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The BeZine: Guidelines and Calls for Submissions to the December Issue

The BeZine is published quarterly: March, June, September and December on the fifteenth of the month.  We suggest that you read our Intro and Mission Statement and at least one back issue of The BeZine before submitting work for possible publication.

Please be mindful that our core team (The Bardo Group Beguines), guest contributors, and readers represent the world’s diversity. Nonviolence, respect and inclusion are core values.

All work must be submitted in English and properly edited for publication. Submissions in languages other than English are acceptable and encouraged but they do need to be accompanied by an English translation.

Please send submissions to bardogroup@gmail.com and put “submission” in the subject line.  If you were referred by one of our core team please put his or her name in the subject line along with “submission.” Please include a brief bio. If you have published the work submitted on your own website, blog, YouTube channel or other online venue you may send a link. Response time can be up to three months. Responses are generally sent out after deadline.

PLEASE NOTE: We apply the same standards with regard to content, quality, submission guidelines and reading policy that all high-caliber literary magazines do with the exception that we will consider work that is already published. The copyright, however, must be yours.


DEADLINE: The 10th of month prior to publication, however ~

The deadline for the December issue has been extended from November 10 to November 30. 

THEMES remaining for 2018:

DecemberA Life of the Spirit; subtheme – Gun violence/history/issues.


THEMES for 2019:

  • March: Waging the Peace
  • June: Toward a Sustainable Earth
  • September: Social Justice, 100,000 Poets (and Friends) for Change
  • December: A Life of the Spirit

NOTE: We encourage work that doesn’t just define or highlight a problem but offers solutions, especially when those solutions are already in place somewhere in the world and proving productive.


COPYRIGHT: You retain your copyright for work published in The BeZine. If you are doing multiple submissions, please let us know that you have submitted the work to other publications and advise us immediately if the work is accepted elsewhere. From our perspective this does not preclude publication in The BeZine but we need to know if another publisher has contracted for first-time or exclusive rights.

We regret that we are unable to offer payment or editorial feedback. While we don’t offer payment, we also don’t charge for submissions or subscriptions. The BeZine is a volunteer effort and a peace and justice mission.

All creative arts that lend themselves to online publication are acceptable for consideration: visual arts, literature and poetry, and music and film (video). Please, no more than one submission a quarter.  While many have the impression that we are primarily or exclusively a poetry publication, we are not restricted to poetry. Other forms of writing and art are welcome and encouraged. 

FICTION/NONFICTION/ESSAY: Should you have anything to submit for consideration that is over 1,000 words, please forward a one-paragraph summary description for our initial evaluation.

POETRY: Please don’t bomb us with work. Restrict your submissions to three at a time every three months.  Be selective. Send us your best. No odd layouts please.

VIDEO: One video at a time.

PHOTOGRAPHS and ILLUSTRATIONS: If you include these with your poems, fictions and features, then you must include the source with url and licensing information. We do not accept work that is not properly – respectfully – identified and credited.

BOOK REVIEWS: Starting in 2019, we welcome book reviews but please query first.

READING SCHEDULE: While we read all year, we don’t respond until we have all submissions in for a specific issue; i.e., after the 10th of the month before publication.

THE BeZINE blog: We are interested in seasonal work, especially work that celebrates holy days, historic moments, national or regional festivals and so forth that are entertaining but also provide readers with information, insight and education. Regional, artistic and cultural history and science (especially as it applies to environment, environmental justice, and sustainable agriculture) are welcome. Art work, music videos, and drama (videos or short scripts) are enthusiastically encouraged as well as poetry and prose.

BEST PRACTICES: We have a strong interest in learning about peace, sustainability and social justice initiatives that are working no matter where in the world.  These are considered for both blog and Zine.

Send your work to bardogroup@gmail.com. Only work submitted to this email are considered for publication.

We look forward to hearing from you.  Thank you!

On behalf of The Bardo Group Beguines and in the spirit of loving community,

Jamie Dedes,
Founding and Managing Editor
The BeZine

“Licking Wounds Ain’t Penicillin” . . . and other poems in response to the last Wednesday Writing Promp

“Austerity is theft, the greatest transfer of wealth from poor to the rich since the enclosures.” Fuad Alakbarov, Exodus

“Remember when nurses, carers, teachers and students crashed the stock market, wiped out banks, took billions in bonuses and paid no tax? No, me neither.”  Fuad Alakbarov, Exodus



A stellar response to the last Wednesday Writing prompt, Some Kind of Hell to Pay, November 7. Thank you to Gary W. Bowers, Irma Do, Jen E. Goldie, Sonja Benskin Mesher, and Anjum Wasim Dar for sharing their thoughts and talents. Special thanks to Irma and Anjum for including illustrations and to Irma for sharing further thoughts. Well done eveyone and welcome to Ursula Jacob with her aware and deeply felt poem.

In addition to their words, I’ve included links to blogs or websites where available. I hope you’ll visit these poets and get to know their work better. It is likely you can catch up with others via Facebook.

Enjoy! … and do come out to play tomorrow for the next Wednesday Writing Prompt.


Licking wounds ain’t penicillin, No
It ain’t dinner cause you feed me a line.
Don’t lower the bar, gift me keys to a car
I swear ya’ll tryin to keep a girl blind!

I have seen poverty
Handed down
Heirlooms

Abuse and affliction
But I tell you, little sister,
We must start a fire

Burn it down
Oppression
In the guise of assistance

Oh, I am talking revolution

Handed down
Inner fire, explosive impact
Knowledge of your worth

© 2018, Ursula Jacobs 

URSULA JACOBS has taught journaling for healing in shelters and jails.  When not busking as a cellist and providing resources to the indigent, Ursula, her husband, and cat Tilly, call the Piney Woods of Texas their home. She is an emerging poet that has been published by The BeZine and is working on a chapbook of poetry.

 

 


in order

in order for us to afford you
a chunk of you must go to war
a chunk will return
with some chunks gone and yearn
for the nonhellish sweettimes of yore

thus we make and deploy stocks of ordnance
and our colonels and sergeants show spine
for their new marching orders
defending the borders
and plumping that fine bottom line.

© 2018, Gary W. Bowers (One With Clay, Image and Text)


Once Slice of Bread

Uncle, why only one slice of white bread?

Something is happening, what is it I dread?

Oh dear, don’t worry, it will all be just fine.

Just do as you’re told and toe the line.

But Uncle I see others have food on their plate.

And yours, above all, looks deliciously great.

Look, I need more sustenance than you.

Do you realize all the work that I do?

Now go to bed and do as you’re told.

Nothing will come from you being bold.

Uncle, what do those letters say?

I need to read if I am to stay.

Who says you’re staying, impertinent imp!

School is expensive, we just have to scrimp.

But Uncle I am working hard, too.

I pay for my clothes and give my extra to you.

Of course you do, that’s the only way.

How else can we live if you don’t slave away?

Now go to bed. That is not a choice.

I’m starting to get really annoyed at your voice.

Uncle, it just doesn’t seem fair.

I put in my time. You know that I care.

But it seems that I am the only one

These austerity measures will make me undone

Well, if that happens, it’s your own fault!

You’re not strong enough, clearly not worth your salt.

It’s because of you that we need these measures today

Always wanting to help others who have lost their way.

But Uncle, that was the right thing to do!

Shouldn’t we share with those who have few?

We have so much, but you’re saying we don’t.

Yet you still seem to be able to buy all you want.

Those are things that are my due.

I deserve more things than you.

Look at me! Why can’t you agree?

All you want are things for free.

And that’s why these cuts are your burden to bear.

Being in the middle, you should be aware.

Now go to bed, let these issues unfold.

Just be glad only a few things need sold.

Oh Uncle, why did you sell your soul?

For personal wealth, was that your goal?

I came to you with stars in my eyes.

I thought you were strong and honest and wise.

Together, we could have done so well!

But now I fear we will both go to hell.

Uncle Sam you ask so much of me.

I have so much less, yet you ask for more austerity.

What about healthcare, a decent wage and fair representation?

Or respect for my genders or religious affiliation?

On my back, you’ve created this fantasy,

And now you still just want to grab my pussy?

I’ve had enough. I won’t go to bed.

I deserve much more than one slice of bread.

This was a difficult poem to write for Jamie Dedes’ Wednesday prompt of “austerity measures”. She writes “The phrase “austerity measure” isn’t used as much now as it was when I wrote this poem, but that injustice by other name or unnamed is still an injustice and it’s one that is happening all over the world.”

I had never heard that term before reading Jamie’s poem. I had always associated austerity with something that saints did, something positive, like sacrificing or doing without for the greater good. The term “austerity measures” is actually a financial term to denote an action by government to decrease its debt by increasing taxes while cutting spending on wages and programs (usually for the poor). So it’s something government imposes on its populace with those who are most in need, shouldering the burden of these measures. I will add that the financial definition does note that the tax cuts should be for the wealthy, however, I have a “feeling” that those cuts would depend on who is in government.

Families also implement austerity measures. I know my family did – growing up and being immigrants here, however, I know my parents took the brunt of those measures and did without, so that us children would not need to know that we were financially struggling. Of course, as kids, we still knew that other people had more than we did, but it wasn’t a hardship, just what our family did to live within our means.

Money has so many different meanings for different people. Our attitudes towards money, saving/spending are shaped by our upbringing and experiences. I wonder if austerity measures would be less of an injustice if it wasn’t imposed, if we all agreed to tighten our belts a little for the good of all. Whether a family, a company or a country – could there be compassion in financial matters?

©️ 2018, Irma Do (I Do Run, And I Do a Few Other Things Too)


The Bottomless Well

The rush of racing society,
The red, bloody riots,
The protesting children,
And teetering wars,
On an eternal
Merry-Go-Round.

On the stretching streets,
Lonely, curious, needy,
Men, Women and Babies,
The need for survival.
See the inquiring eyes
Plucked out.

Oh Run! Grasping
the veil of ignorance,
The hurt is stinging,
and
Stomachs are Pits of Hell!
Hide Society’s shame,
In Histories
bottomless well…

© 2018, Jen E. Goldie

Time Will Tell

You say you don’t
want war,
Yet happenstance
could take you there,
Like a whispered phrase
passed from one to another,
becomes a monster in the end.
Time will tell if perchance
we fall again
into another hell……..
With fear to guide them
instead of Peace….

© 2018, Jen E. Goldie

The Answer I Fear

Who are you
that seeks supremacy
by discarding your soul,
and condemning
men, women and children
in aid of your success.
Is it your fear?
Your fear of threat,
That leads you to chance?
And your sons and daughters
to starvation and death?
The Answer I fear is YES………..

© 2018, Jen E. Goldie


. no comfort .

squirm with fear and emotion, at what is written.

freeze at the next sentence, it has nothing to

do with you.

laugh yet is it with nervousness?

these are new remarks, a new way to learn.

a group of friends here, it is the new laws

that cause discomfort.

the type of coffee is reduced,

all in lower case.

© 2018, Sonja Benskin Mesher

..irony..

oddly rhymes with posterity

austerity

the irony

how can they make such rigid stuff
from soft wools

take the thing then
harden it.

they say it will last a lifetime

hold its own

tradition

in the cold frozen

the code will not work,

nor will the counting with interruptions

austerity rhymes

with irony

not posterity

© 2018, Sonja Benskin Mesher


Alas! Lost Is the Identity

Urdu and English

 

 افسوس  کسے  رہی  پہچان‪barmecide supper‬‏ کیلئے تصویری نتیجہ

جہاں سے بے خطر  آتش نمرود  میں کود پڑے عشق 
افسوس کیسے  رہی  پہچان  اس  عقل ے لبے  بام  کی

نقش  کییے چھوٹے سے پردے  پر سبھی ،دل سے
نہیں ،کیمرے  سے کی عزت اس عزت افزا  مقام کی

جب رشوت  سے ہی  ہر کام پورا  ہو جانے  لگے تو
آرام ہی کر لو  کیا ضرورت  ہے  سچے  کام  کی

الله کا وعدہ رزق  و روزی  زندگی و موت  سبھی
پھر بے حساب  خواہش  کیوں کی  رزق  حرام  کی

بے مقصد  تعلیم سے  کہیں  بہتر  خدمت  خلق کرنا ہے
خوش رہو  سادگی  اپناؤ  بد نامی نہ کرو نیک گمنام   کی

بےحسی  ظلم  و تکبر  لالچ و فریب  کا  راج  ہے
غربت میں اموات  طفلے کثیر امیری میں فکربس طعام کی 

امن  امن اور بس امن چاہے  دنیا  میں جنگ و جدل نہین
کیوں  انسانیت کے دلوں  کو  دکھی کرے خبر قتل عام کیی

سنجیدگی  سادگی خود انکاری  کا راستہ اپناؤ اور چلے  چلو 
کسی سے نہ انصافی  نہ ہو ،کرتے رہو  فکر اپنے انجام کی 

  مسلو نہ کوئی گلاب  نہ روندو پیروں تلے اک کیڑا بھی
یہ  نازک سی  جانیں  تمہارے لیے جہنم نہ بن جایں کہیں 

اک حسین  دھوکہ  ہے  یہ ساری  کائنات  انجم جاگتے رہو
پنجرہ  ے  خاکی  میں  دعا  ے خیر  ہوتی رهے،گردشے ایام کی 

unflinchingly  faith plunged in Nimrod’s fire, alas
no one remembers the fringe of discerning wisdom

all  sacred images captured on the mini screen,not
from the heart, but from the camera clicked  respect

when bribery gets all work done , why not rest
and relax , is there a need for  truthful honest work ?

God has promised food and  sustenance, life and death
then why do human beings desire  forbidden wealth ?

serving humanity is better than  aimless education
be joyful in simplicity  disrepute not unknown ones

apathy  cruelty pride greed deception reign supreme
in poverty children perish, in richness nothing but food

peace peace and peace should prevail,not war and strife
why the hearts of humanity be hurt by mass killing of life

follow the path of solemnity self denial and simplicity
no injustice for any soul,  just beware the consequences

do not crush an insect nor pluck a beautiful scented rose
in beauty and minuteness hell may visit unseen, asking for pay’

enlightened be anjum, counter delusive Barmecide’s feasts
with constant spiritual prayers for safety from the unforeseen

© 2018, Anjum Wasim Dar (Poetic Oceans)


ABOUT

Testimonials
Disclosure
Facebook
Twitter

Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman. My poetry was recently read by Northern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”

* The BeZine: Waging the Peace, An Interfaith Exploration featuring Fr. Daniel Sormani, Rev. Benjamin Meyers, and the Venerable Bhikkhu Bodhi among others

“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton

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“Fear Poem, or I Give You Back” by poet and jazz musician Joy Harjo

Joy Harjo (b 1951), Mvskoke (Creek) Poet, Musician, author and key player in the second wave of the Native Merican Renaissance (literary efflorescence)
Joy Harjo (b 1951), Mvskoke (Creek) Poet, Musician, author and key player in the second wave of the Native Merican Renaissance (literary efflorescence)

All you have to do is listen to the news or browse through Facebook or Twitter or the blogosphere to know that people are in pain and fear – personal, political, cultural. Two or three years ago Joy Harjo invited us to share her poem and after the news tonight, I thought this might be a good time to post it again. / J.D.



Because of the fear monster infecting this country, I have been asked for this poem, this song. Feel free to use it, record it, and share. Please give credit. This poem came when I absolutely needed it. I was young and nearly destroyed by fear. I almost didn’t make it to twenty-three. This poem was given to me to share.” Joy Harjo

Fear Poem, or I Give You Back

I release you, my beautiful and terrible
fear. I release you. You were my beloved
and hated twin, but now, I don’t know you
as myself. I release you with all the
pain I would know at the death of
my children.
You are not my blood anymore.
I give you back to the soldiers
who burned down my home, beheaded my children,
raped and sodomized my brothers and sisters.
I give you back to those who stole the
food from our plates when we were starving.
I release you, fear, because you hold
these scenes in front of me and I was born
with eyes that can never close.
I release you
I release you
I release you
I release you
I am not afraid to be angry.
I am not afraid to rejoice.
I am not afraid to be black.
I am not afraid to be white.
I am not afraid to be hungry.
I am not afraid to be full.
I am not afraid to be hated.
I am not afraid to be loved.
to be loved, to be loved, fear.
Oh, you have choked me, but I gave you the leash.
You have gutted me but I gave you the knife.
You have devoured me, but I laid myself across the fire.
I take myself back, fear.
You are not my shadow any longer.
I won’t hold you in my hands.
You can’t live in my eyes, my ears, my voice
my belly, or in my heart my heart
my heart my heart
But come here, fear
I am alive and you are so afraid
of dying.

c Joy Harjo and W.W. Norton, from She Had Some Horses

41x7o+EX8VL._SX332_BO1,204,203,200_

…With a double shot of heart, beauty, freedom, peace and grace that blends traditional Native rhythms and singing with jazz, rock, blues and hip-hip,
Harjo is right at the top of the best contemporary American poetry and music artists.”
—Thomas Rain Crow, The Bloomsbury Review

LET US GIVE BACK THE FEAR.

RELATED:

CELEBRATING AMERICAN SHE-POETS (18): Joy Harjo, Crazy Brave


ABOUT

Testimonials
Disclosure
Facebook
Twitter

Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman. My poetry was recently read by Northern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”

* The BeZine: Waging the Peace, An Interfaith Exploration featuring Fr. Daniel Sormani, Rev. Benjamin Meyers, and the Venerable Bhikkhu Bodhi among others

“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton

SUNDAY ANNOUNCEMENTS: CALLS FOR SUBMISSIONS, COMPETITIONS, AND OTHER INFORMATON AND NEWS

“One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words.” Johann Wolfgang von Goethe, Wilhelm Meister’s Apprenticeship


CALLS FOR SUBMISSIONS

Opportunity Knocks

ARABESQUES REVIEW is an international Algerian English-language poetry. literature, and cultural review that publishes original poetry, criticism, interviews, fiction, nonfiction, essays, translations, social and political commentary, art and photographs. Details HERE.

AJI MAGAZINE publishes poetry, fiction, literary nonfiction, graphic art and photography.  Submissions are open through (their guesstimate) mid-January 2019.  The theme for the spring issue is emerald. No submission fee.  Details HERE

CHERRY TREE (Washington College) will open for submissions of poetry, fiction, creative nonfiction, and literary shade on August 1, 2019. Mark your calendars. Payment: $20 and two copies. Details HERE.

DOPPEL HOUSE PRESS accepts queries for feature articles for The Nomadic Journal. Details HERE.

DUM DUM ZINE publishes experimental work: “hybrid fiction and poetry, text message interviews, experimental music and art reviews, prank email chains, crowd-sourced community photo projects, and even serialized radio plays.”  Submissions are welcome on a rolling basis. Details HERE.

FROM EVERYWHERE A LITTLE: A MIGRATION ANTHOLOGY is being assembled by a writer, Lisa Vihos, from Wisconsin. “… we are looking to create an anthology of poems that speaks to the broadly defined theme of “migration.” This includes migration (of people, animals, and ideas), immigration (in current events and throughout history), cultural movement through time and space, taking root in a place, finding home wherever we find ourselves, and being a collaborative citizen of the world. Like we said, it is a BROAD theme. The collection is tentatively called “From Everywhere a Little: A Migration Anthology” and it is inspired by the words of Uruguayan singer/songwriter Jorge Drexler who wrote in his song Movimiento (Movement): “I’m not from here / But you’re not either / From nowhere entirely / From everywhere a little” Payment: contributor copy. No submission fee. Further detail on Facebook HERE.

GUERNICA MAGAZINE welcomes submissions of news, reviews and commentary, essays, memoir, reportage, interviews, fiction, and poetry. No submission fee. Details HERE.

HANGING LOSE PRESS publishes poems, stories, and reviews and welcomes emerging writers, and includes a special section and special guidelines for high school writers. (This is Sherman Alexie’s publisher, by the way.) Details HERE.

LIMINALITY POETRY, A Magazine of Speculative Poetry asks: “In anthropological terms, liminality is the midpoint of a ritual: the threshold where a person is no longer quite who they were, not yet who they might become. In between masks, what face might you have? What might you be in transit? Where will you go? Everything is possible in that moment; change is its own goal. Liminality is the space between.” Liminality Poetry is open for submissions through November 30.  Payment: $10. Details HERE.

PRETTY OWL POETRY publishes poetry, flash fiction, and art. No charge for submissions but there is an option to make a donation. Details HERE.

SPILLWAY, A POETRY MAGAZINE is an annual published by Tebot Back, Inc. It includes poetry, reviews and articles. Submissions for 2019 should open early in the year. Watch the site. Details HERE.

VOLNEY ROAD REVIEW publishes fiction, creative nonfiction, poetry, and art and is open for submissions through February 1, 2019. Payment: $10 on acceptance. Details HERE.


REMINDERS:

The Poet by Day

WEDNESDAY WRITING PROMPT

Response deadline is Monday, November 12, at 8 p.m. Pacific. Poems on theme are published on this site on Tuesday, the October 23. Details HERE.

The BeZine

Call for submissions for the December issue.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be.

Submissions for the December issue – themed A Life of the Spirit – is extended to NOVEMBER 30  at 11:59 p.m. Pacific.  

Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text. Send submissions to bardogroup@gmail.com.

Publication is December 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.

No demographic restrictions.

Please read at least one issue. We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples. 

The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration. 


 

Prolific Yorkshire Poet, Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

The Wombwell Rainbow Interviews: Jamie Dedes


COMPETITIONS

Opportunity Knocks

NARRATIVE MAGAZINE’s fall contest will close for entries on November 30th and is open for short stories, essays, memoirs, photo essays, graphic stories, and literary nonfiction. Cash awards. $26 entry fee. Details HERE.

STROKESTOWN INTERNATION POETRY FESTIVAL 2019 COMPETITIONS: The International Poetry Prize (English language), The Duais de hÍde (Irish language prize) and The Percy French Prize for witty verse  are open to entries through 7th December 2018. For further information about each prize, click on the name of the competition above. The Roscommon Poet’s Prize and The Schools’ Competitions will launch on January 8th 2019, and close on February 15th 2019. The prizes will be awarded for all competitions at the 2019 Festival, 2nd – 6th May in Strokestown.


RELATED


OTHER INFORMATION AND NEWS

Today is the 100th Anniversary of the end of World War 1

Trivia: Sesame Street was born forty-nine years ago yesterday.


Accessible anytime from anywhere in the world:

The Poet by Day always available online with poems, poets and writers, news and information.

The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) will be published here on the following Tuesday.

The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers. Due to other weekend commitments, this post will often go up late.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.  

Beguine Again, daily inspiration and spiritual practice  – always online HERE.  Beguine Again is the sister site to The BeZine.


YOUR SUNDAY ANNOUNCEMENTS may be emailed to thepoetbyday@gmail.com. Please do so at least a week in advance.

If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:

  • send PDF to jamiededes@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
  • nothing that foments hate or misunderstanding
  • nothing violent or encouraging of violence
  • English only, though Spanish is okay if accompanied by translation
  • your book or other product  should be easy for readers to find through your site or other venues.

TO CONTACT ME WITH ANNOUNCEMENTS AND OTHER INFORMATION FOR THE POET BY DAY: thepoetbyday@gmail.com

TO CONTACT ME REGARDING SUBMISSIONS FOR THE BeZINE: bardogroup@gmail.com

PLEASE do not mix the communications between the two emails.


Often information is just thatinformation– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


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Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman. My poetry was recently read by Northern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”

* The BeZine: Waging the Peace, An Interfaith Exploration featuring Fr. Daniel Sormani, Rev. Benjamin Meyers, and the Venerable Bhikkhu Bodhi among others

“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton