Nobel Peace Prize winner Malala Yousafzai condemned the attack, saying in a statement: “I am heartbroken by this senseless and cold-blooded act of terror in Peshawar that is unfolding before us”. Her father, Ziauddin Yousafzai said his “heart is bleeding” and his family is “traumatized” over the Peshawar Army Public School massacre.
Sunday Announcements are in the works and will post later today, but our Pakistani friends remind us of the December 16, 2014 terrorist attack on Peshawar Army School where 149 people including 132 schoolchildren ranging between eight and eighteen years of age were murdered. This attack is the world’s fourth deadliest school massacre. It is called by many “The Pakistani 9/11.” The massacre birthed more violence and death and Pakistan lifted its moratorium on capital punishment. Anjum ji has written an impassioned poem to commemorate the day and its trauma. / J.D.
Wake Up Faith Wake Up,
Its time for prayer
Oh let me sleep a little more
I’m exhausted and a little sore
I played till late
to get a high score
Wake Up Life Wake Up
you have a purpose
work and serve work and pray
honest n faithful you must stay
O let me enjoy
Do not annoy’
Wake Up Rich Wake Up
Its time to pay
Spend Spend for The Giver
riches will become a river
O why why should I?
I have much, yet to buy..
Wake Up Books Wake Up
Its time to study
Read read read all the best
read n write,never let it rest
This is the Good
This is The best
Wake Up Human Wake Up
Its time to go
you have been lazy n slow
enemy is winning on the go
killing is not the way
give love, tolerance show.
Wake Up Child Wake Up
Its time for school
Wake Up, rise and shine
But what a waste and wild
Child killed for a killed child.
Nothing is mine, Nothing thine
Wake Up, Repent, Wake Up Peace’
Sleep Hatred Sleep!
“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.”
c Anjum Wasim Dar from her Pencil Perceptions collection (originally published in The BeZine, December 2018 issue)
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
“What if our religion was each other. If our practice was our life. If prayer, our words. What if the temple was the Earth. If forests were our church. If holy water–the rivers, lakes, and ocean. What if meditation was our relationships. If the teacher was life. If wisdom was self-knowledge. If love was the center of our being.” Ganga White, teacher and exponent of Yoga and founder of White Lotus, a Yoga center and retreat house in Santa Barbara, CA
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
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Eleanor Roosevelt and the Universal Declaration of Human Rights (1949)—Article 19 states that “Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers”
The repeated arrest of eleven Cuban artists, all of whom are active members of a campaign against Decree 349, a new law aimed at restricting independent art and culture, is an intolerable affront to free expression, says PEN America.
Artists Tania Bruguera, Iris Ruiz, Michel Matos and his wife Sandor Pérez Pita, Luis Manuel Otero Alcantara, Amaury Pacheco Omni Poeta, Yanelys Nuñez Leyva, Veronica Perez Vega, Miguel Yasser Castellano, Javier Moreno, and Adonis Milan were arrested on December 3, and their whereabouts are currently unknown. Performance artist Tania Bruguera was briefly released yesterday. However, while on her way to the Cuban Culture Minister to ask for the freedom of artists and to discuss Decree 349, the police arrested her again with artist Javier Moreno. Bruguera shared a photo of herself wearing a ‘No Al Decreto 349’ (No to Decree 349) T-shirt on social media, saying she will go on a hunger and thirst strike with her fellow artists if she is detained again. Decree 349/2018, one of the first pieces of legislation signed by Miguel Diaz-Canel since he succeeded Raul Castro as president in April of this year, institutionalizes censorship of independent art and culture and establishes violations for artistic services that are not regulated and recognized by official cultural institutions in Cuba.
“This decree is an attack against artistic freedom and the arrest of these eleven artists, in addition of the many artists already behind bars like rappers Maykel and Pupito, is more than an individual attack on free expression,” said Julie Trébault, Director of the Artists at Risk Connection at PEN America. “This repression is not new, but represents a continuation of the Cuban Ministry of Culture’s policy to intimidate and censor critical and independent artistic voices.”
PEN America has also witnessed an alarming increase in arbitrary travel bans, detentions, and harassment of activists and artists by Cuban police officers leading up to December 7, when the decree will come into effect. Brief detentions are the standard response to opposition protests in Cuba, which considers dissidents to be mercenaries supported by the United States to subvert their own government.
Read more about Decree 349 and join the campaign here.
PEN America leads the Artists at Risk Connection (ARC), a program dedicated to assisting imperiled artists and fortifying the field of organizations that support them. If you or someone you know is an artist at risk, contact ARC here.
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PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. The organization champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible. pen.org
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
“What if our religion was each other. If our practice was our life. If prayer, our words. What if the temple was the Earth. If forests were our church. If holy water–the rivers, lakes, and ocean. What if meditation was our relationships. If the teacher was life. If wisdom was self-knowledge. If love was the center of our being.” Ganga White, teacher and exponent of Yoga and founder of White Lotus, a Yoga center and retreat house in Santa Barbara, CA
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Thank you for sharing your love of words. Comments will appear after moderation.
‘The spirit of the wolf resides in my heart
Mostly peacefully, but ever wild
Running in time to the blowing wind,
Dancing in the clouds that drift in the heavens
The spirit of the wolf resides in my soul.” – Gretchen Del Rio
The Howl or How Wild Women Press Came to Be
by Victoria Bennett
Snow Owl by Gretchen Del Rio
At twenty-six, I met an owl. It turned out to be one of the axis moments on which my life pivoted. It was a cold January day where frost lingered in the shade but the sun was shining, the kind of day where things seems possible because you have survived the darkness of winter. The trees stood bare of leaves, branch-fingers stretched out expectantly, waiting for Spring. I was waiting too, holding a sense of change quietly behind my eyes. I watched the crows fly, black wings against blue sky, looking for carrion, listened only to the sound of water and wind and some crow caw above. This was what I was trying to remember – the feel of my touch, the scent of the sky, the hopeful warmth of sun just after the midwinter. My life had become so much darkness, so much noise and pollution and not seeing. This was the counterbalance and so far, it was working. Slow, slow days, allowing the words to surface and sound and where words could not come, allowing the brush to paint or the body to move. All was changing. I was changing. The woman I was underneath was beginning to take shape, and to my surprise, I liked her.
But first, the owl. I was stood beside the ash, eyes closed, when I heard a scratch from above. I opened my eyes and saw the owl, white feathers thick for winter, watching me. Awake. Not daring to move, I simply looked and allowed it to look at me, until after a few moments, it flew away. The owl came, and I was listening because I was ready to hear, and I was ready, it seemed, to shift shape again.
One week after the owl and I met, I had a dream. In this dream, I was with a woman walking along the river. She told me I was to call the Wild Women together. This did not seem strange or unusually prophetic. I had found a deep resonance with the stories I had found in the Clarissa Pinkola Estes’ book Women Who Run with the Wolves and so the archetype of the Wild Woman was something I was familiar with, but the sense of purpose was surprising, and so, the next morning I got up and started to write the posters for what was to be the very first of the Wild Women workshops.
“The reason that people awaken is because they finally stop agreeing to things that insult their soul.” Gretchen Del Rio
Six weeks later, I stood in my living room, the fire in the stove burning and the tea hot in the pot. Before me sat twelve women, very different in ages and styles, but all sharing something special: they had all responded to the call. And so it came to be, the Wild Women group was born and I was to be their mother-wolf for this journey. As I stood there, faced with women whose individual and collective ages outstripped my own, I felt petrified. Who was I to stand here and say “this is the way of being woman”? Yet, that is exactly what I was to do. I did not know where it would take us, take me. I was just willing to begin, brave enough to speak out and hopeful enough to believe.
‘”Welcome…”
… and in that one word, I started something that would sustain me through my twenties, thirties and into my forties. I had met my clan. Together, we found the courage to stand up and say, “This is who I am…”.
That was nearly twenty years ago. Since then, working with the Wild Women, I have gone on to set up Wild Women Press, published several books of poetry from the group, worked with over 2000 women (and some brave men) on a number of amazing projects, hosted the (in)famous Wild Women Salons, made creative connections around the globe, and performed live at events around the UK and USA. It is a space of celebration and activism. There is no business plan or professional career path. It can lie dormant, hibernating as we nuzzle down and grow our ideas in the dark, or it can awake with passion and create for change on a global scale. We have used our creativity to create positive change, to be part of the world we want to live in andleave for those who follow. Sometimes we act on a very local level, sometimes on a global one.
Recently, I have been collaborating with the creators of the #MeToo poetry anthology. This is a very important movement for me personally, and for us as a group. As soon as I heard Deborah Alma was wanting to put together an anthology of poems from this movement, I offered my support, and the platform of Wild Women Press. It was obvious from the very beginning that there would be many more poems than there were pages in the book, and so #UsTogether was created, to give a platform for some of these other voices. Alongside the launch of the book, Wild Women Press are hosting a selection of these poems, in honour and celebration of the courage and sisterhood of all those who have spoken out as part of the #MeToo movement.
One of the core aspects of the group is the respect and celebration of each individual woman. Although in the beginning it was me who stood at the front of the room, every woman in the group was to go on to inspire and lead, using their own experiences, passions, talents, and knowledge to guide them in how they would to do that. In a similar vein, we will be launching an online Wild Women Press blog later in 2018, sharing our ideas and perspectives. Over the next year, we will be gathering Wild Women from around the globe to contribute, extending our circle of clan further. We would love to hear from other women, who would like to be part of a clan of contributors.If you are passionate about something, and would like to be part of a global group of Wild Women writing, creating, and being part of a positive change, please do get in touch.
In 2019, it will be our 20th Anniversary, and 20 years since we published our first book, Howl at the Moon: Writings By Wild Women. To celebrate this, we will be publishing a new book of poems by Wild Women – and this time, we are extending the howl out to others. We will be putting out the call for submissions soon, on our website, Twitter, and Facebook page.
For now, we continue to meet as a group every couple of months, and once a year, we spend four days at our Wild Women Gathering, celebrating, creating, and sharing our stories (and eating way too much food). We have witnessed births, marriages, divorces, unemployment, career changes, graduations, new beginnings, and painful goodbyes. What began as a workshop group, has become a place we now call home, and a wild family. You can sometimes find us on the fells or beside fires. We howl often, laugh lots, and when prompted, bare our teeth. Our coats are all a little more silver, and our eyes a little more wise, but we are still discovering. We are the Wild Women, and we welcome you.
Poet, publisher, activist and wild woman, Victoria Bennet
VICTORIA BENNET (Wild Woman Press) is an award-winning poet, creative activist and full-time home-educating Wild Mama to her son, Django. Originating from the borderlands below Scotland, she is the Founder of Wild Women Press and has spent the last quarter of a century instigating creative experiences in her community. Her poetry has appeared in print, online and even in the popular video game, Minecraft. She has published four collections and performed live across the UK, from Glastonbury Festival to a Franciscan Convent.
Poetry publications include:
Anchoring the Light
Fragile Bodies
Fragments
Byron Makes His Bed My Mother’s House – a Poetry & Minecraft Collaboration with Adam Clarke, that explores grief and letting go
What We Now Know – digital VR music collaboration with Adam Clarke and The Bookshop Band, inspired by the #MeToo anthology
returned to bite through the umbilical of tradition,
to flick her tongue
and cut loose the animus-god of our parents,
like a panther she roams the earth, she is eve wild in the night,
freeing minds from hard shells
and hearts from the confines of their cages,
she’s entwined in the woodlands of our psyches
and offers her silken locks to the sacred forests of our souls ~
naked but for her righteousness,
she stands in primal light,
in the untrammeled river of dreams
the yin to balance yang
the cup of peace to uncross the swords of war ~
through the eons she’s been waiting for her time
her quiet numinosity hiding in the phenomenal world,
in the cyclical renewal of mother earth,
whispering to us in the silver intuition of grandmother moon
watching us as the loving vigilance of a warming sun ~
she, omen of peace birthed out of the dark,
even as tradition tries to block her return,
her power leaps from the cleavage of time
Illustration ~ the lovely watercolor painting by Gretchen Del Rio with its girl-tree, panther and other spirit animals was the inspiration for my poem, Her Power Leaps, on the return of the divine feminine. The back-story on the painting is interesting. Gretchen says, “I painted this for a fourteen year old Navaho girl. It is for her protection and her power. She sees auras and is very disturbed by this. She is just amazing. Beauty beyond any words. You can see into the soul of the universe when you look at her eyes. She has no idea. I loved her the moment I saw her. My blessings for her well being are woven into the art.” Such a delightful piece. I purposely posted it full-size so that everyone can enjoy the detail. Bravo, Gretchen, and thank you. / Jamie Dedes
The Artists at Risk Connection launches today in tandem with a public event in New York featuring one of the world’s most prominent threatened artists, Ai Weiwei. Ai, who will be in conversation with author and PEN America President Andrew Solomon, was detained in China without charge for 81 days during 2011 and later denied his passport to travel. The event will be streamed live online at 6pm (Eastern) at PEN.org Livestream.
“Fats was starting to think that if you flipped every bit of received wisdom on its head you would have the truth. He wanted to journey through dark labyrinths and wrestle with the strangeness that lurked within; he wanted to crack open piety and expose hypocrisy; he wanted to break taboos and squeeze wisdom from their bloody hearts; he wanted to achieve a state of amoral grace, and be baptised backwards into ignorance and simplicity.” ― J.K. Rowling, The Casual Vacancy
PEN America announced today the launch of the Artists at Risk Connection (ARC), an online collaboration of more than 500 global organizations that provide life-saving resources to artists worldwide who face oppression, persecution, arrest, and violence for their creative work.
Recent reported threats against New York’s Guggenheim Museum, the cancellation of a major planned work from the Louvre in Paris, and the withdrawal of a major film from Russian theatres offer stark reminders of the hotly contested terrain that artists occupy. There were more than a thousand attacks on artists in 2016, according to the Copenhagen-based Freemuse—more than double the prior year. While hundreds of organizations offer assistance to imperiled artists, ARC is a first-of-its-kind platform bringing all of these resources together in a single online hub, accessible in 104 languages.
“Artist face backlash when they push up against intellectual, social, and ideological boundaries,” said Suzanne Nossel, Executive Director of PEN America. “While global campaigns and U.N. resolutions have been mounted to protect journalists and human rights defenders, threats to artists have gotten limited international attention. The Artist at Risk Connection brings together an extraordinary network of global organizations committed to augmenting the assistance available to artists who risk their freedom and their lives in the name of creative expression.”
ARC collates resources—including emergency funding, housing opportunities, residencies, fellowships and grants, and legal, immigration, and resettlement services—in an interactive online catalogue to help threatened artists quickly identify programs for which they’re eligible. This exhaustive database is the first of its kind for artists-at-risk, who have typically had to piece together assistance through a combination of personal contacts, referrals, and web searches, often under dire circumstances.
ARC also provides training and facilitates collaboration within a network of artist assistance organizations, including Index on Censorship (United Kingdom), ICORN (Norway), Al Mawred (Lebanon), and the Sundance Institute (United States), to strengthen each organization’s ability to provide comprehensive support to artists in dire need. Over time, ARC will work to elevate the visibility of artists at risk, seeking to mobilize an even greater breadth global arts institutions to play a more prominent role in assisting their field’s most vulnerable.
“At-risk artists often operate in the shadows, striving to continue to work amid pressures and dangers to their livelihoods and safety,” said Julie Trébault, Director of the Artist at Risk Connection. “Given the central role of the arts in society and culture, those who pay the heaviest price for their contributions need and deserve greater support and recognition for their sacrifices.”
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PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. We champion the freedom to write, recognizing the power of the word to transform the world. Our mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.
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The Artists at Risk Connection (ARC) safeguards the right to artistic freedom of expression and ensures that artists everywhere can live and work without fear. An interactive hub to gather, share, and coordinate the many resources, services, and forms of assistance available to artists at risk, ARC aims to strengthen connections between threatened artists and the organizations that support them.
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© Gretchen Del Rio
Jamie Dedes' THE POET BY DAY Webzine 