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Debut Writers and Women Writers Sweep Up the 2019 PEN America Literary Awards

“Don’t write about what you remember; write about what you are unable to forget.” Sandra Cisneros



Nana Kwame Adjei-Brenyah Wins Book of the Year PEN/Jean Stein Award With Largest Prize | Playwright Kenneth Lonergan Receives Debut PEN/Mike Nichols Award for Performance Writing | Sandra Cisneros Honored for Illustrious Career That Transcends Genres, Cultures, and Languages

Yesterday, PEN America announced the winners of the 2019 Literary Awards at a  ceremony where literary luminaries and publishing tastemakers celebrated emerging writers and paid homage to established voices. Debut authors and works by and about women prevailed in a year with a record number of submissions in the nation’s largest, most comprehensive literary awards program.

The worlds of Hollywood and literature converged with the debut of the PEN/ Mike Nichols Award for Performance Writing, conferred on film director, playwright, and screenwriter Kenneth Lonergan for his exemplary portfolio of work in 2018, including two Broadway stage productions that ran simultaneously:“The Waverly Gallery,” originally produced in 1999, which follows an aging leftist activist as she battles Alzheimer’s, and“Lobby Hero,” originally produced in 2002, which chronicles the story of personal ambitions amid a murder mystery. The award, established by PEN America and Saturday Night Live creator and director Lorne Michaels, highlights transformative works that enlighten and inspire audiences in the tradition of venerated film and theater director, producer, and comedian Mike Nichols, who passed away in 2014. Matthew Broderick, who presented the award to Lonergan, said: “I always saw Mike as a teacher, and I find myself feeling the same way about Kenny. It’s not every day you get to present an award named for a dear friend, to a best friend.”

Mexican-American Writer, Sandra Cisneros

Novelist, poet, and essayist Sandra Cisneros (one of my personal faves), author of The House on Mango Street, Woman Hollering Creek and Other Stories, and many more beloved works, was lauded for a lifetime of extraordinary literary contribution and presented with the PEN/ Nabokov Award for Achievement in International Literature. Judges Alexander Chee, Edwidge Danticat, and Valeria Luiselli noted her “formidable and awe-inspiring body of work, which includes fiction, memoir, and poetry,” adding that “it’s hard to imagine navigating our world today without her stories and her voice guiding us toward much needed reclamation and endurance.” Maria Hinojosa, presenting the award, recalled advice Cisneros had given her: “Don’t write about what you remember; write about what you are unable to forget.”

Cisneros dedicated her award to all those who have touched her life and shaped her as a writer: “Writers, poets, editors, truth tellers who offer light in the time of darkness; librarians and booksellers, patron saints in the age of distraction; the 6th grade teacher whose name I cannot remember, whose kindness I will not forget.”

In a shortlist dominated by debut writers, Nana Kwame Adjei-Brenyah emerged as the winner of the PEN/ Jean Stein Award for book of the year, with the largest prize at  $75,000, for his short story collection Friday Black. Praised for its combination of “the real and surreal, the concrete and the mythological,” the judges lauded Adjei-Brenyah’s “cool control over his prose and dialogue while allowing his imagination to abandon constraints and conventions, exploring genetic enhancement, frenzied retail work, and soft friendships. At turns horrifying and funny, tender and savage, these stories stick with you, probing the American psyche and persistently asking more of us.” In his remarks, Adjei-Brenyah shared that: “In writing this book, I wanted these stories to be out in the world even if my name wasn’t associated with them. Maybe someone would feel seen, push a conversation that needed to happen… If we can imagine a world much worse than ours, we can collectively imagine one that is much better.”

Nafissa Thompson-Spires

Celebrating debut short story collections, the PEN/Bingham Prize was awarded to Will Mackin for Bring Out the Dog, portraying the devastation, absurdity, surrealism, and compassion in modern warfare, drawing from Mackin’s own experiences as a U.S. Navy veteran. Nafissa Thompson-Spires took home the PEN Open Book Award for Heads of the Colored People, her debut collection of short stories, a funny, sly, and devastating collection that examines the precariousness of black lives in the United States; and Imani Perry won the PEN/Bograd Weld Award for Biography for Looking For Lorraine: The Radiant and Radical Life of Lorraine Hansberry, an insightful, sharp, and empathetic exploration of the life of Hansberry—writer, cultural icon, and the first black female author to have a play performed on Broadway. Michelle Tea took home the prestigious PEN/Diamonstein-Spielvogel Award for the Art of the Essayfor the “singularly irresistible” voice of Against Memoir. Translator Martin Aitken won the PEN Translation Prize for his “luminous translation from the Norwegian of Hanne Ørstavik’s haunting novel Love, which follows the distant, orbiting lives of a mother and son like a telescope through one cold winter’s night.”

“Rather than a traditional celebration of achievement, PEN America’s juried awards probe the depths of the contemporary canon to identify and elevate essential voices and bring them to the widest possible audience,” said PEN America Chief Executive Officer Suzanne Nossel. “The PEN America Literary Awards are set apart by the alchemy of venerated names among the ranks of both winners and judges, and the bracing new talents whose careers are rocket-boosted by gaining recognition just as they burst on the scene.”

Katherine Seligman won the PEN/Bellwether Prize for Socially Engaged Fiction for her manuscript If You Knew, an urban noir exploring issues of homelessness and community in rapidly gentrifying San Francisco. In addition to a prize of $25,000, Seligman will receive a publishing contract with Algonquin Books.

Lifetime achievement and career awards were conferred upon authors, journalists, editors, playwrights, and poets. Jackie “Mac” MacMullan was awarded the PEN/ESPN Lifetime Achievement Award for Literary Sports Writing, in recognition of the literary quality of her sportswriting, her exemplary use of the oral history form, and her many years as a newspaper columnist; she is also the first woman to receive this award. Larissa FastHorse received thePEN/Laura Pels International Foundation for Theater Award in recognition of her exemplary and prolific output in a little over a decade that examines modern families, histories, languages, cultures, and communities. The Apogee literary journal’s Alexandra Watson won the PEN/Nora Magid Award for Editing for her exemplary stewardship of the publication, and for foregrounding writers of color and engaging with issues of race, gender, and class through the “Alternate Canon” series. Celebrating great promise in an early career poet, thePEN/Osterweil Award for Poetry was conferred upon Jonah Mixon-Webster for the high literary character of his debut collection, Stereo(TYPE), which explores the intersection of space and body, race and region, and sexuality and class; and wrestles with the ongoing crisis in Flint, Michigan.

In closing the ceremony, PEN America President Jennifer Egan reminded the audience that “the daring works we celebrate today are a testament to the freedom we have to write them.”

The sold-out ceremony was studded with musical, poetic, and dramatic performances, and riveting, live announcements of each winner. The evening included performances by Sweet Megg & Wayfarers, a dramatic rendition of FastHorse’s Urban Rez and What Would Crazy Horse Do by Jake Hart and Sera-Lys McArthur, and a moving tribute to literary icons lost in 2018. Comedian, filmmaker, and Ceremony host Hari Kondabolu brought roaring laughs, and sent the audience home with sound advice: “please get home safe: no reading and driving!”

All of the winners of the 2019 Literary Awards can be found HERE.

Photographs from the Literary Awards Ceremony will be available here. The video will be available on pen.org.

For over 50 years, the PEN America Literary Awards have honored many of the most outstanding voices in literature, bestowing 20 distinct awards across genres from fiction and drama to sports and science writing, with cash prizes totaling more than $370,000 to writers and translators. This annual fête of literary excellence has become one of the defining literary events of the year.

This post is courtesy of PEN America. Photo credits: Sandra Cisneros courtesy of ksm36 under CC BY-SA 3.0 license. Nafissa Thompson-Spires courtesy of her publisher via her Amazon page.

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PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible. pen.org


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Another Kind of Beauty, a poem … and your next Wednesday Writing Prompt

Big Sur, Northern California

The Peace of Wild Things

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
Wendell Berry, The Selected Poems of Wendell Berry [recommended]



they’re paralyzed on the Atlantic seaboard under
the weight of snow drifts, the detritus of blizzards;
stark bare branches of oak, elm and maple
etch dark veins into an icy-gray cast-over sky

on the West Coast we’re breaking out magnolias
and blades of tender young grass are unfurling;
the near-sping temps us to wrap ourselves
in its perfumed and congenial blessing

along the stretch of Big Sur the sea strikes stone
and the air explodes, bright and wet with spume,
the green patinated-brine salts our mouths;
above us cloud turrets mimic white-capped waves

standing here, consumed by this seeming infinity,
our hands and eyes and mind conspire
to imitate nature in the most apt way, using
our sketch pad, pen and colored pencils

a quick wingless flight into that dancing sea and
we surface with visions grasped tight in our fists,
our eyes are blinded by a palette of colors, our
pencils bear witness to the gift of another morning,
another kind of beauty; undulating, animated
and so unlike the silent white majesty of snow

© 2013, poem, Jamie Dedes, All rights reserved;  photograph of Big Sur 2008 courtesy of Diff under CC BY-SA 3.0 license

WEDNESDAY WRITING PROMPT

Despite all the rocky news about climate change, deforestation and other environmental tragedies, nature in her many aspects speaks to us of joyful things. How does nature inspire joy in you, inspire your creativity and perhaps even your sense of peace.  Tell us in your own poem or poems.

Share your poem/s on theme in the comments section below or leave a link to it/them. All poems on theme will be published on the first Tuesday following this post.

 No poems submitted through email or Facebook will be published. 

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.

PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.  

Deadline:  Monday, March 4 by 8 pm Pacific Standard Time.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you. This is a discerning non-judgemental place to connect.

You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.


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Witching Hour … and other responses to the last Wednesday Writing Prompt

“Alas! a woman that attempts the pen,
Such an intruder on the rights of men,
Sucha presuptuouos Creature, is esteem’d,
The fault can by no virtue be redeem’d …
How are we fallen, fallen by mistaken rules?
Ad Education’s , more than Nature’s foods,
Debarr’d from all improve-meats of the mind,
And to be dull, expected and designed …
-Anne Finch, The Poems of Anne Countess of Winchilesea, ed. by Myra Reynolds
as quoted by Sandra M. Gilbert and Susan Gubar, Shakespeare’s Sisters, Feminist Essays on Women Poets



I think our poets just had a lot of fun with the last Wednesday Writing Prompt,Spinning With Shakespeare, February 20, 2019. I had  fun reading them and so will you.

Thanks Gary W. Bowers, Irma Do, Jan Goldie, and Anjum Wasim Dar.  Thanks also to Cubby (Sonya Annita Song) for her contribution. Please welcome her warmly. She is new to Wednesday Writing Prompt.  Special thanks to Irma Do and Anjum Wasim Dar for the added value of the photographs and to Anjum for her artwork as well. Appreciation to Clarissa Simmens for sharing her Shakespeare homage.  They’ll be shared in a separate post.

I’m tickled to see that folks are commenting on one another’s poems and visiting one another’s sites.  That what it’s really all about. Bravo!  Readers will note that links to sites are included when they are available so that you can visit. If there’s no site, it’s likely you can catch up with the poet on Facebook.

Enjoy this unique collection and do join us tomorrow for the next Wednesday Writing Prompt.


To Scratch or Not to Scratch

To scratch, or not to scratch, that is the question:
Whether ‘tis nobler in the mind to suffer
The itch and burn of abusive mosquito bites
Or to take arms against a sea of irritation
And by opposing end them:

To scratch, to rub, no more;
And by a rub to say we end
The frustration and the maddening,
Relentless shocks that flesh is heir to?
‘Tis a consummation devoutly to be wished.

To scratch, to rub – to rub, perchance to slake:
Aye, there’s the bub,
For in that rub of satiation
What doubts may come
When we have abandoned
This self-restraint must give us pause.
There’s the inanity that creates confusion
Of such simplicity:

For who would bear the jolts and pangs of bites,
The insatiable lust,
The sleepless nights,
The pangs of irate skin,
The obsessive thoughts,
The insolence of the unbitten,
And the spurns that impatient scratchers
By the self-righteous take,
When he himself might his liberation make
With a sole finger?

Who would itchiness bear,
To shake and tremble
Under a tortured skin,
But that the dread of something
After the scratch,
The possibility of greater itch to come,
From whose scratch no human can deny,
Puzzles the will,
And makes us rather bear the itch we have
Than scratch to others that we know not of?

© 2019, Sonya Annita Song (a.k.a. Cubby) (Reowr, Poetry that purrs. It’s reword because the cat said so.)

c Sonya Annita Song

SONYA ANNITA SONG is a poet whose rhymes are loved by both adults and children. Her writing style for children is delightfully whimsical with a natural flow meant for reading out loud. Sonya’s goal as a children’s author is to create engaging rhyming picture books that children and parents will have fun reading together. One of her favorite memories as a child is going to the local library in the summer and bringing back shopping bags full of books to read. Books were, and still are, passports to incredible destinations full of joy and wonder, and Sonya hopes all children will discover the marvels of reading just like she did. Children’s site: http://www.sonyaannitasong.com;  Poemhunter: http://www.poemhunter.com/sonya-annita-song/ .  Clipped from Cubby’s Amazon page.


dj b.ill.e shex

how sharper n a SERPENT’S tooth
n one bare bodkin
[Dies.]
4sooth
singe my white head
4 b n old
2 b r naught
poor tom’s acold

ah words words words
r’t naught th point
o band o bruhs
time out
a joint

© 2019, Gary W. Bowers (One with Clay, Image and Text)


Recycling Shakespeare for a Better World – A Haiku Sonnet

In this brave new world

Plant a heart of gold, harvest

A bouquet of friends

Faint-hearted farming

Doesn’t yield food for the soul

Cold comfort hunger

Break the ice – Be brave

Be fancy free with warm words

Of love and welcome

All our yesterdays

Are meant to be composted

Nutrient wisdom

Silence can kill with kindness

But regretful words do not.

This was a fun and challenging prompt initiated by Jamie for The Poet by Day Wednesday Writing Prompt. She writes, “Fe, foh, and fun … Take a spin with Shakespeare and write us a poem using phrases of his that have come into common usage.” I honestly didn’t realize that all these phrases came from Shakespeare’s work! I’ve really only read “Romeo and Juliet” and some sonnets so seeing all these common phrases attributed to his work was quite a surprise. Check out this link if you want to see what Shakespearean works the phrase I used came from.

And of course, I had to do a sonnet to further honor The Bard. To give it a bit of my own flavor, I chose the Haiku Sonnet form. Again, I never new there was such a thing until I saw it in this website here.

Learning new things and new ways of looking at the world is one of the best gifts I’ve gotten from writing and reading poetry. What do you think of this recycled Shakespearean piece?

© 2019, words and photo, Irma Do (I Do Run. And I do a few other things too …)


Witching Hour

All that glitters, is not gold and

all’s well that ends well, he sighed.

Yet there was no method in his

madness, for the naked truth is,

he made the foregone conclusion,

that misery acquaints a man with

strange bedfellows, and that the

course of love never runs smooth,

which left him heartsick and lackluster.

 

At the witching hour of the night,

When churchyards yawn and hell

itself breathes out, and as he breathed

his one last breath, a ministering

angel of infinite space, came to save

him from the jaws of death, and

trippingly on the tongue, said,

 

What, a piece of work is man.

What  fools these mortals be,

violent delights have violent ends.

Ah, There’s the rub.Truth will out,

he’s had too much of a good thing.

Love is not love which alters

when, it alteration finds.

And thereby ends the tale.

Which is tedious as a

Twice Told tale, but

What is done is done.

© 2019, Jen Goldie (Starlight and Moonbeams and the Occasional Cat)

In Words: A Shakespearian Tale

Neither a borrower nor a lender be!
As luck would have it, in this brave new
world I managed to break the ice,
discovering that brevity is the soul of wit.
The fellow refused to budge an inch, this
was cold comfort as conscience does
make cowards of us all. I, with bated breath,
In one fell swoop, decided to play it fast
and loose, set my teeth on edge
and with a heart of gold, proclaimed,
ill wind blows no man to good!
You have eaten me out of house and home,
For goodness sake! Good riddance!
I am more sinned against than sinning!
In my heart of hearts, I had to conclude
the game is on. Love, is blind filled with
forgotten yesterdays. I gave the devil
his due, for much ado about nothing.
“O God, O God, how weary, stale,
flat, and unprofitable seem
to me all the uses of this world.”
“My tongue will tell the anger of my heart,
Or else my heart, concealing it, will break.
And rather than it shall, I will be free
Even to the uttermost, as I please,
in words.”

© 2019, Jen Goldie (Starlight and Moonbeams and the Occasional Cat)


‘Tis the Road Out of the Frame

1535606_10152158621385747_420230311_n

Who’s there? unfold yourself ‘
Oh ’tis the road, out of frame, once
in grace, wore an inky metaled cloak …

With memories sweet- on it
trotted Arabian horses, held by leather
reins, with mirth in riding, jingling bells

Would lift the learning loads and
stay on the beat-  but
something is rotten, makes me sick
at heart-  behold  in silence it lies 

So defiant in dilapidated defeat!
it seems to be there, still serving in retreat-
Though gone is the tar crush and concrete;

Ah Old  Harley Road, I speak with reason,
You have the best on you, treading 
You are replete with learning homes
words words and words,

But، Ah there’s the rub-
The craters humps and dilapidation-
Oh Lord, what are we learning  
in this precarious condition? 
That is the question-

While yet the memory of good times
be green ,me thinketh,
Whether ‘tis nobler in the mind to suffer,
the slings and jumps of outrageous travel-
The heart aches, thousand natural shocks
that the flesh is heir to-or to take up arms
against oceans of ditchy trouble,
Or by opposing, clean sweep them…?

Who would bear the whips and scorns
of time immemorial, the laws delay,
the repairs astray, the rains decay ;
all is not well, tis an unweeded garden-
do we continue to grunt and sweat
on a weary road? tis but my fantasy,
as  foul deeds will rise’, beware  the
Ides of March…

Oh Fair Poetess, soft you now ,
Ah there’s the bump..OUCH…!
Angels and ministers of grace defend us’

s.peares home
Shakespeare’s Home -An Artist’s View

© 2019, poem (English and Urdu), photograph, and colored-pencil drawing, Anjum Wasim Dar (Poetic Oceans)

کچھ  خستہ و بدحال سڑک کے بارے میں

کون ھے؟
اپنے آپ کو ظاھر کرو

ارے  یہ  تو  اکھڑی ھویؑ سڑک ھے  زخمی 
کبھی  گہری   شاھانہ  پوشاک پہنے ھوتی تھی

میتٹھے سہانے سفروں کی یادیں سمیٹے ، گھنٹی
بجاتے تانگوں پہ بچوں کو سکول پہنچاتی تھی

اب  خاموشی  میں لپٹی  اطاعت  سے  بچھی ھے
 گر  چہ اڑ  چکا ھے  تار کول ، غایب ھے بجری ساری

دلاؑیل  سے بات ھو تو سوال اٹھے ، جھٹکے دھکے
کھا کر گزریں، کیا حاصل علم ھو ، روحانی یا کتابی

جب تک اس پہ گزرے وقت کی اچھی یادیں باکی ھیں
دل تھام کہ اٹھایں غلیل ،مرہم پٹی سب کرواین  سرکاری

 کون کرے انتیظار،قانون پہ  انہسار، ھو بارشوں میں خوار
  ملک مشکل میں ،کھرپا  درانتی نا مالی، پھر خزانہ بھی خالی

اے شاعر معصوم  انجم   مہینہ مارچ کا سخت ھے بچنا زرا
 یہ  لو ، کھایؑ   اک اور ظرب کاری speed breaker آیا آیا او 

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar


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OPPORTUNITY KNOCKS: CALLS FOR SUBMISSIONS, COMPETITIONS, AND OTHER INFORMATION AND NEWS

“Great dangers stalk the globe—the four horsemen of the apocalypse: war, famine, pestilence, and death. There is no mystery about them. They are self-fulfilling prophecies. Joyous, transcendent creativity expresses itself in the positive vision that is the key to defeat the general that commands the four horsemen—despair itself. Trust, hope, and creativity can defeat the horsemen. We must not just call for them. We must develop them step-by-step.”  Robert A.F. Thurman



Note: It has become clear that given some life complications I may not be able to do this weekly posting on the same day each week, so I am changing it from “Sunday Announcements”  to “Opportunity Knocks” and plan to continue on a regular schedule, which I hope will be weekly. Information on poetry events around the world are shared on The Poet By Day Facebook Page. Tuesday responses to the last Wednesday Writing Prompt will post here later today.. / J.D.


Cofounder Michael Rothenberg, is celebrating his birthday by asking for donations to 100 Thousand Poets for Change. He’s chosen this nonprofitContinue Reading

$131 raised of $500 and approximately 40 hours left to donate at the time of this posting. 

100 Thousand Poets for Change

US 501(c)(3) Nonprofit Organization



CALLS FOR SUBMISSIONS

Opportunity Knocks

ARSENAL PULP PRESS is not accepting submissions of poetry collections at this time but is open for submissions of book-length literary fiction and nonfiction on a variety of subjects. Details HERE.

NEW WORLD REVIEW accepts submissions of fiction, nonfiction, and poetry via its contact page HERE.

THE PANGOLIN REVIEW, a bimonthly online literary publication, is open for submission of 1-3 poems up to 35 lines.  The editors are currently reading for the March 8 and May 8, 2019 issues. Details HERE.

RATTLE has an open call for submissions to its Fall 2019 (issue #64) issue, which will feature African poets.  Poems may be of any style, length, or subject. Submission may include artwork. The poet must be living in Africa. Deadline: April 15, 2019. Details HERE.

 

RELATED:


THE BeZINE Be Inspired. Be Creative. Be Peace. Be.

CALL FOR SUBMISSIONS

Opportunity Knocks

Submissions deadline for the March issue – themed Waging Peace – is March 10  at 11:59 p.m. Pacific Standard.

Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text.

Send submissions to bardogroup@gmail.com.

Publication is March 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.

No demographic restrictions.

Please read at least one issue.

We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples. 

The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration.


COMPETITIONS

Opportunity Knocks

Dwarf Stars Award, an annual award presented by the Science Fiction Poetry Association to the author of the best horror, fantasy, or science fiction poem of ten lines or fewer published in the previous year, is open for entries April 1 through May 1, 2019. Details HERE.

GLIMMER TRAIN last calls for fiction contests. Deadline: February 28. Entry fees. Cash awards and publication. Very short fiction contest details HERE. 3,000 – 6,000 word fiction entry details HEREGlimmer Train is closing its doors in May this year

PANGLIN REVIEW POETRY PRIZE is open for submissions through 31 October 2019. Cash awards and publication. Entry fees. Details HERE.

THE WRITER MAGAZINE 2019 ESSAY CONTEST closes on March 1. The theme is “the writing life.”  2,000 words.  Entry fees. Cash award and publication. Details HERE.


OTHER INFORMATION AND NEWS


Accessible anytime from anywhere in the world:

The Poet by Day always available online with poems, poets and writers, news and information.

The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) are published here on the following Tuesday.

The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers. Due to other weekend commitments, this post will often go up late.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.  

Beguine Again, daily inspiration and spiritual practice  – always online HERE.  Beguine Again is the sister site to The BeZine.


YOUR SUNDAY ANNOUNCEMENTS may be emailed to thepoetbyday@gmail.com. Please do so at least a week in advance.

If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:

  • send PDF to thepoetbyday@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
  • nothing that foments hate or misunderstanding
  • nothing violent or encouraging of violence
  • English only, though Spanish is okay if accompanied by translation
  • your book or other product  should be easy for readers to find through your site or other venues.

TO CONTACT ME WITH ANNOUNCEMENTS AND OTHER INFORMATION FOR THE POET BY DAY: thepoetbyday@gmail.com

TO CONTACT ME REGARDING SUBMISSIONS FOR THE BeZINE: bardogroup@gmail.com

PLEASE do not mix the communications between the two emails.


Often information is just thatinformation– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my Opportunity Knocks (formerly Sunday Announcements) or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.