MICHAEL DICKEL a poet, fiction writer, and photographer, has taught at various colleges and universities in Israel and the United States. Dickel’s writing, art, and photographs appear in print and online. His poetry has won international awards and been translated into several languages. His chapbook, Breakfast at the End of Capitalism came out from Locofo Chaps in 2017. Is a Rose Press released his most recent full-length book (flash fiction), The Palm Reading after The Toad’s Garden, in 2016. Previous books: War Surrounds Us, Midwest / Mid-East, and The World Behind It, Chaos…He co-edited Voices Israel Volume 36(2010). He was managing editor for arc-23 and arc-24. With producer / director David Fisher, he received an NEH grant to write a film script about Yiddish theatre. He is the former chair of the Israel Association of Writers in English. Meta/ Phor(e) /Play is Michael’s blogZine Michael on Social Media: Twitter | FaceBook Page | Instagram | Academia Michael is also an a member of The BeZine core team.
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An interview of Dr. Aprilia Zank, poet, artist and lecturer for Creative Writing and Translation in the Department of Languages and Communication at the Ludwig Maximilian University of Munich, Germany, by Dr. Jernail Anand, poet, writer and an established name in the field of education, philosophy, and spirituality. Originally published in Galaktika Poetike “ATUNIS” and shared here with both Aprilia’s and Dr. Anand’s permission. Enjoy! It’s rich.
LIFE, POETRY, ART and the WIRED UNIVERSE
ANAND: Zank, how do you look upon yourself essentially. Do you consider yourself a poet or a teaching professional who is conscientiously touched?
Dr. Aprilia Zank
ZANK: I consider myself a many-faceted humanist. I graduated university as a very promising professional, but I did not hesitate to put back my career ambitions for a while for the sake of child raising and education. Transmitting humanistic values to young generations, whether your own children or your students, is possible through both writing and teaching poetry. I was lucky to have the chance to do them concomitantly. Being a poet myself has been an optimal prerequisite for a better understanding of the creative process, and enabled me to select the most appropriate manner of approaching poetry in class.
ANAND: Let us know how you stumbled into poetry. Is there any parental legacy behind your interest?
ZANK: My affinity to poetry and literature dates back to my school time. I was fortunate to enjoy a thorough education both at school and at home. My parents’ professions were not very poetic, they were both judges, but they held literature and art in great esteem. We had a considerable collection of books at home, which offered me the possibility to get an early contact with universal literature. Furthermore, my mother, who had an amazing memory, used to recite poems and quote prose fragments from the most various books and authors. Thus, the challenge was early there for me to try and find my own poetical voice.
Dr. Jernail Anand
ANAND: You are a multi faceted personality. How do you align one aspect of your personality with the others? Don’t you think they overlap at times?
ZANK: My range of interests is indeed very wide. To my main occupations, teaching and writing, I must add my passion for photography, which I experience as a form of art and a most creative act of deciphering the world. There is poetry in photographic images, as well as pictorial effects in verse. I am pleased to say that many of my photos have been awarded in various competitions, and several have been used for poetry book covers or have served as prompts in poetry workshops, or paired with poems in various publications. Further hobbies are travelling, gardening, dancing – to mention just a few.
ANAND: Can you define the role of the poet today? Is it enough that they pour out their art and heart, or do you find a political angle to whatever is being written? Is everything that we write political? Can an author be neutral in a wired universe?
ZANK: There are two main points in this question. The first relates to what T. S. Eliot called the “turning loose of emotions”, a poetic attitude which I absolutely reject. I think there is too much “I” and too much “heart” in the poetic scene, virtual as well as real. Nothing against sentiments in poetic creations, as their denial would contradict the very essence of poetry, but there is too much raw, metaphorically unprocessed feeling in today’s verse. There can be no poetic originality where there is no filtering of emotions through stylistic refinement. That is why many poetic voices sound very much alike.
As for the question whether poetry and politics have anything in common, I must say that being political or not is a matter of definition. Nobody is completely apolitical. Even non-involvement with politics can be an attitude of either rejection and refusal to comply, or tacit agreement to what is going on. Happily enough, there are many poets who overtly challenge social and political issues. Nevertheless, in the same way in which many people nowadays are more concerned to take selfies than to capture the reality around them, a great number of aspiring poets have both ears open for the sighs of their own hearts more than for the cries of humanity.
ANAND: If I say all art, poetry included, is autobiographical, will you contradict my statement? Can you imagine a toy of clay without the presence of clay in it?
ZANK: Each act of creation emerges from a complex interaction of factors which shape one’s personality – it is therefore autobiographical to a certain extent. But no true creator of art or poetry will remain trapped in their own shells. It is the ability to transcend one’s personal feelings and experience in order to reach a dimension of universality that makes art viable and everlasting. Here again I must quote T. S. Eliot with his famous line, “Let us go then you and I”, which points to the “oneness”, to the synthesis of author and reader. Basically, we walk similar ways, we have the same needs and longings, and often enough similar victories and defeats. But then what makes a poet different from one who pens his or her bits of life in a dairy? It is precisely that particular skill of turning personal emotions and experiences into original but generally applicable patterns with which the readers may fully or partly identify and recreate themselves.
ANAND: You are an artist also. How are a poetic work and an artistic creation different?
ZANK: They are only different in the materials used for the end products. The impact, both spiritual and aesthetic, on the receptor can be comparable to a large extent. It is a common place to say that you can paint with words, or tell stories with images and colours. One talks of visuals in poetic lines, as well as of the poetry of photographic or painted images. And of course we can extend these observations to music, too.
ANAND: What are your views on feminism? Is it essential for a woman writer to write against their menfolk? How can you reconcile feminism with home?
ZANK: Feminism is a word of many shades, depending on the time, place and intention of its use. I am not a programmatic feminist. When necessary, I am a combatant against injustice, abuse, exploitation in all domains. I speak up on behalf of children as well as of adults irrespective of gender; I am also active in animal protection. And when wrong is done by men, I raise my voice against those particular men, not against menfolk as a whole. Unfortunately, women are still underprivileged in many cultures, and I am positive you know it better than I do, so they need lots of loud voices to bring about the necessary changes for fair chances and equal social acceptance.
ANAND: Most of poetry erupts out of a broken mindset and the major role in it is played by love rejection, dejection and disruption in marital affairs. Who after all is at the centre of your poetry?
ZANK: There are indeed many examples of literary geniuses with distorted mindsets, but this is in no way a must for brilliant creative works of any kind. Marital, or more often extra marital dramas, also play a role, but when literature focusses on this alone, it is not, in most cases, truly great art. As far as I am concerned, it is not about who, but about what is important in poetry. Love? Again, it depends on the semantics of the word. There are tons of poems and anthologies dedicated to love – one must wonder why, with so much love around, there are so many conflicts in the world. Maybe precisely because most people keep rotating around their one-and-only own self, with no intention or ability to look beyond and above it, to cast a glance to other realms of human love and life, or even further, to other issues of this poor blue planet with its multitude of problems. And, back to your question, there is no central concern in my poetry, but the attempt to explore and feature as many facets of our existence as possible.
ANAND: Every author exhales a feeling of half fulfilment. What more do you think you wish to accomplish?
ZANK: Basically, artists of all kinds are never content with their accomplishments. But then neither are scholars, scientists, educators, even honest politicians. There are many things I would still like to do, foremost activities in collaborative projects with poets and artists from around the world. My experience so far has shown that these intercultural exchanges are most enriching in every respect: not only literary, artistic and scholarly targets are met, but also the cherishing of great humanistic values such as friendship, peace, harmony within the mankind and in people’s relationship to nature and environment.
ANAND: How do you react to the idea of virtual literature? Can it be considered literature proper? How you relate it to the futuristic projections of literature?
ZANK: I think there is no such thing as virtual literature, not yet anyway. Literature is always real, only the new media of transmission are different. More and more literature reception happens in the virtual space with its amazing availability and visibility. But, as I have already stated in a previous article, it is precisely this easiness of accessibility that renders the encounter with e-media contents accidental, fugitive, and often enough perfunctory. Will we from now on write with this awareness in mind? Will the cyber-space engender new stylistic and aesthetic dimensions? Let us hope that we will live to see it. I think there is no point in trying to solve the quandary whether the virtual world with its social networks are a blessing or a curse. Living without them has become unthinkable, so why not make the best of it. The possibility to display our work and creativity here, to enjoy borderless visibility and access, and to have the chance of getting feedback from the most unexpected corners of the virtual but also of the real world is priceless.
DR. JERNAIL S. ANAND is the author of two dozen books in English poetry, fiction and non-fiction, Dr. J. S. Anand is an established name in the field of education, philosophy, and spirituality. Born on 15th Jan., 1955, he hails from village Longowal [Distt. Sangrur,Punjab, India]. He got his school education from the best schools in Ludhiana, the highly industrialized city of Punjab, famous for its hosiery and cycle parts industry. He was a student of famous Govt. College, Ludhiana, during his graduate studies, and he did his M.A. in English literature from Punjabi University, Patiala, securing 2nd position in the University. His doctoral thesis, submitted to Panjab University, Chandigarh, was on “A Comparative study of Mysticism in the poetry of Walt Whitman and Prof. Puran Singh”. Dr. Anand is an educationist, an able administrator, a talented writer, a novelist, a poet, and a philosopher, who is a multi-dimensional personality, particularly, in view of his interest in Saving the Earth. He planted around 20 thousand saplings in and around Bathinda. He has also delivered lecturers on Spirituality, Human Rights, and Moral Values. “We are inheritors of the wealth of this earth and this sky, and it belongs equally to us all” – Anand
DR. APRILIA ZANK is a lecturer for Creative Writing and Translation in the Department of Languages and Communication at the Ludwig Maximilian University of Munich, Germany, where she received her PhD degree in Literature and Psycholinguistics for her thesis THE WORD IN THE WORD Literary Text Reception and Linguistic Relativity.She is also a poet, a translator and the editor of two anthologies: the English–German anthology poetry tREnD Eine englisch-deutsche Anthologie zeitgenössischer Lyrik, LIT Verlag, Berlin, 2010, and the anthology POETS IN PERSON at the Glassblower (Indigo Dream Publishing, April, 2014). She writes verse in English and German, and was awarded a distinction at the “Vera Piller” Poetry Contest in Zurich. Her poetry collection, TERMINUS ARCADIA, was 2nd Place Winner at the Twowolvz Press Poetry Chapbook Contest 2013. Aprilia Zank is also a passionate photographer: many of her images are prize-winners and several have been selected for poetry book covers.
The pen name “George Orwell” was inspired by the River Orwell in the county of Suffolk (England). Photo courtesy of Adrian Cable under C BY-SA 2.0 license.
George Orwell
Eric Arthur Blair (1903 – 1950)
“Why I Write” is an essay by George Orwell detailing his personal journey to becoming a writer. It was first published in the Summer 1946 edition of Gangrel. The editors of this magazine, J.B.Pick and Charles Neil, had asked a selection of writers to explain why they write.
1EN-625-B1945 Orwell, George (eigentl. Eric Arthur Blair), engl. Schriftsteller, Motihari (Indien) 25.1.1903 – London 21.1.1950. Photo 1945., Public Domain
“What I have most wanted to do throughout the past ten years is to make political writing into an art. My starting point is always a feeling of partisanship, a sense of injustice. When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art’. I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing. But I could not do the work of writing a book, or even a long magazine article, if it were not also an aesthetic experience. Anyone who cares to examine my work will see that even when it is downright propaganda it contains much that a full-time politician would consider irrelevant. I am not able, and do not want, completely to abandon the world view that I acquired in childhood. So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the earth, and to take a pleasure in solid objects and scraps of useless information. It is no use trying to suppress that side of myself. The job is to reconcile my ingrained likes and dislikes with the essentially public, non-individual activities that this age forces on all of us.” MORE
“Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well.” Stephen King
PEN America will honor legendary suspense writer Stephen King with the 2018 PEN America Literary Service Award at its annual Literary Gala on May 22 at the American Museum of Natural History in New York. PEN America confers the Literary Service Award each year to a critically-acclaimed writer whose body of work helps us understand and interpret the human condition, engendering empathy and imagination in even the darkest hours.
Stephen King is the author of more than fifty books, all of them worldwide best-sellers and many—including such classics as It, The Stand, The Dark Tower, Misery, Lisey’s Story, 11/22/63, On Writing, Under the Dome, and many more—providing the basis for major motion pictures and serving as cultural hallmarks for generations.
Among King’s many accolades are the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters and the 2014 National Medal of Arts presented by Barack Obama. His depictions of horror and violence have also earned him a title as one of the most banned or challenged authors in recent decades.
King is an impassioned advocate of freedom of expression, literacy, and access to information, which he and his wife Tabitha support through their philanthropy.
King’s Haven Foundation provides unique and generous support to writers and other freelancers in the arts who have suffered personal hardship.
Stephen King’s outspoken defense against encroachments on free speech and pointed public criticism of policies that infringe on this and other rights have resulted in his being blocked by President Trump on Twitter.
Scribner will release King’s newest novel, The Outsider, on May 22, the day of the PEN America award presentation.
“No stranger to the dark side, Stephen King has inspired us to stand up to sinister forces through his rich prose, his generous philanthropy, and his outspoken defense of free expression,” said author Andrew Solomon, president of PEN America. “Stephen has fearlessly used his bully pulpit as one of our country’s best-loved writers to speak out about the mounting threats to free expression and democracy that are endemic to our times. His vivid storytelling reaches across boundaries to captivate multitudes of readers, young and old, in this country and worldwide, across the political spectrum. He helps us all to confront our demons—whether a dancing clown or a tweeting president.”
If you are reading this post from an email subscription, you’ll have to link through to the The Poet by Day site to view it: Creative Writing Lessons: Creative Writing Tips from Stephen King.
Courtesy of Stephen King, photo credit Shane Leonard
STEPHEN KING (b. 1947) is an American author of horror, supernatural fiction, suspense, science fiction, and fantasy. His books have sold more than 350 million copies. King has published over fifty novels, including seven under the pen name Richard Bachman, and six non-fiction books. He has written around 200 short stories, most of which are in book collections. Mr. King’s Amazon page is HERE.
His novella Rita Hayworth and Shawshank Redemption was the basis for the film The Shawshank Redemption widely regarded as one of the greatest films of all time. It was in fact voted the greatest film of all time by Empire magazine readers in “The 201 Greatest Movies of All Time” poll in March, 2006.
PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. PEN America’s mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.
MICHAEL DICKEL a poet, fiction writer, and photographer, has taught at various colleges and universities in Israel and the United States. Dickel’s writing, art, and photographs appear in print and online. His poetry has won international awards and been translated into several languages. His chapbook, Breakfast at the End of Capitalism came out from Locofo Chaps in 2017. Is a Rose Press released his most recent full-length book (flash fiction), The Palm Reading after The Toad’s Garden, in 2016. Previous books: War Surrounds Us, Midwest / Mid-East, and The World Behind It, Chaos… He co-edited Voices Israel Volume 36(2010). He was managing editor for arc-23 and arc-24. With producer / director David Fisher, he received an NEH grant to write a film script about Yiddish theatre. He is the former chair of the Israel Association of Writers in English. Meta/ Phor(e) /Play is Michael’s blogZine Michael on Social Media: Twitter | FaceBook Page | Instagram | Academia Michael is also an a member of The BeZine core team.
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