FROM THE DESK OF MBIZO CHIRASHA: Opportunity Knocks for Women Poets

CALL for SUBMISSIONS as well as introducing our iconic Guest Editor for the June Edition Jamie Dedes:

Mbizo Chirasha

This edition gives women poets a platform to reflect as they share their experiences of the COVID 19 menace and  as well visualizing their lives and that of their communities after the COVID19 threats, loss and pain.  Sobriety and healing can be brought back by written word, writing, poetic reflections and reading experiences. We continue to value creativity and diversity. We say every positive change begins with writing. Every revolution  began and ended by WORD. We look forward to reading your  writings and reflections. Thumbs-up to Womawords 2020 Poet Laureate and June Edition Guest Editor JAMIE DEDES. Together We Rise.

The WOMAWORDS press June Edition is to be edited by our Poet Laureate and USA Associate to the WOMAWORDS Hall of Fame, Jamie Dedes.“The call is open to women poets from May 20 through June 20.“Ten poems and poets will be selected from the submissions, which should include a short third-person bio of thirty-to-sixty words and your photograph.“Submissions to be forwarded to BOTH Mbizo Chirasha womawordpress@gmail.com and cc’d Jamie Dedes at thepoetbyday@gmail.com.

JAMIE DEDES is a Lebanese-American poet and free-lance writer. She is the founder and curator of The Poet by Day, info hub for poets and writers, and the founder of The Bardo Group, publishers of The BeZine, of which she was the founding editor and is currently a co-manager editor with Michael Dickel. Ms. Dedes is the Poet Laureate of WOMAWORDS Press 2020 and U.S associate to that press as well. Her debut collection, The Damask Garden is due out fall 2020 from Blue Dolphin Press.

– Mbizo Chirasha

 

INSIDE  JAMIE  DEDES’

POETRY  LAB

MY EARS ARE DEAF, MY EYES HEAR A SONG

mountains rise round, Mother’s ever pregnant belly
and the aspens dance with paper-barked madrone
screeching their yellows and reds, brindle and feral
like the snaked hairs of Medusa, they are warning

looming over me as I lay miles away on a mesa
the bones of my ancestors, the heart of my child
the pelts of the brown minks my father sewed
the vultures circle, mesmerized by my demise

I feed on the pinion and ride mountain lions
down slopes, into valleys, a wanderer, lost and lost
looking eastward, seeking John Chapman
he has something to say, or maybe it’s westward

John Muir, my ears are deaf, my eyes hear a song
emerging from brown bear, a surfeit of salmon
burning sage, clearing America, the wild beasts
are defanged and declawed and I am hawk-eyed.

A CENTURY OF POSSIBLE PEACE

            after Muriel Rukeyser
.
I lived in the century of world wars and
into the century of “hot spots” and “conflicts,”
those isolated regions of hostility and battle, of
choreographed shows of military cliché and the
violent disaffected eruptions of the marginalized

Every day is an homage to some insanity
Media reports are conveyed with facile intensity
by hyperkinetic journalists delivering easy
and ominous conclusions based on seemingly
recondite facts, quickly moving to celebrity
gossip and other insipid topics . . .

I have lived in two centuries of wars
I know what it is to be exhausted by the
vain posturing of the ruling class and
the tired protestations of tribal unity and
supremacy based on accidents of birth

I know what it is to imagine peace across
the circumference of one small blue ball
in a Universe of inestimable size and breadth
I know that darkness can descend with the
speed of light and that love is more than an
anchor and that vision keeps our dreams alive

I have lived into the century where the world is
grown small, where the peacemakers are tireless
and perhaps enough hearts have grown large …
sometimes I think I am living in the century
where peace is as possible as war

THE SIXTH MASS EXTINCTION

the ghosts of our parents search vainly
for wildflowers near the beach at Big Sur

they were deaf to the threat in thunder,
but we were struck by lightning,
heaved in the rain and waves and
the overflow from the melting ice

the computers went down
their screens black as the wicked water,
in whirling chaos they morphed into drums

every fetus turned in the womb,
the men went to the mountain tops
and the women sheltered in caves

the souls of saints and sinners
were run through a cosmic wash cycle
after the spin dry, a new wisdom

but the shades of our parents remain,
they wait in vain for us at Big Sur,
in vain by the Santa Lucia Mountains

jamie100000

About Womawords Literary Press

Womawords, an international eZine based in Africa, is the heart child of multi-award winning Zimbabwean poet in exile, Mbizo Chirasha.  It was established to support women and girls through the publication of activist poetry by women.  Current projects are Womawords companion publication, Liberating Voices Journal, and the newly founded Womawords Hall of Fame.

The Womawords Hall of Fame seeks to amplify women’s voices through literary and other arts and comprises representatives from around the globe: writers, poets, editors, and mentors among others.


JAMIE DEDES is a freelance writer, poet, content editor, and blogger. She curates the Poet by Day Webzine [jamiededes.com], an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments. Jamie is also the founder and founding editor of The BeZine, which she currently manages and edits with American-Israeli poet, Michael Dickel (Meta /Phor(e) /Play).

MBIZO CHIRASHA (Mbizo, The Black Poet)  \is the founder of Womawords Literary Press, which is dedicated to giving space to the voices of women and girls. He is a multi-award winning poet from Zimbabwe who is in exile and running for his life. We have been coordinating in the search for safe harbor for him. In part I am posting this today to remind everyone that while we’ve made progress with funding, we still need to find a host for Mbizo, preferably Germany. Open to suggestion.  Connect with me (thepoetbyday@gmail.com) if you are able to help, have leads, or have questions. You can read more about Mbizo and his story: Zimbabwean Poet in Exile: Award-Winning Poet Mbizo Chirasha, A Life on the Run, Interview.

SECOND LIGHT NETWORK OF WOMEN POETS: News and Information

In the Medieval Period, Sappho had a reputation as an educated woman and talented poet. In this woodcut, illustrating an early incunable of Giovanni Boccaccio’s De mulieribus claris (Concerning Famous Women), Sappho is portrayed surrounded by books and musical instruments. Boccaccio (1313-1375) was an Italian writer, poet and Renaissance humanist.
Dilys Wood, SLN founder and poet, editor and publisher

SECOND LIGHT NETWORK OF WOMEN POETS (SLN), founded by poet, editor and publisher, Dilys Wood, was created to encourage and promote women poets – forty-plus.  SLN lives in London but membership is open to women poets over forty-years old living anywhere in the world.


NEWS & INFORMATION

SLN’s ARTEMISpoetry, Issue 18, themed “Risks in Poetry” is just out and can be purchased from Second Light via Anne Stewart’s poetry pf. 

Anne Stewart, poet, poetry tutor, founder of poetry pf and administrator to SLN

Each issue of ARTEMISpoetry is chock full of information, inspiration, poetry and introductions to good poets who might be new to you. There’s always a sprinkling of black-and-white art and often a clever cartoon by Kate Foley. A “note board” provides news and updates on publications by member poets and on events, conferences, classes and poetry readings. These latter are in and around London and so mostly benefit local poets.  

ARTEMISpoetry, Call for Submissions – Opportunity Knocks

Issue 19, November 2017  

Editors for Issue 19 are: General & Artwork – Dilys Wood and Katherine Gallagher; Poetry – Anne Stewart.

New: Readers’ Letters are invited. Comments on the journal’s content or anything you would like to see discussed in relation to women’s writing. (max 100 words).

All submissions: submit paper copy initially to Dilys Wood, 3 Springfield Close, East Preston, West Sussex, BN16 2SZ. Please write “ARTEMISpoetry” on your envelope. (Enquiries only: e-mail Administrator editor@poetrypf.co.ukPoems: Issue 19 deadline – August 31, 2017

Poems by women of any age. Poems should be typed, or if written, then very neatly. Each poem should commence on a new page, headed “Submission for ARTEMISpoetry”. Please SEND TWO COPIES.  Include your name with each poem and include your name and full contact details in your submission. Long poems are considered. Submit up to four poems to a maximum of 200 lines in all.

Artwork: Black and white photographs or line art. Submit up to four pieces to Dilys as above.


EVENTS

Bookings open for AUTUMN FESTIVAL in mid-to-late August. This Festival is scheduled for November 17 & 18 this year.

Bookings open for SPRING FESTIVAL in mid-to-late February 2018. This Festival is scheduled for May. Exact dates to be announced.

Details HERE.


COMPETITION

Poet, poetry tutor and consultant to SNL

Second Light Poetry Competition for Long and Short Poems by Women 2017 – Deadline Tuesday, August 15th

JUDGE MYRA SCHNEIDER will read all entries. Myra Schneider’s latest and recent books are Persephone in Finsbury Park (SLP), The Door to Colour (Enitharmon); What Women Want (SLP); and the writing resource, Writing Your Self (with John Killick). Myra is a Poetry School and Second Light regular tutor. More at Myra Schneider website where you can also order Myra’s books

Awards:

  • £300 First Prize for each of Long (no upper limit) and Short (max 50 lines) poems
  • £150 Second Prize (1 poem from either category)
  • £75 Third Prize (1 poem from either category)

Winning & Commended Poets published (in full or extract) in ARTEMISpoetry. Winners offered a London reading.

Entry fees are:

  • £6 each per long poem.
  • Short poems: £4 each or £9 for 3, £14 for 8. Enter by post (2 copies) or online.

Members are entitled to one free entry into the competition. Join now to be eligible.** (see About Second Light/Joining)

Rules & Entry direct link to payment at poetry p f online shop.

The competition results will be posted on the website by September 30th. Once winning poems (or extracts) are published in ARTEMISpoetry, they will be available to read there.


REMOTE (DISTANCE LEARNING) WORKSHOPS

REMOTE WORKSHOPS, a service you can access from anywhere in the world, are offered. There are two courses from which to choose with eight sections each. The workbooks are two of the many poetry anthologies published by SLN, Her Wings of Glass and Fanfare, both can be purchased from poetry pfWorkshop details HERE

PERCEPTIONS OF TIME, a full-day remote/distance workshop (5 hours plus) designed by Myra Sneider. Price: £8.

“Time plays a central role in every aspect of our lives. The workshop explores ways in which we perceive time and how we represent these perceptions in writing.

“Past experience crucially influences how we view the present and future. Earth’s distant past, cosmological time are difficult to imagine … Clock time is fixed but our impressions of time are subjective – an hour’s enjoyable exercise session will seem to be over quickly, but the minutes drag during a boring lecture…”

Further details on Myra Schneider (workshop designer and tutor) are HERE.

To order, contact Administrator, Anne Stewart, +44 (0)1689 811394 / +44 (0)7850 537489 or e-mail

Poems written in these workshops are invited for consideration for ARTEMISpoetry.


REMEMBERING MARY MacRAE

Poet Mary MacRae

THE MARY MacRAE ACCESS TO POETRY MEMORIAL FUND: “many will remember the outstanding poet and Second Light member, Mary MacRae (her books As Birds Do and Inside the Brightness of Red are available from Second Light).

“The Fund has been created in her memory, begun with a substantial donation from Mary’s family, with the intention of providing modest grants to enable local members on low income, along with a travel companion if they are unable to travel alone, to come to Second Light events.

“If anyone would like to make a contribution to the fund in Mary’s memory, all donations, however small, will be most welcome. Donate to the Fund

Making an Application

“Members on low income, who may not otherwise be able to attend Second Light events, may apply for assistance with local travel, for themselves only or for themselves and a travelling companion, if they are unable to travel alone. Recipients will be asked to make receipts for expenditure available whenever possible. Applicants should be aware that Donors of substantial amounts to the Fund may be given access to Fund records on a confidential basis.”

Download Application Form


CONNECT

Photo credits: header is courtesy of cladcat under CC-BY 2.0 license; © photo portraits of poets Dilys, Myra and Anne belong to them and Mary’s to her estate; Sappho Eresia (below) is in the public domain


Hermaic pillar with a female portrait, so-called “Sappho”; inscription “Sappho Eresia” ie. Sappho from Eresos. Roman copy of a Greek Classical original.

RELATED:

My SLN member page is HERE.


Jamie’s THE WORDPLAY SHOP: books, tools and supplies for poets, writers and readers

LATE BREAKING NEWS: “RESIST” live and virtual events and “Artemis Poetry” calls for submissions

“On January 15, 2017, poets around the U.S., in cities, towns and villages, will gather on the steps of their local city hall to read poetry against the coming dictatorship of Trump.”

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Organized by Alan Kaufman and Michael Rothenberg.

Alan Kaufman is the Editor of The Outlaw Bible of American Poetry

“Outlaw poets” is a term of endearment used in reference to poets whose work is featured in the Outlaw Bible. The following is a partial list of the characteristics of such poets:

  • anti-authoritarian personality;
  • anti-Vietnam war activists known for their anti-war rhymes (many poets write about Vietnam who are by no means outlaw poets).
  • Elder poets that gained notoriety via unconventional forms
  • Poets deliberately not included in most academic curriculums
  • Often inspirational to or inspired by the so-called “Beat” movement in American poetry during the mid-20th century

and

Michael Rothenberg is co-founder (with Terri Carrion) of 100 Thousand Poets For Change. He is an American poet, songwriter, editor, and active environmentalist who recently moved to Florida from the San Francisco Bay area. Born in Miami Beach, Florida, Rothenberg received his Bachelor of Arts in English at the University of North Carolina at Chapel Hill. In 1993 he received his MA in Poetics at New College of California. In 1989, Rothenberg and artist Nancy Davis began Big Bridge Press, a fine print literary press, publishing works by Jim Harrison, Joanne Kyger, Allen Ginsberg, Philip Whalen and others. Rothenberg is editor of Big Bridge, a webzine of poetry. Rothenberg is also co-editor and co-founder of Jack Magazine

It’s probable that The BeZine January 15, 2017 issue will be devoted to this event. Save the date for both live and virtual events and prepare to submit your poems. Let them be both truthful and artistic . . .

Tell all the Truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise

 

As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind — Emily Dickinson

Δ

The latest issue of ARTEMISpoetry (UK) just landed in the USA with its usual rich assortment of essays, book reviews, art, announcements and – Yes! – of course, a wealth of good poems. (Apologies for not getting a better photograph of the cover.) ARTEMISpoetry is the bi-annual journal (November and May) of the Second Light Network and published under its Second Light Publications imprint. The poetry is by women forty-plus or better. The poems are for everyone. You can order this issue and others through Anne Stewart‘s poetry p f and/or sign up for membershipMembership includes a journal subscription.

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CALLS FOR SUBMISSIONS

Opportunity Knocks

Poetry Deadlines: Issue 18, February 28, 2017 and Issue 19, August 31, 2017. “Women poets only, of any age. Unpublished poetry only and not out in submission elsewhere.  Strict limit: max 4 poems; the total number of lines in all should not exceed 200 lines (i.e. you could send a poem of 200 lines and this would restrict your submission to just one poem).  Two copies, A4 paper only [U.S. standard letter paper – 8 1/2 x 11 is the closest we have in the US to A4], typed or neatly handwritten.  Each numbered sheet to bear the poet’s contact details (name, address, telephone, e-mail). Send to ARTEMISpoetry, ATTN.: Dilys Wood, 3 Springfield Close, East Preston, West Sussex, BN162 SZ.”

Response by April 30 for Issue 18 and October 31 for Issue 19.  Kate Foley is the poetry editor for Issue 18.

Artwork – Black and white photographs or line-art sketches are welcome for submission. Four max.

For new and emerging writers, Second Light also offers “remote” – i.e., distance – workshops.  Check out the website for details.

Δ

HEADS-UP: December 7, 2016,

Poetry Now @ The Department of English and American Studies, The Lester and Sally Entin Faculty of Humanities, Tel Aviv University

Our own Michael Dickel is a featured.15289246_10154375245428557_1972176959953952764_o

CELEBRATING AMERICAN SHE-POETS (23): Gwendolyn Brooks, Journalist, Poet, Living in the along …

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“Live not for Battles Won.
Live not for The-End-of-the-Song.
Live in the along.”
Report from Part One

There is so much about Gwendolyn Brooks and her work that is remarkable and goes beyond the awards and acknowledgements, though these are many and prestigious and often firsts for her gender and race.

In 1968 Gwendolyn Brooks was named Poet Laureate of Illinois. In 1985, she was the first Black woman appointed U.S. Poet Laureate, known then as Consultant in Poetry to the Library of Congress. She received an American Academy of Arts and Letters Award, the Frost Medal, a National Endowment for the Arts Award, the Shelley Memorial Award, and fellowships from the Academy of American Poets and the Guggenheim Foundation.

Gwendolyn Brooks was born in Topeka, Kansas, but within a few weeks of her birth her family moved to Chicago, Illinois, her true roots and the source material for her poetry. She lived in Chicago until her death in December 2000. According to the family and friends who surrounded her at the end, she died as she lived with pencil in hand.

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“But in the crowding darkness not a word did they say.
Though the pretty-coated birds had piped so lightly all the day.
And he had seen the lovers in the little side streets.
And she had heard the morning stories clogged with sweets.
It was quite a time for loving. It was midnight. It was May.
But in the crowding darknesss not a word did they say.”
Old Marrieds

Gwendolyn’s first poem was published in a children’s magazine when she was thirteen years old. By the time she was sixteen 75 poems were published. Her first collection, A Street In Bronzville, was published in 1945. She never completed college because she saw herself as a poet and not a scholar. Maybe this is one reason why her poetry is so unselfconscious and down-to-earth.  There’s no posturing. It’s real and readable.  She experimented with many poetic forms and is known for her innovations to the sonnet. She seems to have invented a few forms of her own. Though her subject matter is serious and always compassionate and practical, often compellingly spiritual, she can – and often is – funny, even Suessian on occasion.

In writing of a particular time, place and people – as a journalist poet (a phrase she coined) – she not only chronicled the soul and lives of a people, she captured the essence of the eternals – the follies, the challenges, the good, the loving and the enduring – in the human condition, in the human soul … “To be in love,” she wrote, “is to touch things with a lighter hand.”

Exhaust the little moment. Soon it dies.
And be it gash or gold it will not come
Again in this identical disguise.
Annie Allen

Was she a student of Eastern mystics or Meister Eckhart? I rather doubt it. What we have here is a good woman writing from the perspective of her own sacred space, her refined intelligence and her acute observation and imagination. She certainly also writes out of the deep love she has for her people, the exploration of the complexities of being Black in America, and her rootedness and familiarity with the South Side of Chicago. I unreservedly recommend Gwendolyn Brooks for the sheer pleasure of her poetry, for some more understanding of the Black experience in America if you are not Black, for a connection with your roots if you are Black, for your understanding of your own soul and for your education as a poet.  If you haven’t met her yet, do so as soon as you can. A good place to start is with The Essential Gwendolyn Brooks from the American Poetry Project. It has a fine introduction by Elizabeth Alexander.

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John, Who Is Poor
Give him a berry, boys, when you may
And, girls, some mint when you can
And do not ask when his hunger will end
Nor yet when it began
(From Bronzeville Boys and Girls, 1956)

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We Real Cool

“We real cool. We
Left school. We

Lurk late. We
Strike straight. We

Sing sin. We
Thin gin. We

Jazz June. We
Die soon.”

― Gwendolyn Brooks

Gwendolyn Brooks, Journalist Poet, reads We Real Cool (If you are viewing this post from an email, you’ll likely have to link through to the site to see it.)

“She was learning to love moments. To love moments for themselves.”
Gwendolyn Brooks

© 2016, Jamie Dedes, All rights reserved; poems, Gwendolyn Brooks  estate; photograph of “Winnie” stone is in the public domain