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Two poems and your Wednesday Writing Prompt

 



Bay City, Poem I

San Francisco Bay. Seagulls plant themselves

near heavy metal, making tracks across a bridge.

It’s well know for its span and golden beauty.

Like a gothic cathedral, it spins toward heaven,

stops short, dips and trips to the other side.

Same story. Only the address has changed.

Bay City, Poem II

The seagulls spin and spiral and call.

They fly into the wind and over water.

Dawn catches them wings spread,

hang-gliding over ports and beaches.

© 2018, poems, Jamie Dedes; photograph courtesy of Petr Kratochvil, Public Domain Pictures.net.


WEDNESDAY WRITING PROMPT 

There are many reasons why place is important to poets and writers. The reasons include not just inspiration – though that may often be primary – but also to evoke mood, to underline theme, and often even as a “character.”  Write about a place you find particularly beautiful, meaningful, evocative or compelling in some way. Post your poem(s) or a link to it/them in the comments section below.  If this is your first time responding to Wednesday Writing Prompt, please be sure to email a photo and brief bio to thepoetbyday@gmail.com so that you might be introduced to readers.  This weekly theme-based prompt is all about exercising the writing muscle, showcasing your work and getting to know other poets. Please feel free – encouraged – to join in no matter the status of your career: novice, emerging or pro. All work shared in response to this week’s theme will be published next Tuesday.


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“Our Takeaway”…. and other responses to the last Wednesday Writing Prompt

 



My apologies to all those who shared poems in response to the last Wednesday Writing Prompt. I didn’t realize today was Tuesday and time to post your wonderful work for all to see. The reason – not excuse, as they say – is I am totally in airhead mode with this relocation. So, here we go … still Tuesday by me but I know for some of you it’s already a new day …

The last prompt, Wednesday, March 21, after the injera, the way, the niter kibby: tell us about a take away from your travels or vacation garnered us these lovelies. Thank you to Kakali Das Gosh, Pleasant Street, Paul Brookes, Sonja Benskin Mesher, and Reena Presad. Enjoy! 


Our Takeaway

always on a Friday. A menu
taken out of the kitchen drawer,

unfolded. Dad scribbles what everyone
wants. I choose egg fried rice.

Using phone on the phone table
in hallway Dad rings order through.

Sister and I chorus:
“Can I come when you go, Dad?”

After days of school meals,
meat and two veg. at home,

takeaway is exotic. In the car
usual casual joke “egg flied lice.”

Inhale fragrance of garlic,
soy and foreign voices far above

as we join the queue, Dad collects
a thin white plastic bag that bulges

with sharp edged foil cartons
on kitchen side carefully

extracts each box, bends back lips
releases plumes of spicy heat

to put on already warmed plates,
carried through to front room.

Empty cartons are placed back in white bag
rushed out to a bin so smell does not linger.

© 2018, Paul Brookes (The Wombwell Rainbow)

I A Glede

dark wraith,
elegant, rangy,
float russet and goldflash,
above winter’s woodland,

street cleaner,
snatch roadkill from gutters,
pavements, lobbed pizzas, chips,
knickers, jackets, teddy bears,
odd shoes, toy giraffes
rest with my feathered young,
decorate my nest.

© 2018, Paul Brookes (The Wombwell Rainbow)

Servant

For a time I do bother
to polish the surfaces,
hoover, wash and iron.

If only for myself,
but then myself is not enough.
Dust piles, crumpled clothes dirty.

I fall asleep among dirty sheets,
empty crisp packets,
half eaten cold pizzas,
stink of mice piss.

Awake to freshly laundered sheets,
clean carpets, clothes washed, ironed.
Surfaces polished smell of Lavender.
How could this happen?

Again I fall asleep while tv on,
amongst discarded chocolate papers,
left over cake on plates,
half drunk cans of lager.

Awake to tv off, rubbish binned,
plates washed, dried put away,
Citrus not stale beer and rotting smell.
I’m intrigued. Curious.

It takes no effort to be a slob, again.
Spill crisps down sides of chairs,
dribble tea into carpet, crumbs.
Energy drinks ready I stay awake.

Energy sup is the biz. Make
Me hyper so I see these two tiny
Folk, man and woman, like regular
Nanites sorting my crap.

Like my old man never were
this one hoovers up crumbs,
packs his black bin bag with cans,
busies, polishes, scrubs to his bones.

His old woman like mam, I guess,
dusts, scours a whirlwind devil.
Part of me says they do as they must,
the other sees what they lack.

Next night I leave them a gift
of nothing to tidy, to put away.
They seem contented as I watch
surrogate mam and dad leave for good.

© 2018, Paul Brookes (The Wombwell Rainbow)

I’m Man Enough

18 in 1980 week afore starting uni,
lads night out and your dressed
in Burton’s bright yellow like a canary,
socks, shoes, shirt, jacket, because it’s cool.

Lads boast they down 11/12 pints
of John Smiths bitter a night,
shag a lass then do same next night.
You’ve never done neither.

Follow lads round like fresh meat,
loud and brash, they talk of shagging
bints, fast cars, live bands you’ve
never seen coddled by your mam and dad.

Four pints in and your eyelids droop,
bitter makes you fall asleep, lasses
in short skirts with intentions nuzzle
up but loud music means you can’t listen

to what they’re saying and wouldn’t know
what to say. Lads jostle you. “We’re off
to neet club. A tha cumming?”. I shout
an apology. “Got to be in by 11.”

They get off. I leave the pub, buy
a pizza and pissed walk home uphill
chomping on greasy slices, cardboard
box too big, one side of road to another.

© 2018, Paul Brookes (The Wombwell Rainbow)


# I’d depart this land #

His visage is still vivid in this misty evening
Those eyes
Those pink hands
Those lips
Those jowls
Those days in Kashmir
still call me in this lonely evening
That crystal lake
That stream
Those golden apples
Those flower boats
Those diamond peaks
Are playing in my weepy eyes
His words
His kisses
His smile
His last touch
Perhaps still have retained a token of our fancy
In the last cherry tree of that garden
I’d depart -I’d depart this land
To searh for those flying hairs
Those heavenly fingers
Embracing me
in that florid houseboat…

© 2018, Kakali Das Ghosh


. it is a holiday .

they say, and close the stores.

it is complicated, to do with floor space and employees rights.

we had chocolate eggs, worked hard, let our arms loose.

warmer now, the sun shone, people came, visited,

smiled, fondled the wool, spoke of age and weaving.

he said there were many looms in his day.

he is eighty eight, he told me many times.

© 2018, Sonja Benskin Mesher (sonja-benskin-mesher.net; Sonja Benskin Mesher, RCA paintings; sonja-benskin-mesher.co.uk)

. permanent traveller .

having had a few days off, no not from honest work,

yet writing, rests the mind, i find that everyday

things, mote well on my behalf.

i heard the cock crow early,

looked for swallow flight, seeing none,

cleaned, tidied, then came to write.

it has been a pleasant morning.

© 2018, Sonja Benskin Mesher (sonja-benskin-mesher.net; Sonja Benskin Mesher, RCA paintings; sonja-benskin-mesher.co.uk)


You Do The Math

(what I wrote while traveling
back to the town we met in and fell
in love, and back again)

dancing tall in my living room
to George and Elton
(does it really happen
if no-one sees it
like that tree in the forest)
he says sometimes I never go out
(could tell him stories about 1985
when I lived ten years in 12 months)
and I dance and dance

my head full of 1990
(wonderwall,hammer,hit me baby)
one more time–let’s dance as one
I’ll lead this time–you follow
if you still have that notion
that 1+1=1
and 2+1=no end of joy

perhaps we will find
a new kind of happy-
ness, wrapped in understanding
and lessons learned
(old flames, new rites of passage)
let’s not forget, and dance to now
(rhianna, poison, blended with
the Beatles, Eagles, and 21
pilots, shaken and stirred)

once I thought it was most crucial
to fly without a net
but I believe
the trick
is
to not let go

© 2018, Pleasant Street (are you thrilled)


AESTIVATION

The road is an arid breath
wheezing through barren boughs

I unpacked you on the green bed
My hair flying wild
Bees humming about silken valleys

We left together to explore the trail
of a dust-swept summer
Drunk bees still buzzed in hordes
till a flycatcher caught up with us

Your summer, a mirage
A shimmering wall of sorrow
Dry-eyed, I listened to its howl
They lamented in Nizwa and Sohar
yet you held your sorrow in
waiting for Khareef

The Hajar mountains twisted to get
a glimpse of tourists
fooled by bursts of paper blooms

Parched, we returned
A white eye of a flycatcher followed us
The wall wept then at my infecundity

But in my rucksac, carefully preserved roots lived
To soak in tap water at leisure
and bring forth a trail of sprouting greens

I smelt then
the base notes of a buried south-westerly monsoon
feeling buds of earthy love
from this land of hidden green
burst open beneath dry skin

© Reena Prasad (Butterflies of Time – A Canvas of Poetry)
originally published in GloMag May 2016


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after the injera, the wat, the niter kibby – a poem … and your Wednesday Writing Prompt

Kebero
Kebero


his hands flutter over and on the kebero
a world constructed in the moments of sound
a world razed in the moments of silence
a rhythm of birth and rebirth
of heartbeat and life-blood

he’d gone to Africa, this young man
to chase down his roots
to buy exotic drums
to make rhythms with his brothers
to sing with his sisters
to learn, to grow, to come home and teach

he was full of grace, brimming with jazz
just rocking his universe, rolling with spirit
alight with green and gold,
the breath of wild savannas and
wilder cheetahs, monkey pranks
and elephantine tuskedness

what, i had to ask, was the take-away
after the safaris and the drumming
after the injera, the wat, the niter kibby
and berbere spices, the many fine meals
downed with ambo wuhteh

I met a sister as i was driving a forlorn road. She was walking alongside, carrying a bundle of wood and I stopped, offered her a lift. No, she said, NO! If I ride today, I’ll want to ride tomorrow. It’s a recipe for unhappiness. She’s right, you know, he said, from wanting comes despair …

and so i drum, just drum, he said
his hands fluttering over and on the kebero
a world constructed in the moments of sound
a world razed in the moments of silence
a rhythm of birth and rebirth and peace of heart

© 2016, poem, Jamie Dedes; photograph by Karl Heinrich and generously released into the public domain; Kebero, a conical hand drum, for the traditional music of Ethiopia and Eritrea  


WEDNESDAY WRITING PROMPT

Tell us in poem about the most important take-aways you experienced from a vacation or other travel. Leave your poem/s or a link to it in the comments section below. All poems shared on theme will be published next Tuesday. The deadline for response is Monday evening, 8:30 p.m. PDT. All are welcome – encouraged – to join in: novice, emerging or pro. It’s about getting to connecting with other poets, showcasing your talent and having your say. If it’s your first time sharing a poem for Wednesday Writing Prompt, please send a brief bio and photograph to thepoetbyday@gmail.com. These are posted with the work of first participants by way of introduction.


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“On a Passage from the Mishna” . . . and other responses to the last Wednesday Writing Prompt

“There are people in the world, I imagine, who are born and die in the same town, maybe even in the same house, or bed. Creatures without migration: have they not lived a life because they have not moved? What of the migratory los González, moving from one place to another and marking every stopping place with angst? What kind of alternative is that? For once my father and I are thinking thinking the same way, sharing a similar yearning for our starting points to have been different, for our final destination to be anything other than the tearful, resentful arrival it is likely to be.” Rigoberto González, Butterfly Boy: Memories of a Chicano Mariposa


When I wrote the prompt last week, February 14, Brooklyn, In Memory Most Green, I wrote from my passion for the place to which my family immigrated and in which I grew up. I wrote from my respect for the grit I’ve almost always encountered in immigrants and refugees. I wrote from an appreciation for my country’s highest and best ideals, however much we so often fail to fulfill them. I wrote from a place of gratitude: by what unearned grace am I safe and not running for my life across some bomb-riddled landscape?

Several of the poems shared here today by poets Lisa Ashley, Paul Brookes, Mike Stone, Sonja Benskin Mesher and Anjum Wasim Dar remind me of my father’s sighs. I barely knew the man, but I do remember his lament: “a-MHE-rrreee-ka. a-MHE-rrreee-ka.” Life was hard for him in the beloved city. Contrary to the mythology of the day, the streets weren’t paved with gold. He was something of a linguist but few people knew his language, his culture, his history.

Enjoy this collection and …

Note: I am going to be moving to a new place and will put The Poet by Day on hiatus after a few more posts that are in the hopper. Hence, Wednesday Writing Prompt will not return until March 21. The March issue of The BeZine will be published on the 15th as scheduled. It’s currently in the works. Updated submission guidelines will be available on March 25 along with the next theme.


Reluctant Immigrant

“Give me your tired, your poor, your huddled masses yearning to be free, the wretched refuse of your teeming shore. Send these, the homeless, tempest tossed to me, I lift my lamp beside the golden door.” Emma Lazarus

Plaintive song sung in childhood, beloved melody that touched my heart,
Often tired, sometimes wretched, always poor, though not homeless

Before I understood the words, I knew the yearning
to belong, to fit in, to be accepted—we were outsiders

Immigrated to the west, escaped, searching for a better life
I left family behind, severed ties for years, survived

He was forced to flee the genocide, board the boat,
Fighting his friends to go to his wife and child, already dead, they said

Landed in New York, no English, cooked for men like him in the hostel
Once a proud Armenian, now a conquered, bereft, shamed man

Reluctant immigrant to a strange land, mourning his home, far away
Arranged second marriage, nine children born on a farm, a life lived, survived

Trauma lived and re-lived, DNA passed down the generations, his story lost
No golden doors for him, just a desire to blend in…and forget

Grandfather to father, father to daughter, I stop the cycle of abuse
Exiles that no God, no Lady Liberty could return home, sheltered here

Safe now, loved, loving others, a good life carved out of pain and shame
He survived that 1915 holocaust, I am, we are, his legacy, immigrants yet.

© 2018, Lisa Ashley   (www.lisaashleyspiritualdirector.com)


Refugee

is good. To belong
is wrong. Be homeless.

Mortgages and rents are chains.
Tread the world without burden.

Find a banquet in a crumb.
A glassful in a droplet.

Warmth in a newspaper blanket.
Comfort is a concrete underpass.

© 2018, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

Refugees Rule Each

Nation. The seat of power
is one that must travel.

If it was to ever stop
the populace would revolt.

Folk who stay in one place
are a public nuisance

who don’t get rid of their own
trash, who have a reputation

as thieves from the greater majority
who are travellers. Stayers

Put pressure on others as they insist
on a place to put down roots,

occupy a piece of land when all
land is in common to be used by all.

Stayers cordon off land with fences
which restrict travel and onward journey.

From A World Where (Nixes Mate Press, 2017)

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

Our Edge

Each time it is a border,
an end of the road,
a new building,
where I am asked same questions
“What’s your name?
Where are you going?
Why?”

I am discovering my story,
remembering where I have
been, but I recall it as
a
border,
an end of the road,
a new building,
where I am asked same questions
“What’s your name?
Where are you going?
Why?”

© 2018, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

My Daddy

A soldier moves Dad
with the butt of his rifle.

“Why, Dad?”

“They don’t know where
we belong.” He says.

© 2018, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)


.. wouldst thou be pm, an abbreviation..

archaic or dialect question, in appropriate. a lowly start

with slight misgivings, i come arrived from the country, an immigrant

here.

if the task came to me unlikely, i should sew profusely. a safe bet in that

something grows decently.

do you know how to stitch a lie, when all about grow honesty? mine was

white last year,

now nothing germinates.

the question is irreverent, no disrespect meant. forgive me, this is the second

time. this time,

i shall stay.

despite my nationality.

© 2018, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

#russian

‘i came from another country, you know,

some time ago. i lived in the jungle’

yes.

‘i have been here so long, i feel i belong’

yes.

‘ they call me an immigrant’

said the bear, sadly.

© 2018, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

.shopping in town.

wednesday, the shops shut early.

here.

there are still tourists around.

or new people. i bought some sweets,
a thimble,a packet of screws, one
light bulb.

chatted about face book in the mongers.

i moved here in 1993. I am an immigrant.

© 2018, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

. the questionaire .

is this a mill, or is it a shop,
is it both, when did the looms stop?

twenty years now sir, yet you can see some
working elsewhere.

shall i write it down, all the pattern,
and most of the history? it has different fibres,
yet mainly wool in it.

these are made in yorkshire, the bags are italian,
yet i am from wales, an immigrant they say, yet we
are all from another place originally.

we came from the sea.

so let us move things about.

cloth by cloth.

© 2018, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

 

. another country .

grandma came from malta, or was it

gibraltar, anyhow dad was very dark.

his hair remained so, with help and support.

i came from england to live here with you

#thebear.

also from another country.

i hear there is trouble in the village.

yes. i am scared they will shout

and say go home.

another country.

© 2018, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)


On a Passage from the Mishna
….(Raanana, November 17, 2017)

It is written that whoever saves a life
It’s as though he saved a world
And whoever snuffs out a life
It’s as though he snuffed out a world,
And why is that?
It’s because that when we walk
We walk with an entire world in front of us
And we walk with a whole world behind us
On either side of us
Above and below us
So we are six worlds saved or destroyed
And who can know from whence will come the savior
How he’ll look or what he’ll do,
So whoever saves a life
It’s as though he saved himself
And whoever kills a life
It’s as though he killed himself.

Note:
The fourth chapter of the Mishnaic tractate of Sanhedrin “whoever destroys a single life … is considered … to have destroyed the whole world and whoever saves a single life … is considered … to have saved the whole world” sometime prior to 250 A.D.

© 2017, Mike Stone  (Uncollected Works)

A Visitor
…..(Raanana, January 10, 2018)

A multiplication table,
Two times two is four,
She could read a multiplication table
And you’d swear it was poetry
But when she’d read you her own poem
It’d sound like her skin was torn from her soul,
Like she’d invented meaning in your mind.
She was a visitor,
She didn’t come from here.

© 2018, Mike Stone  (Uncollected Works)

Call of the Whippoorwill
…..(Raanana, January 30, 2018)

O Whippoorwill, O Whippoorwill,
I alone do hear your plaint.
It comes from deep inside my breast,
Would that I could let it out
To fly free singing,
But no such birds exist here
In the promised land.

Note: This poem expresses how I often feel as an American-expat-Israeli-immigrant in Israel.

© 2018, Mike Stone  (Uncollected Works)

The Old Colossus
…..((an alternate plaque for our Statue of Liberty))
…..(Raanana, February 16, 2018)

What have I done
What
have
I
done
to warrant these insults and injuries
to our once rich lands,
our once free skies,
and our once clear waters?
You’ve stripped me of my soil,
you’ve fouled my air,
and you’ve diverted and poisoned my waters.
Have you found another land,
another sky,
or another water to love?
Or have you no soul anymore
to love any land,
any sky,
or any lake or river?
Take what you will from me
then leave me alone
and I will recover without you
but what will you do without me?
What
will you
do without
me?

[Note: This poem is addressed, not to fresh-off-the-boat-or-plane immigrants, but to those who have forgotten that they are immigrants and take their country for granted.]

© 2018, Mike Stone  (Uncollected Works)


Born in Srinagar Kashmir, migrated to adopted country Pakistan in 1950 with my mother and sister..travelling in a refugee convoy, escorted by soldiers crossed the border at Sialkot.

Title: Partition
(Inspired by T S Eliot )

August is the cruelest month, bare branches
Sprouting tiny greens,
life bursting from the lifeless,
A rising,
mixing sorrow of defeat with defiance,
Spring rain drizzles consistently,
snow suddenly surprised us
We stopped in the plains,
leaving the mountains’
Went in half daylight so we should have
Known the path,
and the unknown traversed rarely,
So we should have known the faith,
and the faithful and the Emperors of Ice creams-
Not long ago, when I was a child,
was carried across borders
frightened, slept in a camp for two nights,
-wonder how Mother felt? She never spoke
About those days, then on we
came to Murree Hills, and felt free
And I knew not, was I taking refuge or was it a
New land?
What was left in enemy hands, where
Are the roots that make a family?
Out of the masses who survived who committed
Suicide-you cannot say or guess even for you
Have seen only images and heard only broken voices
Who lost half the thought in trying to forget
Spoke not all-scenes of horror
Heaps of bodies cut and slayed
Blood splattered on trains roads and fields
Death, for a cause? Yet not so or was it?
Many went South, separated, lost, confused-
All said ‘we shall go back, one day’
The Day never came-
And then the beginning of the end-
One by one
Who has seen Spring again, after the Fall
Providence persists prevails
Acceptance and non-acceptance is, what ails
Unreal cities, unreal people, so unlike what
Was expected-
War War War and again War-
When will it end, fear strikes within
Shelter is scarce, fashion abounds and all
Is a show off! Young dead glorified
on the mini screen, what are they dying for
now? Half the barren land, minerals in ranges
The enemy changed and we thought ’this is Right-
People crowd the roads , daily beggars are children
And who said ‘we shall have enough, and peace”
Mountains and Rocks
Mountains are dangerous, no rocks will give
Shelter, there is no water, nor wells
A waste it becomes, filth in the drains overflowing
And the big man’ said’ we have worked hard’
But the mountains will not protect,
Truth is linked , Faith is strong
It will not be long when the Shadow
Will turn to Light and the darkness will go-
Go in the shadow of the mountain
Sit by the stream and clean all
The mind and soul, wash away to the sea
Impurity, or else be prepared to face,
a tsunami, or the jolts and shakes
there is still a chance-look! Be the Dance
not the dancer, in the circle of life
Come to a still point with Nature
Where nothing matters anymore-
Think and feel, help and heal, the needy
Feed the hungry, for I can see-there comes
Someone-keeps close and watches , ever present
Who leads us on unseen and the Third we say
Who helped us –its not our doing but The Mercy
Of The Merciful-
Bow bow bow –pray pray pray…
Welcome love from above , eternal peace will stay

© 2018, Anjum Wasim Dar


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