“The BeZine” open for submissions to September issue, our solidarity with Youth Climate Strike, and our Virtual 100TPC event

“This is a space where we hope you’ll delight in learning how much you have in common with “other” peoples. We hope that your visits here will help you to love (respect) not fear.

“We acknowledge that there are enormous theological differences and historical resentments that carve wedges among and within the traditions and ethnic or national groups, but we believe that ultimately self-preservation, common sense, and human solidarity will empower connections and collaboration and overcome division and disorder.” excerpt from The BeZine Mission Statement



CALL FOR SUBMISSIONS FOR

Our Annual 100,000 Poets and Friends for Change Issue

September 2019

Calls for submissions of poems, feature articles, fiction, creative nonfiction, art and photography, music videos, and documentary videos on the themes of peace, sustainability and social justice is open now through September 10, 2019.

ART & PHOTOGRAPHY: Note we also are looking for something special to be the header for The Table of Contents Page.

Your original previously published work may be submitted as long as you own the copyright.

NO simultaneous submissions for September please.

Email submissions to bardogroup@gmail.com. Please note in your subject line: For Zine September 2019.

Among the guidelines: our core team, our guest contributors, and our readership are international and diverse. No works that advocate hate or violence, promote misunderstanding, or that demean others are acceptable.

The BeZine is an entirely volunteer effort. While we do not pay for content, neither do we charge submission or subscription fees.

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IN SOLIDARITY WITH THE GLOBAL YOUTH CLIMATE STRIKE

CALLING YOUTH & ADULTS

CALL FOR SUBMISSIONS of poems, feature articles, fiction, creative nonfiction, art and photography, music videos, documentary videos on climate change for The BeZine blog is open through September 10, 2019. In solidarity with the world’s youth, we’ll post work on Climate Change throughout September. Your original previously published work may be submitted as long as you own the copyright. NO simultaneous submissions.  Please note in your subject line: For the climate change blog. Email submissions to bardogroup@gmail.com. All honors to Contributing Editor Michael Dickel for coming up with this idea.


artwork for The BeZine 100TPC 2019 is by the multitalented Corina Ravenscraft dragonkatet

THE BACK STORY:

100 Thousand Poets for Change, or 100TPC.org, is an international grassroots educational organization focusing on the arts, especially poetry, music, and the literary arts. It was founded in 2011 by poet/artist/musician Michael Rothenberg and poet/translator/artist Terri Carrion, and focuses on a worldwide event each September.

This initiative crossed my radar in 2011 when it was founded. I fell in love with the idea of it, the world in solidarity for peace, sustainability and social justice. What could be more wonderful? Since I am disabled and homebound I couldn’t host an event or even attend one. I decided that there were probably others who would like to participate but for one reason or another could not do so. Thus, The BeZine Virtual 100,000 Poets and Others for Change was born. This makes it possible for anyone, no matter where they live or what their circumstance, to join in 100TPC as long as they have access to a computer. People can do a local or regional event and join with our virtual event as well should they care to do so.

About two years after we started doing Virtual 100TPC, I “met”  Michael Dickel and invited him to join The Bardo Group Beguines, our core team, and he soon volunteered to be our virtual 100TPC master of ceremonies. This has become one of our more delightful yearly traditions. Michael will also take the lead on the September issue of the Zine, which honors 100TPC themes.

Your Invitation

On Saturday, September 28, you are invited to visit The BeZine Blog and share your work on Peace, Sustainability, and Social Justice via Mr. Linky or in the Comments section.  Clear and detailed direction will be provided that day, but truly it’s an easy thing. You will, of course, also be able to read the work of others, which we hope you will do.  Michael and I will keep the event going for 24 hours or so beginning at 12:01 a.m. Pacific Time on September 28. If you are unsure when that would be in your time zone, check The Time Zone Converter.

On behalf of The Bardo Group Beguines
and in the spirit of love (respect) and community,
Jamie Dedes
Founding and Managing Editor

Our Core Team:
John Anstie
Naomi Baltuck
Cloaked Monk (Terri Stewart)
James R. Cowles
Jamie Dedes
Michael Dickel
dragonkatet (Corina Ravenscraft)
Chrysty Darby Hendrick
Joseph Hesch
Ruth Jewel
Lana Phillips
Charles W. Martin
scillagrace (Priscilla Gallaso)
Michael Watson


The BeZine: Be Inspired, Be Creative, Be Peace, Be

Daily Spiritual Practice: Beguine Again, sister site to The BeZine and a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

Facebook: The BeZine 100TPC social justice discussion group

Facebook: The BeZine Arts and Humanities Page (not just for poetry), a place to share your work


PEN America Calls for Trump Administration to Open Migrant Camp to Journalists’ Scrutiny; What You Can Do to Close the Camps by Kella Hanna-Wayne

100-mile border region on the U.S.–Mexico border courtesy of the Environmental Protection Agency / Public Domain

“A crude age. Peace is stabilized with cannon and bombers, humanity with concentration camps and pogroms. We’re living in a time when all standards are turned upside-down, Kern. Today the aggressor is the shepherd of peace, and the beaten and hunted are the troublemakers of the world. What’s more, there are whole races who believe it!” Erich Maria Remarque, Flotsam



Climbing the Mexico–United States barrier fence in Brownsville, Texas courtesy of Nofx221984 and generously released into Public Domain

PEN America issued the statement [below] in response to The Washington Post’s report that the Trump Administration is blocking journalists from accessing migrant detention camps on the southern border to see the facilities for themselves and speak to children, who are reportedly held in squalid conditions.

“It is shocking that the American public largely must learn about the dangerous conditions at these detention centers not through reporters being able to cover the news, but through second-hand reports from lawyers and advocates granted access under a legal agreement with the U.S. border patrol,” said Nora Benavidez, PEN America’s Director of U.S. Free Expression Programs. “The fact that journalists are being sealed off and held behind a wall of secrecy, unable to show the American people the faces and voices of those who are suffering in squalor is one more unconscionable aspect to this epic horror story on the southern border.”

“Cutting the press off from this story to hide what is going on is unacceptable and unwarranted; professional journalists are well-equipped to handle issues of privacy and consent, and this should pose no barrier to press access. The American public has a right to see for themselves what is happening in these camps through first-hand accounts, images and video documented by professional journalists. Indeed, the fact that every story that does make it to a reporter galvanizes public attention and action demonstrates the importance of that reporting. PEN America calls on the Trump administration to open the camps to the scrutiny of the press–and thus, the American people–immediately, and end this effort to keep what is happening in the detention centers a secret.”

PEN America has previously spoken out and advocated about press access to migrant detention centers and the situation for journalists covering the immigration crisis on the border. In October 2018, it hosted a panel discussion at the Texas Book Festival entitled “Stories (Un)told,” featuring journalists speaking to the challenges of covering child detention issues and immigration more broadly. Following months of tracking and public comments on the situation of lawyers and journalists being surveilled at the southern U.S.-Mexico border, PEN America joined a coalition of human rights and media freedom organizations in sending an open letter to the Department of Homeland Security in May, 2019, expressing concern for the privacy violations and explicit targeting by Customs and Border Protection of journalists, activists, and lawyers working on issues around the “migrant caravan”. Following our letter, the Department of Homeland Security acknowledged it had engaged in the surveillance and tracking of these individuals. PEN America has also condemned the unacceptable practice of the government’s surveillance of journalists reporting on this issue and authored a petition urging the administration to stop monitoring journalists at the border. That petition has garnered more than 58,000 signatures to date.

*****

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.


From Kella Hanna-Wayne, poet, blogger, activist

“Today, I read something terrible; a story that possibly upset me more any other news story from our current administration and it filled me with helplessness.

“Over the past year, Trump’s immigration policies have become increasingly strict and dehumanizing. Detention centers, separation of families without keeping records, poor hygiene, inadequate access to food, water, and medical attention, children in cages– these were all themes among reports of the horrifying conditions our government was signing off on for immigrants, regardless of their documentation.

“But in the last week, it came to light that not only is Trump using Fort Sill– the base used to hold Japanese-Americans in concentration camps during WWII– to hold immigrant children, but that our government is now using concentration camps as a strategy to manage the influx in immigrants coming to the US. “

Kella goes on from these introductory remarks to provide a comprehensive list of tips and resources: What You Can Do to Close the Camps. I particularly appreciate it when folks don’t just regurgiate the bad news we’re all reading anyway but who go on to provide tools for mitigating the travesties. Bravo, Kella!

Stay tuned for a comprehensive interview with Kella here on The Poet by Day.


ABOUT

Recent in digital publications: 
* Four poemsI Am Not a Silent Poet
* Remembering Mom, HerStry
* Three poems, Levure littéraire
Upcoming in digital publications:
* Over His Morning Coffee, Front Porch Review
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)

A mostly bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Ramingo’s Porch, Vita Brevis Literature, Connotation Press, The Bar None Group, Salamander Cove,I Am Not a Silent Poet, Meta/ Phor(e) /Play, The Compass Rose and California Woman. I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a vitual literary community and publisher of The BeZineof which I am the founding and managing editor.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton



#MeToo ~ Anita Hill, recipient of this year’s PEN Courage Award

Anita Hill in 2014 speaking at Harvard Law School

“Women who come forward with sexual misconduct allegations are often portrayed as “crazy, vindictive, promiscuous or prudes,” reactions that explain why many don’t come forward sooner.” Anita Hill [MORE]



This week PEN America announced that professor, lawyer, and chair of The Hollywood Commission on Eliminating Sexual Harassment and Advancing Equality, Anita Hill, is the recipient of this year’s PEN Courage Award, conferred in recognition of her singular role in challenging sexual harassment in the workplace and the attendant abuse of power, and a career spent combating the silencing force of sexism. The award, which honors dauntless exercises of free expression, will be presented May 21 at the 2019 PEN America Literary Gala at the American Museum of Natural History in New York City.

“As a Yale Law School graduate pursuing a promising career as a legal scholar and lawyer, Anita Hill stepped alone into the glare of the public spotlight to call out abuses that others insisted be forgotten or overlooked. She has devoted her life since then to teaching, writing, and speaking out—in the process, helping to catalyze a global movement that is essential to the achievement of equality . . .

“Today, amid a worldwide reckoning over pervasive sexual harassment, Hill is leading a major effort to break the cycle of abuse and silence in Hollywood, rallying the entire entertainment industry to effect cultural change and establish accessible and clear channels of safety and accountability. As an organization that recognizes the pernicious force of inequality in eroding the right to free expression, and one that elevates those who take the greatest risks to speak out, PEN America is proud to honor Anita Hill.” ,” said Suzanne Nossel, Chief Executive Officer of PEN America.

In 1991, Hill served as a witness during the confirmation hearings of Supreme Court Justice Clarence Thomas. She gave her testimony before a Senate Judiciary Committee of fourteen white men and a global television audience. She described numerous instances of sexual harassment while working for the soon-to-be Supreme Court Justice in the U.S. Department of Education’s Office for Civil Rights and the Equal Employment Opportunity Commission. Other women who had made similar allegations against Thomas were not called to testify.

In her career as a university professor and scholar, Hill has been a steadfast champion of women’ rights. She joined the faculty of Brandeis University in 1998 and in 2015 was named University Professor of Social Policy, Law, and Women’s Studies. She is the author of two books (1997’s Speaking Truth to Power and 2011’s Reimagining Equality: Stories of Gender, Race, and Finding Home) and numerous opinion pieces (including a New York Times piece entitled “How to Get the Kavanaugh Hearings Right,” published during the confirmation hearings of Supreme Court Justice Brett Kavanaugh). In December 2017, Hill was appointed Chair of The Hollywood Commission on Eliminating Sexual Harassment and Advancing Equality, which was established by a coalition of Hollywood studios, television networks, streaming services, music companies, talent agencies, trade associations, and unions. In this role, she is leading an industry-wide effort to identify and establish best practices and solve problems related to harassment, bias, equality, and diversity in the entertainment community.

In addition to Hill, PEN America will honor other women’s rights champions at its May Gala: Saudi writer-activists Nouf Abdulaziz, Loujain Al-Hathloul, and Eman Al-Nafjan, imprisoned for opposing the male guardianship system in Saudi Arabia and the female driving ban in the region, will receive the 2019 PEN/Barbey Freedom to Write Award. Additionally, PEN America will recognize peerless investigative journalist Bob Woodward with the Literary Service Awardand Scholastic Chairman and CEO Richard Robinson for his outstanding leadership in publishing. Past Courage Award honorees include student activists against gun violence (2018) and organizers of the Women’s March (2017). The Gala raises essential funds that fuel PEN America’s free expression advocacy efforts. Comedian and political commentator John Oliverwill host this year’s event.

This feature is courtesy of PEN America; photo courtesy of Tim Pierce under CC BY 2.0.

If you are viewing this from an email subscriptions, you’ll likely have to link through to the site to view the video.

About the PEN Courage Award

The PEN Courage Award was established in 2015 to honor exceptional acts of courage in the exercise of freedom of expression. The Award is granted after consultations among PEN America staff and Trustees with specific relevant expertise on matters of freedom of expression. In some cases, outside expertise from PEN America’s membership, partner organizations, and network of contacts is enlisted to inform internal analysis and deliberations. All final decisions regarding Award determination and recipients are made by the Executive Committee of the PEN America Board of Trustees.

About PEN America

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.

“Love takes off the masks ….”, James Baldwin

James Baldwin (1924-1987), American poet, novelist, playwright, social critic

“Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word “love” here not merely in the personal sense but as a state of being, or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”  James Baldwin, The Fire Next Time



The giver (for Berdis)

If the hope of giving

is to love the living,

the giver risks madness

in the act of giving.

 

Some such lesson I seemed to see

in the faces that surrounded me.

 

Needy and blind, unhopeful, unlifted,

what gift would give them the gift to be gifted?

The giver is no less adrift

than those who are clamouring for the gift.

 

If they cannot claim it, if it is not there,

if their empty fingers beat the empty air

and the giver goes down on his knees in prayer

knows that all of his giving has been for naught

and that nothing was ever what he thought

and turns in his guilty bed to stare

at the starving multitudes standing there

and rises from bed to curse at heaven,

he must yet understand that to whom much is given

much will be taken, and justly so:

I cannot tell how much I owe.

© James Baldwin estate, excerpt from Jimmy’s Blues and Other Poems (Beacon Press, 2014) [recommended]

JAMES BALDWIN (1924-1987) was a novelist, essayist, playwright, poet, and social critic, and one of America’s foremost writers. His essays, such as Notes of a Native Son (1955), explore palpable yet unspoken intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-twentieth-century America. A Harlem, New York, native, he primarily made his home in the south of France.

Baldwin’s novels include Giovanni’s Room (1956), about a white American expatriate who must come to terms with his homosexuality, and Another Country (1962), about racial and gay sexual tensions among New York intellectuals. His inclusion of gay themes resulted in much savage criticism from the black community. Going to Meet the Man (1965) and Tell Me How Long the Train’s Been Gone (1968) provided powerful descriptions of American racism. As an openly gay man, he became increasingly outspoken in condemning discrimination against lesbian and gay people. Bio via James Baldwin’s Amazon page HERE.

Photo of James Baldwin taken in Hyde Park is courtesy of Allan warren under CC BY-SA 3.0

If you are viewing this post from an email subscription, you will likely have to link through to the site to watch this video. I happened on it today, which inspired this evening post. Twenty-eight well-spent minutes.

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