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“ARIVA” … and other responses to the last Wednesday Writing Prompt


A wonderful collection today that illustrates just how complex relationships are, as complex as the human beings who compose them. These are the responses to the last Wednesday Writing Prompt, Hero of the Practicalities, November 22, 2017. Welcome and thanks to newcomer, Denise Aileen DeVries. Thanks also to stalwart participants: bogpan, Colin Blundel, Sonja Benskin Mesher and Paul Brookes.

Anyone who would like to join in tomorrow for the next Wednesday Writing Prompt is welcome to do so no matter the status of career: beginning, emerging or pro. All work shared on theme will be published in the next collection on the following Tuesday. Meanwhile, enjoy these …


Delivery

The dark and fire
of the linotype and the roar
of the press were safe for her,
more than the house, plastic-
covered from lampshades to floors.

At home, nothing was ever finished,
mute dishes dirtied themselves,
yolks broke in the skillet,
shirts weighted the end
of the ironing board.

She had nothing to prove
to men who thought they owned
the secrets of melted lead.
She knew the language of em and en;
she could read upside-down.

At home, my father’s mood
could tip the day,
luminous floors becoming
ominous, two silent children
eating her mistakes.

Work meant
achievement, putting words
to lead, to ink, to bed.
Newspapers of two small towns
passed through her hands
from formation
in cooled lead slugs
to inky rollers, to birth
off the end of the press,
delivery.

© 2017, Denise Aileen DeVries (Bilocalalia – talking about living in two places)

Marriage of two minds

Mind-reading in marriage is somewhat unpredictable. The other day, we were sitting in front of the TV, and I wanted my husband to get me some dessert. It took me at least 2 minutes of focused thought before he said, “shall we have some ice cream?” Yet, a few days later, while he was three miles away at the grocery store, I thought, “I wish I had some chocolate,” and when he came home, he handed me a bar of milk chocolate. Mind-reading seems to work best with food, but even after 20 years, it’s not infallible. I would have preferred dark chocolate.

Because we each grew up speaking a different language, mind-reading comes in handy when our vocabulary fails us. It’s quite normal for our dinner conversation to go something like this: “can you pass the…” “donde está el…” “next time we go to the tienda, hay que comprar…”

This is not to say that we think alike. In fact, the list of things on which we disagree is much longer than those on which we agree. This may be confusing for people who think that in marriage “two become one.” I’ve often been horrified by people’s assumptions that one of us can express the opinion of both. Especially if that opinion isn’t mine!

© 2017, Denise Aileen DeVries (Bilocalalia – talking about living in two places)

Denise Aileen DeVries

This is Denise’s first time responding to Wednesday Writing Prompt. (Welcome!) This is what she tells us, “I was the girl who squeezed through the barbed-wire fence behind the sheep pen and disappeared for hours all alone looking for cactus flowers and mariposas. The dry side of the dam is where I live now,
past all that water under the bridge, the history and humidity, reflections and memories all under water.”


that moment

when I said – this symphony
is so full of beautiful tunes
which just go on and on

you smiled such a caressingly
honest smile that I sensed
the light of your Being
touching mine (mine yours)

I expected the moment
to last forever

From my ‘Years Later’ (2016)

© 2016, Colin Blundell (Colin Blundell, All and Everything)


The Brandished Knife

One

A Filey clairvoyant:

“You will meet the Right Man

and know it in two years time.

His name begins with,

I can’t quite distinguish

a P or B or R.”

Well, I’d had a Bernard and Paul.

I feel sorry for Ray
tells me his fat
girlfriend just sits
around house,

no housework.
He prepares all meals.
She just sits
reading Mills and Boon.

drinks and sleeps
Never together when out.
She with her friends, he with his.

He goes out,
returns she’s brandishing a knife,
interrogates him

where he’s been.
He is a designer
witty with it.

Manager at my workplace
he sends me a picture
of an American Indian

with palm up
and five statements on how
we should get together.

How did he know
the guardian angel who appears
bottom of my bed
is a North American Indian?

Two

I ask
“Why haven’t you moved out?”
He says
“When my last marriage broke up
my wife got house and everything
and my girlfriend won’t move out.”
He makes sense.

I want a boyfriend with either
motorbike or a landrover.
He’s just sold his bike.

Landrover is soft topped.
Takes me and Ben out walking
to Dark Peak.

We enjoy pictures rather than
words.
He makes meals for the family.

My friends said if my last husband
turns up Ray
would not hesitate to lay him out.

We spend evenings planning places
things we can do, together.
He smokes
socially when he drinks, like me.

Suddenly,
Christmas he moves in.

On way out to a Parents evening
at Ben’s school I tell him
“We’ll talk when I return.”
On return I find all drink gone

him crashed out drunk in my bed.
In morning he says
“Please forgive me.”

Over the next month we go out
hold hands, and are gentle
down by the bridge while Ben plays
ahead with our dog.

Three

Over next month he fills my
wardrobes with his clothes
my shelves with his CD’s.

Then I notice
him going to pub straight after
work returns home crashes

out to sleep.

He works drinks sleeps.

Comes from work after pub
says he’s tired,
sleeps rest of night.

I wait for him downstairs.

I sit alone in house on an evening
or when he is in
he gawps at TV in bedroom.

He does not let me to go
out with my friends.

We go out again after I have words.
Two weeks later he is back
drunk and sleeping again.

On few occasions we go out
he leaves me on my own
he spends evening talking
to a biker or someone at bar.

I talk to his fat girlfriend Sophie.
She’d been holding a knife
because she was cutting veg
as she always did

preparing meals for him while he
went out and got drunk.
He catches me talking to her

says
“Don’t believe her, she’s a liar. She’ll say
anything to get me back with her.”

Tells me all the girls at work
are after him.
I talk to them.

They wouldn’t touch him.
He promises me he’ll not go drinking
starts excuses when I smell it on
his breath.

I tell him so.
I say
“I’ll go to a counselling session with you.”

He’s having none of it.
His tears when I phone him at local
pub and tell him

“Your stuffs in the driveway.”
Down on his knees he is,
tears and moans, begging me to

reconsider.
He says
“Your right in everything you say.

I’m at fault and I’ll change.”
He is really suffering.
I nearly break

but people never change.

I meet him a month or two later while out with my mates.

He comes in pub.
Sends one of his mates over to me
“Ray wants a private word”

I say
“Whatever Ray has to say he can say while my mates are present.”

Anyway he comes over.
I ask
“How’s Sophie?”

he tells me
“Eff off!”

I feel nothing.

Mark is the man for me,
but he is married
and she is kind.

I have known the family for ten years now.
It is only recently I admit to myself I love Mark.

I would not hurt their kids .
I have seen them settle down
round meal table of an evening.

I come home, collapse on sofa
and cry for I know we would be good together.

I want to settle down.
For a time with Ray I forget about Mark.

Ray never knew about him.
I see Mark less.

I will not move from this cul de sac
because I feel safe with Mark down the road

and the fabulous view of the moors.
Perhaps because I love Mark I find it difficult
to love anyone else.

I’ll keep looking.

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

Married

comes home
atter long day at work
to find his lass
lugged art on lounger
in back garden

“a thort this is where ad find thee.”
he says.

“aye”, she says ” and friggin’ fairies
came art an hung all this, you grate
pillock!”

as she points to three lines
o’ washin hung art

*****

‘ome from shoppin’
his lass says ‘look what a bought.’
“temple balm. Where’s temple
rahnd ‘ere?”

she points to her crows feet

“a bow darn to them then.”
he says.

“tha will when a black thee eyes”
she says.

© 2017, Paul Brookes

Her Forgetting Him

Steve says his wife often
comes into their bedroom
and says “Where’s Steve?”

And he says to her.
“I’m here love. We’ve
been married forty years.”
And she says,
“Of course you are. We have.”
And she laughs.
“How did we first
get together?”

At the end of the next day,
when they’ve been out
to the shops and visiting
old friends she’ll say,
“What have we done today,
Steve?” And she remembers
none of it.

At mealtimes she picks
up her knife and fork
and holds them very close
to her glazed eyes.

Holds them
like javelins to eat
her meal.

(II)

You’ve stolen them.
Haven’t you?”
“Stolen what, love?”
“You know what.
Look?”

She shows him her
fingers, and he sees
they are no longer fat
but thin to the bone.

“Come on,love.
They must have dropped off.
I’ll help you look for them.”
He offers.
“In the place you’ve hid
them. I bet. I know
your game, Steve.
I’m wise to you.”

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

The Fall

You’re such a klutz! She exclaims
as I pull out my wallet
and silver coin falls out.

I hold your warm hand
after all these years
and something passes,
something does not fall.

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)


Arriva

We do not know each other.
The fog is carving the ghostly
silhouettes of houses, people
and hopes.
And like a sound the hand is –
a semitone of the scream
of seagulls “Arriva … Arriva”
Nothing is coming.
Nothing has come.
I am trying to breathe –
in a time beyond.
In the gardens of the cascades
before the dawn and after the rain.
We do not know each other.
You’ve melted in the sun,
a sun in the fog
and you’ve never been here.
The paper remembers some passed
sounds come from the outer
world – Arriva.

In our eyes we are burning.

Arriva (ital)-arrives

© 2017, bogpan  (bogpan – блог за авторска поезия)


. humming gently .

quietly humming here,

from the hum book,

still thinking on that river.

flowing hard today, peat black,

down from the valley above,

rain soaked

turbulent, dark current blind,

yet silvered edged

to paddle.

disappointed at the madog flow,

tiding edging in , brought a yellow scum,

like badness in a marraige.

i hum in the dusk

at the pity of

of bandages through eyes

that cannot see

**( notes i cannot tag here) and if i could, who would you see?

small edges,

the voiced pledges.

© 2017, Sonja Benskin Mesher

ðɛːˈbʌɪ/

the importance of a partner/no partner.

answer me ?

when all around is singing,

why silence this?

the importance of anything

is relative, do not place

a value on something

that is not important.

ðɛːˈbʌɪ/ unimportant.

broaden the world.

© 2017, Sonja Benskin Mesher


ABOUT THE POET BY DAY

 

A Little Bit of Magic: That’s what happens when a singer/songwriter and a poet team up

What’s it like for a poet and a singer/songwriter to pool their talents and produce an album? That’s something I’ve wondered about. I thought perhaps some of you have as well.  When I found out that Diane Barbarash and Allison Grayhurst did just that, I asked them to share their experience with us here. / J.D.


Diane Barbarash:

The collaboration for the album River began on New Year’s Eve 2016 when I was reading Trial and Witness –Selected Poems by Allison Grayhurst.

I should first explain that Allison and I were extremely close friends back in Toronto, my old hometown. Several years ago I moved 3,000 miles west, landing in Vancouver on the west coast of Canada. I think it’s hard to maintain friendships with such distance so over time we focused more on our private lives and lost our regular communication.

Sometime in 2016 Allison and I reconnected, and it was as if we had never skipped a beat. I truly felt a piece of myself had returned and so it followed that I downloaded her compilation and was immersed in the book on that auspicious New Year’s Eve. I don’t even know what possessed me, but I remember the moment clearly. I suddenly picked up my guitar, scanned the poem I had just read and a verse flowed from a few of the lines like magic. It came so easily; musically it sounded like “something.”

So I went to another poem and had a similar experience. I should insert here that I was at that time fresh off of a three-year creative block in which I was only able to write a few songs, not many for such a time period. When these two random verses came forward from Allison’s poetry I felt more alive than I had in a long time. I can’t tell you how I knew but I knew something big had opened. The following day I contacted Allison and proposed the project. She very kindly gave me her blessing and her trust, and then I got to work!

The first poem that became a song was Animal Sanctuary. I think I sent Allison the first half, just to see how she felt. She loved it. I remember feeling nervous because I had changed the wording of course, the order of things, because a song is going to demand its own unique rhythm and one that flows with the chord progression. Even with just a half a song, we knew we had something. The writing of the album continued from January until July 2017. It was recorded in four days in August and mixed and mastered that same month.

River has been the most beautiful artistic relationship I have ever experienced. I’ve previously co-written with other musicians and one other Canadian poet, so I have had some collaborative experience, but mostly it’s been a solo road, writing my own material. I admit I am biased here… I think Allison is truly a great writer and I have not read poetry that moves me so deeply into my human rawness as hers does. It’s an honor that I’ve been able to bring her work out into the forefront.

Songs, like other art, cannot be forced by the mind. They have to come from the heart and you have to give yourself over to them as they flow out. This is how I’ve always known I am in the presence of true love, the unexplainable lyrical and musical combination that gives birth to what becomes a song.

Composing with Allison’s poetry became this kind of pure-heart experience. I am changed because of this album and definitely hope that there is more to come.

– Diane Barbarash


DIANE BARBARASH started writing songs even before she learned how to play guitar at thirteen. She was an active performer in Toronto’s folk club circuit before moving to Vancouver where she perused her love of recording. She has released three albums prior to River but considers River her true debut.

River songs from the poetry of Allison Grayhurst was released in October 2017 and is available on Bandcamp, iTunes, and Amazon.  Diane’s Amazon page is HERE. . . Diane on Soundcloud.


Allison Grayhurst:

When Diane first approached me about this project, my initial response was surprise and trepidation, along with excitement. I didn’t think such a thing was possible – for although there is a natural rhythm in my poetry, I didn’t think there could be music. I was nervous that I wouldn’t like what I heard. Even though I completely trusted Diane and was already a fan of her musical abilities, I was full of scepticism. However, after hearing how Diane combined her musical gifts with my poems to create separate identities – songs – I was blown away. I never imagined such a thing possible and I can’t imagine that anyone but Diane could have tuned in so well to my poems, creating songs from my poems that I would be happy with. Her instinctual genius, both musically and vocally, astounds me and resonates in complete harmony with my poetry. She has honoured my work every step of the way. I am in awe of Diane’s talent and brilliance.
 
Diane wrote the songs using my poems. Once the songs were complete, Diane sent me each song as an mp3 and a word file of the lyrics. I went over the lyrics meticulously and got back to her with any changes I wanted. There weren’t many changes, but there were a few that I felt necessary to keep true to the poems. Diane made the changes upon my suggestion – sometimes sending me back several versions. We did this until it fit musically for her and I was happy with it lyrically. As we both mutually respect each other’s artistic integrity, the process was quick and easeful.
 .
– Allsion Grayhurst
 .

Three poems by Allison Grayhurst

 .
River
 
I will run my breath across your eyelids,
go to you, trace the edges of your hands,
finding infinity inside your torment. I will
drift into you like wind and you will not mind
my lips like a concentrated shadow on your skin,
darkening but leaving no weight. You will let me
be inside your picture, a background to your lyrics,
softly at first, I will heal the red in the whites of your eyes.
I will release my wardrobe for you and you will be the mania
that I climb through to reach tranquility. I will
cup your flesh and stretch you through this intimacy because
I own you as you own me and it is not a bad thing, not
blasphemy or anything
to fear. It is your hands, mine – these
poignant burial grounds that have been excavated,
these days of standing close, depending upon the ease
of our mutual exposure. I will speak in your ear and you
will step into my voice
like stepping into a river.
 
First published in InnerChildPress

Now I am Two

 
It is this way, togetherness:
A covenant with tenderness and speaking thoughts
only glimpsed.
The snow falls like rain as the afternoon moves
without time, our hands pressed as one,
lips and then, something better. Always
miraculous, unexpected, awakening. Always
us, vanishing and then re-emerging with these things
of harmony and friction engulfing our scent and path. Soon,
the tiger lilies will bloom and being just us will be made difficult
with the children gathered in our arms. But this ‘difficult’ is
whole and adds to our liberation – making coffee, laughing
at things shared and only ours.
It is what was prayed for, what years and hardship has not
diluted, but has fused into an unbreakable bond – us –
the summoning of all our parts – ancient, immediate
so that even when death comes or fate and terrible sobbing,
neither of us will ever be again
without the other
alone.
 
First published in Anchor & Plume: Kindred, Issue 5, Nest

Animal Sanctuary

 
He turns his hawk head
to view the shells of turtles streaking
the still-shroud of water in tanks
as blue as sky.
 
He lifts a leg and talons tensed,
pivots to defend against an enclosing shadow.
 
With whitish eyes and an impossible urge
to fly, he hops along his man-made perch toward
the cages where squirrels leap
from metal to wood, scattering like leaves
in unpredictable flurry.
 
He listens to the ducks’ lipless sounds.
 
Spring, he will never experience again, nor know
the scent of a pent-up life released like
sunflowers blooming, or the feel of the moon,
colder but more comforting than being touched.
 
He is without time or tribe,
and like fire, he haunts
by just being.
 
First published in UC Review, 1996/1997
.
All three poems are © Allison Grayhurst, All rights reserved, posted on The Poet by Day with Allison’s permission.
 

ALLISON GRAYHURST (Allison Grayhurst.com)  is a member of the League of Canadian Poets. Three of her poems were nominated for “Best of the Net” in 2015, and one eight-part story-poem was nominated for “Best of the Net” in 2017. She has over 1125 poems published in more than 450 international journals and anthologies. Her book Somewhere Falling was published by Beach Holme Publishers, a Porcepic Book, in Vancouver in 1995. Since then she has published sixteen other books of poetry and six collections with Edge Unlimited Publishing. Prior to the publication of Somewhere Falling she had a poetry book published, Common Dream, and four chapbooks published by The Plowman. Her poetry chapbook The River is Blind was published by Ottawa publisher above/ground press December 2012. In 2014 her chapbook Surrogate Dharma was published by Kind of a Hurricane Press, Barometric Pressures Author Series. In 2015, her book No Raft – No Ocean was published by Scars Publications. More recently, her book Make the Wind was published in 2016 by Scars Publications. As well, her book Trial and Witness – selected poems, was published in 2016 by Creative Talents Unleashed (CTU Publishing Group). She is a vegan. She lives in Toronto with her family. She also sculpts, working with clay.  Allison’s Amazon page is HERE.


ABOUT THE POET BY DAY

hero of the practicalities, a poem … and your Wednesday Writing Prompt


What can I tell you?
She loved the guy …
She even loved the
scent of whiskey and cigarettes
She took note of the clues
warning of devises and vices
that she’d never acquired
She didn’t care
He was charming

Coupled in delicate balance
A yin and yang of extremes
An odd marriage of differences,
fog being the common denominator ~
though his drink didn’t mix well with her
off-in-the-clouds-somewhere being
The accountant of just-the-facts ma’am
and the writer of improbable dreams
She was a trial

The bear who liked to escape to the woods,
nonetheless some comfort, a decent person
A hero of the practicalities
A maker of omelets and fixer of things
A reader, a gardener ~ An Angry Man

Anger . . .
. . . read pain
but you probably knew that ~
a pain that waltzed with Jack Daniels,
lent itself to long diatribes and
Pilsner-inspired pontifications
It skied through the veins
Built road-blocks to his heart ~
and in the end . . .
in the end
in the end
the pain did him in
…..That lost man
That well-meaning, decent
distant, funny, lost man

© 2013, Jamie Dedes, All rights reserved


WEDNESDAY WRITING PROMPT

Marriage and other relationships can be difficult, beautiful or mixed. Tell us about that. If you feel comfortable, leave your work or a link to it in the comments section. All poems shared on theme will be published in next Tuesday’s poetry collection. You have until Monday night, 8:30 p.m. PST to respond.


ABOUT THE POET BY DAY

“The Grand Scheme of Things” … and other responses to the last Wednesday Writing Prompt


In these responses to the last Wednesday Writing Prompt, November 15, gods of our making, you’ll find some moving and discerning views into the way we create false gods, stuggle with and spin the fabric of belief, sometimes to justify the unjustifiable, and the ways in which belief systems learned in youth may come up wanting in the face of common sense and the hard realities of adult life.

Kudos to Mike Stone (new here and welcome), bogpan, Kakali Das Ghosh, Colin Blundell, Ginny Brannon, Renee Espriu, Anthony Carl and Paul Brookes for work that is engaging, honest, well considered and well written.

Anyone who would like to join in tomorrow for the next Wednesday Writing Prompt is welcome to do so no matter the status of career: beginning, emerging or pro. All work shared on theme will be posted in the next collection on the following Tuesday. Meanwhile, enjoy these …


The Grand Scheme of Things

(Raanana, April 11, 2016)

The dark cloud squats heavily on the horizon
Undecided whether to drift slowly
Over our dusty fields with its fat bladder
Full of drought quenching rains
Or to drift up the coast a ways
To quench the thirst of our enemy’s fields.
O Lord, I know it makes no difference
In the grand scheme of things,
But I can’t help the fact
It would make all the difference in the world
To me.

© 2016, Mike Stone (Uncollected Works)

Beliefs

(Raanana, December 4, 2016)

That I know what my wife is feeling,
That my love will be enough to protect her
From the lovelessness around her,
That my particular being might have some worth
In the eye of the Grand Schemer of Things,
That the sun will climb over the eastern mountains tomorrow,
That the ground on which I walk
Is as solid as any reality,
These are small beliefs I think
That won’t hurt anyone else,
At least I don’t believe so.
But there are grander beliefs
That grow stronger
With every man and woman who believes them,
That only the grandest edifices
Can house them,
These beliefs,
Like who’s a chosen people
And who’s a virgin, an only son, or a true prophet,
Beliefs that hurt those who don’t believe them.
These are the beliefs I don’t believe
Are any good for anything
That’s not a building.

© 2016, Mike Stone (Uncollected Works)

A True Believer

(Raanana, February 10, 2017)

Although there is truth
I will never know it
Or be absolutely sure.
Although the world
And universe above and below
Do in fact exist
I will never perceive or conceive it.
Although all this is true
There is not enough evidence
To make of me a true believer
A skeptic or a cynic
An optimist or pessimist.
According to forensic science
Every criminal leaves a trail
Except for God and His magicians.
All this and less
As we move forward in our time.

© 2016, Mike Stone (Uncollected Works)

Forsaken Children

(Raanana, September 23, 2017)

The child is taught
When there is no help
God is our help,
When there is no hope
God is our hope,
When there is no redemption
God is our redemption.
These are honeyed words
To hear on sabbath after new years,
They succor us until we need them to be true
And then they desert us
Just like God did long ago
And we cry out from our crosses
With our last breaths like His Son
Why have You forsaken Me?
The truth is it’s our beliefs that crucify us,
Better to die like a lion roaring
Against the jackals of death
Or an eagle falling silently
From the sky
Than like forsaken children
Waiting for redemption.

© 2016, Mike Stone (Uncollected Works)

Mike Stone

MIKE STONE Although this is Mike’s first time on Wednesday Writing Prompt, I think many of you know him from other venues. I do believe he has participated in every The BeZine 100TPC event as well. Mike was born in Columbus Ohio, USA, in 1947 and was graduated from Ohio State University with a BA in Psychology. He served in both the US Army and the Israeli Defense Forces. He’s been writing poetry since he was a student at OSU and supports his writing habit by working as a computer networking security consultant. He moved to Israel in 1978 and lives in Raanana. He is married and has three sons and three grandchildren.


(Have the life)

The wings are bending of a dead
wind.
Under the fallen papers with words
blank
not burnt cockroaches are running
back
and forth
making noise…
And the ocean dries up.
The death is whispering in eyes
every single while,
when you’re bent above the oars.
The oars are making after the hits
circles
and they’re expanding.
A twitch and the end.
But the tries are repeated.
It doesn’t matter.
They leave sweat and tears,
pieces of keels,
trails of activity,
grief.
Where are you going in the early afternoon,
When the twilight
Is lying on your shoulders?
(but love is a place sedentary).
Repent –
know-it-all.

Have the life!

© 2017, bogpan (bogpan – блог за авторска поезия)


they asked Bertrand Russell

how he would react
if when dead he found that God really did exist —
that he had been wrong all along…

what would he do when he arrived
at the Pearly Gates
to be welcomed by St Peter?

what would he say to God?

without hesitating Russell said:
I’d go up to him and I’d say
you didn’t give us enough evidence

(From my The Recovery of Wonder (2013)

© 2013, Colin Blundell (Colin Blundell, All and Everything)


Still Searching for Answers

I have lifted my eyes to the heavens to pray
trying to renew the faith I once felt;
coming to find at the end of the day
that life as I know it is centered on doubt.
How can God sanction such anger and hate,
the loss of a parent to such a young child;
the illness and pain that never abates…
too many questions left unreconciled.

We thank God for all of the good things that come,
but who takes the blame for the unanswered prayer?
Time intercedes until we’ve become numb—
stuck in this place between hope and despair.

I believe there are angels who wander among us:
in the friend who just senses when you need to talk;
in the kindness of strangers when we are in crisis,
who lift and support us when we cannot walk.

Life lessons learned have hardened this heart;
still God bless the ones who can truly believe.
Blind faith without proof is really an art;
it’s through love and kindness I’ll find my reprieve.

I still ponder the words that we heard in our youth:
to pray, to have faith that our voice will heard;
but have come to acknowledge this as my truth—
my Divinity’s found helping those here on earth.

© 2017, Ginny Brannan (Inside Out Poetry)


Gods Like A Twining Snake

Gods cloaked as inner fears
grounded in DNA
like a twining snake
posed to lunge
to strike

waiting within a tired mind
weariness a braided chain
harnessing movement

reality sinking into quicksand
bogs of memory calling
burning names
taunting

Gods of money and loving guns
meaningless possessions
of nameless masses

when the use of words like arrows
taken from the quiver
can be weaponry
to fight

dueling with engines
created of cells
stinging like bees

identified as expectations
masked as perfection
a straight line
blue chalk
do not cross

we try to let go, let be
erase illogical revenue
nothing money
can buy

for these Gods leave
no purchase
are grounded
on a slippery
slope

quickly buried by mud slides
that alter belief in self
confidence askew
in the remnants
of time

© 2017,  Renee Espriu  (Renee Just Turtle Flight and Inspiration, Imagination & Creativity with Wings, Haibun, AR, Haiku & Haiga)


#Falsehood of legendary Gods#

Swimming through their tears I live
Shedded leaves let out a deep sigh
The fiscous sky leaves a black smile
Howl of funous thunder
Heehaw of rampant lightning
tear apart hearts
A lorn’s cry for mom
A beggar’s bowl beside a temple
A street child’s furious search for a wrapper
A destitute aback a flash flood
Casts the falsehood of legendary Gods
Towards galaxies
Towards constellations
Towards this whole universe.

© 2017, Kakali Das Ghosh


alma mater

i.

the machine believes money
is love. honor and prestige
parade through the town

with cash clenched tightly
in their hands. they build
monuments to honor sport

while souls are crushed
under the clamor of their
self-congratulatory speech.

ii.

the hallowed halls
ring hollow with words,
reeking of self-preservation.

indeed if ghosts
still pass through these walls,
the living do all the haunting.

© 2017, Anthony Carl (Anthony Carl)


Godfather Life

I am born dead.
My father weeps
as he has nowt
and hopes for best.

He holds us out
in middle of our road
and offer as whoever
says they want me

can be my godfather.
God turns up first
and says as he can give me
eternal life in heaven.

Dad tells him to bugger off
as I’ll still be dead
and he’ll still be bereft.
Devil arrives next,

and says he can give me
all riches and principalities
in world at cost of my father’s
blood and soul.

Dad tells him to bugger off
as riches are in other things
and he don’t want me
without a father.

Then Life turns up
and says he will make me
a miracle worker and bring
other folk to life. Dad agrees.

When I’m of age
Life says to me
“I’ve given you breath
of life you can gi to others.

When you see me not there
it means as they shunt
have it. Don’t make me smile.
You won’t like it.

If I laugh it will be at you
not with you. You’ll have
disobeyed me, so I must
take away your gift.”

Then my wife drowns suddenly.
I think surely life
won’t mind, but
it isn’t there. I kiss

her lips till they redden.
And there was Life
at the foot of the bed,
and it’s smiling.

It tells “Well done.
Pleased to see such progress.
You have challenged me.
I like your spirit. Let

it go this once. Your wife
needs a hug.” Then my dad
dies of asphyxiation
in a car accident.

As I’m about to give
Dad my breath
Life pulls me away
with a “I know you

want the best for him.”
I reply “If you take
my gift give it to him.”
Life takes my breath away.

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

A Sea God

“Don’t let it get away!”
my sister shouts as my Dad’s hot air
wrapped in rubber flaps up
over the ocean in a cross gust.

We both climb in to steady it.
“We’re going out too far!
“I can’t see mum and dad.”
She shouts clambering back out.

She grasps the rope to pull
it forward but gust is too strong.
She lets rope go. “I’m going
back.” she shouts and swims away.

I paddle but gust is against me.
I get out, grab the rope, try to haul,
the current against me. I climb
back in. Watch beach and mam

and dad disappear, till there is only
the gusted, grey green waves.
It is cold. In my trunks I curl
into a question mark
in the rubber dinghy.

Suddenly, a shout. A huge hand
gathers me and dinghy up.
I rise into air. Lifted
into a smelly fishing boat.

“Thought tha wa lost their lad.”
the sea god says.

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

Editorial Note: I just finished reading Paul’s newest collection, She Needs That Edge, which is scheduled for publication shortly. Look for the alert on Paul’s site or here in Sunday Announcements. It’s another fabulous read by this indefatigable Yorkshire poet. In this collection Paul combines his singular style with acute insight into the human condition. He takes us through five stories, pictures of the great and small ironies of life. We observe the daily routines, rituals and reactions in lives where birds have jam sessions on rooftops, mausoleums live on fridge doors, the memory of a touch stays with the skin; lives where hands are telling and people hunger, give what’s not wanted and take what’s not given. In short, Life with all its pathos and ethos. She Needs that Edge will be well worth your time and pennies.


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