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Off the Trail of Consumer Capitalism, flash fiction by Michael Dickel

This is an except from the September issue of The BeZine, themed social justice. It is another example of the quality of work we share there. It’s also an important story at this time and Michael explains why.  / J.D.


Michael Dickel (c) 2018, Photo credit Zaki Qutteineh

Off the trail

Author’s note: Originally written in July, 2013, this piece seems even more relevant and urgent 5 years later. It originally appeared here, on Meta/ Phor(e) /Play. A revised version appears in my flash fiction collection, The Toad’s Garden after The Palm Reading. This version has been slightly edited, most significantly to add the word “consumer” to modify capitalism, as the term “consumer capitalism” has come to my attention as one bandied about in place of democracy as the essential system of the United States (and promoted by some on the so-called “Christian” Right, although from my perspective, that political group seems neither Christian nor right…). The line about the great purges goes back to 2013, but we now see something like them beginning to form…

 


By chance I learned that they planned to crucify the married couple for honeymooning off the grid and outside of the mainstream consumer economy. The couple backpacked along the Appalachian Trail, using second-hand equipment, carrying home-prepared dried goods for meals , which friends provided to them as gifts.

The followers of Christ, Consumer-Capitalist, found such sacrilege untenable, especially in light of the anger it would cause the Corporate Lords of the Boardrooms.

I overheard my editor on his cell, assigning someone to cover the Meeting of Judgment where the sentence would be pronounced. When I understood that the other reporter wouldn’t be back from her current assignment in time, I sauntered in and asked what Ed had for me, like I didn’t know anything.

“The Reverend called to request we send someone to this meeting, give it coverage to send the message out. Work, spend, play inside the economy.”

“Got it. Keep the money flowing to oil the consumer capitalism machinery of wealth.”

I knew the catechism, but didn’t believe it. I’d sent dried lemon peels, home-made penne (dried to preserve it), a chunk of parmigiana traded on the underground market, and a sealed container of pesto for them to make a backpacker’s lemon pasta.

 


 

The Meeting of Judgment followed the usual pattern of these religious courts. A minister of the Reverend’s flock read out the charges. Two other ministers sat on either side, listening gravely. They conferred briefly. It didn’t matter that the accused even now were somewhere hiking in the woods.

As per custom, the ushers served cups of tea to the witnesses of the Meeting. We remained silent. I sipped a sad orange-pekoe until the lead minister announced the decision.

Crucifixion. It had come back in style around 2020, shortly after the great purges that deported, jailed, or enslaved first the non-Christians, then the wrong-type of Christians.

I had not seen a crucifixion. Up to now, it had been an advantage of a rural assignment.

“What are you going to do?” The man I knew as Germaine asked me. He’d popped up out of the crowd as I pushed out the door.

I’d seen Germaine at several social gatherings of people like me. My circles went along with the Reverend to a point, that is, enough to survive, and no more. We kept to ourselves, and tried to avoid the scrutiny of the Reverend and his ministers.

“Do? I’ll write a story about the Judgment, the reasons for it, and watch to see how many hits it gets on the Screens.”

I didn’t know Germaine enough to be baited into saying something damaging. Besides, that was what I planned to do.

“No, about them. We can’t let them get caught.”

“You could get crucified yourself for getting involved. Even what you said is a crime against Christian Consumer Capitalism.”

“What is Christian Capitalism? Something made up by corporate overlords who overeat from our consumption. There never was such a religion.”

I walked away. I considered whether he might be an agent provocateur, meaning I should report him before he denounced me for doing nothing. I decided that I didn’t want to get involved, and would invoke my sometime role as investigative reporter should he accuse me.

 


 

The next morning I had coffee with Frank, someone I thought I knew enough to trust under most circumstances. He told me that Germaine had been arrested for sedition, blasphemy, and heresy as a result of spouting the Devil’s own socialism.

“I’ll be damned.”

“Probably,” Frank said. “To tell you the truth, I thought he was a spy.”

After Frank went off to work, I looked for a screen-story on Germaine, but didn’t find one. I wondered how Frank had heard.

I read my own story on my screen, instead. It played well, several hits, re-posts, and praiseful comments.

It bored me. No, more than that, it sickened me.

I didn’t believe any of it. I knew the young couple, knew they loved the woods, knew they couldn’t afford a resort honeymoon because they wanted to buy a house and the downpayment would take everything they had.

They actually wanted to fit in and had no revolutionary or irreligious intent. They wanted to get along, but to also live their lives and not be pulled under the tide of consumer debt.

Just then, I realized that the Reverend and the ministers didn’t care. And maybe Frank didn’t read about Germaine on a screen.

 


 

The Reverend wanted to make a statement, keep people scared, keep people trying harder than ever to feed the economy and concentrate power and wealth into the Corporate Lords, who ran the Reverend.

Or maybe the other way around, the Reverend ran them. It doesn’t matter now, I realize.

Frank wanted me to play along and keep away from people like Germaine. It was almost a friendly gesture. It could have been a warning, even.

 


 

And that’s why I find myself sitting in a deer stand along the Appalachian Trail. The newlyweds should pass under it sometime today, if they haven’t yet been waylaid.

When they do, I’ll wait to see if they find the package I left out.

It has printouts of the screen story I wrote. It has a copy of the Judgment Decree. It has a map of little-known trails that cross this path, and what cash I could withdraw without getting stopped by a minister.

I thought that I would watch them pick it up and wait until they were gone, then make my way home after a few stops to justify my travel, should I get checked.

Now, I’m thinking maybe I’ll ask if I can walk with them a while when they go off the trail. I’ll cut out after a few days, find my own way.

I don’t know why I’ve decided to do this. I just don’t feel like writing another story I don’t believe in, I guess.

—Michael Dickel ©2018, 2017, 2013

20130729-230444.jpg

 


MICHAEL DICKEL a poet, fiction writer, and photographer, has taught at various colleges and universities in Israel and the United States. Dickel’s writing, art, and photographs appear in print and online. His poetry has won international awards and been translated into several languages. His chapbook, Breakfast at the End of Capitalism came out from Locofo Chaps in 2017. Is a Rose Press released his most recent full-length book (flash fiction), The Palm Reading after The Toad’s Garden, in 2016. Previous books: War Surrounds Us, Midwest / Mid-East, and The World Behind It, Chaos… He co-edited Voices Israel Volume 36(2010). He was managing editor for arc-23 and arc-24. With producer / director David Fisher, he received an NEH grant to write a film script about Yiddish theatre. He is the former chair of the Israel Association of Writers in English. Meta/ Phor(e) /Play is Michael’s blogZine. Michael on Social Media: Twitter | FaceBook Page | Instagram | Academia


ABOUT

Testimonials
Disclosure
Facebook
Twitter
Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman.

Doña Rosa’s House, a poem . . . and your Wednesday Writing Prompt

“Poverty is like punishment for a crime you didn’t commit.” Eli Khamarov, Stanford Center on Poverty and Inequality



Doña Rosa sits at the window
of her tired red-brick house
on a block of tired houses
where street lamps cast a jaundiced pall
and the contours of hope dissolve
like the remains of a senescent god

© 2012, poem, Jamie Dedes, All rights reserved; Photo credit ~ Tom Leeds, Public Domain Pictures.net

WEDNESDAY WRITING PROMPT

Based on your experience or observation, tell us about poverty.

Share your poem/s on theme or a link to it/them in the comments section below.

All poems on theme will be published next Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These will be partnered with your poem/s on first publication.

PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.  

Deadline:  Monday, September 24 by 8 p.m. Pacific.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you. This is a discerning nonjudgemental place to connect.

Note: Stanford University offers a free online self-paced course on American’s Poverty and Inequality. Details HERE.


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

“Tears of God” … and other poems in response to the last Wednesday Writing Prompt

“It’s ironic that poets use words to convey what lies beyond words, that poetry becomes most powerful where simple language fails, allowing one to bridge the conscious and unconscious.” – Diane Ackerman, poet and writer



These responses to the last Wednesday Writing Prompt on parenting and being parented (yes! I coined an ackward word), September 12 are likely to bring you to tears, to awaken forgotten memories or validate ones that are vivid in mind. Thanks to Gary W. Bowers, Paul Brookes, Irma Do, Renee Espriu, deb y fell (Debbie Felio), Sonja Benskin Mesher, Tamam Tracy Moncur, and bogpan (Bozhidar Pangelov) and a warm welcome to Jennifer Collins.  Brave, wise and wonderful poets all.

Read on and do join us for the next Wednesday Writing Prompt tomorrow.  All are encourage: novice, emerging and pro.


The long road home

The umbilical cord between us,
Invisible to the naked eye,
Has a life of its own.
No matter how hard I try,
To pull away, even at my age,
It has an elastic snap
And cuts me short, then bounces
Me back to you.

I wonder how long it spans,
Even as you get carted away,
Across highways,
Somewhere upstate,
I know I will feel the internal tug,

Pull and tug and pull,
Till the pain brings tears to my eyes
And I run to the kitchen to grab hold
Of the scissors to cut and cut and cut
Me away from you.

But no matter how hard I try,
The damn thing finds its way back
And re-attaches itself to my heart,
To my gut- to your beating belly center
From which it was born.

© 2018, Jennifer Collins

JENNIFER COLLINS: I’m a writer, yoga instructor, social worker, wife and mom. I live on long Island. Writing for me has always been an outlet and a way to navigate and understand the world and my experiences. It is my compass, guiding me through the rough and quiet waters of my life.

 


toughish love

dad had a note he would send
one of the three of us brothers
to the store with: “please sell my son
2 packs of pall malls”

i didn’t like to do it
i never liked to do it

one day i refused.
i had to not lie.
“dad. i’m not going to do this
any more.”
i looked at him
and made my eyes say You
Want Me To Help Kill You.

in his eyes
was a question.
Do I Let You Defy Me?

Then there was an answer:
Ah, Well,
It’s Because He Loves Me.

dad said, “okay,”
and i never bought him cigarettes again.

i was twelve,
he was thirty-three,
but i was the parent that day.

© 2018, Gary W. Bowers (One With Clay, Image and Text)


Tears Of

God

My sons eyes are cold.
I have seen this look before.
He lugs my dog Sheba by her mane,

hauls her along the floor
a piece of meat, slopping over gunnels
in an abattoir, blood down the drains.
Her paws scratch and scrape
he dumps her at my feet.

“Bite its ear!”
I shake my head.
“If it’s done wrong, and it has
bite its ear.” I shake my head
mumble

“Done nothing wrong.”

“Eh! Speak up woman!”

“It ‘aint done nothing wrong. Jack!”

Fine rain falls through grey skies
in the pub yard, and a yellow
fluid flows out from under the dog.

“Dirty bitch!”
He kicks Sheba in her side.
She whimpers, puts her head
pleadingly on the black shiny
surface of my court shoes.

“I’ll do it then!”
Snatches her up
by the scruff

“Getting a dog
and not bringing it up right.
Stupid cow!”

He snaps at the silk of her ear.
She yelps. I cry.

“Stupid sodding cow!”
He slaps me hard
across my face. I feel
his gold rings on my cheek.

“Stop whimpering!”
Pushes me up against
the wet wall. His cold eyes
up close make me shiver.

One hand on my throat,
the other points at her. I mumble.
“Not again Jack. Please!”
My legs have gone.

“Treat the bitch right
and it’ll treat you right.”
Sheba inches against the wall,
low and hung back like the grey clouds.

Jack lets me fall. The pub door slams
Sheba, up on her legs again,
licks my face, lays down by my side
puts her head on my black court shoes.

Her neck is warm. My back hurts.
They call the rain the “Tears of God”

Originally published in Degenerate Literature, Domestic Violence Edition, Weasel Press

© 2017, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imaginationand now running The Wombwell Rainbow Interviews [of poets and writers] )

Billy

still wears a nappy at seven
doesn’t understand
why folk tell him off

climbs through an open
window with his six year old
sister whose dress tears

as they tumble on wet
grass in the garden
amongst the dogshit

and mucky diapers mam
has chucked out the kitchen
door, and they walk

on the broken glass
from beer bottles dad
has lobbed out onto

the asphalt path to the front
garden gate that has only
one hinge and they totter

down the street to the big
sign of the supermarket
where steal some sweets

and sit outside and somebody
shouts at him and tells him off
and he doesn’t know why.

originally published in Nixes Mate Magazine

© 2017, Paul Brookes  (The Wombwell Rainbow / Inspiration. History. Imagination)

“A fist in

the ear.”

he whispers to me

“What she needs.
She pushes me to it.
Harder than any squaddies.

And her children.
Her little bastards,
that’s what they need

I tell her,
a fist in the ear
and they don’t
lack discipline anymore.

They’ve got to tell me
she’s got to tell me,
where she goes,
what she does,
who she meets.

I’ll not worry then
will I?

What she needs,
If she’s off with some other
I’ll bring a shotgun to her.”

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination)

No More Fetch

you here,
Fetch you home.

Fetch my lips to thine.
Fetch my arse to this.

Fetch you dinner.
Fetch you a snog.

Fetch your groceries.
Fetch your washing and ironing.

Fetch your slippers
Fetch my social to your wallet.

Fetch my hand up to stop thy fist.
Fetch your belongings in a black bag.

Fetch your gob and its mouthful.
Fetch mesen to thy want.

© 2018, Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination )


Details

I zero in

On the cracks in the walls

The spaces between the tile and grout

The layer of dust on the grand piano

The peeling Formica under 80’s sought after giveaway cups

The places where your innovative nature took precedence over getting the job done right.

I zero in

On the grays in your hair

And the spots on your hands

The slowness in your cane aided walk

Your mouth agape during your afternoon nap

The hand me up shirt you’ve been wearing for decades because it still fits

I zoom out

And see the humor and kindness in your eyes

The hands that lovingly prepare my favorite meal

The 20 year old bed that fits generations

The clock where time has stopped but happiness lives on

The struggle of remembering and honoring and forgetting and accepting.

I zoom out

And notice what you do without

What you’ve sacrificed

What you’ve preserved

What you’ve done with love

What you’ve done for love.

I zero in on that detail.

© 2018, Irma Do (I Do Run,And I do a few other things too …)


Oranges and Apples

A mother is what she needed
not a friend that played
jacks, marbles and jump rope

where she was left
to her own devices of
making mischief
with her brother

or watching a locomotive
barrel down steel tracks
to crush a penny
newly set
upon them

but her mother an only child
longed for siblings
for playmates
to fill
a yearning

so even as she needed
wanted a mother
oranges and apples
would not mix

yet her mother turned flour sacks
into underclothes and slips
for her sewn dresses
to lie upon

her mother cooked food
laden with the aromas
of love

pies trimmed in the lace
of gold brown crust
even when money
was a
luxury

she would surmise in life
that mothers do the best
with what life
gives them

© 2018 Renee Espriu (Angles, My Muse & Turtle Flight)


It’s No Big Deal

A minor slight —
sliver of glass
under the skin
every day

how bad could it be?

© 2018, deb y felio

Broken

How can we not
when it is in our
blood

How can we not
when it is in our
histories & herstories

Broken love —
self seeking,
conditional,
misunderstood
assumptions.

How can we not
when it is in our
cultures

How can we not
when it is in our
pasts and presents

How can we not
hurt/break others
when we start that way

enter broken —
what else can be given
but brokenness
passed generations
to generations
in disguised iterations

I will never be
her, him, them
but how can I not

Memory in words
action, emotion
overwhelm, repeat

How can we not
what else is there —
only practiced brokenness.

Father forgive them
Father forgive me
When I cannot.

© 2018, deb y felio


.mother love.

mother loves; son loves.

three. sons arrive. two.

father disappears a while,

&

while he is gone they grow.

up.

mother loves; son loves.

a while.

middle one dies, elder blames

mother, abuses her daughter.

a while.

the younger blinks and stutters.

mother loves; son loves.

he has a different story.

mother loves; son loves.

© 2018, Sonja Benskin Mesher

Second response

..slabbed..

lay dead . do not speak nor ask for fear.

lay quiet. do not write nor tell. there are

new shoes by the wardrobe. at an angle.

still. do not move nor participate in any

way.

do not breathe, nor cry. there are new

shoes by the wardrobe, new shoes.

© 2018, Sonja Benskin Mesher


The Shadows of Addiction

Addiction
Affliction
Abuse
What’s the excuse?

Substances infuse the brain
No pain
Worries…anxieties flee
Mocking reality

Illusions of joy
Permeate the atmosphere
No fear
Confidence in abundance
Eradicates the twins
Insecurity and timidity

Crack cocaine dances with heroin
Down opioid lane
The life of the party has been born
Sworn in only to begin
The cycle over and over again

The belle of the ball
Begins to fall
Tumbling…tumbling…tumbling
Into the depths of despair
Where even love-starved children
Cannot pierce the fierce
Grasp of addiction

Brokenhearted families
Succumb to the numbness
Of a devastating madness
Found in pipes…pills…powders
In the streets…prescriptions
over the counters
living death destroying
the fabric of love…

Addiction
Affliction
Abuse
What’s the excuse?

© 2018, Tamam Tracy Moncur (The Road of Impossibilities)

Pain In Your Heart

“Art creates the dream of life”

Is that the season?
The leaves are hitting the silent windows
and some roots of trees are creaking,
but I am a dream.
I do not recognize the colors,
when the sun of that town
without time shelters me like Mum.
Which flowers shall I gift to you?
I am not a saint – I cannot revive you.
I cannot even grieve

To gift to you – a last flower.

© 2018, bogpan / Bozhidar Pangelov (bogpan – блог за авторска поезия  блог за авторска поезия )


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

 

Share your recommendations now and/or your own poems for Children’s Poetry for the 100TPC Read a Poem to a Child Initiative … Come out and play with us …

“So, you might ask, “What’s the big deal? Why is poetry so important?” Poetry is essential for children because it is “the best words in the best order.” The rhythm and rhymes can help children develop a love a language—and a love of reading. Once kids begin flexing their writing muscles, poetry can spark their creativity and let their imaginations soar!” Sharing the Power of Poetry with Your Child, J. Patrick Lewis, PBS Parents



Michael Rothenberg, co-founder of 100,000 Poets (and friends) for Change, has created a special initiative this year, “Read a Poem to a Child.”

Readers have asked for suggestions: Toward that end, I’m putting out this call for your recommendations of children’s collections, specific poems or the poems you’ve written for children.  I’ll create a post with everything to be shared here and on The Bezine blog and include a link to your website, blog or Amazon page.  So, let us know your recommendations and give us your link in the comments section below. Thank you!

Don’t forget to join us at The BeZine for our virtual 100TPC, September 29th.


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.