Wednesday Writing Prompt returns Aug. 7; Meanwhile, Opportunity Knocks with Calls for Submissions, Competitions

Mountain View Cemetery, Oakland, CA

I am not resigned to the shutting away of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.

Dirge Without Music, Edna St. Vincent Millay



Of Note: 

Wednesday Writing prompt will return on August 7th. I am taking a few days off now from The Poet by Day to get some other work finished.  Poem on … see you on the 7th if not a bit sooner.

Opportunity Knocks replaces Sunday Announcements. I post it when there are enough leads. Many leads are only announced on The Poet by Day Facebook Page.

Links to articles, events and news of interest to poets and writers are regularly published on The Poet by Day FaceBook Page.  

You are welcome (encouraged) to share your work and announcements on The BeZine Arts and Humanities Facebook Group Discussion Page

MARK YOU CALENDAR: SEPTEMBER 28, 2019 is 100,000 POETS FOR CHANGE, GLOBAL, 2019 and THE BeZINE 100,000 POETS FOR CHANGE VIRTUAL EVENT, with Michael Dickel as master of ceremonies. Look for updates on this site, The BeZine,  and at 100tpc.org



“This is a space where we hope you’ll delight in learning how much you have in common with “other” peoples. We hope that your visits here will help you to love (respect) not fear.

“We acknowledge that there are enormous theological differences and historical resentments that carve wedges among and within the traditions and ethnic or national groups, but we believe that ultimately self-preservation, common sense, and human solidarity will empower connections and collaboration and overcome division and disorder.” excerpt from The BeZine Mission Statement

CALL FOR SUBMISSIONS FOR

Our Annual 100,000 Poets and Friends for Change Issue

September 2019

Calls for submissions of poems, feature articles, fiction, creative nonfiction, art and photography, music videos, and documentary videos on the themes of peace, sustainability and social justice is open now through September 10, 2019.

ART & PHOTOGRAPHY: Note we also are looking for something special to be the header for The Table of Contents Page.

Your original previously published work may be submitted as long as you own the copyright.

NO simultaneous submissions for September please.

Email submissions to bardogroup@gmail.com. Please note in your subject line: For Zine September 2019.

Among the guidelines: our core team, our guest contributors, and our readership are international and diverse. No works that advocate hate or violence, promote misunderstanding, or that demean others are acceptable.

The BeZine is an entirely volunteer effort. While we do not pay for content, neither do we charge submission or subscription fees.

The BeZine is featured by
pf poetry
Second Light Live newsletters, website, and magazine
Duotrope®



Dear 100 Thousand Poets for Change Organizers,

It’s time to sign up to organize 100 Thousand Poets for Change events around the world.

September 28, 2019 is the official global day!

If you are going to organize an event in your city please reply to this post with your city name. Or you can go to 100 Thousand Poets for Change sign up page at https://100tpc.org/sign-up/

Once we hear from you we will sign you up and add you to our promotional materials!

It looks like this year’s 100TPC will be bigger and better than last!! So far nearly 300 events have been confirmed for 2019!

As many of you know, we have added the “Read a Poem To a Child” Initiative to 100TPC options. Last year, this initiative was very successful and over 2000 people signed up to share poetry with children during the week prior to the global day. Also, because of our collaboration with Florida State University Libraries, we were able to offer a free pdf collection of poems for children to support your effort. We have updated that collection and will make it available upon request to those who wish to make use of it.

This year “Read a Poem To a Child” will take place between September 23-28.

Finally, if you are unable to organize an event during the above-listed dates, feel free to set a date that will work best for your community. Let us know when that will be and you will be included in the list of “Read a Poem to a Child” participants.

Thank you for all of your hard work and friendship over the years.

We look forward to hearing from you soon.

Peace and love,

Michael Rothenberg and Terri Carrion

Co-founders, 100 Thousand Poets for Change

100tpc.org/Read a Poem to a Child



CALLS FOR SUBMISSIONS

ASYMPTOTE invites submissions of translated poetry, fiction, nonfiction and drama and original English-language nonfiction as well as visual art. No payment. No submission fee. Details HERE.

CLEMENTINE REVIEW publishes “fresh and tangy poems,” – formal, free verse, prose poem, or experimental – and also photographs, essays, and other prose.  No payment. No submission fee. Details HERE.

DRUNK MONKEYS publishes fiction, nonfiction, and poetry. Its call for submissions is open and there is a $3 submission fee. No payment. Details HERE.

LILY POETRY REVIEW is a new publication and a new press with an open call for poetry and flash fiction. No submission fee. No payment. Submission fee for book manuscripts is $20.  Details HERE.

OUR POETRY ARCHIVE invites anyone who would like to participate in its monthly web issues to send at least three poems attached in a single MS-WORD file and a recent profile picture along with the short BIO, written only in 3rd person narrative to our regular email address: ourpoetryarchive@gmail.com before the 10th of any month. Please note that no .pdf document will be accepted. Further details HERE

PLUM TREE TAVERN original and previously unpublished nature poetry of up to twenty-four lines. No submission fee. No payment. Details HERE.

RUNCIBLE SPOON  has an open call for poetry and prose. No submission fee. No payment. Details HERE.


COMPETITIONS

CRAFT FIRST CHAPTERS CONTEST

  • CRAFT submissions are open to all writers
  • International submissions are allowed
  • Fiction only
  • Excerpts of book-length fiction only—please submit the first chapter or chapters* of your unpublished novels/novellas, completed or in progress
  • Please do not submit short stories
  • Please submit work in English only
  • 6,000 word count maximum*
  • Further details HERE.

$20 submission fee. $2,800 in prizes/$2,000 first prize. Deadline July 31. (Am posting this in spite of the deadline in case anyone has something ready to go today.)

FRONTIER POETRY “staff will select the top ten submissions, and the winning poem and honorable mentions will be selected by the panel of judges, to be announced in the fall. The winning poet will be awarded $3000 and publication on Frontier Poetry. Second and third place will win $300 & $200 respectively, as well as publication. The top ten finalists will also be recognized.​” Entry fee. No theme. Deadline: September 15. Details HERE.

SECOND LIGHT POETRY COMPETITION will close for entries of poetry by women on August 6th. The competition includes first prizes for best long length poem [no length limit] and best short length poem, as well as 2nd and 3rd prizes and commendations publication in ARTEMISpoetry magazine for all these [or extracts in the case of long poems]. Also readings to prize winners and commended poets. For full details got to Second Light Live HERE.


ABOUT

Recent in digital publications: 
* Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)(July 2019)
* Over His Morning Coffee, Front Porch Review (July 2019)
Upcoming in digital publications:
* The Damask Garden, In a Woman’s Voice (August 2019)

A busy though bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Levure littéraireRamingo’s Porch, Vita Brevis Literature, HerStry, Connotation Press, The Bar None Group, Salamander CoveI Am Not a Silent Poet, Meta/ Phor(e) /Play, Woven Tale PressThe Compass Rose and California Woman.

I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a virtual literary community and publisher of The BeZine of which I am the founding and managing editor. Among others, I’ve been featured on The MethoBlog, on the Plumb Tree’s Wednesday Poet’s Corner, and several times as Second Light Live featured poet.

Email me at thepoetbyday@gmail.com for permissions or commissions.

“The BeZine” open for submissions to September issue, our solidarity with Youth Climate Strike, and our Virtual 100TPC event

“This is a space where we hope you’ll delight in learning how much you have in common with “other” peoples. We hope that your visits here will help you to love (respect) not fear.

“We acknowledge that there are enormous theological differences and historical resentments that carve wedges among and within the traditions and ethnic or national groups, but we believe that ultimately self-preservation, common sense, and human solidarity will empower connections and collaboration and overcome division and disorder.” excerpt from The BeZine Mission Statement



CALL FOR SUBMISSIONS FOR

Our Annual 100,000 Poets and Friends for Change Issue

September 2019

Calls for submissions of poems, feature articles, fiction, creative nonfiction, art and photography, music videos, and documentary videos on the themes of peace, sustainability and social justice is open now through September 10, 2019.

ART & PHOTOGRAPHY: Note we also are looking for something special to be the header for The Table of Contents Page.

Your original previously published work may be submitted as long as you own the copyright.

NO simultaneous submissions for September please.

Email submissions to bardogroup@gmail.com. Please note in your subject line: For Zine September 2019.

Among the guidelines: our core team, our guest contributors, and our readership are international and diverse. No works that advocate hate or violence, promote misunderstanding, or that demean others are acceptable.

The BeZine is an entirely volunteer effort. While we do not pay for content, neither do we charge submission or subscription fees.

The BeZine is featured by
pf poetry
Second Light Live newsletters, website, and magazine
Duotrope®


IN SOLIDARITY WITH THE GLOBAL YOUTH CLIMATE STRIKE

CALLING YOUTH & ADULTS

CALL FOR SUBMISSIONS of poems, feature articles, fiction, creative nonfiction, art and photography, music videos, documentary videos on climate change for The BeZine blog is open through September 10, 2019. In solidarity with the world’s youth, we’ll post work on Climate Change throughout September. Your original previously published work may be submitted as long as you own the copyright. NO simultaneous submissions.  Please note in your subject line: For the climate change blog. Email submissions to bardogroup@gmail.com. All honors to Contributing Editor Michael Dickel for coming up with this idea.


artwork for The BeZine 100TPC 2019 is by the multitalented Corina Ravenscraft dragonkatet

THE BACK STORY:

100 Thousand Poets for Change, or 100TPC.org, is an international grassroots educational organization focusing on the arts, especially poetry, music, and the literary arts. It was founded in 2011 by poet/artist/musician Michael Rothenberg and poet/translator/artist Terri Carrion, and focuses on a worldwide event each September.

This initiative crossed my radar in 2011 when it was founded. I fell in love with the idea of it, the world in solidarity for peace, sustainability and social justice. What could be more wonderful? Since I am disabled and homebound I couldn’t host an event or even attend one. I decided that there were probably others who would like to participate but for one reason or another could not do so. Thus, The BeZine Virtual 100,000 Poets and Others for Change was born. This makes it possible for anyone, no matter where they live or what their circumstance, to join in 100TPC as long as they have access to a computer. People can do a local or regional event and join with our virtual event as well should they care to do so.

About two years after we started doing Virtual 100TPC, I “met”  Michael Dickel and invited him to join The Bardo Group Beguines, our core team, and he soon volunteered to be our virtual 100TPC master of ceremonies. This has become one of our more delightful yearly traditions. Michael will also take the lead on the September issue of the Zine, which honors 100TPC themes.

Your Invitation

On Saturday, September 28, you are invited to visit The BeZine Blog and share your work on Peace, Sustainability, and Social Justice via Mr. Linky or in the Comments section.  Clear and detailed direction will be provided that day, but truly it’s an easy thing. You will, of course, also be able to read the work of others, which we hope you will do.  Michael and I will keep the event going for 24 hours or so beginning at 12:01 a.m. Pacific Time on September 28. If you are unsure when that would be in your time zone, check The Time Zone Converter.

On behalf of The Bardo Group Beguines
and in the spirit of love (respect) and community,
Jamie Dedes
Founding and Managing Editor

Our Core Team:
John Anstie
Naomi Baltuck
Cloaked Monk (Terri Stewart)
James R. Cowles
Jamie Dedes
Michael Dickel
dragonkatet (Corina Ravenscraft)
Chrysty Darby Hendrick
Joseph Hesch
Ruth Jewel
Lana Phillips
Charles W. Martin
scillagrace (Priscilla Gallaso)
Michael Watson


The BeZine: Be Inspired, Be Creative, Be Peace, Be

Daily Spiritual Practice: Beguine Again, sister site to The BeZine and a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

Facebook: The BeZine 100TPC social justice discussion group

Facebook: The BeZine Arts and Humanities Page (not just for poetry), a place to share your work


The BeZine, June 2019, Vol 6, Issue2: SustainABILITY

“Today we are faced with a challenge that calls for a shift in our thinking, so that humanity stops threatening its life-support system. We are called to assist the Earth to heal her wounds and in the process heal our own – indeed to embrace the whole of creation in all its diversity, beauty and wonder. Recognizing that sustainable development, democracy and peace are indivisible is an idea whose time has come.”  Wangari Maathai


We are awash in righteous – and not so righteous – concerns and obsessions: race-and-gender-based inequities, war, greed, hunger, religious and ideological differences, displacement and migration, and leadership that is too often vapid, ignorant and unspeakably cruel. We think of the times as being dark and suffocating, light obscured by dense and low-hanging clouds, but maybe – just maybe – there is a ray of sunshine, a breath of fresh air. And maybe, just maybe, that’s all we need. Let’s take that sliver of light, that breath of fresh air, and build a future. This is a battle for the world in which our children will grow old and our grandchildren will grow up.

Perhaps, Wangari Maathai (1940-2011), Kenyan social, environmental and political activist and the first African woman to win the Nobel Peace Prize, is right. The solutions are all of a piece: in the process of addressing our most immediate and pressing concern, the concern that is universal, environmental sustainability, we will mitigate hunger, migration, war, division, and greed. SustainABILITY requires that we work together. We’re not talking Utopia here.  We’re talking collaboration and compromise, imperfect but functional.

SustainABILITY is rooted in the People (that would be you and me) who pull together to successfully tackle environmental concerns as the people have in efforts like Wangari’s Green Belt Movement in Africa, the tree-planting and intensive agriculture programs in China (including China’s Three North Shelter Forest Program) and in India.


Wangari Maathai speaking at the World Social Forum courtesy of The-time-line under CC BY-SA 3.0


“A tree has roots in the soil yet reaches to the sky. It tells us that in order to aspire we need to be grounded and that no matter how high we go it is from our roots that we draw sustenance. It is a reminder . . .  that we cannot forget where we came from . . . our power and strength and our ability to reach our goals depend on the people, those whose work remains unseen, who are the soil out of which we grow, the shoulders on which we stand.”  Wangari Maathai



This quarter we bring you work by talented, responsible, inspired, and sometimes discouraged artists. We also bring you fact-based hope, proven ideals and ideas, and a fair number of resources.

On behalf of The Bardo Group Beguines,
and in the spirit of love (respect) and community,
Jamie Dedes
Founding and Managing Editor

TABLE OF CONTENTS

How to read this issue of THE BeZINE: You can read each piece individually by clicking the links in the Table of Contents or you can click HERE and scroll through the entire Zine.

BeATTITUDES

In Infinitum Terrae, Corina Ravenscraft
Bird Brains, Naomi Baltuck
Three Pillars of Just and Stable Societies, Wangari Maathai
Two Reminders, Mary Bone
Fiqoo, the Farmer, and the March of the Water Drops/a fable, Anjum Wasim Dar

THE GREENING OF THE PLANET

“The planting of a tree, especially one of the long-living hardwood trees, is a gift which you can make to posterity at almost no cost and with almost no trouble, and if the tree takes root it will far outlive the visible effect of any of your other actions, good or evil.”  George Orwell

China and India Lead the Way in Greening, Abby Tabor, NASA Ames Research Center with Mike Carlowicz, Earth Observatory
The Great Green Wall of Africa, BBC
Wangari’s Trees of Peace, A True Story from Africa, Jeanette Winter
Planet: Safe, Healthy, and Green, Anjum Wasim Dar
UNESCO’S Man and the Biosphere Programme to designate new Biosphere Reserves, International Coordinating Council of UNESCO’s Man and the Biosphere

THE MEMORY

“Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.” Cormac McCarthy, The Road

Box, Anne Stewart
Thinking green would just be there, Linda Chown
The Smell of Wood, The Scorch of Fire, Jamie Dedes

THE PLEASURES

“It is a wholesome and necessary thing for us to turn again to the earth and in the contemplation of her beauties to know the sense of wonder and humility. ” Rachel Carson, The Sense of Wonder

Brother Francis and Sister Moon, Sheila Jacob
Head Over Heals, John Anstie
my eyes are deaf, my eyes hear a song, Jamie Dedes

THE HEARTACHE

“. . . there’s no such thing as perfect despair.” Haruki Murakami, Hear the Wind Sing

The Crab, Michael Dickel
A Climate of Change, Joseph Hesch
From the Butcher’s Blade, Jamie Dedes


The BeZine: Be Inspired, Be Creative, Be Peace, Be (the subscription feature is below and to your left.)

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

SUBMISSIONS:

Read Info/Missions StatementSubmission Guidelines, and at least one issue before you submit. Updates on Calls for Submissions and other activities are posted on the Zine blog and The Poet by Day.


 


 

Turning Pain Into Beauty … Deena Metzger, a triumph of tattoo and poetry over mastectomy

c Jamie Dedes

My mom had her first mastectomy in 1949 when she was pregnant with me.  Things were different then. Mom and her contemporaries had no support after mastectomy. They had the surgery, were sent to get fitted for prostheses … and that was that. There were no hospital or clinic classes in art and poetry for healing. There were no support groups, no talk therapy. Perhaps worst of all, there was no privacy about medical records. My mother actually turned down a promising job opportunity because the firm’s board members wanted to review her medical records before hire.

Things have improved since Mom’s day, thank goodness. Privacy and rights are better protected. There’s patient support available before, during and after mastectomy. There are more options after recovery then chosing between having or not having prostheses. I’m artsy enough myself, I guess, that I love – and am touched – that some women choose to cover their scars with gorgeous, colorful and creative designs like the one below, which triggered this post. Allegedly Facebook kept taking this photograph down, seeing it as offensive. Who knows? Maybe they do. Maybe they don’t. I can’t image why they would. This is a brave and beautiful thing. There’s nothing obscene about it.
11156334_10153170849803886_8901359381613103_n-1

Tattoos over breast-surgery scars started – as far as I know – with a poet and writer, Deena Metzger:

c photo by Hella Hammid

c photo by Hella Hammid

Deena (b. 1936), the proud Amazon. This photograph of her is iconic and became – with the addition of the verse below – “The Poster,” which was designed by Sheila Levrant de Bretteville.

I am no longer afraid of mirrors where I see the sign of the amazon, the one who shoots arrows.
There was a fine red line across my chest where a knife entered,
but now a branch winds about the scar and travels from arm to heart.
Green leaves cover the branch, grapes hang there and a bird appears.
What grows in me now is vital and does not cause me harm. I think the bird is singing.
I have relinquished some of the scars.
I have designed my chest with the care given to an illuminated manuscript.
I am no longer ashamed to make love. Love is a battle I can win.
I have the body of a warrior who does not kill or wound.
On the book of my body, I have permanently inscribed a tree.

© Deena Metzger

If The Poster had come out when my mother was alive, I’d have bought it and had it framed for her.

*****

Deena Metzger is a American writer and poet, essayist and screenwriter, an advocate and counselor. Her book Writing for Your Life: A Guide and Companion to the Inner World (Harper One, 1992), is ideally suited for those of us who see writing as a spiritual practice. Her website is HERE.

Appropo our upcoming June issue of The BeZine, I particularly appreciate Deena’s essay, The Language and Literature of Restoration..  I think the quotation (below) is relevant to our concerns for our earthly environment, which is the focus of the June issue.  Deena is holding us – lovers of nature, writers, poets,  and lovers of the arts – accountable for our part in what comes next, extinction or survival.

“Extinction stalks us. Not an act of God, but a consequence of how we have chosen to live our lives. Such choices are handed to us by language and literature. Literature that is reduced to media, obsessed with violence, conflict, sensationalism, nationalism and speciesism. We are each responsible – we participate – no exceptions. The antidote for extinction is restoration. Languages and literatures that lead toward restoration are essential. So we have to try ….” MORE

Note: The BeZine is a publication of The Bardo Group Beguines.

© 2016, words and mother/daughter photograph, Jamie Dedes, All rights reserved; © Deena’s photograph and poem Deena Metzger.


“THE BeZINE” CALL FOR SUBMISSIONS thebezine.com is open for the upcoming June edition to be published on June 15, deadline June 10. This is an entirely volunteer effort, a mission. We are unable to pay contributors but neither do we charge for submissions or subscriptions. The theme is sustainability. We publish poetry, fiction, creative nonfiction, feature articles, art and photography, and music videos and will consider anything that lends itself to online posting. There are no demographic restrictions. We do not publish work that promotes hatred or advocates for violence. All such will be immediately rejected. We’d like to see work that doesn’t just point to problems but that suggests solutions. We are also interested in initiatives happening in your community – no matter where in the world – that might be easily picked up by other communities. Please forward your submissions to bardogroup@gmail.com No odd formatting. Submit work in the body of your email along with a BRIEF bio. Work submitted via Facebook or message will not be considered for publication. We encourage you to submit work in your first language, but it must be accompanied by translation into English.

– Jamie Dedes