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LEADING IN DIFFICULT TIMES, Conversations Among the Clergy of San Mateo County, CA

2792b2bb-5918-4580-bf07-9355acdf4291It’s not poetry but it’s important.  As we struggle to understand, to digest pending or potential changes with the new U.S. administration, to figure out what we can do to help insure stability and to ease the pain of others, those who nurture our spiritual lives are struggling with the same questions.  Through interfaith collaboration clergy support one another, coming together in conversation, in protest and in solidarity as they stand in the love of our country, all people and the world.

img_2075On Wednesday, November 30, 2016, twenty-five clergy representing Islam, Judaism, Buddhism, Unitarian Universalism and Christianity responded to a call to meet for a working lunch at the Congregational Church of San Mateo to discuss Leading in Difficult Times. I was a butterfly on the wall with the good fortune to listen in.

They discussed the same concerns and fears that you are writing about in your poems, essays and editorials: scapegoating, suppression of free speech, immigration policy that will split families and is creating anxiety among children, Islamophobia, empowerment, economic distress, women’s rights and violence by individuals or orchestrated violence in the community/country.

One rabbi pointed out, “The to-do list for the world … we never imagined so much would be pressing us with the same sense of urgency. How do you know what to do first? With all that needs to be done, how do we make sure no one is left behind and that we don’t take away the dignity of others in our process? … How do we juggle all the needs?”

“later that night
i held an atlas in my lap
ran my fingers across the whole world
and whispered
where does it hurt?
it answered
everywhere
everywhere
everywhere.”
excerpt from “what they did yesterday afternoon”  Warsan Shire

Just as we ponder how to support one another in our art and activism, our clergy explored the ways in which they can support one another in their roles as spiritual leaders.

  • Show up for each other and stand by the values we share.
  • Keep the spark alive. Hear the spark, the spiritual spark, hopefulness and joy.
  • Create a safe place to talk about personal journeys relative to the times.
  •  Encourage one another in a clear sense of values and priorities … to act the way our traditions dictate and God wants. Stay grounded in a place of values and faith.
  • The heart has a need for practical things to do; we can echo the sorts of things other faith groups are doing so we can collaborate.

They explored faith at the intersection of shared values, the same values we share through The BeZine and under the banner of 100,000 Poets for Change.

  • Love of all humankind and the value of nonviolence.
  • Dignity and worth of all people.
  • Hope that all places of worship can be a safe space for everyone.
  • The value of listening.
  • The value of acting to move through the whole project without stopping.
  • The value of not leaving people behind. Blessing and curses go together so where there is a curse there’s a blessing and we create the blessing.
  • The sanctity of speech.
  • Concern for the poor and disadvantaged.

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“Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.”  Franklin D. Roosevelt

After the clergy meeting I attended a similar discussion among the members of my own congregation.  We broke out into groups to explore and agree on actions for a specific areas of concern: environment/climate change, racism and Islamophobia, women’s rights and immigration. I was in the group on immigration, where priorities are the school children now living in fear of being separated from parents or sent back to countries where their lives are at risk, the 65,000 undocumented youth graduating from high school each year and having conditional status in the States under The Dream Act*, and the brutality and aggression faced by illegal immigrants escaping violence in their countries of origin as they are rounded up for deportation by ICE officials. There is special interest in the Sanctuary Movement and making our church sanctuary. We are already a “Welcoming” community.

These have been among my activities as I took some time away from writing and poetry to think about what promises to be a different sort of world. We might have a long haul ahead of us and though . . .

The task [may not be ours] to complete,
. . . neither are [we] free to desist from it. Rabbi Nachman

* These are children who are culturally American and bilingual with only a tenuous connection to their countries of origin.

Clerics interested in connecting with the Planning Team for the San Mateo clergy group featured here today and professional journalists interested in covering their activities, please contact the Planning Team at clergyhousingsummit2@gmail.com.

These activities are what I think of as “Best Practices.” I share them here because they can be easily adopted by other communities.  I would encourage those of you who are part of our The BeZine: 100,000 Poets for Change Facebook discussion page to share information and/or links to initiatives in your community that might interest others. Our poetry like our prayers must have legs. The Facebook discussion page is one I moderate along with colleagues: American-Israeli poet, Michael Dickel and Rev. Terri Stewart, Associate Pastor at Riverton Park United Methodist Church, Seattle, WA

“I am only one, but I am one. I cannot do everything, but I can do something … and what I can do, by the grace of God, I will do.” after Edward Everett Hale by the Sisters of St. Joseph who were my teachers and role models

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RETURNING TO DREAMLAND

This video was created and posted on YouTube by BooUrns28. It’s a tour of Coney Island and includes some of his thoughts and memories delivered in sterling Brooklynese.  If you are viewing this post from an email subscription, you’ll have to link to The Poet by Day to see it.

The lagoon and tower at Dreamland Park, Coney Island, Brooklyn, New York, 1907.
The lagoon and tower at Dreamland Park, Coney Island, Brooklyn, New York, 1907.

One belongs to Coney Island instantly . . . “

I’m playing with writing a poem about the Coney Island of my childhood and youth. I know “the good old days” weren’t what they’re cracked up to be and nostalgia is an unhealthy indulgence. Occasionally, however, it provides momentary relief from the questions and tensions of the present.

The materialistic 50s and rebellious 60s: Lugging bags with bathing suits, the requisite portable radio, beach blanket and towels, hopping on the BMT, enduring summer’s outrageous heat and humidity, and heading for Stillwell Avenue and Coney Island, a place of delicously unhealthy food and all that is weird but engaging.

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The raucous Coney Island rides were never to my taste, but some of the strange shows, the boardwalk, the people-watching, the beach, riding the waves, the carnival games, Nathan’s Famous hot dogs and french fries, and holding out for Surf Avenue and Shatzkin’s potato knishes . . . . . . these were fascinations. 

The old Coney Island was once so much a part of American iconography and honky-tonk subculture that it’s probably on your radar even if you’ve never been there. It’s the stuff of artists rendering in everything creative: photography, movies, music, fine arts, books, and poems. Link here to a short film, In Memoriam, Coney Island 1952, which was an International Venice Film Festival prizewinner. The narrator is Henry Morgan. This movie catches the flavor of the place as I and my contemporaries knew it with its incredible crowds and all that is odd, funny, vulgar, dubious, kitschy …  and yet, somehow perfectly wonderful.

© 2016, words, Jamie Dedes; photo credits ~ Dreamland Tower, public domain photograph courtesy of the U.S. Library of Congress, Nathan’s Famous photograph courtesy of Willyumdelirious under CC BY 2.0 license.

THE SUNDAY POESY: Opportunities, Events and other News and Information

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CALLS FOR SUBMISSIONS

Opportunity Knocks

PLOUGHSHARES AT EMERSON COLLEGE is in its 45th year and one of the most prestigious literary magazines in the US. It is published in quality paperback three times a year: January, April and July. Each issue is guest-edited by a prominent writer – usually writers who have been awarded Nobel and/or Pulitzer prizes, National Book Awards, MacArthur and Guggenheim fellowships, and numerous other honors.  Guest editors explore personal visions, aesthetics, and literary circles. Ladette Randolph is editor-in-chief. Guidelines for the journal are HERE.  Guidelines for Ploughshares Solo Series are HERE. Guidelines for the Look2 essay are HERE.

NARRATIVE is a relatively new publication (2003) that was established to “advance literary art in the digital age. … Our online library of new literature by celebrated authors and by the best new and emerging writers is available for free.” Nonetheless, it is a paying market for writers and poets. It publishes fiction, nonfiction and poetry. Submission categories and guidelines are HERE.

NOSY CROW is a UK publisher of books for children: bound, iBooks, and multimedia, interactive apps for tablets, smart phones and other touchscreen devices. Submission guidelines are HERE.

SOUTH/85 is aa semi-annual online literary journal of the Converse College Low-Residency MFA Program. This journal publishes fiction, non-fiction, poetry, reviews, and art by new, emerging, and well-established writers and artists. The editors say “we are especially interested in pieces that demonstrate a strong voice and/or a sense of place.” Details HERE.

SOUTHERN INDIANA REVIEW accepts manuscripts between September 1st and April 30th for annual fall and spring issues. The magazine publishes drama, fiction, nonfiction, poetry, art and photography. Details HERE.

THE WALLACE STEVENS JOURNAL (John Hopkins University Press) “welcomes submissions on all aspects of Wallace Stevens’ poetry and life. Articles range from interpretive criticism of his poetry and essays to comparisons with other writers, from biographical and contextual studies to more theoretically informed reflections. Also welcome are previously unpublished primary or archival material and photographs, proposals for guest-edited special issues, as well as original Stevens-inspired artistic and creative works.”  Details HERE.

MACSWEENEY’S INTERNET TENDENCY publishes on its website and in its quarterly as well as through its book publishing arm. Its book-publishing arm is not currently accepting submissions for children’s books or for poetry.  Details HERE.

THE BeZINE, a publication of The Bardo Group Beguines will review submissions for the December issue, themed The Healing Power of the Arts, beginning on December 1.  Submit poetry, essay, nonfiction, creative nonfiction, photography, music videos and art or photography by December 10 to bardogroup@gmail.com.  Please review the publication first and the submission guidelines.

CONTESTS

Opportunity Knocks

PLOUGHSHARES EMERGING WRITER’S CONTEST is open to writers of fiction, nonfiction, and poetry who have not had a book published or self-published. The winner in each genre will be awarded $2,000.  The contest opens on March 1, 2017 and closes on May 15, 2017 at noon EST.  There is a $24 entry fee, which includes a one year subscription. Details HERE.

EVENTS

PALM BEACH POETRY FESTIVAL January 16 – 21 includes workshops, readings, talks on the craft of writing poems, manuscript conferences, panel discussion, social events and more in downtown Delray Beach, Florida. Former US Poet Laureate and Pulitzer Prize winner, Charles Simic, is special guest. Poetry Writing Workshop Faculty includes: David Baker, Laure-Anne Bosselaar, Tina Chang, Lynn Emanuel, Daisy Fried, Terrance Hayes, Dorianne Laux, Carl Phillips, and Martha Rhodes. Apply to attend. Details HERE.

WORLD POETRY DAY,  Tuesday, March 21, 2017 celebrates and supports poets and poetry around the world.  It is an initiative of the United Nations Educational, Scientific, and Cultural Organization (UNESCO). Details HERE.

StANZA 2017  (Scotland) is scheduled for 1-5 March, 2017. The themes for next year are The Heights of Poetry and On the Road. Sixty poets are scheduled for nearly 100 events. Details HERE.

THE POET BY DAY SUNDAY POESY

Submit your event, book launch and other announcements at least fourteen days in advance to thepoetbyday@gmail.com. Publication is subject to editorial discretion.