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SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, Events, and News and Other Information

CALLS FOR SUBMISSIONS

Opportunity Knocks

ONE, an online poetry journal published by Jacar Press, A Community-Active Literary Press: One, is open for submissions year-round, except for brief periods when an issue is in process. Poets may submit one poem for consideration per issue. There is no fee to submit. One publishes emerging as well as established poets. Further details   HERE.

DoveTale JOURNAL, An International Journal of the Arts stated mission is to “promote writing that explores the many aspects of peace.”  The theme for 2017 is Refugees and the Displaced. DoveTale publishes fiction, nonfiction, poetry, art and photography.  Details HERE.

THE BeZINE submissions for the June 2017 issues (theme: Environmental Justice/Climate Change: Farming and Access to Water) should be in by June 10th latest.  Publication date is June 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos), and whatever lends itself to online presentation is welcome for consideration. Please check out a few issues first and the Intro./Mission Statement and Submission Guidelines. No demographic restrictions.

THE EXAMINED LIFE JOURNAL, University of Iowa, Carver College of Medicine, deadline for the next issue is July 15, 2017. Details HERE.

FICTION SOUTHEAST, an online journal dedicated to short fiction seeks articles about writing.  Details HERE.

INKUBATOR & ABSTRACT REVIEW publishes stories in their online publication and reads submissions on a rolling basis. There is also a print publication. For details about both online and print link HERE

CARVE MAGAZINE, a literary magazine named in honor of Raymond Carver “seeks to publish outstanding literature and to promote the writers we publish, helping both new, emerging and established authors reach a wider literary audience.”  This magazine features fiction, nonfiction and poetry.  For poetry there is a $2 submission fee and $25 payment. Submission guidelines are HERE.

CONTESTS

MAY SARTON NEW HAMPSHIRE POETRY PRIZE of Bauhan Publishing, LLC is now open for submissions.  There’s a $25 entry fee and poets are welcome to submit from anywhere in the world.  There is a cash award along with book publication. Details HERE.

AUTUMN HOUSE PRESS CONTESTS are now open for submissions. Awards are publication of full-length manuscripts in Poetry, Fiction, and Nonfiction and cash prizes of $2,500 ($1,000 advance against royalties and a $1,500 travel/publicity grant to promote the book). The submission period closes on June 30, 2017. Details HERE.

EVENTS

September 30, 2017 is the next 100,000 Poets for Change (100TPC) global event.  It is not to soon to start organizing an event in your neighborhood. For more information and to register your event link HERE. The 100TPC Facebook global communication hub is HERE. The BeZine 2017 100TPC discussion page is HERE.

June 5, 2017 World Environment Day theme for 2017 is ‘Connecting People to Nature – in the city and on the land, from the poles to the equator’. The host country is Canada, but there are 700 events scheduled around the world. To find am event in your region, link HERE.

Our cosmic oasis, cosmic blue pearl
the most beautiful planet in the universe
all the continents and the oceans of the world
united we stand as flora and fauna
united we stand as species of one earth
black, brown, white, different colours
we are humans, the earth is our home.

Our cosmic oasis, cosmic blue pearl
the most beautiful planet in the universe
all the people and the nations of the world
all for one and one for all
united we unfurl the blue marble flag
black, brown, white, different colours
we are humans, the earth is our home.

“Earth Anthem” by Abhay K

NEWS and OTHER INFORMATION

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SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, Events and Other News and Information

CALLS FOR SUBMISSIONS

Opportunity Knocks

THE MUSE, An International Journal of Poetry publishes two journals a year and accepts submissions rom July 1- November 10 for December and January 1- May 10 for June. Details HERE. The Muse has a call open for its fourth annual anthology.  Details HERE.

THE AMERICAN JOURNAL OF POETRY is published twice-a-year.  Both emerging and established poets are featured. There are no style or form restrictions and long poems are welcome. There is a reading fee of $5. Submission Guidelines are HERE.

QUIDDITY International Literary Journal and Public-Radio Program “is a multimedia arts venue featuring an international literary journal (print and audio), a public-radio program, and a visiting writer and artist series.  Quiddity is published and produced in partnership with NPR member/PRI affiliate WUIS, Illinois Public Radio’s hub-station.” Quiddity features prose, poetry and poetry for radio broadcast. Reading period ends December 15. Details HERE.

THOMAS McSWEENEY’S QUARTERLY CONCERN! publishes fiction and nonfiction. Details HERE.  “Poetry can be wonderful, but is not something we publish in the Quarterly. Please send completed book-length poetry manuscripts to poetry@mcsweeneys.net.”

VOICEMAIL POEMS “was created by jamie mortara during National Poetry Month in April 2012 with a simple idea: Set up a phone number (1-910-703-POEM) for people to call and share their poetry.” Submission guidelines HERE.

THE BeZINE submissions for the June 2017 issues (theme: Environmental Justice/Climate Change: Farming and Access to Water) should be in by June 10th latest.  Publication date is June 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos), and whatever lends itself to online presentation is welcome for consideration. Please check out a few issues first and the Intro./Mission Statement and Submission Guidelines. No demographic restrictions.

PRETTY OWL POETRY, an online quarterly journal, is supportive of emerging and established writers. This zine publishes poetry, fiction and visual arts, all style and artistic collaborations. The editors say they like “something shameful. something surreal. a deluge of desire. confessions of crimes & hearts teeming with rattlesnakes. a merry-go-round that makes you dizzy.” Submission guidelines HERE. 

THE YALE REVIEW offers no formal guidelines other than reading their journal before submitting, which is really a basic rule for every magazine whether stated explicitly or not. Editor: J.D.McClatchy. Editorial contact is HERE.

580 SPLIT is a publication of Mills College in Oakland, California. Calls for submissions are open now for Issue 19 (2016/2017). The top submission in seach category will receive a cash prize. Categories are: long and short form fiction, creative non-fiction, essays, novel/graphic novel excerpts, poetry, visual/digital art, conceptual art and design, photography, comics, interviews, scripts, transcripts, translations, Details HERE.

GETTYSBURG REVIEW, a publication of Gettysburg College, is published quarterly. The reading period for poetry, fiction and essays is September 1st – May 31st.  Submission guidelines HERE.

POST-TRUTH is a website started on U.S. inauguration day, which “invites artists, filmmakers, writers, scholars, to contribute work reflecting on living in a post-truth society. We hope this can be a site and community where artists can know that their work related to the times we live in will be shown, heard and respected.” Check it out HERE.

THE MATADOR REVIEW is an online literature and art quarterly featuring fiction and creative non-fiction, flash fiction and poetry. Submissions for issue 5 (Summer 2017) will close on May 31. Details HERE.

CONTEST/AWARD

NEW LETTERS MAGAZINE sponsors awards for writers – poetry, fiction and nonfiction – of $1,500 each. Entry fees of $20 and $15. Deadline May 18th  for the 2017 awards. Details HERE.

CALL FOR PAPERS

NORTHEAST POPULAR CULTURE ASSOCIATION CONFERENCE – WORLD LITERATURE welcomes papers that explore both individual works of world literature as well as contemporary issues in the field of World Literature.  Questions under consideration could include how to understand what world literature is, how best to teach works of world literature as well as the exploration of current trends in postcolonial, world and comparative literatures. Deadline June 1 for the fall conference, October 27 – 28 at the University of Massachusetts in Amherst, MA. Details HERE.

For more calls for papers on a range of topics link HERE.

EVENT

KUDOS …

Kudos and congratulations to Krysia Jopek on the debut of her new online publication, DIAPHANOUS PRESS on May 15, 2017 at Noon, U.S. Eastern Standard Time at DiaphanousPress.com.

This  biannual journal publishes and promotes contemporary experimental and postmodern literary and visual artists side by side in a free publication.The name “DIAPHANOUS” implies Krysia’s desire to showcase finely crafted literary and visual art that has a life of its own independent of the artist or author and is not completely transparent or “accessible.” Not that the work is purposely abstruse but that the work requires the reader or viewer to determine its possible meanings through interaction with it. This kind of art is not disposable–it demands to be read and viewed repeatedly because of its power to arrest, engage, and “haunt” the reader/viewer.

Krysia Jopek, the founder and editor of Diaphonous Press offers thanks to contributing editor Michael Dickel, specifically for his WordPress design help in making this labor of love an online reality; Poetry Editor Thato Andreas Mokotjo, a young, South African poet and passionate poetry enthusiast; her remarkable staff of Contributing Editors: Meg Harris, Dale Houstman, James Audio, Kinga Fabó, and Eric Traska—in addition to all of the supportive writers and artists included in the debut issue of Diaphanous Press as well as everyone supportive of its vision of poetics / aesthetics.

Submissions Page: https://diaphanouspress.com/diaphanous-press/submissions/

DIAPHANOUS PRESS Facebook Page: https://www.facebook.com/diaphanouspress/

♦

Kudos to JORDAN BLUM (The Bookends Review) for his cover to cover interview of MICHAEL DICKEL (Meta/Por(e(/Play). It’s an absolutely delightful and wide-ranging discussion about books, music, poetry and more.  Check it out HERE.

THE BOOKENDS REVIEW: “Founded in 2012, The Bookends Review is an independent creative arts journal dedicated to bringing you the best original fiction, nonfiction, poetry, interviews, essays, book reviews, and visual/musical works from around the world.”  Link HERE.

JORDAN BLUM holds an MFA in fiction and teaches composition and creative writing at several colleges/universities. He’s published creative and/or scholarly pieces in several places/ jordanblum@thebookendsreview.com.

Writer and photographer MICHAEL DICKEL has work in several print and online publications. He co-edited Voices Israel Volume 36 (2010), and was managing editor for arc-23 and -24. His most recent book, The Palm Reading after The Toad’s Garden, came out in 2016. Previous books are: War Surrounds Us, Midwest / Mid-East, and The World Behind It, Chaos… He has taught at colleges and universities in both Israel and the U.S. Michael is a contributing editor to The BeZine.

NEWS and INFORMATION

THE WORDPLAY SHOP: books, tools and supplies for poets, writers and readers

ABOUT THE POET BY DAY

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SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, Events and Other News and Information

CALLS FOR SUBMISSIONS

Opportunities Knock

THE PEEKING CAT publishes a magazine and annual anthology and offers editorial services. They are always open for submissions to the magazine but the deadline date for the 2017 anthology is August 31.  Appropriate material for consideration: poetry (all forms), nonfiction (up to 1,000 words), artwork and photography. A broad range of subjects are well despite the “cat” in the title. Detailed submissions guidelines are HERE. No demographic restrictions.

THE BeZINE submissions for the May 2017 issues (theme: Honesty and Transparency, the Post-truth Era) should be in by May 10th latest.  Publication date is May 15th. Poetry, essays,fiction and creative nonfiction, art and photography, music (videos), and whatever lends itself to online presentation is welcome for consideration. Please check out a few issues first and the Intro./Mission Statement and Submission Guidelines. No demographic restrictions.

HERMENEUTIC CHAOS LITERARY JOURNAL is published six times a year. “We welcome submissions by authors from diverse backgrounds and literary preferences. We admire all forms of experimental, hybrid and avant-garde literature, collaborative writings, visual and graphic outpourings – anything that literature is capable of. Our primary interest lies in works which inspire an active cathartic response, and not a sentimental passivity. To achieve this end, we seek poetry and prose where imagination, symbolism, metaphors, lexical ingenuity and a strong imagery guide reality to examine the creative chaos beyond its straitjacket cliff.” This journal is interested in poetry, fiction and nonfiction. Details HERE. No demographic restrictions.

APOGEE JOURNAL features literature and art “that engages with identity politics, incuding but not limited to: race, gender, asexuality, class, ability and intersectional identity.” The journal is published in print biannually and welcomes fiction, nonfiction, poetry and visual art. Details HERE. No demographic restrictions.

UP THE STAIRCASE QUARTERLY is an online lit publication featuring poetry, art, interviews and reviews. The deadline for the summer issue (themed AudioVisual) is June 15th. Details HERE. No demographic restrictions.

PERMAFROST MAGAZINE, a publication of the University of Alaska, Fairbanks is “Located at 64° 50′ N (198 miles from the Arctic Circle), Permafrost Magazine is the farthest north literary journal for writing and the arts. We’re proud of Permafrost’s thirty-five years as interior Alaska’s foremost literary magazine . . .  Permafrost seeks original voices from all over the world.” The reading period for the print edition is May 1 – November 30. There is a $3 submission fee. Fiction, poetry, hybrid and artwork are welcome. Details HERE. This publication sponsors contests. All are closed now but watch for upcoming.

COMPETITIONS/AWARDS

  • 2040AWARDS PROGRAM is open to minorities – “ethnic authors or those from an ethnic background over the age of 18” – and entries of translations and from the International Community are welcome as well. 2040 is seeks fiction, creative nonfiction, collections, essays.  The grand prize is $1,000. The runner-up award is $500.  There is a $25 reading fee. Details HERE. Deadline is July 7.
  • ELEANOR TAYLOR BLAND CRIME FICTION WRITERS OF COLOR AWARD for 2017 is accepting application through June 15, 2017 this annual awards $1,500 or the winner. Details HERE.
  • WUNDOR POETRY CONTEST, an inaugural contest, is themed “Spring” and the deadline is 31 May 2017. There are entrance fees.  There is no indication of a financial award but there is pubication for the winner.  Details HERE.
  • THE SECOND ANNUAL LOUISE MERIWETHER FIRST BOOK PRIZE is now through July 31 for works by women or nonbinary author of color. The award is $5,000 and publication by Feminist Press. Details HERE.

EVENTS

  • WRITING RESISTANCE: INVESTIGATING/SUBVERTING FORM & NARRATIVE, A Writing Worksop Series of Apogee Journal with the NY Writers Coalition and funding from the Brooklyn Arts Council. “Apogee editors and contributors will lead nine craft based writing and editing workshops. True to our mission of creating accessible and socially engaged programming, this workshop will be affordable, inclusive, and attentive to the ways identity informs reading and writing practices.” The cost is $25 per class. The series started in April.  Remaining classes are: Flash Fiction with Robert Lopez (May 17); What Song Told Me with Stacy Parker Le Melle (May 20); Radicalizing the Personal Essay or Narrative Poem with Lorde and Baldwin at the Helm with JP Howard (May 20).  Workshops are in Brooklyn, NY. Details HERE.
  • SISTERS IN CRIME is a thirty-year-old professional association founded “to promote the ongoing advancement, recognition and professional development of women crime writers. Today the Triangle area (North Carolina) hosts a thirty-year celebration – an Ice Cream Social – for writers, publishers an readers at Page-Walker House, Cary, North Carolina.  Admission is free; tickets for ice cream are $7 for Adults, $5 Ages 4 – 12; children 3 and under are free. Details are HERE at Triangle area chapter’s site.
  • SISTERS IN CRIME list of conferences, events and trade shows scheduled around the country is HERE.
  • EDINBURGH INTERNATIONAL FILM FESTIVAL (open-air cinema) Edinburgh International Film Festival’s hugely popular open-air cinema runs through June 16-June 18 at St. Andrew Square Garden. Details HERE..

NEWS and INFORMATION

The recommended read: On Tyranny: Twenty Lessons from the Twentieth Century by Timothy Snyder. Left, right or center – American or not – it’s a must read.

THE WORDPLAY SHOP: books, tools and supplies for poets, writers and readers

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PEN AMERICA, World Voices Festival … Gender and Power in the Age of Trump

“PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide.”

“Join more than 150 writers and artists from 40 countries as PEN World Voices takes on today’s restive relationship between Gender and Power in the age of Trump. In this moment of unprecedented threats to freedom and truth and of emboldened mobilization and resistance the Festival will use the lens of literature to examine bigotry, misogyny, and xenophobia. Celebrate the transcendent power of art to enable people to see beyond their differences with conversations, readings, and workshops taking place throughout New York City.”

PEN America has announced that leading Russian and American journalist and author Masha Gessen, will deliver the Arthur Miller Freedom to Write Lecture, followed by a conversation with comedian and political commentator Samantha Bee on the closing night of the PEN World Voices Festival (May 7, 5 pm, Cooper Union Office of Continuing Education and Public Programs, NYC. Tickets/Details HERE).

My apologies for the late alert on this.  I just found out about it. However, there are three more days left on the schedule for PEN World Voices Festival. For a complete schedule of events, visit: penworldvoices.org (Programming and participants subject to change.) J.D.

MARSHA GESEEN TO DELIVER ARTHUR MILLER LECTURE

May 7, 5 pm, Cooper Union Office of Continuing Education and Public Programs, NYC

by

Angelo Piro, the Digital Communications Assistant at PEN America.

This year the thirteenth annual Festival, taking place in New York from May 1-7, will address some of the vital issues of the Trump era, with a special focus on the fractious relationship between gender and power. At a moment of historic threats to freedom and truth, Ms. Gessen and Ms. Bee, both activists in their own rights, will speak to Gessen’s experience with Russian censorship and suppression of dissent, and parallels between the current administration and other authoritarian regimes.

Named for playwright Arthur Miller, an ardent advocate for free expression and longtime leader of PEN, the annual lecture is a hallmark of the Festival. In past years, the Freedom to Write Lecture has been delivered by Umberto Eco, Orhan Pamuk, Salman Rushdie, Wole Soyinka, and Justice Sonia Sotomayor. The event will take place at The Great Hall at Cooper Union on Sunday, May 7 at 5pm. Tickets for this and all Festival events are available at worldvoicesfestival.org

Masha Gessen (b. 1967): Russian-American journalist, author, translator and activist, outspoken critic of Russian President Vladimir Putin and U.S. President Donald Trump

Masha Gessen is the author of ten books of nonfiction, most recently The Future Is History: How Totalitarianism Reclaimed Russia, coming from Riverhead in October. [The book is available for preorder.] Ms. Gessen is a contributing opinion writer to The New York Times and a frequent contributor to the New York Review of Books, among other publications.

Samantha Bee (b. 1969) is a Canadian-American comedian, writer, producer, political commentator, actress, media critic, and television host

Samantha Bee has quickly established herself as having one of the most unique and sharp comedic voices on television. Bee departed The Daily Show in 2015 and currently holds the title for being the longest-serving regular Daily Show correspondent of all time. In 2016, Bee received global and critical recognition from the success of her very own award-winning weekly late night comedy series, Full Frontal with Samantha Bee.

These are just a few of the other 150+ writers and poets presenting at this year’s Festival. If you are reading this post by way of an email subscription, it’s likely you’ll have to link through to the site to view the slide show.

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About PEN America

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. We champion the freedom to write, recognizing the power of the word to transform the world. Our mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.

About the PEN World Voices Festival

Founded in the aftermath of September 11, 2001, by Salman Rushdie, Esther Allen, and Michael Roberts with the aim of broadening channels of dialogue between the U.S. and the world, PEN World Voices is the only international literary festival in America, and the only one in the world with a human rights focus. The Festival attracts the best-known writers from across the globe and has garnered international acclaim as a premier literary event. Since its founding 13 years ago, PEN World Voices has presented more than 1,500 writers and artists from 118 countries speaking 56 languages.

The Village Voice serves as official media sponsor of the 2017 PEN World Voices Festival.

The Festival is made possible in part through the generosity of Kaplen Brothers Fund, Ford Foundation, National Endowment for the Arts, Robert Sterling Clark Foundation, Stavros Niarchos Foundation, Embrey Family Foundation, Amazon Crossing, New York City Department of Cultural Affairs in partnership with the City Council.

Twitter: @PENworldvoices/#PENFest
Facebook: facebook.com/PENworldvoices
Instagram: @pen_america
Tumblr: penamerican.tumblr.com

Thanks to PEN America and Angelo Piro for this piece, to Isabelle Deconinck for the slide show photographs and to reader Maureen D and to Tatyana at http://www.arts-ny.com for the heads-up; photo credits, Masha Geeson courtesy of Bengt Oberger under CC BY-SA 4.0 license and Samantha Bee courtesy of Justin Hoch under CC BY-SA 2.0. Slide show photographs are under author or photographer copyright.