Joy Harjo (b 1951), Mvskoke (Creek) Poet, Musician, author and key player in the second wave of the Native Merican Renaissance (literary efflorescence)
All you have to do is listen to the news or browse through Facebook or Twitter or the blogosphere to know that people are in pain and fear – personal, political, cultural. Two or three years ago Joy Harjo invited us to share her poem and after the news tonight, I thought this might be a good time to post it again. / J.D.
Because of the fear monster infecting this country, I have been asked for this poem, this song. Feel free to use it, record it, and share. Please give credit. This poem came when I absolutely needed it. I was young and nearly destroyed by fear. I almost didn’t make it to twenty-three. This poem was given to me to share.” Joy Harjo
Fear Poem, or I Give You Back
I release you, my beautiful and terrible
fear. I release you. You were my beloved
and hated twin, but now, I don’t know you
as myself. I release you with all the
pain I would know at the death of
my children.
You are not my blood anymore.
I give you back to the soldiers
who burned down my home, beheaded my children,
raped and sodomized my brothers and sisters.
I give you back to those who stole the
food from our plates when we were starving.
I release you, fear, because you hold
these scenes in front of me and I was born
with eyes that can never close.
I release you
I release you
I release you
I release you
I am not afraid to be angry.
I am not afraid to rejoice.
I am not afraid to be black.
I am not afraid to be white.
I am not afraid to be hungry.
I am not afraid to be full.
I am not afraid to be hated.
I am not afraid to be loved.
to be loved, to be loved, fear.
Oh, you have choked me, but I gave you the leash.
You have gutted me but I gave you the knife.
You have devoured me, but I laid myself across the fire.
I take myself back, fear.
You are not my shadow any longer.
I won’t hold you in my hands.
You can’t live in my eyes, my ears, my voice
my belly, or in my heart my heart
my heart my heart
But come here, fear
I am alive and you are so afraid
of dying.
…With a double shot of heart, beauty, freedom, peace and grace that blends traditional Native rhythms and singing with jazz, rock, blues and hip-hip,
Harjo is right at the top of the best contemporary American poetry and music artists.”
—Thomas Rain Crow, The Bloomsbury Review
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
“One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words.” Johann Wolfgang von Goethe, Wilhelm Meister’s Apprenticeship
CALLS FOR SUBMISSIONS
Opportunity Knocks
ARABESQUES REVIEW is an international Algerian English-language poetry. literature, and cultural review that publishes original poetry, criticism, interviews, fiction, nonfiction, essays, translations, social and political commentary, art and photographs. Details HERE.
AJI MAGAZINE publishes poetry, fiction, literary nonfiction, graphic art and photography. Submissions are open through (their guesstimate) mid-January 2019. The theme for the spring issue is emerald. No submission fee. Details HERE
CHERRY TREE (Washington College) will open for submissions of poetry, fiction, creative nonfiction, and literary shade on August 1, 2019. Mark your calendars. Payment: $20 and two copies. Details HERE.
DOPPEL HOUSE PRESS accepts queries for feature articles for The Nomadic Journal. Details HERE.
DUM DUM ZINE publishes experimental work: “hybrid fiction and poetry, text message interviews, experimental music and art reviews, prank email chains, crowd-sourced community photo projects, and even serialized radio plays.” Submissions are welcome on a rolling basis. Details HERE.
FROM EVERYWHERE A LITTLE: A MIGRATION ANTHOLOGY is being assembled by a writer, Lisa Vihos, from Wisconsin. “… we are looking to create an anthology of poems that speaks to the broadly defined theme of “migration.” This includes migration (of people, animals, and ideas), immigration (in current events and throughout history), cultural movement through time and space, taking root in a place, finding home wherever we find ourselves, and being a collaborative citizen of the world. Like we said, it is a BROAD theme. The collection is tentatively called “From Everywhere a Little: A Migration Anthology” and it is inspired by the words of Uruguayan singer/songwriter Jorge Drexler who wrote in his song Movimiento (Movement): “I’m not from here / But you’re not either / From nowhere entirely / From everywhere a little” Payment: contributor copy. No submission fee. Further detail on Facebook HERE.
GUERNICA MAGAZINE welcomes submissions of news, reviews and commentary, essays, memoir, reportage, interviews, fiction, and poetry. No submission fee. Details HERE.
HANGING LOSE PRESS publishes poems, stories, and reviews and welcomes emerging writers, and includes a special section and special guidelines for high school writers. (This is Sherman Alexie’s publisher, by the way.) Details HERE.
LIMINALITY POETRY, A Magazine of Speculative Poetry asks: “In anthropological terms, liminality is the midpoint of a ritual: the threshold where a person is no longer quite who they were, not yet who they might become. In between masks, what face might you have? What might you be in transit? Where will you go? Everything is possible in that moment; change is its own goal. Liminality is the space between.” Liminality Poetry is open for submissions through November 30. Payment: $10. Details HERE.
PRETTY OWL POETRY publishes poetry, flash fiction, and art. No charge for submissions but there is an option to make a donation. Details HERE.
SPILLWAY, A POETRY MAGAZINE is an annual published by Tebot Back, Inc. It includes poetry, reviews and articles. Submissions for 2019 should open early in the year. Watch the site. Details HERE.
VOLNEY ROAD REVIEW publishes fiction, creative nonfiction, poetry, and art and is open for submissions through February 1, 2019. Payment: $10 on acceptance. Details HERE.
REMINDERS:
The Poet by Day
WEDNESDAY WRITING PROMPT
Response deadline is Monday, November 12, at 8 p.m. Pacific. Poems on theme are published on this site on Tuesday, the October 23. Details HERE.
The BeZine
Call for submissions for the December issue.
THE BeZINE, Be Inspired, Be Creative, Be Peace, Be.
Submissions for the December issue – themed A Life of the Spirit – is extended to NOVEMBER 30 at 11:59 p.m. Pacific.
Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text. Send submissions to bardogroup@gmail.com.
Publication is December 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.
No demographic restrictions.
Please read at least one issue. We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples.
The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.
Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration.
Prolific Yorkshire Poet, Paul Brookes
FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.
NARRATIVE MAGAZINE’s fall contest will close for entries on November 30th and is open for short stories, essays, memoirs, photo essays, graphic stories, and literary nonfiction. Cash awards. $26 entry fee. Details HERE.
STROKESTOWN INTERNATION POETRY FESTIVAL 2019 COMPETITIONS: The International Poetry Prize (English language), The Duais de hÍde (Irish language prize) and The Percy French Prize for witty verse are open to entries through 7th December 2018. For further information about each prize, click on the name of the competition above. The Roscommon Poet’s Prize and The Schools’ Competitions will launch on January 8th 2019, and close on February 15th 2019. The prizes will be awarded for all competitions at the 2019 Festival, 2nd – 6th May in Strokestown.
Trivia: Sesame Street was born forty-nine years ago yesterday.
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If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:
send PDF to jamiededes@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
nothing that foments hate or misunderstanding
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your book or other product should be easy for readers to find through your site or other venues.
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PLEASE do not mix the communications between the two emails.
Often information is just that–information– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
Mametz, Western Front, a winter scene, painting by Frank Crozier / Public Domain Photograph
“It was the seventh of November, 1918. The war was finally over. Maybe it would be declared a holiday and named War’s End Day or something equally hopeful and wrong. Wars would break out again. Violence was part of human nature as much as love and generosity.” Claire Holden Rothman, The Heart Specialist
New York Times, Nov. 11, 1918, Public Domain Photograph
Tomorrow is the 100th Anniversary of the end of World War 1, “the war to end all wars.”
The poet bearing witness is Alan Seeger (1888-1916), an American. He died at the Battle of the Somme (a.k.a. the Somme Offensive) on July 4, 1916. He was serving in the French Foreign Legion.
Rendezvous With Death is probably his most well-known poem. I’ve included that along with Ode in Memory of the American Volunteers Fallen for France, which Seeger wrote and was to read on May 30, 1916 as part of an American Decoration Day (now Memorial Day) event in front of a statue of Layfayette and Washington in Paris. His leave to go to the event was inadvertently written for Independance Day not Decoration Day. The gathering went on without Seeger or his Ode. Seeger was upset but decided to look forward to a visit to Paris on July 4th, which turned out to be the date of his rendezvous with death.
It is said that Alan Seeger’s imagery was influenced by time spent in Mexico in his youth. He is the brother of Charles Seeger (1886-1979), a composer, teacher, folklorist, pacifist and father of Pete Seeger, Peggy Seeger, and Mike Seeger, all folk singers.
Rendezvous with Death
I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air—
I have a rendezvous with Death
When Spring brings back blue days and fair.
It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath—
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.
God knows ’twere better to be deep
Pillowed in silk and scented down,
Where love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear . . .
But I’ve a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous.
– Alan Seeger
Ode in Memory of the American Volunteers Fallen for France
I
Ay, it is fitting on this holiday,
Commemorative of our soldier dead,
When — with sweet flowers of our New England May
Hiding the lichened stones by fifty years made gray —
Their graves in every town are garlanded,
That pious tribute should be given too
To our intrepid few
Obscurely fallen here beyond the seas.
Those to preserve their country’s greatness died;
But by the death of these
Something that we can look upon with pride
Has been achieved, nor wholly unreplied
Can sneerers triumph in the charge they make
That from a war where Freedom was at stake
America withheld and, daunted, stood aside.
II
Be they remembered here with each reviving spring,
Not only that in May, when life is loveliest,
Around Neuville-Saint-Vaast and the disputed crest
Of Vimy, they, superb, unfaltering,
In that fine onslaught that no fire could halt,
Parted impetuous to their first assault;
But that they brought fresh hearts and springlike too
To that high mission, and ’tis meet to strew
With twigs of lilac and spring’s earliest rose
The cenotaph of those
Who in the cause that history most endears
Fell in the sunny morn and flower of their young years.
III
Yet sought they neither recompense nor praise,
Nor to be mentioned in another breath
Than their blue coated comrades whose great days
It was their pride to share — ay, share even to the death!
Nay, rather, France, to you they rendered thanks
(Seeing they came for honor, not for gain),
Who, opening to them your glorious ranks,
Gave them that grand occasion to excel,
That chance to live the life most free from stain
And that rare privilege of dying well.
IV
O friends! I know not since that war began
From which no people nobly stands aloof
If in all moments we have given proof
Of virtues that were thought American.
I know not if in all things done and said
All has been well and good,
Or if each one of us can hold his head
As proudly as he should,
Or, from the pattern of those mighty dead
Whose shades our country venerates to-day,
If we’ve not somewhat fallen and somewhat gone astray.
But you to whom our land’s good name is dear,
If there be any here
Who wonder if her manhood be decreased,
Relaxed its sinews and its blood less red
Than that at Shiloh and Antietam shed,
Be proud of these, have joy in this at least,
And cry: “Now heaven be praised
That in that hour that most imperilled her,
Menaced her liberty who foremost raised
Europe’s bright flag of freedom, some there were
Who, not unmindful of the antique debt,
Came back the generous path of Lafayette;
And when of a most formidable foe
She checked each onset, arduous to stem —
Foiled and frustrated them —
On those red fields where blow with furious blow
Was countered, whether the gigantic fray
Rolled by the Meuse or at the Bois Sabot,
Accents of ours were in the fierce melee;
And on those furthest rims of hallowed ground
Where the forlorn, the gallant charge expires,
When the slain bugler has long ceased to sound,
And on the tangled wires
The last wild rally staggers, crumbles, stops,
Withered beneath the shrapnel’s iron showers: —
Now heaven be thanked, we gave a few brave drops;
Now heaven be thanked, a few brave drops were ours.”
V
There, holding still, in frozen steadfastness,
Their bayonets toward the beckoning frontiers,
They lie — our comrades — lie among their peers,
Clad in the glory of fallen warriors,
Grim clusters under thorny trellises,
Dry, furthest foam upon disastrous shores,
Leaves that made last year beautiful, still strewn
Even as they fell, unchanged, beneath the changing moon;
And earth in her divine indifference
Rolls on, and many paltry things and mean
Prate to be heard and caper to be seen.
But they are silent, calm; their eloquence
Is that incomparable attitude;
No human presences their witness are,
But summer clouds and sunset crimson-hued,
And showers and night winds and the northern star.
Nay, even our salutations seem profane,
Opposed to their Elysian quietude;
Our salutations calling from afar,
From our ignobler plane
And undistinction of our lesser parts:
Hail, brothers, and farewell; you are twice blest, brave hearts.
Double your glory is who perished thus,
For you have died for France and vindicated us.
Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.
My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The River Journal,The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman
Thank you for sharing your love of words. Comments will appear after moderation.
An artificial corn poppy, made of plastic and cardboard by disabled ex-servicemen, worn in the United Kingdom and other Commonwealth countries from late October to Remembrance Sunday in support of the Royal British Legion’s Poppy Appeal and to remember those servicemen and women who died in war. Wearing poppies to remember the war dead comes from the poem In Flanders’ Fields by Lieutenant-Colonel John McCrae which concludes with the line “We shall not sleep, though poppies grow, In Flanders fields”. Although originally worn to commemorate those who fell in the First World War, poppies are also worn for the fallen of every conflict since. / Public Domain photograph’ legend courtesy of Wikipedia
“I am not concerned with Poetry. My subject is War, and the pity of War. The Poetry is in the pity. Yet these elegies are to this generation in no sense conciliatory. They may be to the next. All a poet can do today is warn. That is why the true Poets must be truthful.” Wilfred Owen
This Sunday (tomorrow) is the 100 Anniversary of the end of World War 1, also called “the great war” and “the war to end all wars.” Unfortunately, World War 1 didn’t end violent conflict. Regional skirmishes and wars flared and twenty-one years later, we earthlings were fighting World War II, which some hypothesize is a war that never really ended.
This anniversary is celebrated in many countries, variously as Remembrance Sunday, Armistice Day, and Veterans Day.
The poets bearing witness are Charles Hamilton Sorley, Wilfred Owen, and A.E. Houseman. Charles and Wilfred both died in World War 1. All three poets are English.
SUCH, SUCH IS DEATH
·
Such, such is Death: no triumph: no defeat:
Only an empty pail, a slate rubbed clean,
A merciful putting away of what has been.
And this we know: Death is not Life, effete,
Life crushed, the broken pail. We who have seen
So marvellous things know well the end not yet.
Victor and vanquished are a-one in death:
Coward and brave: friend, foe. Ghosts do not say,
“Come, what was your record when you drew breath?”
But a big blot has hid each yesterday
So poor, so manifestly incomplete.
And your bright Promise, withered long and sped,
Is touched, stirs, rises, opens and grows sweet
And blossoms and is you, when you are dead.
– Charles Hamilton Sorley·
TO GERMANY (1914)
You are blind like us. Your hurt no man designed,
And no man claimed the conquest of your land.
But gropers both through fields of thought confined
We stumble and we do not understand.
You only saw your future bigly planned,
And we, the tapering paths of our own mind,
And in each other’s dearest ways we stand,
And hiss and hate. And the blind fight the blind.
When it is peace, then we may view again
With new-won eyes each other’s truer form
And wonder. Grown more loving-kind and warm
We’ll grasp firm hands and laugh at the old pain,
When it is peace. But until peace, the storm
The darkness and the thunder and the rain.
– Charles Hamilton Sorley
Dulce et Decorum Est
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.
Gas! GAS! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime …
Dim, through the misty panes and thick green light,
As under I green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues, —
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old lie: Dulce et decorum estPro patria mori.
– Wlfred Owen
Here Dead We Lie
Here dead we lie
Because we did not choose
To live and shame the land
From which we sprung.
Life, to be sure,
Is nothing much to lose,
But young men think it is,
And we were young.
Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.
My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The River Journal,The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman
Thank you for sharing your love of words. Comments will appear after moderation.
Jamie Dedes' THE POET BY DAY Webzine 