Japanese-American Poet and Photojournalist, Jun Fujita, is the focus of Newberry Library and the Poetry Foundation Exhibition

Photographer Unknown, Courtesy of Graham and Pamela Lee private collection. More photographs HERE.

The November sky without a star
Droops low over the midnight street;
On the pale pavement, cautiously
A leaf moves.
– Jun Fujita

Groundbreaking poet and photojournalist Jun Fujita is the focus of a new exhibition presented by the Newberry Library and the Poetry Foundation. A multi-media experience comprising poetry, photographs, personal correspondence and archival artifacts, Jun Fujita: American Visionary explores the life and career of one of Chicago’s master chroniclers.

As the first Japanese American photojournalist, Fujita captured many of the most infamous moments in Chicago history, including the Eastland Disaster, the 1919 race riots and the St. Valentine’s Day massacre. As an English-language poet writing in the Japanese tanka tradition, his poems appeared regularly in Poetry magazine, published in Chicago since 1912.

Jun Fujita was a visionary ahead of his time, both in his visual and written art forms, as well as his contemporary 45-year partnership with Florence Carr,” said Katherine Litwin, Poetry Foundation library director and exhibition cocurator. “We’re honored to partner with the Newberry to further expand and unfold the layers of his life and Chicago legacy through this exhibition.”

As anti-Japanese xenophobia crested during World War II, Fujita faced hostility, prejudice, and persecution. The U.S. government declared him an “enemy alien,” and his assets were frozen. Yet despite this adversity, Fujita achieved unprecedented success in his profession and offered an alternative model of what it means to be “American.”

“Jun Fujita put forth a vision for what’s possible, particularly love, acceptance, and sanctuary in a place bent on exclusion,” adds Fred Sasaki, Poetry art director and exhibition curator.

Morning Woods
A static mood, in the morning woods
Wet and clear –
In a majestic pattern, leaves are spellbound
By a fawn, ears perked.

JUN FUJITA was born Junnosuke Fujita on 13 December 1888 in Nishimura, a village near Hiroshima, Japan. When he was older, Fujita moved from Japan to Canada, where he worked odd jobs to save enough money to move to the United States of America, which he considered to be a “land of opportunity.” He moved to Chicago, Illinois, where he attended and graduated from Wendell Phillips Academy High School, a four-year predominantly African-American public school whose notable alumni include Nat “King” Cole, Gwendolyn Brooks, and Archibald Carey, Jr. Following his high school graduation, he studied mathematics at the Armour Institute of Technology, which later became the Illinois Institute of Technology, with plans to become an engineer. To help pay his way through college, Fujita took a job as the first and only photojournalist at the Chicago Evening Post, which later became the Chicago Daily News. MORE [Wikipedia]

Read more of Jun Fujita’s poetry HERE at Poetry Foundation. His collection is available through Amazon but is unfortunately prohibitively priced. It is not available through the Gutenberg Project or Internet Archive. Poems and journal articles about Fujita’s photography are accessible at JSTOR HERE.

Jun Fujita: American Visionary runs from January 24 through March 31 at the Newberry. The exhibition is free and open to all.

Throughout the exhibition, a series of related public programs will further explore its major themes. These programs include:

Curator Talk with Katherine Litwin, Fred Sasaki, and Graham Lee
Tuesday, February 4, at 6:00 PM

The Love and Life of Jun Fujita
Thursday, February 13, at 6:00 PM

Photographic Memory: Carlos Javier Ortiz Reflects on Jun Fujita’s Iconic Images
Tuesday, March 10, at 6:00 PM


This post is compiled courtesy of the Poetry Foundation, Wikipedia, and Amazon. The poems are courtesy of Poetry Foundation in concert with JSTOR.

The Poetry Foundation, publisher of Poetry magazine, is an independent literary organization committed to a vigorous presence for poetry in American culture. It exists to discover and celebrate the best poetry and to place it before the largest possible audience. The Poetry Foundation seeks to be a leader in shaping a receptive climate for poetry by developing new audiences, creating new avenues for delivery, and encouraging new kinds of poetry through innovative literary prizes and programs.

Follow the Poetry Foundation and Poetry on Facebook at facebook.com/poetryfoundation,  Twitter @PoetryFound and @Poetrymagazine, and Instagram @PoetryFoundation.

About the Newberry Library
At the Newberry Library, visitors and researchers explore centuries of human history, from the Middle Ages to the present. The library’s collection—some 1.6 million books, 600,000 maps, and 5 million manuscript pages—is accessible to all in Newberry reading rooms, program spaces, exhibition galleries, and online digital resources. Since its founding in 1887, the Newberry has remained dedicated to deepening our collective understanding of ourselves, others, and the world around us. As individuals engage with Newberry collections and staff, they discover stories that bridge the past and present and illuminate the human condition.

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For Peace, Sustainability, Social Justice

The Poet by Day officially endorses Bernie Sanders for President.

The New New Deal

Link HERE for Bernie’s schedule of events around the country.

“Democracy is not a spectator sport.” Bernie Sanders

“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Freaks were born with their trauma. They’ve already passed their test in life.


American Photographer, Diane Arbus (1923-1971)

Poet and writer, Michael Rothenberg, co-founder of 100,000 Poets for Change and editor at Big Bridge Press (which he also co-founded) suggested that we take a mental health break and assigned each of us an artist to feature. I’m sure you know why we need a mental health break.

My assignment is the American photographer, Diane Arbus. She was known for her artistic documentation of “freaks.” –

“There’s a quality of legend about freaks. Like a person in a fairy tale who stops you and demands that you answer a riddle. Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.” Diane Arbus

Arbus was also known for her manner of engaging with her subjects, helping them to get comfortable with being photographed. She once went naked at a nudist camp to get the camp members to trust her.

The photograph I first thought of when I saw my assignment was “Child with a Toy Hand-grenade in Central Park.”

I vividly remember seeing it featured in the ’60s in the New York Times. Colin Wood, the subject of the photo, wrote as he reflected on his childhood encounter with Arbus. “She catches me in a moment of exasperation. It’s true, I was exasperated. My parents had divorced and there was a general feeling of loneliness, a sense of being abandoned. I was just exploding. She saw that and it’s like . . . commiseration. She captured the loneliness of everyone. It’s all people who want to connect but don’t know how to connect. And I think that’s how she felt about herself. She felt damaged and she hoped that by wallowing in that feeling, through photography, she could transcend herself.”

“If you scrutinize reality closely enough, if in some way you really, really get to it, it becomes fantastic.”  Diane Arbus

The video below features Diane Arbus portraits and other photographs.  If you are view ing this from an email subscription, you’ll have to link through to the site to watch the video.

The photos featured are under copyright and shared here under fair use.

The recommended read for this week is Borges’ The Craft of Verse. (One of my faves.) 41-mshkw5pl-_sx331_bo1204203200_These are the famed lost lectures given in English at Harvard University (1967/68) by Jorge Luis Borges that were transcribed (c. 2000) and published in 2002.

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