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PEN AMERICA’S $10,000 Writing for Justice Fellowship will commission six writers …

“There may be times when we are powerless to prevent injustice, but there must never be a time when we fail to protest.” Elie Wiesel



Applications for the Pen America Writing for Justice Fellowship must be filed by July 1, 2018.  This fellowship “aims to harness the power of writers and writing in bearing witness to the societal consequences of mass incarceration by capturing and sharing the stories of incarcerated individuals, their families, communities, and the wider impact of the criminal justice system.  Our goal is to ignite a broad, sustained conversation about the dangers of over-incarceration and the imperative to mobilize behind rational and humane policies.” Details and link to application HERE.

RELATED:


ABOUT

SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, and Other News and Information

“Let me begin again as a speck
of dust caught in the night winds
sweeping out to sea. Let me begin
this time knowing the world is
salt water and dark clouds, the world
is grinding and sighing all night, and dawn
comes slowly, and changes nothing.”
Philip Levine, 7 Years from Somewhere: Poems



CALLS FOR SUBMISSIONS

Opportunity Knocks

3:AM MAGAZINE, Whatever it is, We’re Against It publishes criticsim (query first), fiction (closed) and nonfiction (query first) and poetry. Currently submissions are open for poetry only for its Duos (collaborative poems) and Poem Brut (explores handwriting, abstraction, illustration, asemic and pansemic writing, visual poetry and so on) series. No submission fees. No payment. Details HERE.

ABLE MUSE, A Review of Poetry, Prose & Art invites submissions for poetry (mainly metrical) poetry translation, fiction (up to 4,000 words), art and photography, nonfiction, essays, book reviews and interviews. No fee. Details HERE.

ACTA VICTORIANA, the literary journal of Victoria University in the University of Toronto, publishes prose and poetry once a year. Details HERE.

BLACK WARRIOR REVIEW of University of Alabama is reading general fiction, nonfiction and poetry submissions and review graphic writing, comics and art through September 1. $3 submission fee.  The editors “especially strive to magnify voices that are traditionally and systemically silenced. Writers of color, queer and trans writers, disabled writers, immigrant writers, fat writers and femmes: you are welcome and wanted here.” Details HERE.

BROKENPENCIL, The Magazine of Zine Culture and the Independent Arts publishes “sort reports (about 400 words) on cultural events, personalities, zine gatherings” as well as feature articles (1,000-3,000 words) on indie/alternative culture,  art, fiction (up to 3,000 through September 15th).  The next pitch deadline is July 15th. Optional submission fee. Payment: $50 – $100 dollars. Details HERE.

CONJUNCTIONS, Read Dangerously (biannual – usually themed – print/e-book) is open for Conjunctions: 71, A Cabinet of Curiosity (Fall/November 2018). No deadline is offered. The editor also reads year-round for the weekly online magazine. Interest is in short-and-long-form fiction, poetry and creative nonfiction. No fee. Details HERE.

GRAIN MAGAZINE, the journal of eclectic writing will open for submissions of poetry, fiction, literary nonfiction and other material on September 1, 2018 and close on May 31, 2019. Canadian and international writers invited. Payment $50 per page with a max payment of $250. Compensation includes three contributor copies. Details HERE.

GREENSBORO REVIEW is open through September 15 for submissions of poetry and fiction. Submission fee. Details HERE.

IRON HORSE LITERARY REVIEW publishes “one issue as a chapbook. The genre rotates: prose collections in odd years; poetry collections in even years. Prose collections should be 40-56 pages, double-spaced; poetry collections should be 28-36 pages, one poem per page. Submissions due every year from January through mid-March. Fee: $18, which includes year’s subscription. Winner receives $1,000 and press run of 500. Watch the site for 2019 call for submissions.  ihlr trifecta: Send marathon-long manuscripts every October. video literature: Submit every year from January through mid-March.

JUBILAT of the Unviersity of Massachusettes at Amherst publishes poetry and art, and other forms of writing on poetry, poetics or subjects that have nothing to do with poetry. “All art submissions must either be in black and white or publishable in grayscale.”  Calls will open on September 1. Submission fee. Details HERE.


The BeZine

Call for submission for the September issue.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be. Submissions for the September issue – themed Social Justice – close on August 10 at 11:59 p.m. PDT .

Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text. Send submissions to bardogroup@gmail.com.

Publication is September 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.

No demographic restrictions.

Please read at least one issue and the Intro/Mission Statement and Submission Guidelines. We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples. 

  • September 2018 issue, Deadline August 10th, Theme: Human Rights/Social Justice
  • December 2018 issue, Deadline November 10th, Theme: A Life of the Spirit

The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration. 


CONTESTS

Opportunity Knocks

BLACK WARRIOR REVIEW of the University of Alabama has an open call for entries to its 2018 CONTEST, which will close on September 1. $1000 & PUBLICATION in Nonfiction, Fiction, and Poetry; $500 & PUBLICATION in our Flash Category; Nonfiction Judge: Kate Zambreno; Fiction Judge: Laura van den Berg; Poetry Judge: Vanessa Angélica Villarreal; Flash Judge: Jennifer S. Cheng. Entry fees: Fiction, Nonfiction, and Poetry: there is a $20 entry fee for each submission ($30 for international submissions). All entrants receive a one-year subscription to BWR as a thank-you. Flash: there is an $8 entry fee. Details HERE.

SECOND LIGHT POETRY COMPETITION FOR LONG AND SHORT POEMS BY WOMEN – 2018 – NOW OPEN JUDGE ESTHER MORGAN. Poet, tutor and editor, Esther Morgan’s first collection Beyond Calling Distance (2001), which won the Aldeburgh ‘best first collection’ Prize, was followed by The Silence Living in Houses (2005), Grace (2011) and The Wound Register (2018), all by Bloodaxe. She won the Bridport Prize in 2010.

  • £300 First Prize for each of Long (no upper limit) and Short (max 50 lines) poems
  • £150 Second Prize (1 poem from either category)
  • £75 Third Prize (1 poem from either category)

Winning & Commended Poets published (in full or extract) in ARTEMISpoetry.  

Entry fees: £6 each per long poem. Short poems: £4 each or £9 for 3, £14 for 8. Enter by post (2 copies) or online.
**Members are entitled to one free entry into the competition. Join now to be eligible.** (see About Second Light/Joining)

Rules & Entry        direct link to payment at poetry p f online shop
note: payment link in competition flyer ends ‘s l(el) 5’, not ‘s 1(one) 5‚.

The results will be posted on the website by 30th September. Once winning poems (or extracts) are published in ARTEMISpoetry.


Accessible anytime from anywhere in the world:

  • The Poet by Day always available online with poems, poets and writers, news and information.
  • The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) will be published here on the following Tuesday.
  • The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers. Due to other Sunday commitments, this post will often go up late in the day.
  • THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.  
  • Beguine Again, daily inspiration and spiritual practice  – always online HERE.  Beguine Again is the sister site to The BeZine.

WEDNESDAY WRITING PROMPT

Reminder

Response deadline is Monday, June 11th at 8 p.m. PDT. All poems shared on theme (this time it’s “the poet in nonordinary time”) will be published on this site on Tuesday, the 12th. Details HERE.


OTHER NEWS AND INFORMATION


YOUR SUNDAY ANNOUNCEMENTS may be emailed to thepoetbyday@gmail.com. Please do so at least a week in advance.

If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:

  • send PDF to jamiededes@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
  • nothing that foments hate or misunderstanding
  • nothing violent or encouraging of violence
  • English only, though Spanish is okay if accompanied by translation
  • your book or other product  should be easy for readers to find through your site or other venues.

TO CONTACT ME WITH ANNOUNCEMENTS AND OTHER INFORMATION FOR THE POET BY DAY: thepoetbyday@gmail.com

TO CONTACT ME REGARDING SUBMISSIONS FOR THE BeZINE: bardogroup@gmail.com

PLEASE do not mix the communications between the two.


Often information is just thatinformation– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


ABOUT

awakening on our rocky rebel road, a poem … and your Wednesday Writing Prompt

img_4452

“I had been experiencing brief flashes of disassociation, or shallow states of non-ordinary reality.” Carlos Castaneda, The Teachings of Don Juan: A Yaqui Way of Knowledge



                                      Sometimes

We love living in the shadowlands that ride our backs,
pregnant with dream demons and rhinestone illusions ~
On such days we come crashing at the abrading edges
of narrow channels and wide-open oceans

………………………………..’till we are

caught between moon-sight and sun-gold distortions
Easy then to precipitate bursts of chaos in the
hoary hibernation of our soul’s winter, denying the truth
in our own voices, the god-awful transience of our bodies

……………………….Yet here we are …
………………………………Yes! Here we are

awakening on our rocky, rebel road …
serving up our spiny poetry
like Don Juan his peyote buttons

© 2011 poem and photo, Jamie Dedes, All rights reserved

WEDNESDAY WRTING PROMPT

Share with us the poet in non-ordinary reality, the doorways that lead from the physical to the spiritual. Leave your poem/s in the comments section below … or, you may leave a link to it/them instead. All poems shared on theme will be published next Tuesday. Please do NOT email your poem to me or leave it on Facebook.

IF this is your first time participating in The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com in order to introduce yourself to the community … and to me :-).  These will be partnered with your poem/s on first publication.

Deadline:  Monday, June 11 at 8 p.m. PDT.

Anyone may participate, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, sharing your work, and getting to know other poets who might be new to you. This is a discerning nonjudgemental place to connect.


ABOUT THE POET BY DAY

“Vincent Van Gone” … and other poems in response to the last Wednesday Writing Prompt

 “I am fated to journey hand in hand with my strange heroes and to survey the surging immensity of life, to survey it through the laughter that all can see and through the tears unseen and unknown by anyone.”  Nikolai Gogol



The heartening responses to the last Wednesday Writing Prompt, the hanged man, May 30, which asked what people – well-known or not – inspire us. Thanks to poets Lisa Ashley, Gary W. Bowers, Paul Brookes, Sheila Jacobs, Sonja Benskin Mesher and Marta Pombo Sallés responded with work that is both beautiful and heartfelt.  Thanks to Sonja and Marta for also sharing their illustrations.

Welcome to the multi-talented Clarissa Simmens, making her debut here with Austisophobia.

I must also draw your attention to John Anstie’s homage to his stepmom, One of a Kind.  Read it HERE.

Enjoy! … and don’t forget to visit these poets and get to know them and to join with us tomorrow for the next Wednesday Writing Prompt. All are encouraged to share their work on theme.


AUTISOPHOBIA

Most people fear me
Now that I’ve confessed
My autism
Despite the internet
And other fonts of info
They think we all melt down
And want to commit violence
On anyone blocking our path
Even if we only know them virtually
When the main thing
We on the spectrum share
Is our despair
That we are unlovable
To others
Merely because
We don’t know
The right words to say
Or the correct facial expression
When we are thinking of what was said
And what we’d like to convey
I dislike pity
So when things get sad
I go into Warrior Mode
A secret code
That bids me to lift my head
Love myself
And most days (and nights) I do
But there are times
When I watch as others
Shower kudos on their
Sisters and Brothers
The Neurotypical
Who fit in
While the Neurodiverse
Like me
Suffer the penalty
Of being different…

(c) 2018 Clarissa Simmens (ViataMaja) (Poeturja)

CLARISSA SIMMENS (Poeturja)  Clarissa Simmens is an Independent poet; Romani drabarni (herbalist/advisor); ukulele and guitar player; wannabe song writer; and music addict. Her poetry is written simply, striving to compose musically, including talking blues, folktales, and memoirs of life. Facebook and Amazon. (photo © Clarrissa Simmens)


I have health and body challenges. This simply written narrative “homage” is trying to capture how it might be for my “Swim Buddy” and the thoughts that cross my mind about him as I swim and work out in the water. I hold nothing but admiration for him.

Swim Buddy

One random day he fell off a ladder.
Paralyzed on impact
never to walk again, they said.

What year ago did he appear
young man in a wheelchair
rolling into the water?

How many hours has he fought
his struggles unknown
to the likes of you and me?

What year did he appear one day,
legs booted and braced,
swaying from side to side?

He swims laps beside me most days now,
offers to loan his special chair—
my surgery is coming soon.

Some months with walker & cane for me,
sticks & braces for him forever,
we park side by side in the disabled spots.

We cross paths in the grocery aisle
sneaking looks at what we’ve chosen,
both leaning on our carts, canes tucked in.

He is greeted by many, a strange notoriety,
his story known on the island.
How many times a day does he say, I’m okay?

We speak hello by the locker room
noting the weather, he’s finished early today.
I don’t ask. We go our separate ways,
he to his truck, me to the water.

© 2018, Lisa Ashley


vincent van gone

john wayne took
kirk douglas to task
for playing vincent van gogh
“play real men, not queers”
is only lightly edited for conciseness

but vincent was a real man
not a very pleasant man
but none can deny that fierce passion
that took him to the coal mines as a lay preacher
and gave him to live as the miners did
In the wretchedest of poverty
(he was soon fired, of course,
for misrepresentation of a proper preacher)

humiliation and scorn were his daily lot
the townsfolk called him “crazy red”
and he lived squalidly

but he was a dreamer alchemist
and he distilled an elixir
of hurtsoul and seethy seeing
from his churning core
and spread the elixir on canvases

he is gone but not
rectangles of his psyche remain

© 2018, Gary W. Bowers (One with Clay, Image and Text)

 

I see the unexpected generosity of so called “ordinary people” as remarkable:

Caravan (Please Take Change)

Three women in the queue
The first empties her packed trolley.

Do you need any carrier bags?
I ask.

Three to start with. I have to sort out
What we’re taking in the caravan.
Why did I buy so much?

Help packing?

Yes please while I empty this.

We’ll do it for you offers one of the other women.
We’d love a caravan holiday. Don’t take up much space.

Five carrier bags full later she says. I’ll have to fetch my car round. I’ll never carry all this.

We’ll carry it for you. We’ve only got these odd goods propose the other two women.

I can’t have you doing that.
Yes you can.

A caravan of women carry bags
out the door.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

“Don’t let it get away!”
my sister shouts as my Dad’s hot air
wrapped in rubber flaps up
over the ocean
in a cross gust.

We both climb in to steady it.
“We’re going out too far!
“I can’t see mum and dad.”
She shouts clambering back out.

She grasps the rope to pull
it forward but gust is too strong.
She lets rope go. “I’m going
back.” she shouts and swims away.

I try to paddle but gust is against me.
I get out, grab the rope, try to haul,
the current is against me. I climb
back in. Watch the beach, and mum
and dad disappear, till there is only
the gusted, grey green waves.

It is cold. In my trunks I curl
into a question mark
in the rubber dinghy.

Suddenly, a shout. A huge hand
gathers me and dinghy up.
I rise into air. Lifted
into a smelly fishing boat.

“Thought tha wa lost their lad.”
the sea god says.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

Pied Wagtail

As I pack another’s bag
He says ” I were a packer

down pit. Tha’d have made
a good packer.”

I set each odd shaped stone
in place to hold back debris
hold up the pit roof so others
may have space to work.

As I pack her bag
She says “Aren’t they beautiful.
The pied wagtails”

She watches their skitter
and bob outside the shop
window. “My dad was

a blacksmith in the pits.
Well, he was a farrier,

But when they got rid
of the ponies he became
a blacksmith. He allus

told me Pied Wagtails
nested in pit prop piles
stacked outside the pit.”

My pit prop holds up
the roof that others
may safely work.

The pits are all closed
their memories are all open,
a black and white skitter and bob.

Packer:

Pack – Roof support made of stone. Large stones at the front, built up like a dry stone wall.
Packer (1) – One deployed to build the pack walls and fill behind with debris.
Packer (2) – A big piece of stone to use in the pack wall.
Packing – Act of building a pack wall and filling a void.
Packhole – Void at coal face to stow dirt either or both sides of the gate from the ripping lip.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)


Showing them

i.m.Jacqueline Kennedy Onassis 1929-1993

They discussed her wardrobe for Texas.
Simple, elegant outfits, Jack suggested
especially on the Dallas trip – to show
those fur-hugging diamond -dripping
dowagers what good taste really was.

She showed them: chose a pink Chanel
suit, navy blouse and matching pill box
hat laid out the night before, accessories
hidden while she smiled to crowds along
Elm Street, waved a white-gloved hand.

When he frowned,suddenly,slumped
forward in the heat’s glare she hunkered
down, cradled his broken head in her lap,
scrambled across the limousine’s trunk
with white kid gloves polka-dotted red.

She lay on the back seat, her body draped
over his, wouldn’t let go until she reached
the Trauma Room of Parkland Hospital;
sat outside,refused to remove her gloves,
relinquish any more of him to strangers.

She showed them, showed the world as
L.B.J.swore the Oath of Allegiance on Air
Force One and she stood at his side, wore
blood-stained stockings and snags of dried
grey matter on her shocking-pink suit.

© 2018, Sheila Jacob


.the bull box.

 

i read Glyn Hughes, sometimes.

sometimes, i look at the photograph,

and wonder how it was that last year;

think of

how you wrote to me, sent

me your book

with a private inscription.

© 2018, poem and illustrations (below), Sonja Benskin Mesher

176210_10150167580116177_5315279_o.jpg

 

jon lord

the words came clearly, shining,

by the kettle early. knowing

i must write,.disappearance on

the stairs, may they drift in later

like a moth, soft and quietning.

now i write nothing, just

the shapes and patterns,

the notes on keys, tapping.

usually the same each morning,

until the differences,

show, and we are challenged.

john lord is gone, his words and sounds

remain.

© 2018, Sonja Benskin Mesher


I do not have any poem specially dedicated to a famous person for their courage, wisdom or whatever other qualities to admire, but I have a homage to some anonymous people that unfortunately are no longer among us:

Time and Human Cruelty

Time
cannot be changed
or escaped.
Time is a thief,
a friend to no one
and every day is
a gift.

You cannot change time
or travel back
to reverse those things which
should never have taken place.
People killed for no reason
or
is there ever a reason
to kill other human beings?

Those people did not get lost.
When you’re lost you’ll sooner or later
find the way back.
Or perhaps not.
But you’re not erased from Earth.

Those people were killed,
just a few compared to other countries
in our world.
None of them will ever return
to the world as we know it.
They’ve just been removed too soon,
swept away by the cruelty of others:
white supremacists, Muslim terrorists …

But which governments are orchestrating
such massacres in our world?
Who’s feeding the monsters
is equally a monster.

Let’s tackle the root of the problem.
Only this way we’ll be able to say:
I am not afraid!

Time and human cruelty
are friends to no one:
Charlottesville, Barcelona, Cambrils
and many more.
The outcome is always the same.

© 2018, poem and illustration, Marta Pombo Sallés (Moments)

2nd poem: A tribute to a Catalan allegorical figure, the Pescallunes, a moon fisherboy, and to those anonymous people following his example:

Moon fisherboy

Someone unplugged and unscrewed
the moon and the stars.
They were stolen away from us
and we were left with a dark blanket,
covering the surface of the Earth,
under which we must live our lives.

Amid the darkness, in the sky
of a salted night, some of us
sit by the same old sea,
or mountain, or field, or by that river,
where once a sickle moon reflected itself.

Soft wind combs the lonely fields
of broken dreams.

Some of us search for the lost moon and stars,
electricians looking for some spare parts
to screw and plug in again in our hearts,
in the sky of illusions.

Some of us have brushes in our hands
starting the repair job,
painting a new landscape.

Someone plugs in the sun
and when the night comes again
stars and moon begin to shine anew.

The mirror of the sickle moon
reappears on the river waters.

As the ancient legend tells
a fisherboy wants to fish the moon
and put it in his bucket.

Someone laughs at him
and at the impossibility.
But deep inside the boy knows
he is a pescallunes,
a moon fisherboy,
like any other inhabitant
of that small Catalan village.

The fisherboy knows deep inside
our world needs more moon catchers
like you and me,
people with plenty of illusions,
dreams and projects.

© 2018, poem and illustration, Marta Pombo Sallés (Moments)

And the 3r poem is again an allegory or personification:

silent-love-vs-boasting-vanity

A long time ago
I got used to living with
My open wounds,
The last withered while
I was staring at the sunset
In the middle of the fog.

Yes, you told me so many times
About your suffering,
How your heart shrunk
Fisted in bleeding red
While your eyes tasted
The salt of the ocean waves
And cristal pearls were running
Down your cheeks.

On that plane you felt
The freezing coldness
Where just one thing
Would not freeze:
The fountain of your tears.

Yes, indeed I remember
All the pain on that plane.
You sent me back to the
Land of rejection.

Yet I am a resilient rock
With my withered wounds
That I carry since ancient times
On this eroded earth.

But to exist is to resist
And so I dwell in human hearts
Who care for each other.
And may I receive your boasting waves
Crashing on my shores
Those hearts will restore me again
For I am silent love and not vain.

© 2018, poem and illustration, Marta Pombo Sallés (Moments)


ABOUT THE POET BY DAY