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An Interview with Julia Nusbaum; Empowering women through storytelling.

logo © Julia Nusbaum, creator and curator of HerStry, empowering women through storytelling

“Writing women back into history: For too long women have been left out of the history books. Their stories muddled or left untold. It’s time to change that. HerStry invites all women, from every walk of life, to tell their stories. We all have something worth saying.” Julia Nusbaum 

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“You may tell a tale that takes up residence in someone’s soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift.” Erin Morgenstern, The Night Circus


A number of years ago, Julia Nusbaum founded a brave and safe space for women to share their stories. It’s called HerStry. I’ve been watching it evolve. Julia’s values and intentions are born of experience in social services and of a keen awareness of the healing power of words and stories. Thanks to her, the stories shared by women from all walks of life correct the historic record, let others know they’re not alone in their experiences and perceptions, and provide inspiration for joy and healing, for overcoming trauma and depression.

Christmas, late ’80s, San Francisco, California

About a week or so ago, I dusted off Remembering Mom, a 2012 piece I wrote at the request of an editor at Connotation Press. It was well received, but at the time I had mixed feelings about delivering it for publication. If my mother was alive, she wouldn’t be happy with me. At this point, I had no reservations about asking Julia to consider it for publication on her site. The emerging tone of public discussion on privacy issues, race and gender issues, and women’s rights over their own bodies demands that we are open about our experiences and observations, both as a reminder and as a warning. We’re being thrown back into the second wave of feminism. I am old enough to remember when we first began sharing our stories, blue-penciling history, and fighting anti-woman, anti-race animus with Gloria Steinem and Alice Walker at the helm.

Remembering Mom is on HerStry. You can read it there. The subtext of my mother’s story is a culture that saw women as third class citizens and perennial children, consigned them to poverty with pay rates 40% lower than men working the same jobs, provided no privacy protection for medical records, and sanctioned an employment norm that allowed people to be fired or not hired due to illnesses like cancer.


AN INTERVIEW WITH 

Julia Nusbaum
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©  Julia Nusbaum

JAMIE: What are the influences that brought you to founding a safe space for women to tell their stories and why is it important for women to share them?

JULIA: I can’t talk about the beginning of HerStry without talking about my time as a graduate student at Vanderbilt University Divinity School. It shaped so much of what HerStry was and is.
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For the last year of my masters program I chose to spend a year working in a nonprofit rather than writing a thesis because my ultimate goal was to work in nonprofit rather than go on in academia.
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I ended up working for Thistle Farms, a Nashville-based social enterprise that works with women who have survived trafficking, addiction, and life in the street. As cliché as it is, that year changed my life.
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For one, Thistle Farms is an extraordinary place that operates under the assumption that love heals. Everything in that place is done with purpose and intention and love, including sharing stories and holding sacred space for every woman’s story and unique experience.
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While I was there I started a writing group. I was young and naive and thought we’d just do some fun short-story writing and be done, but it turned into a space where women wrote their true, raw, tender stories. And I wrote with them. I wrote about my life experiences. I discovered things about myself, and I realized that women don’t really get spaces to just talk about ourselves and share our experiences. I wanted to create some kind of brave space like that where we could open up. I started HerStry.
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I convinced a bunch of my friends to write for the first couple of weeks so I had content. Then I just started advertising. I created a Facebook page and Instagram and just built it through word of mouth. It was hard, but I wanted to do it so badly. So many women thanked me after they wrote for HerStry that I knew I was doing the right thing. I knew it could be something.
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That was long winded, but HerStry was created with so much love and born out of a place that wants to shake up the norms. I want women to talk about themselves, to take up space online and in the world, to own their stories and be proud of who they are and where they have come from and where they are going.
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JAMIE: I believe HerStry is about three years old now. Have there been any unexpected lessons along the way?
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JULIA: I’ve learned that I can’t please everyone. I’ll always do something someone doesn’t like. Whether it’s adding submission fees, not accepting a story (I’d love to accept every story we get but it would be so much), or being an unashamed feminist and voicing my views and opinions on things.
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JAMIE: In addition to hosting women’s storytelling, you have recently expanded your offerings to include workshops, journaling guidelines and other services.  So what’s the plan? How can you help women who have a story to tell but don’t yet have the skills to tell it?
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JULIA: So from the beginning I wanted HerStry to exist on and off the screen. But it takes money and work to make that happen, so it’s just been in the last few months that we started offering workshops. They have been a great success. We have two more on tap for late summer and early fall. I’m also planning our first writers’ group, which will be a five week online critique group. If the first one goes well, we will offer it at different levels. I think everyone deserves a chance to tell their story and if we can help them get there that’s what I want.
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I’m also in the process of planning our first writers retreat, hopefully coming summer 2020. Stay tuned. It’s going to be in the Midwest and full of Midwest summer goodness plus lots of healing and self care time … and writing time, of course!
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JAMIE: What is forthcoming from you as a writer?
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JULIA: I’m actually working on a novel. Well, my second novel. The first will never see the light of day and that’s okay. Everyone needs one novel that was trash. That’s how you learn.
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I went out to the Northern California Writers Retreat this spring and worked on it with a bunch of amazing writers. If you ever have the chance to do that retreat I highly suggest it. It changed my writing life.
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JAMIE: The readers and writers connected to The Poet by Day and The BeZine are multitalented.  Our writing community includes poets who also write fiction, creative nonfiction and drama. Some are performance artists, visual artists, actors and musicians. We even have a number of cartoonists. However, here our primary – not exclusive – focus is poetry. We can’t help but ask if HerStry will eventually expand to include women’s poetry?
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JULIA: We actually used to have a poetry section. If you look in our archives you can read the old ones. When we started getting a lot of submissions and started gaining popularity, we decided to only focus on personal essays.
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Our Facebook Group, Babes Who Write, as well as any of our critique groups are open to writers of all genres, but the literary website and our forthcoming anthology, Beginnings, are dedicated specifically to nonfiction prose.
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JAMIE: What is HerStry’s submissions process?
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JULIA: Click the Submit a story button on our website. It will give you all the details about how to submit. You can also find us on Submittable!
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Bravo, Julia!



© Julia Nusbaum

Julia Nusbaum is the creator of HerStry. She currently lives in Milwaukee, Wisconsin where she works in nonprofit. When she’s not working she loves reading, sitting in sunny spots, and eating all the food and drinking all the tea.



ABOUT

Recent in digital publications: 
* Four poems in “I Am Not a Silent Poet”
* Remembering Mom in HerStry
* Three poems in Levure littéraire
Upcoming in digital publications:
“Over His Morning Coffee,” Front Porch Review

A homebound writer, poet, and former columnist and associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Ramingo’s Porch, Vita Brevis Literature, Connotation Press, The Bar None Group, Salamander Cove, I Am Not a Silent Poet, The Compass Rose and California Woman. I run The Poet by Day, an info hub for poets and writers and am the founding/managing editor of The BeZine.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton



 

Dog Lovers’ Calls for Submissions

Bob Seger Dedes

Now dogs pretend they like to fight;
They often bark, more seldom bite;
But yet a Dog is, on the whole,
What you would call a simple soul.
Of course I’m not including Pekes,
And such fantastic canine freaks.
The usual Dog about the Town
Is much inclined to play the clown
And far from showing too much pride
Is frequently undignified.
He’s very easily taken in-
Just chuck him underneath the chin
Or slap his back or shake his paw,
And he will gambol and guffaw.
He’s such an easy-going lout,
He’ll answer any hail or shout.

Again I must remind you that
A Dog’s a Dog – A CAT’S A CAT.

Except from T.S. Elliot’s “Addressing Cats” in Old Possum’s Book of Practical Cats



ANIMAL WELLNESS MAGAZINE is a natural health magazine that publishes articles and stories on dogs and cats. Submissions details HERE.

THE BARK publishes dog-centered articles and stories and is open for unsolicited submissions and queries. Details HERE.

SUNDRESS PUBLICATIONS has an open call for submissions to The Familiar Wild: On Dogs and Poetry, “an anthology that centers the storied, yet perpetually mystifying connection that dogs and humans share with a new focus: the historical and contemporary relationships between poets and dogs.”  Deadline: July 1, 2019. Details HERE.

EVENT: Erie Pennsylvania ~


Opportunity Knocks: 8 Calls for Submissions, 2 Competitions

I thought that my voyage had come to its end
at the last limit of my power,—that the path before me was closed,
that provisions were exhausted
and the time come to take shelter in a silent obscurity.

But I find that thy will knows no end in me.
And when old words die out on the tongue,
new melodies break forth from the heart;
and where the old tracks are lost,
new country is revealed with its wonders.

– Rabindranath Tagore


Of Note: 

Opportunity Knocks replaces Sunday Announcements.  

Links to articles, events and news of interest to poets and writers are regularly published on The Poet by Day FaceBook Page.  

You are welcome (encouraged) to share your work and announcements on The BeZine Arts and Humanities Facebook Group Discussion Page

MARK YOU CALENDAR: SEPTEMBER 28, 2019 is 100,000 POETS FOR CHANGE, GLOBAL, 2019 and THE BeZINE 100,000 POETS FOR CHANGE VIRTUAL EVENT, hosted by Michael Dickel.  Look for updates on this site, The BeZine,  and at 100tpc.org

Join us for this week’s WEDNESDAY WRITING PROMPT.



“THE BeZINE” CALL FOR SUBMISSIONSthebezine.com is open for the upcoming June edition to be published on June 15, deadline June 10. This is an entirely volunteer effort, a mission. We are unable to pay contributors but neither do we charge for submissions or subscriptions. The theme is sustainability. We publish poetry, fiction, creative nonfiction, feature articles, art and photography, and music videos and will consider anything that lends itself to online posting. There are no demographic restrictions. We do not publish work that promotes hatred or advocates for violence. All such will be immediately rejected. We’d like to see work that doesn’t just point to problems but that suggests solutions. We are also interested in initiatives happening in your community – no matter where in the world – that might be easily picked up by other communities. Please forward your submissions to bardogroup@gmail.com No odd formatting. Submit work in the body of your email along with a BRIEF bio. Work submitted via Facebook or message will not be considered for publication. We encourage you to submit work in your first language, but it must be accompanied by translation into English. / Jamie Dedes



CALLS FOR SUBMISSIONS

THE BARE LIFE REVIEW publishes fiction, nonfiction and poetry by immigrants and refugees. No submission fees. Paying market. Details HERE.

THE LATEST, an online forum of The Bare Life Review focuses on memoir, criticism, and politics. No submission fees. Paying market. Details HERE.

THE PEDESTAL MAGAZINE is open for submissions of poetrythrough May 26. Paying market. No submission fee. Details HERE.

RED INK seeks “to reflect the expressive voice of Indigenous (Native) America as a social-cultural entity”  and is open for submissions of poetry, non-fiction, short fiction, plays, essays, reviews and artwork. No submission fee. Details HERE.

RIVER STYX, Multicultural Literary Explorers Since 1975, publishes poetry and prose and is open for submissions. Submission fee: $2.50. Payment plus subscription. Details HERE.

SANTA FE WRITERS PROJECT ABORTION BAN PROTEST has an open call through June for personal essays, memoir excerpts, flash fiction, short stories, and any other creative prose about your experiences with abortion, delayed birth, wanted pregnancies, child loss, stillbirths, ectopic pregnancies, Plan B mishaps and successes, child support matters, miscarriages, adoption, and anything else related to those topics.No reading fees. Deadline: June 1st. Details HERE.

YEMASSEE JOURNAL, The Official Journal of the University of South Carolina, is open for submissions of poetry, fiction, and flash fiction. Submissions fee: $3. Expedited submission fee: $6. No payment. Details HERE.

COMPETITIONS

RIVER STYX INTERNATIONAL POETRY PRIZE is open through May 31. Entry fee. Cash award. Judge: Oliver de la Paz. Details HERE.

SANTA FE WRITERS PROJECT BOOK AWARD seeks fiction and creative nonfiction entrees in any genre. Cash award. No-obligation book contract. No geographic restrictions. Details HERE.


ABOUT

Poets Reading the News; Typishly daily opportunities; Narrative’s 11th Annual Poetry Contest

“Is there a better method of departure by night
than this quiet bon voyage with an open book,
the sole companion who has come to see you off,
to wave you into the dark waters beyond language?”
Billy Collins, Questions About Angels



POETS READING THE NEWS is a digital platform open to world-wide submissions of unsolicited and original poetry and prose. “Poets Reading the News encourages writers of all backgrounds to submit their writing, in particular writers of color, women writers, emergent writers, LGBTQI+ writers, and writers from regions near and far.” Details HERE. This zine also hosts a weekly ekphrastic poetry and/or challenge based on a photo selected from a current news item.Deadlines are always Monday, 5 p.m. PSTDetails HERE.

TYPISHLY is a digital magazine that hosts Poetry Tuesdays. The submission fee is $4.77 and you can submit up to five poems. Typishly offers a weekly schedule of opportunities: Short Story Mondays; Poetry Tuesdays;  Wednesday Challenges; Emerging Writer Thursdays; Relationship Fridays Flash Fiction Saturdays; Unusual Sundays; Open Call: Poetry | Short Story. They promise a one-day turn-around in response. Details HERE.

NARRATIVE MAGAZINE’S ELEVENTH ANNUAL POETRY CONTEST is open now through July 14. Submission fee. Cash awards. Publicity. Possible publication. Details HERE.


ABOUT