love was the center of our being.” Ganga White, teacher and exponent of Yoga and founder of White Lotus, a Yoga center and retreat house in Santa Barbara, CA

“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton

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