The Road to Zvegona, a poem by Poet-in-Exhile Mbizo Chirasha; Update on Mbizo’s situation; Calls for Submissions to Brave Voices Poetry Journal

See a procession of young mothers chattering their way
From water fountains in grenade torn sandals
And blood laced bras
Decade of Bullets, Mbizo Chirasha



Is fading the memory of its son,
Who for words must ride the night
Fleeing ears that hear thunder on a babies purity guggle,
Zvegona, my homestead,
Ancestors are watching
Elders on a scheming mission
Trading lies with more lies
The road to Zvegona
Your Sideroads sigh
Your song is silent
Only hiccups of mothers greet the sun
Yearning for the return of the bearded child
Who lives on the strings of truth
Truth refused a seat at the council of baboons on the lagoons
Goons settling scores on the assumptions that a boy has a price,
Well, the boy true has a price
But not one you can pay with looted coins
The boy has shaved his hair not his brains
The boy has slipped his boots on and truth has raised its flag
And the spirits of truth sing his Achilles heels on,
So Zvegona, the village of the lucky poet,
Grow thistles and thorns
Feed cattle and goats
The boy has shaved his beard
Ready for a walk back, to shave the land of all pretentious shenanigans
Uprooting the weeds and weevils
Repair the kraal too,
Where roosters shall announce light unto the land,
Currently bent double under the gargantuan weight of lying tongues.
Zvegona, you are my yesterday
Zvegona, you are my tomorrow in whatever form, shape or …….

© 2019, Mbizo Chirasha

UPDATE ON MBIZO

Mbizo is still in hiding with irregular access to water, food, computer and Wifi. Nonetheless, he continues working at his mission including  NOTICE FREEDOM VOICES PRIZE  and BRAVE VOICES POETRY JOURNAL and Womawords Literary Press.

CALL FOR SUBMISSIONS

The first New Look Brave Voices Poetry Journal will be out by the 15th of December 2019. It is a Christmas gift. Our deadline for articles [and poetry] is the 10th of December 2019. We look  forward to contributions and features with a length of 1500 words. You can send these in the body of mail with photos as attachments. Please include your publishable photos and a fifteen line bio to bravevoicespoetry@gmail.com

Yours creatively ,
Mbizo Chirasha- Brave Voices Poetry Journal Curator

We’ve received letters of support to go in Mbizo’s applications for grants and safe harbor, but the Go-Fund-Me effort is still not to goal, which would provide for the immediate need for pantry staples, computer, and so forth. Without predictable computer access, Mbizo has not yet been able to do his interview with the Canadian radio show, though the offer still stands.

International Human Rights Festival, the entity that sponsored Mbizo’s Go-Fund-Me, has attracted $480 and raised the goal to $750.  They have cut him some partial funding for now.  Meanwhile, folks, I suggest that if enough of us donated the price of one morning latte, we’d make the goal.  What do you say? A whole bunch of tidbits would combine for a whole lot of success. You can make your donation anonymously HERE.

If you are able and interested in helping in any way, you can contact Mbizo directly at: girlchildcreativity@gmail.com

“We remain resilient in the quest for justice, freedom of expression and upholding of human rights through Literary Activism and Artivism. ALUTA CONTINUA.” Mbizo Chirasha

RELATED
MBIZO CHIRASHA is a recipient of PEN Deutschland Exiled Writer Grant (2017), Literary Arts Projects Curator, Writer in Residence, Blogs Publisher, Arts for Human Rights/Peace Activism Catalyst, Social Media Publicist and Internationally Anthologized Writer, 2017 African Partner of the International Human Rights Arts Festival Exiled in Africa Program in New York. 2017 Grantee of the EU- Horn of Africa Defend Human Rights Defenders Protection Fund. Resident Curator of 100 Thousand Poets for Peace-Zimbabwe, Originator of Zimbabwe We Want Poetry Movement. He has published a collection of poetry, Good Morning President, and co-created another one Whispering Woes of Gangesand Zembezi with Indian poet Sweta Vikram.

Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

About / Testimonials / Disclosure / Facebook / Medium

Recent and Upcoming in Digital Publications Poets Advocate for Peace, Justice, and Sustainability, How 100,000 Poets Are Fostering Peace, Justice, and Sustainability, YOPP! * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

100TPC Read a Poem to a Child Compilation & Curriculum; U.S. Library of Congress Literacy Awards

POETRY IS GOOD FOR DEVELOPMENTAL LEARNING In child education, children’s verbal and written skills are somewhat underdeveloped. Poetry helps by teaching in rhythm, stringing words together with a beat helps cognitive understanding of words and where they fit. Additionally, it teaches children the art of creative expression, which most found highly lacking in the new-age educational landscape. In essence, poetry gives them a great tool for developing one’s self.” MORE Robert Lee Brewer, Senior Editor of Writers’ Digest



READ A POEM TO A CHILD WEEK

September 23rd – September 28th 2019

The compilation and curriculum are the result of a collaboration among 100,000 Poets for Change, Florida State University, and Reading Is Fundamental with selections from The John MacKay Shaw Childhood in Poetry Collection of Florida State University Libraries Special Collections and Archives.

Download the Poetry Compilation for Readers.pdf

Download the curriculum Simple ways to make poetry engaging 2.0  and the poetry workbook.

Freely accessible Sound Cloud playlist of 100TPC Read a Poem to a Child Initiative



“As centuries of dictators have known, an illiterate crowd is the easiest to rule; since the craft of reading cannot be untaught once it has been acquired, the second-best recourse is to limit its scope.”  Alberto Manguel, A History of Reading



Three organizations working to expand literacy and promote reading in the United States and worldwide will be awarded the 2019 Library of Congress Literacy Awards at the National Book Festival gala, Librarian of Congress Carla Hayden announced yesterday.

Hayden and philanthropist David M. Rubenstein will award the top prizes to: ProLiteracy Worldwide of Syracuse, New York; American Action Fund for Blind Children and Adults of Baltimore; and ConTextos of Chicago.

David M. Rubenstein

The Literacy Awards, originated by Rubenstein in 2013, honor organizations doing exemplary, innovative and replicable work. They spotlight the need for communities worldwide to unite in working for universal literacy.

“Literacy is the ticket to learning, opportunity and empowerment on a global scale,” said Librarian of Congress Carla Hayden. “Through the generosity of David M. Rubenstein, the Library of Congress is proud to honor and celebrate the achievements of these extraordinary organizations in their efforts to advance reading levels and give people the foundation for a better life.”

Prizes and Recipients

David M. Rubenstein Prize ($150,000): ProLiteracy Worldwide, Syracuse, New York
ProLiteracy Worldwide advances and supports programs to help adults acquire literacy skills needed to function more effectively in their daily lives. It has 1,000 member programs across 50 states and works with 30 partners in 25 countries to provide a wide range of adult literacy and basic education services to vulnerable populations. ProLiteracy builds capacity among frontline literacy providers by modeling proven instructional approaches, developing affordable, evidence-based learning resources, and providing professional development and technical assistance. ProLiteracy was formed by the 2002 merger of Laubach Literacy International (founded in 1955) and Literacy Volunteers of America (founded in 1962). For more than 60 years, ProLiteracy has scaled successful practices and driven advocacy efforts by activating its grassroots network, resulting in a broad and sustained effort to improve and advance adult literacy at the community level.

American Prize ($50,000): American Action Fund for Blind Children and Adults, Baltimore
Established in 1919, the American Action Fund for Blind Children and Adults is a service agency that assists blind and deaf-blind persons in securing reading matter, educates the public about blindness, provides specialized aids and appliances to the blind, gives consultation to governmental and private agencies serving the blind, offers assistance to those losing vision in their later years, offers services to blind children and their parents, and works toward improving the quality of life for the blind and deaf-blind. This includes services such as free braille books, free braille calendars and free white canes. Central to the organization’s work has been a commitment to braille literacy and the knowledge that braille is the only true means for literacy for the blind.

International Prize ($50,000): ConTextos, Chicago
ConTextos brings literacy to schools, prisons and communities in El Salvador via two programs: Soy Lector (I’m a Reader) and Soy Autor (I’m an author). The Soy Lector Program trains local community members and teachers to develop libraries to encourage reading and the discussion of ideas in the community and schools. The Soy Autor Program encourages youth affected by violence to write their memoirs. Through this writing exercise, they work through the effect that violence has had on their life, either as a victim or perpetrator. In the process, participants develop critical literacy skills. The program has been replicated in Guatemala and Honduras and continues to grow. To date, ConTextos has created 84 libraries across El Salvador; 11,092 students have access to high-quality books; and 853 young authors have published their memoirs.

The Library of Congress Literacy Awards Program is also honoring 15 organizations for their implementation of best practices in literacy promotion. These best practice honorees are:

  • Bring Me a Book, Redwood City, California
  • The Conscious Connect, Springfield, Ohio
  • Friends of Matènwa, Cambridge, Massachusetts
  • Hartford Public Library, Hartford, Connecticut
  • The Jane Stern Dorado Community Library, Dorado, Puerto Rico
  • Literacy for Incarcerated Teens, New York City
  • LitWorld International Inc., New York City
  • Meridian Library District, Meridian, Idaho
  • Nal’ibali Trust, Cape Town, South Africa
  • One World Education, Washington, D.C.
  • The PEN/Faulkner Foundation, Washington, D.C.
  • Razia’s Ray of Hope, Wellesley, Massachusetts
  • Ready for Reading, Dorset, Vermont
  • Riecken Community Libraries, Washington, D.C.
  • Western Massachusetts Writing Project, Amherst, Massachusetts

David M. Rubenstein is the co-founder and co-executive chairman of The Carlyle Group. He is a major benefactor of the Library of Congress and the chairman of the Library’s lead donor group, the James Madison Council. More information on the awards is available at read.gov/literacyawards.

The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov; access the official site for U.S. federal legislative information at congress.gov; and register creative works of authorship at copyright.gov.



ABOUT 

Jamie Dedes. I’m a Lebanese-American freelance writer, poet, content editor, blogger and the mother of a world-class actor and mother-in-law of a stellar writer/photographer. No grandchildren, but my grandkitty, Dahlia, rocks big time. I am hopelessly in love with nature and all her creatures. In another lifetime, I was a columnist, a publicist, and an associate editor to a regional employment publication. I’ve had to reinvent myself to accommodate scarred lungs, pulmonary hypertension, right-sided heart failure, connective tissue disease, and a rare managed but incurable blood cancer. The gift in this is time for my primary love: literature. I study/read/write from a comfy bed where I’ve carved out a busy life writing feature articles, short stories, and poetry and managing The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights.  Email thepoetbyday@gmail.com for permissions, commissions, or assignments.

Testimonials / Disclosure / Facebook

Recent and Upcoming in Digital Publications * The Damask Garden, In a Woman’s Voice, August 11, 2019 / This short story is dedicated to all refugees. That would be one in every 113 people. * Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019 * From the Small Beginning, Entropy Magazine (Enclave, #Final Poems), July 2019 * Over His Morning Coffee, Front Porch Review, July 2019 * Three poems, Our Poetry Archive, September 2019


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Women Poets, Here’s an update on Second Light Poetry Competition and information on ARTEMISpoetry Call for Submissions

Artemis pouring a libation, c. 460-450 BCE photo  courtesy of Jastrow and generously released into the public domain

“So many more women have found now their voice. Let’s celebrate poets who excite us, from Emily Bronte (say) to Jorie Graham (say). We can also start thinking seriously about differences and about inflated reputations. Let’s be wary about ‘celebrity status’. This tends to narrows true appreciation. Read voraciously. Include lesser known poets and dead poets. You will be impressed by how much exciting writing is on offer.” Convener (Founder) of Second Light Network of Women Poets, Dilys Wood, in an interview in The Poet by Day HERE.



SECOND LIGHT POETRY COMPETITION is open for entries of poetry by women on August 6th. The competition includes first prizes for best long length poem [no length limit] and best short length poem, as well as 2nd and 3rd prizes and commendations publication in ARTEMISpoetry magazine for all these [or extracts in the case of long poems]. Also readings to prize winners and commended poets. For full details got to Second Light Live HERE

UPDATE: I’ve published the announcement on this competition twice, once HERE and then again yesterday included in Opportunity Knocks. According to the guidelines HERE: “Poems on any subject. Must be the unaided work of the writer and must not have been previously published unless in a magazine only.” I asked for clarification and Myra Schneider and Dilys Wood confirmed that “magazine” includes Zines and personal blogs. Good news for those of us who publish online and have been included in digital publications. Note the deadline is August 4th but you may submit via email, so go for it.  Good luck.


ARTEMISpoetry is the bi-annual journal (May and November) of the Second Light Network of Women Poets, published under their Second Light Publications imprint. Members receive a copy as part of their membership benefits. Issues are available to non-members by subscription at £9 p.a. or as a one-off purchase at £5 a copy (plusp&p).

Prices with p&p:
Subscription:   UK £12,   Eur £17,   ROW £20
Single Issue:   UK £6,   Eur £9,   ROW £10

Cheque payable to “Second Light” and send to Administrator, Anne Stewart at 20 Clovelly Way, Orpington, Kent, BR6 0WD. Please use the Subscription order form and include your telephone number with your order in case of query. Or you can subscribe online here. Enquire for back copies and/or Sold Out issues as pdf for £4 (e-mail Administrator editor@poetrypf.co.uk).

See Dilys Wood’s Guest Blog on Ambitious Women Poets at Brittle Star

ARTEMISpoetry at the Poetry Library’s digital archive

ARTEMISpoery (& Myra Schneider/John Killick’s Writing Your Self at the Bluebell Books blogspot

ARTEMISpoetry at Abegail Morley blogspot

Submission Guidelines

Submission is open to women only, including non-members. We aim to publish new work, so submissions should be unpublished (by ‘published’ we mean: in print, on the internet or by way of media broadcast or on CD), and not ‘out in submission’ elsewhere, whether to magazines or competitions.

ARTEMISpoetry Issue 23, November 2019 (& Issue 24, May 2020)

Editors for Issue 23 are: General & Artwork – Dilys Wood and Myra Schneider; Poetry – Anne Stewart.

Readers’ Letters are invited. Comments on the journal’s content or anything you would like to see discussed in relation to women’s writing. (max 100 words).

All submissions: submit paper copy initially to Dilys Wood, 3 Springfield Close, East Preston, West Sussex, BN16 2SZ. Please write “ARTEMISpoetry” on your envelope. (Enquiries only: e-mail Administrator editor@poetrypf.co.uk)

Poems: Issue 23 deadline – 31st August 2019

Poems by women of any age. Poems should be typed, or if written, then very neatly. Each poem should commence on a new page, headed “Submission for ARTEMISpoetry”. Please SEND TWO COPIES. Do include your name with each poem and include your name and full contact details in your submission. Long poems are considered. Submit up to 4 poems to a maximum of 200 lines in all. Our line counts are for poem (and any footnote) text lines only, so excluding titles and breaks.

Contributors whose poetry is accepted will be notified by 31st October 2019.

Poetry Editor: Anne Stewart, whose latest collection is The Last Parent, published in April this year by Second Light Publications. She has an MA (Dist.) in Creative Writing from Sheffield Hallam. Awards include The Bridport Prize (2008), the Southport Poetry Prize, the Silver Wyvern (Poetry on the Lake, Italy), and a Hawthornden Fellowship. She created and runs the poet showcase site poetry p f. More at Anne’s website.

Artwork: Issue 23 deadline is 14th September 2019

Black/white photographs or line-art, maximum of 4 pieces. Please give a title for each work. We are looking to include a wide range of subject-matter and style. Images which work best have good definition and contrast. … Paper copy to Dilys Wood (as above)

Contributors whose artwork is accepted will be notified by 31st October 2019.


“SECOND LIGHT is affirming and creative, thoughtful and wide-ranging. It is unique in offering practical advice, support, activities geared to promoting visibility and publication outlets for older women poets.” Poet, Katherine Gallagher


ABOUT

Recent in digital publications: 
* Five poems, Spirit of Nature, Opa Anthology of Poetry, 2019
* From the Small Beginning, Entropy Magazine (Enclave, #Final Poems)(July 2019)
* Over His Morning Coffee, Front Porch Review (July 2019)
Upcoming in digital publications:
* The Damask Garden, In a Woman’s Voice (August 2019)

A busy though bed-bound poet, writer, former columnist and the former associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Levure littéraireRamingo’s Porch, Vita Brevis Literature, HerStry, Connotation Press, The Bar None Group, Salamander CoveI Am Not a Silent Poet, Meta/ Phor(e) /Play, Woven Tale PressThe Compass Rose and California Woman.

I run The Poet by Day, a curated info hub for poets and writers. I founded The Bardo Group/Beguines, a virtual literary community and publisher of The BeZine of which I am the founding and managing editor. Among others, I’ve been featured on The MethoBlog, on the Plumb Tree’s Wednesday Poet’s Corner, and several times as Second Light Live featured poet.

Email me at thepoetbyday@gmail.com for permissions or commissions.

POETS MEET POLITICS 2019 INTERNATIONAL OPEN POETRY COMPETITION

“A poet’s work . . . to name the unnamable, to point at frauds, to take sides, start arguments, shape the world and stop it from going to sleep.” Salman Rushdie



This just in from:

POETS MEET

POLITICS

2019 INTERNATIONAL OPEN POETRY COMPETITION

Dear Poets!

There are just three weeks until our Poets Meet Politics International Open Poetry Competition 2019 deadline of April 22nd.

ENTER HERE

We invite entries, worldwide, for poems on any theme related to politics – however loosely related.

We will be awarding ( in your chosen currency )
FIRST PRIZE – €500
( or one week’s accommodation at the Creativity Cabin, Cork, Ireland, you choose – more details here, )
SECOND PRIZE – €250
( as above – more details here, )
THIRD PRIZE – €100.

For more details on the judge, entry requirements, other competition details and our entry form, please click HERE.

Please feel free to forward this to anyone who you think may be interested in entering, and we look forward to seeing your work.

Best Wishes,

Jennifer Russell & John Baylis Post
Hungry Hill Writing
http://www.hungryhillwriting.eu


ABOUT