Announcing the 2020 Poetry Out Loud and Poetry Ourselves Student Champions; Student Poems

Photograph courtesy of Josh Felise, Unsplash

“From analyzing poems to spending hours memorizing and honing their recitations, we know the extraordinary amount of hard work and personal effort that each student put into the program,” said Mary Anne Carter, chairman of the National Endowment for the Arts.



The National Endowment for the Arts and Poetry Foundation are recognizing and celebrating the 2020 Poetry Out Loud™ student champions by distributing cash prize awards, sharing videos of poetry recitations by participants across the United States, and announcing the winners of the Poetry Ourselves contest.

POETRY OUT LOUD

Honoring Champions Across the Country
The 2020 Poetry Out Loud national finals were cancelled due to COVID-19, and several state finals were either cancelled or held virtually. Poetry Out Loud will honor both the students who won their state Poetry Out Loud competition (state champions) as well as students who advanced to the state finals in states that were unable to hold a competition.

In the coming weeks, videos of these students reciting a selection of poems from the Poetry Out Loud anthology will be released through arts.gov and poetryoutloud.org as well as on Twitter.

“From analyzing poems to spending hours memorizing and honing their recitations, we know the extraordinary amount of hard work and personal effort that each student put into the program,” said Mary Anne Carter, chairman of the National Endowment for the Arts. “While we are disappointed not to have a national finals competition this year, we look forward to sharing students’ recitations through this video project and the resumption of the competition next school year.”

To honor the achievements of these students, each state champion will receive a $1,000 prize. In states where the finals were cancelled, the state arts agency will receive $1,000 to either award to a state champion named at a later date or divide among the students who advanced to the state finals. The Poetry Foundation provides and administers all aspects of the monetary prizes awarded for Poetry Out Loud.

“Poetry Out Loud is a premiere event to celebrate months of preparation culminating with poetry at center stage, and we share in the disappointment of cancelling the national finals,” said Henry Bienen, president of the Poetry Foundation. “We preserved our commitment to recognize the students’ passion and hard work by awarding the prizes in as equitable a way as possible.”

POETRY OURSELVES

Celebrating Original Work by Young Poets
Competitors also had the opportunity to participate in the Poetry Ourselves competition by submitting original works of poetry in spoken or written form.



Poetry Ourselves Judge

Carmen Giménez Smith

Photo  courtesy of Slowking4 under GFDL 1.2 License

Carmen Giménez Smith (b. 1971) is an American poet, writer and editor from New York City. In 2009, Giménez Smith was named to Poetry Society of America’s biennial New American Poets Series.[5] In 2011, she was named a Howard Foundation Fellow in Creative Nonfiction; her memoir, Bring Down the Little Birds, received an American Book Award;  and her third collection of poems, Goodbye, Flicker, was awarded the Juniper Prize for Poetry.[8] Milk and Filth was a finalist for the 2013 National Book Critics Circle Award for Poetry.

Carmen’s website is HERE. Carmen’s Amazon Page U.S. is HERE.



A companion to Poetry Out Loud, the Poetry Ourselves competition gives students the opportunity to submit original poetry. This year, Poetry Ourselves submissions were judged by poet Carmen Gimenéz Smith. The competition was open to state champions as well as students who advanced to their state final in states that were unable to hold a competition this year.

Tessa Kresch, a student at Saint Johns School in San Juan, Puerto Rico, is the 2020 Poetry Ourselves spoken poetry winner for the poem I Wonder What Will Happen Tomorrow. Kieran Ellis, the 2020 Idaho Poetry Out Loud State Champion and a student at Kuna High School in Kuna, is the 2020 Poetry Ourselves written poetry winner for the poem Drought.

Eden Getahun, the 2020 California Poetry Out Loud State Champion and a student at CK McClatchy High School in Sacramento, is the 2020 Poetry Ourselves spoken poetry runner-up for the poem Never ForgetMax Feliciano Laracuente, a student at Residential Center of Academic Opportunities of Mayaguez (C.R.O.E.M.) in Mayaguez, Puerto Rico, is the 2020 Poetry Ourselves written poetry runner-up for the poem Going Home.

This post is courtesy of  Poetry Out Loud, Poetry Ourselves, The National Endowment for the Arts, Poetry Foundation, and Wikipedia.

About Poetry Out Loud
A partnership of the National Endowment for the Arts, Poetry Foundation, and the state and jurisdictional arts agencies, Poetry Out Loud™ is a national arts education program that encourages the study of great poetry by offering free educational materials and a dynamic recitation competition to high schools across the country. By performing poetry, students can master public-speaking skills, build self-confidence, and learn more about literary history and contemporary life. Since 2005, more than four million students from 16,000 high schools in all 50 states, DC, Puerto Rico, and the U.S. Virgin Islands have participated in Poetry Out Loud. Starting with the 2020-21 school year, Poetry Out Loud will expand to Guam and American Samoa.

For schools that choose to participate, the program starts in the classroom, where teachers may use the Poetry Out Loud toolkit to teach poetry recitation and run classroom competitions. Students select, memorize, and recite poems from an anthology of more than 1,100 classic and contemporary poems. Winners advance from the classroom to the school-wide competition, then to the state competition, and ultimately to the national finals in Washington, DC. More information about the program and how to participate in the 2020-21 competition is available at poetryoutloud.org.

About the National Endowment for the Arts
Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. Visit arts.gov to learn more.

About the Poetry Foundation
The Poetry Foundation, publisher of Poetry magazine, is an independent literary organization committed to a vigorous presence for poetry in American culture. It exists to discover and celebrate the best poetry and to place it before the largest possible audience. The Poetry Foundation seeks to be a leader in shaping a receptive climate for poetry by developing new audiences, creating new avenues for delivery, and encouraging new kinds of poetry through innovative literary prizes and programs. For more information, visit poetryfoundation.org.

Follow the Poetry Foundation and Poetry on Facebook, Twitter @PoetryFound and @Poetrymagazine, and Instagram.

Jazz Is, a poem by Moe Seager

Photograph courtesy of Jens Thekkeveettil, Unsplash

“Jazz, like left-wing politics and ‘the common man’, was a cause.” Martin T. Williams, King Oliver



Jazz is
A way in to a way out
Way up down deep inside
An audio odyssey
A jet stream blowing in from Ghana
Belted out in Congo square
Jazz is a round trip ticket
Round the world of Africa and Africa touched

Jazz is
New Orleans second line
Voodoo queen looking so fine
Jazz is a diva’s honey croon
Looking for love, spell of full moon
Jazz is a man down and out in Chicago
Jamming entranced beyond his sorrow
Jazz is a child with a sense complex
A feel for a world beyond that given
Jazz is Havana throwing off heat
Blaze of a trumpet, bodies in beat
Jazz is a Jew on a clarinet
No hold back, he lets it rip
Jazz is a gypsy heeding the call
To new found sounds in his finger tips
Jazz is in duo with Mozart and Bach
A spoon in tune with Cafe Vienna
Jazz is a niche on a back-street in Paris
Rendezvous lovers, loners and poets.

Jazz doesn’t know solitary confinement
Be big band, be bop, slow motion shuffle
Be ballad, be blue.
Lay back and be cool
Come in and go out
Each time unique
Like the last time

Jazz is
A cargo the trade winds sail
To the door of the depot of the lost be found
To ring your ears and throb your heart
Stormy Monday turning sunny
Feel the blues depart

Jazz is
A riff that walks me home
Is a bass line I climb to the top of the stairs
Is the hand holding mine when nobody cares
Jazz softly whispers – I know how you feel

Jazz is
Chump change and scratch
Is chewing through the gristle
To suck on the bone
Jazz is a holler, a cat call, a hymn
Dollar down, dollar a month
Why I’m so broke I can’t pay attention
Jazz is red wine, white wine, up in smoke
Raising caine, strung on dope
Jazz is singing Lush Life in the shower

Jazz is
An instrument of fingers and tongues
A vessel of muscle and breath
Body and mind in sync with itself
Jazz time tics free off the clock
A serpentine march out of formation
Jazz can leap to the end of the line
Makes every stop along the block
Jazz goes uptown to get down
Calls night time the right time
And the right time is now

Jazz is
A teller of history, a history maker
Jazz be love oh so tender
Off the chart form the heart
Jazz is memory come with forgiveness
Jazz is a bitch
She´s the mother load

Jazz is
Sweet smells of incense, of jasmine, of hormones
Deep note moans, high pitch groans, twists and turns
Sharps that burn, flats that howl
Guitar licks that sparkle
Drum beats driven off the four corner map
And the beat goes on and the beat goes on
Through the Rio night, the Harlem dawn

Jazz is
A gas, a liquid
A solid mass of substance
A floating island in the center
Of the infinite sea
So vast is jazz, so deep and wide
How the middle passage
Placed us side by side

Jazz is
A family, a family of man
Whose taproot is the music of the Af-ri-can
Poly-rhythmic pollination from the talking drum
Graced in gospel, rolls of rag time
Tears and laughter of the blues
The gifts of many makers
Freely given me, freely given you

Jazz is
A way in to a way out
Way up down deep inside
A way to, a path through
The mindless rubble,
The poison propaganda
Lies of the masters
The illusion castors
Now cross you over to another side
No papers, no passports, no human claims denied
No charges pressed, no back-seat guests
Welcome to a dynasty of open borders
Jazz is
A free country

© 2020, Moe Seager

Moe Seager

MOE SEAGER (Moe Seager- Paris Calling) is a poet and jazz & blues vocalist who sings his poems on stages in Paris, New York and elsewhere and has recorded 2 jazz-poetry c.d.s. Seager founded and hosts Angora Poets (Paris) World Caffé, 100 Thousand Poets for Change, Paris and is one of the coordinators for le Fédération des Poètes paris. He has 5 collections of poetry and currently publishes published with Onslaught press, Oxford, U.K. Other poetry collections are issued from the French Ministry of Culture – Dream Bearers,1990. One World, Cairo Press – in Arabic translation, 2004. We Want Everything in French translation, les Temps des Cirises, Paris, 1994. Perhaps, La Maison de la Poesie, Grenoble, France, 2006. Fishermen and Pool Sharks Busking editions, London, 1992. Additionally Seager won a Golden Quill Award (USA) for investigative journalism, 1989 and received an International Human Rights award from the Zepp foundation, 1990. He teaches writing in Paris.


Jamie Dedes:

Your donation HERE helps to fund the ongoing mission of The Poet by Day in support of poets and writers, freedom of artistic expression, and human rights.

Poetry rocks the world!



FEEL THE BERN

For Peace, Sustainability, Social Justice

Maintain the movement.

“Democracy is not a spectator sport.” Bernie Sanders



“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

Miguel Piñero: poet, playwright, actor, and the cofounder of Nuyorican Poets Café with Miguel Algarín, Pedro Pietri

  • His poetry and the plays are so fraught with the things that aggravated and influenced him and ultimately made his life successful. He took this form and infused it with an urban, Latin lifeblood that had never been used in poetry before. He was remarkable as a writer in terms of never really self-editing himself or censoring himself.
  • I happen to feel that [Piñero] was a romantic character and there was something about his love for land that was very wonderful, the way he held Puerto Rico, that elusive homeland in the foreground of his thoughts and writing. For all of us who are uprooted and thrown into this city, to keep a semblance of that is always so dignified. That would make it perhaps a bit nostalgic for me because people like that don’t seem to be around anymore.


I spent the better part of yesterday responding to submissions to The BeZine and setting up International Poetry Month blog posts for our special series, which I am collaborating on with Michael Dickel. When I was through I decided to watch the acclaimed movie, Piñero, which I’ve been wanting to see for some time. I’m streaming through Amazon. So far, so good.  Benjamin Bratt’s performance is stellar. I’ve taken a break to share this with you.

Miguel Piñero was an award-winning poet, playwright, actor, and a leading member of the Nuyorican literary movement. He was inducted posthumously into the New York Writers Hall of Fame in 2013.

Piñero was born on December 19, 1946, in Gurabo, Puerto Rico. In 1950 he moved with his parents and sister to Loisaida (the Lower East Side) in New York City. When his father abandoned the family, his mother moved her children into a basement, applied for and received welfare.

Piñero would steal food to feed his mother and siblings. Thus the criminal convictions came early in his life. The first time when he was eleven years old. He was sent to the Juvenile Detention Center in the Bronx, New York, and to Otisville State Training School for Boys. He joined a street gang called “The Dragons” when he was 13; when he was 14, he was hustling in the streets of Manhattan. Over time he was drawn heavily to alcohol and drugs and died prematurely – aged 41 – on June 16, 1988 from cirrhosis. 

Eventually, Piñero moved to Brooklyn, where he and three other friends committed robberies, until they were caught at a jewelry store. Piñero was sent to Rikers Island prison in 1964.  In 1972, he was incarcerated in Sing Sing prison for second-degree armed robbery. His first literary work was Black Woman with a Blonde Wig On. Marvin Felix Camillo, the director of The Family, an acting troupe made up of ex-cons, submitted the poem to a contest, which it won.

While serving time in prison, Piñero wrote the play Short Eyes as part of the inmates’ playwriting workshop. Reviewer Mel Gussow came to see it, and due to his review in the New York Times, the director of the Theater at Riverside Church invited Piñero to present the play there.

“The theatre is the only thing that belongs to the people.” Miguel Piñero.

When Piñero left Sing Sing on parole in 1973, he was able to present Short Eyes with The Family. The title comes from “short heist”, the prison slang term for child molestation. Puerto Ricans could not pronounce the ‘h’ so it became “short eyes.” The play is a drama based on his experiences in prison and portrays how a house of detention populated primarily by black and Latino inmates is affected by the incarceration there of a white pedophile. Pedophiles are considered the lowest form of prison life. After all, the prisoners have siblings and children for whom they have concerns.

In 1974, Short Eyes was presented at Riverside Church in Manhattan. Theater impresario Joseph Papp (played in the movie by Mandy Patinkin) saw the play and was impressed. Papp moved the production to Broadway.

The play was nominated for six Tony Awards. It won the New York Drama Critics Circle Award and an Obie Award for the “best play of the year”. The play catapulted Piñero to literary fame. Short Eyes was published in book form by the editorial house Hill & Wang. It was the first play written by a Puerto Rican to be put on Broadway. This initial success was followed by: Sideshow(1974), The Guntower (1976), The Sun Always Shines for the Cool (1976),Eulogy for a Small-Time Thief (1977), and Playland Blues (1980).

The following excerpt from the movie serves as an intro to it and to Piñero’s work if you are not familiar with him.  Also recommended is Outlaw, The Collected Works of Miguel Piñero

This post is complied from the following sources: Wikipedia, Poetry Foundation, Outlaw:The Complete Works of Miguel Piñero, and the movie Piñero.


Jamie Dedes:

Your donation HERE helps to fund the ongoing mission of The Poet by Day in support of poets and writers, freedom of artistic expression, and human rights.

Poetry rocks the world!



FEEL THE BERN

For Peace, Sustainability, Social Justice

The Poet by Day officially endorses Bernie Sanders for President.

The New New Deal

“Democracy is not a spectator sport.” Bernie Sanders



“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton

In the time of COVID – 19: A Few Uplifting Words From My Cousin Dan …

As kids and probably the last time Dan was shorter than me. He stands 6’5′ and I stand a scant 5’2″.

“Remember that each day is an opportunity given to us by God.” Fr. Dan

“Thank you Fr. Dan for reminding us.” The students at Holy Ghost Prep 



Cousin Dan’s students at Holy Ghost Preparatory School in Pennsylvania asked him to do a video and this is the result. It has been making the rounds on Facebook, well received.  So here it is for you, an island of peace and uncommon good sense for troubled times.

My cousin Dan:

What Have We Done That People Can Pick Up Weapons and Kill?, Fr. Daniel Sormani, C.S.Sp.

Fr. Daniel S. Sormani, C.S.Sp.

My cousin is a priest who has lived and worked in Algeria and Dubai and until recently was teaching theology at Ateneo de Manila University in the Philippines. He asks in a feature article for The BeZine, What Have We Done that People Can Pick-up Weapons and Kill.  

“We have become our own worst enemy. Whenever we separate the world into ‘them’ and ‘us’, whenever we accept blind generalizations and cease to see a unique individual before us, whenever we forget we are all victims of carefully orchestrated deceit and deception for wealth and power, the force of darkness wins. Bullets will never win this struggle, only the heart and mind will.”

Mom’s rosary beads and Dan’s Arabic Bible

The CitySon Philosopher, me, and Cousin Dan, Gamble Gardens, Palo Alto, CA 2018
© 2020, all photos Jamie Dedes and family

Jamie Dedes:

Your donation HERE helps to fund the ongoing mission of The Poet by Day in support of poets and writers, freedom of artistic expression, and human rights.

Poetry rocks the world!



FEEL THE BERN

For Peace, Sustainability, Social Justice

The Poet by Day officially endorses Bernie Sanders for President.

The New New Deal

Link HERE for Bernie’s schedule of events around the country.

“Democracy is not a spectator sport.” Bernie Sanders



“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton