David Wright is an Emmy Award-winning Canadian-American broadcast journalist and political activist, a former correspondent for ABC News, and a self-described socialist. His work appears on Nightline, World News Tonight, Good Morning America and 20/20.
ABC News on Wednesday announced it had suspended correspondent David Wright for comments he made that were secretly recorded and disseminated by a right-wing activist group.
“ABC’s decision essentially—and wrongly—suggests that journalists are unable to do their work professionally if they have private opinions, as any individual does. In doing so, it hands a victory to an outfit whose mission is to use underhanded tactics to undermine public faith in the credibility of a free press. Wright was expressing his personal opinions at a bar, and even gave a disclaimer that his comments were separate from his professional work. To punish him for this sends the wrong message to the public and to those who seek to further drive distrust in professional media.” Nora Benavidez, director of U.S. Free Expressions Programs, PEN America.
PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.
I don’t know what to write I don’t know what to write I don’t know what to write.
Is exactly what I wrote when trying that age old advice for writer’s block:
Sit down and write something, anything. Just get words on the page.
I’m not saying it is bad advice. Quite the contrary. But repeating the sentences isn’t working.
Oh, I know, I’ll try my old trick of using a random word generator.
*click* The word is: carnival.
A juicy word! Here we go.
Heeeere we go.
My mind is like a carnival?
That’s it, that’s all she wrote.
It’s more like the carnival that left town. Quiet. Dead. Random bits of debris blowing around.
That was almost lyrical and then it wasn’t. A sudden gust of wind that just as suddenly went still.
So goes the ongoing wrestling match with my demons. Well, not demons, that’s an unfair characterization. My Muse is not a demon and my demons are not Muses.
There are those who would say that having writer’s block is simply lack of discipline. Just sit down and write words is the cure.
I get the point but I think it’s unfair. I have always prided myself on being a disciplined writer. I don’t take for granted my ability to quite easily write a thousand words a day. It takes me about twenty minutes.
So when I say I’m blocked, it’s not for lack of words. Knocking out a thousand words with no purpose is unfulfilling. What I yearn for is that pull, that feeling of being in the flow, when the words that flow from my fingertips are not just words but a cohesive chain with something to say.
The best thing for me to remember is that the good words don’t go away forever. Writer’s block isn’t permanent. That is the focus that keeps me going, knowing they will return and we will flow together again.
But until that happens, I am both thirsty and hungry and yearn for pretty words and meaty thoughts and the satiation I can only feel after feasting on a good turn of phrase.
Until then, I will keep ahold of that good juicy random word. I will work it over like a bad tooth until I find the story that flows from the word carnival. I’ll carry it around in my virtual rucksack until I figure out how to build the word and sentences and phrases that go beyond “my mind is like a carnival.”
My carnival awaits.
Karen Fayeth (Oh Fair New Mexico): Raised most of my life in New Mexico, my job brought me to Northern California. I don’t usually identify myself as a Californian, simply a New Mexican living in California. In the first couple years after moving, I distanced myself from my home state thinking it backward and remote. Then I began to visit home more frequently and truly learned a love for my home state that only comes by gaining perspective. I’m a writer, a crafter, a photographer and labor at a “real job” during the days.
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“How much better is silence; the coffee cup, the table. How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. Let me sit here for ever with bare things, this coffee cup, this knife, this fork, things in themselves, myself being myself.” Virginia Woolf, The Waves
The New York Public Library just announced the acquisition of an extensive Virginia Woolf Collection. This collection provides a rare glimpse into the life of the iconic writer and, merged with existing Library collections related to Woolf, formulates one of the world’s most complete and important collections of Virginia Woolf material.
The Library has acquired by purchase and gift this collection of rarely seen Virginia Woolf material: correspondence, rare printed books and unique material such as photographs, original artwork and ephemera, including Woolf’s passport.
The collection of 153 items was assembled over decades by William Beekman. It will join the Library’s existing Virginia Woolf holdings in the Henry W. and Albert A. Berg Collection of English and American Literature, accessible from the Library’s Stephen A. Schwarzman Building on Fifth Avenue and 42nd Street. With this new acquisition, The New York Public Library holds what is arguably the most complete and important collection of Virginia Woolf material in the world.
The Library’s Berg Collection is currently home to Virginia Woolf’s diaries and notebooks; draft material for all of her works of fiction; nearly 3,000 pieces of incoming and outgoing correspondence, as well as photographs; books; legal documents; and her walking stick. The existing collection, which spans the years 1888 to 1941, numbers nearly 3,700 individual items and began with the acquisition of Woolf’s diaries in 1958, directly from her husband, Leonard Woolf.
“Virginia Woolf’s writings are essential to literary modernism, long one of the core collecting areas—and one of the most frequently accessed—of the Berg Collection at The New York Public Library,” said Andrew W. Mellon Director of the Research Libraries, William Kelly. “The acquisition of the William Beekman Collection of Virginia Woolf and Her Circle adds extraordinary depth to what is already one of the Berg’s strongest collections. With this acquisition, the Library reaffirms its commitment to Virginia Woolf, to literary modernism, to early feminist writing, and to documenting the creative process through incomparably rich collections.”
Highlights of the new acquisition:
Extensive correspondence, including a set of eight letters from Virginia Woolf’s husband, Leonard, and sister, Vanessa Bell, to Vita Sackville-West regarding Woolf’s disappearance and suicide.
Showing a different side of the author’s personality, a humorous “proclamation” written on the eve Vanessa Bell’s marriage, which Woolf wrote from the perspectives of three apes, Billy, Bartholomew, Mungo, and a Wombat.
Copies of the first editions of Woolf’s books, including Jacob’s Room (1922), Mrs. Dalloway (1925), and To the Lighthouse (1927). Each retain the original jacket illustrations designed by Vanessa Bell and several are inscribed to intimate associates
Unique items such as Woolf’s passport name card with picture, unpublished poetry by Vita Sackville-West, and books from Woolf’s own library.
Letters and gift books inscribed to Florence Hardy (widow of Thomas Hardy), David Garnett, Clive Bell, and other prominent members of the Bloomsbury group.
The Beekman collection complements the Library’s holdings, while providing greater breadth and important context for many of the items. This is seen with the addition of the letter from Leonard Woolf to Vita Sackville-West regarding Virginia’s presumed suicide and finding her walking stick floating in the river. The Berg Collection is home to the walking stick.
Adeline Virginia Woolf (1882–1941) was an English novelist, essayist, biographer, and feminist. Woolf was central to the Bloomsbury Group*, a coterie of British artists, writers, and intellectuals active in the first half of the twentieth century. In 1917, Woolf founded with her husband, Leonard, the Hogarth Press and published what would become foundational works of Modernism, including T. S. Eliot’s The Waste Land in 1923. She also wrote nine novels, two collections of short stories, a biography, and three book-length essays in addition to other works. She wrote approximately 400 essays and 4,000 letters, and kept a diary for most of her life before committing suicide in 1941.
*The Bloomsbury Group—or Bloomsbury Set—was a group of associated English writers, intellectuals, philosophers and artists in the first half of the 20th century,including Virginia Woolf, John Maynard Keynes, E. M. Forster and Lytton Strachey. This loose collective of friends and relatives was closely associated with the University of Cambridge for the men and King’s College London for the women, and they lived, worked or studied together near Bloomsbury, London. According to Ian Ousby, “although its members denied being a group in any formal sense, they were united by an abiding belief in the importance of the arts.” Their works and outlook deeply influenced literature, aesthetics, criticism, and economics as well as modern attitudes towards feminism, pacifism, and sexuality. A well-known quote, attributed to Dorothy Parker, is “they lived in squares, painted in circles and loved in triangles”. Wikipedia MORE
“I could not be more delighted to see my collection find a permanent home with the marvelous Woolf material already held by The New York Public Library in the Berg Collection,” said collector, William Beekman. “The Berg’s wealth of related holdings and its curatorial resources mean that these books and documents, which have given me so much pleasure, will be available to scholars and the general public to study and enjoy for years to come.”
The collection has been processed and is available for research purposes at the Berg Collection.
This post is complied courtesy of The New York Public Library, Leeds Art Gallery, Wikipedia, and my bookshelf.
The New York Public Library is a free provider of education and information for the people of New York and beyond. With 92 locations—including research and branch libraries—throughout the Bronx, Manhattan, and Staten Island, the Library offers free materials, computer access, classes, exhibitions, programming, and more to everyone from toddlers to scholars, and has seen record numbers of attendance and circulation in recent years. The New York Public Library serves nearly 17 million patrons who come through its doors annually and millions more around the globe who use its resources at nypl.org. To offer this wide array of free programming, The New York Public Library relies on both public and private funding. Learn more about how to support the Library at nypl.org/support.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry. Email firstname.lastname@example.org for permissions, commissions, or assignments.
“It’s this way: being captured is beside the point the point is not to surrender. Nâzım Hikmet, Poems of Nazım Hikmet
Living is no laughing matter:
You must take it seriously.
So much so and to such a degree
that, for example, your hands tied
behind your back,
your back to the wall
or else in a laboratory
in your white coat and safety glasses,
you can die for people –
even for people whose faces you’ve
even though you know living
is the most real, most beautiful
I mean, you must take living so
that even at seventy, for example, you’ll
plant olive trees –
and not for your children, either,
but because, although you fear death you
don’t believe it,
because living, I mean, weighs heavier.
– Nâzım Hikmet, Poems of Nâzım Hikmet
Letters from a Man In Solitary
I carved your name on my watchband
with my fingernail.
Where I am, you know,
I don’t have a pearl-handled jackknife
(they won’t give me anything sharp)
or a plane tree with its head in the clouds.
Trees may grow in the yard,
but I’m not allowed
to see the sky overhead…
How many others are in this place?
I don’t know.
I’m alone far from them,
they’re all together far from me.
To talk anyone besides myself
So I talk to myself.
But I find my conversation so boring,
my dear wife, that I sing songs.
And what do you know,
that awful, always off-key voice of mine
touches me so
that my heart breaks.
And just like the barefoot orphan
lost in the snow
in those old sad stories, my heart
— with moist blue eyes
and a little red runny rose —
wants to snuggle up in your arms.
It doesn’t make me blush
that right now
I’m this weak,
this human simply.
No doubt my state can be explained
physiologically, psychologically, etc.
Or maybe it’s
this barred window,
this earthen jug,
these four walls,
which for months have kept me from hearing
another human voice.
It’s five o’clock, my dear.
with its dryness,
and lame, skinny horse
standing motionless in infinity
— I mean, it’s enough to drive the man inside crazy with grief —
outside, with all its machinery and all its art,
a plains night comes down red on treeless space.
Again today, night will fall in no time.
A light will circle the lame, skinny horse.
And the treeless space, in this hopeless landscape
stretched out before me like the body of a hard man,
will suddenly be filled with stars.
We’ll reach the inevitable end once more,
which is to say the stage is set
again today for an elaborate nostalgia.
the man inside,
once more I’ll exhibit my customary talent,
and singing an old-fashioned lament
in the reedy voice of my childhood,
once more, by God, it will crush my unhappy heart
to hear you inside my head,
away, as if I were watching you
in a smoky, broken mirror…
It’s spring outside, my dear wife, spring.
Outside on the plain, suddenly the smell
of fresh earth, birds singing, etc.
It’s spring, my dear wife,
the plain outside sparkles…
And inside the bed comes alive with bugs,
the water jug no longer freezes,
and in the morning sun floods the concrete…
every day till noon now
it comes and goes
from me, flashing off
And as the day turns to afternoon, shadows climb the walls,
the glass of the barred window catches fire,
and it’s night outside,
a cloudless spring night…
And inside this is spring’s darkest hour.
In short, the demon called freedom,
with its glittering scales and fiery eyes,
possesses the man inside
especially in spring…
I know this from experience, my dear wife,
Today they took me out in the sun for the first time.
And I just stood there, struck for the first time in my life
by how far away the sky is,
and how wide.
Then I respectfully sat down on the earth.
I leaned back against the wall.
For a moment no trap to fall into,
no struggle, no freedom, no wife.
Only earth, sun, and me…
I am happy.
Trans. by Randy Blasing and Mutlu Konuk (1993) / Poem Hunter
Nâzım Hikmet (1902 – 1963) was a Turkish poet, playwright, novelist, screenwriter, director and memoirist. He was acclaimed for the “lyrical flow of his statements”. Since he was a revolutionary in his time, he seemed a good poet to present today, the day we celebrate Global 100,000 Poets and Friends for Change and The BeZine Virtual 100TPC. (Join us HERE and share your work. Read that of others.)
Additionally, he has always fascinated me, not only because of his poetry and the way he spent his life, but because he was born in the same time and place as my father, someone I barely knew. I feel a bit like I get a glimpse at the times and culture into which my father was born when I read Hikmet.
Described as a “romantic communist” and “romantic revolutionary”, he was repeatedly arrested for his political beliefs and spent much of his adult life in prison or in exile. His poetry has been translated into more than fifty languages.
Despite writing his first poems in syllabic meter, Nazım Hikmet distinguished himself from the “syllabic poets” in concept. With the development of his poetic conception, the narrow forms of syllabic verse became too limiting for his style and he set out to seek new forms for his poems.
He was influenced by the young Soviet poets who advocated Futurism. On his return to Turkey, he became the charismatic leader of the Turkish avant-garde, producing streams of innovative poems, plays and film scripts. Breaking the boundaries of syllabic meter, he changed his form and began writing in free verse, which harmonized with the rich vocal properties of the Turkish language.
He has been compared by Turkish and non-Turkish men of letters to such figures as Federico García Lorca, Louis Aragon, Vladimir Mayakovsky, Faiz Ahmed Faiz and Pablo Neruda. Although Ran’s work bears a resemblance to these poets and owes them occasional debts of form and stylistic device, his literary personality is unique in terms of the synthesis he made of iconoclasm and lyricism, of ideology and poetic diction.:19
Many of his poems have been set to music by the Turkish composer Zülfü Livaneli. A part of his work has been translated into Greek by Yiannis Ritsos, and some of these translations have been arranged by the Greek composers Manos Loizos and Thanos Mikroutsikos.
Because of his political views his works were banned in Turkey from 1938 to 1965.
Nazim Hikmet was awarded the International Peace Prize in 1950.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email email@example.com for permissions, commissions, or assignments.