Japanese tea house: reflects the Wabi Sabi aesthetic, Kenroku-en Garden
if only i knew
what the artist knows
about the great perfection
in imperfection
i would sip grace slowly
at the ragged edges of the creek
kiss the pitted
face of the moon
befriend the sea
though it can be a danger
embrace the thunder of a waterfall
as if its strains were a symphony
prostrate myself atop the rank dregs on the forest floor,
worshiping them as compost for fertile seeds
and the breeding ground for a million small lives
if i knew what the artist knows,
then i wouldn’t be afraid to die,
to leave everyone
i would be sure that some part of me
would remain present
and that one day you would join me
as the wind howling on its journey
or the bright moment of a flowering desert
if i knew what the artist knows,
i would surely respond soul and body
to the echo of the Ineffable in rough earthy things
i would not fear decay or work left undone
i would travel like the river through its rugged, irregular channels
comfortable with this life; imperfect, impermanent, and incomplete
“In traditional Japanese aesthetics, Wabi-Sabi is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete.” . . . Characteristics of the wabi-sabi aesthetic include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and appreciation of the ingenuous integrity of natural objects and processes.” Wikipedia MORE
This week’s prompt is to write a poem or poems that view the world, especially the natural world, from a Wabi Sabi perspective:
please submit your poem/s by pasting them into the comments section and not by sharing a link
please submit poems only, no photos, illustrations, essays, stories, or other prose
PLEASE NOTE:
Poems submitted through email or Facebook will not be published.
IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.
PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.
Deadline: Monday, November 18 by 8 pm Pacific Time. If you are unsure when that would be in your time zone, check The Time Zone Converter.
Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro. It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you.
You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.
Note: If Wabi Sabi is new to you and captures your imagination and interest as it did mine, I recommend Wabi-Sabi for Artists, Designers, Poets & Philosophers by Leonard Koren. There’s also a charming children’s picture book, Wabi Sabi, written by Mark Reibstein and illustrated by Ed Young.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
“In my works on African culture, I am not against races or tribes, but systems that betray Africa. People must stop being stooges and writers must write against second and third colonialistic winds.” Mbizo Chirasha in an interview with The Herald HERE.
Mbizo Chirasha
We did something unusual with the last Wednesday Writing Prompt. We asked poets to respond specifically to the situation of Zimbabwean Poet-in-Exile, Mbizo Chirasha. (Not all the poets actually responded on theme, but they did respond on related issues that concern them and so we included their poems in this collection.) The purpose of the theme is to help us create awareness of the plight of our fellow poets like Mbizo and other writers, artists and activists who are directly fighting authoritarianism, despotism and kleptocracy on the front lines and putting their general welfare and even their lives at risk in doing so. These are socially-engaged creatives who are in danger from amoral govenments in their own beloved countries. We appreciate your participation as writers, readers and humanitarians in this week’s unusual and important prompt.
Mbizo writes in response to the submissions:
Great poets around the world, readers of poetry, esteemed audience of The Poet by Day: I salute you with my sincere gratitude for timeous creative support. You are word revolutionaries fighting with me in trenches for the attainment of social justice, human rights, and freedom of expression. This is as it should be. Writers should be first to shoot words, sling metaphors, and pose readily in the artistic armour to wage a resilient, creative and nonviolent war.
I am heartily touched by the amount of commitment, depth and detail in these submissions. We should remain resilient, focused strong and creative in the quest for national harmony, regional peace, and global sanity. Writers must write and continue to write to mitigate bad governance, corruption, injustice, hegemony, dictatorship, political violence, and social malaise.
Aluta continua!
Mbizo Chirasha
Our thanks to Gary W. Bowers, Paul Brookes, Anjum Wasim Dar, Mike Stone, Pali Raj, and Sonja Benskin Mesher for the richness of this collection. Countries represented in the post are: England, Kashmir, India, Israel, Pakistan, United States, and Zimbabwe.
We’ll return to the traditionally prompt response layout and inclusions next week. We’ve modified it this week out of respect for the occasion. Thank you for understanding. A brief update on Mbizo’s status (not good) closes this post.
artivist artifice artemis bolt
artivist artifice artemis bolt
wring out a dream and give despots a jolt.
artemis arm&fist activist strike
shake out a mindset and shore up a dyke.
artifice artdoesthis anarchist grow
muralize justice for over and throw.
antidote anecdote anthemnote strive
make visitations of souls kept alive.
Here is the syllabus. This will be a tough course.
Introduction will focus on the psychopathology of hard business and unwavering pursuit of profit.
We will teach you how to see people as things. Your mother and father will be unrecognisable to you, as will your kids and spouse. They are merely objects to be maneouvred.
Main course content.
1. How to steal money from public coffers, whilst supporting charitable causes. How to steal food from babies mouths, how to watch the poorer become poorer.
2. How to store stolen money in off shore accounts, defended by laws not available in your home country.
3. How to employ PR to defend your reputation, white wash your actions.
For I sang the freedom song for years
in vain, in pain,
One day I will return
O my homeland ,my heaven, land of
pure peace,
I am the native child, born in captivity
my feet never touched my beloved soil
I breathed but for a while in mother’s
lap,
In sleep, led away, far away, to refuge
One day I will return, I sang my song-
It is a nightmare
futile dream of the happy return
my earth oozes martyrs’ blood spills
resounds with raped women’s screams
burns with saffron spreads in wide fields
weeps with weeping willows in the streams
One day I will return, and I sang my song,
in vain, in pain
I am the houseboat abandoned
I am the ‘shikara’ floating,empty
I am the moaning water of Dal
I am the aroma of sweet apples
I am the snow of mountain tops
I am the color of pansies and lotus
I am the music of the ‘rubaab’
I am the child of a captive state
One day I will return I sang my song
in vain, in pain
But now my heart is silent,my voice
stilled, my feet in fetters, my home
locked, my road blocked, guarded
I am tired of pellets bullets and gas,
I am cold like a stone, no ‘Kangarri’
I carry , no greens or beans I cook
I am but a listed item, a numberless
number, a lost identity, snatched
wrenched annexed conquered
My song of freedom rings aloud
but can anyone hear? Will anyone
come? Will anyone cry for me? Or
my land, to set free? Perhaps one day,
if the music sails on, reaches the stars
Showers the rain which pours free
and washes away the mud of captivity
breaks the chains lifts the barriers and
calls-
Come Your land is yours, gone is the
enemy- but I woke up again, in pain
in vain,
I hear the fearful scream-heavy boots
shaking the soil, tearing up roots
I do not wish to sing, but pray, hope
It is all a dream-
In vain I sing, in pain I try to-sleep
it must be painful for them to write, those poets in tough-times and hard places
where blood and tears and poverty contaminate the air, stain the sidewalks, and consume the people
the blood must be soul-sick and rusted and tasting of acid, not salt,
and the poems meant to heal the writer and stroke the cheeks of the wounded,
to dry their eyes and gently kiss their gray heads
to poem in such places must be like walking shoeless on glass shards
perhaps the most sacred thing in the dream-time meadow of poets’ desire is Light ~
can you awaken to meet the Divine when you are on the run, in hiding, on the battlefield, in the camps, in government housing or in the ghettos?
if so, you are a saint, not simply an artist
2.
in my small world, my civilized world, people fall asleep reading or after making love or playing in the yard with their children
if they wander, it is through books or planned travel
there are luxuries
there is food
there is cleanliness and paper on which to write
no bombs are dropping to scorch and scar the Earth
no government thugs stalk us with ill intent
there is a certain dignity
3.
in San Francisco we walk along the beach at night, near the Cliff House
we walk to the sound of the waves, the song of the Earth chanting its joys
our feet are bare and relish the comfort of cool sand
the air is clear and cold and easy to breathe, tasting of salt and smelling of sea life ~ here is a pristine moment of peace
i want to bequeath this peace to you, to everyone,
as though it were a cherished heirloom
it is really a birthright
i want to plunge into the waters and gather the ocean in my cupped hands, to offer it to you as sacramental wine
i want to form seaweed into garlands for all of us to wear, to hang over our hearts, a symbol of affection
i want to collect pine cones from the trees that congregate along the coast and feed them to the children to remind them to cherish this Earth and all its creatures, themselves included, and to say …
do not make war in your heart or upon your mother’s body
Silent, poor, innocent, youth
They witness democratic loot
Corruption rise,
And businessmen fight when
Economic slowdown
They are blown into religious fight
They seek a person with opposite ions
When their grief rise
You call me activist, but
I must also sleep the long night
Well, activism
I haven’t wished for it, nor consented to it
I only love my nation.
The sweet pungency of rose and violets
Floats on the gentle breezes
And down the road a ways the church bells toll
As they did then.
At the shooting range, you still see bullet holes
But they buried all the targets in mass graves,
Not helter-skelter like some graveyards,
But very orderly as they were then.
The tall poplar trees surround electric fences,
They seem inviting, leaves rustling in the breeze,
A nightmare inside a blonde and blue-eyed dream,
As it was then.
They scrub the showers, ovens, and the smokestacks,
The red brick raw and spotless.
A pile of shoes stands in silent accusation
But no one hears, then as now.
And the prophet stood among a few people.
In the marketplace of ideas, there were many prophets
But this prophet spoke quietly. He said
Hatred is not a state of mind
That one can enter and leave at will;
It is a road that starts in innocence
Leading ever downhill
And ends in unplumbed evil.
I don’t tell you turn the other cheek
When struck, as another prophet said,
But I say don’t answer hatred with hatred.
Hatred comes from ignorance of others,
Thinking they are not like us,
That they don’t love their children
Or honor their parents
Or fear for their future as we do.
Why not answer hatred with hatred?
Because it creates a circle without exit or break
And perhaps their hatred comes from
Honoring their past or fearing their future.
What should you do?
When you understand those whom you call “other”
You will know what to do, and hate
Will wither like dry tumbleweed in the desert
Because there is no other,
There is only us.
Blessed are the rich
For they shall inherit the meek
And enslave them.
Blessed are the rich
Who will inherit new worlds to suck dry
After they have sucked dry our only world.
Blessed are the rich
Who make their own blessings
And the gods to bless them.
Cursed are the poor
Who bow down to worship
The gods of the rich,
Who count the blessings of the rich
Who are sucked dry by the rich
Who are enslaved by the rich.
Cursed are the poor
Who bless the curse of meekness
For their children to inherit.
A small bird landed on the branch of an old tree
Where other loudly chirping birds were perched.
The other birds on this branch twittered critically
And decided she was not one of them.
If you want to perch on our branch, they said to her,
You’ll have to cut off your right wing like all of us
And the little bird saw that the other birds
Had only their left wings. But how do you fly, she asked.
One of the birds responded by jumping off the branch,
Flapping his left wing and spiraling downward
Until he crashed beak first into a rock.
To each bird, according to its needs, the other birds tweeted.
The little bird flew to another branch on the old tree.
If you want to perch on our branch, they said to her,
You’ll have to cut off your left wing like all of us
And the little bird saw that the other birds
Had only their right wings. But how do you fly, she asked.
One of the birds responded by jumping off the branch,
Flapping his right wing and spiraling downward
Until he crashed beak first into the hard tree root.
To each bird, according to its capabilities, the other birds chirped.
The little bird flew to another branch on the old tree.
If you want to perch on our branch, they said to her,
You’ll have to cut off both your wings like all of us
And the little bird saw that the other birds
Had no wings. But how do you fly, she asked.
One of the birds responded by jumping off the branch,
But having nothing to flap, plummeted down
Until he crashed beak first into the hard ground.
We are neither left nor right, the other birds sang.
The little bird flew to another tree
And sang a two-wing song for you and me.
What use is beauty
If it merely masks an inner ugliness,
If it just confuses us
Like too much wine
Making us think we’re gods?
What good is truth
If falsehood is far more useful
For getting what you need or want
And easier to believe by far
Besides, who has time for truth?
What purpose does freedom serve
If it only starves us
or makes us lonely?
Most prefer a bond or two
To a mindless multitude.
What’s the point of words
If they are not the right words,
The precise ones that we think
Or those that others want to hear?
A hundred thousand poets for change
That’s us.
That’s what we called ourselves last year
And the year before.
So they’ve stopped lynching the poets in Arabia?
They’ve stopped stoning the raped women in Kabul?
What about the mutilation of genitals of young girls?
So they’ve stopped burning down Black churches in Bama?
Stopped desecrating the lands of our Sioux brothers?
How about the carbon they’ve dumped in the atmosphere?
Did they stop that?
Do they believe now the earth is too warm to live on?
Are philosophers kings yet?
Are kings philosophers?
I don’t mean to be cynical
But it doesn’t seem like much has changed since last year.
We’ve read a few poems,
That’s all.
Come to think of it,
Have we really changed,
Except for getting a year older?
If that’s change
Then we better change change
So that it’s palpable
So that we can feed people with it
So that people can walk tall from it
So that people can protect themselves with it
So that people can make love to it
Until change is done changing
And the world is all the Republic we need.
We’re still $295 short of the Go-Fund-Me goal. Mbizo is in hiding, without any regular source of food or access to a computer, which would facilitate his radio interview and preparing his applications for asylum and other assistance. You are able to donate anonymously through go-fund-me. Even a few dollars will help us reach goal. This effort is hosted by an organizer from International Human Rights Art Festival. If you can help in some other way, please connect with Mbizo at girlchildcreativity@gmail.com.Thank you!
“We remain resilient in the quest for justice, freedom of expression and upholding of human rights through Literary Activism and Artivism. ALUTA CONTINUA.” Mbizo Chirasha
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This week we bring you poems of hope in response to the last Wednesday Writing Prompt, At a Peace Reading, October 30. As always, all poets have come through beautifully for us, examining hope from several angles. Further some have gifted us with sorely needed salve for these days bad news, unrelieved.
Thanks and a warm welcome to two new-to-us poets, Shannon Browne and Oz Forester and thanks to our stalwart poet-heros: Paul Brookes, Anjum Wasim Dar, Frank McMahon, Urmilia Mahajan, Sonja Benskin Mesher, Tamam Tracy Moncur, Ben Naga, and Bishnu Charan Parida.
Enjoy! and do join us tomorrow for the Wednesday Writing Prompt (something a bit different this week). All are welcome to join in: novice, emerging, or pro.
Hope is the way …
Hope is in the way we play
Not just in the words we say
Its through our actions
aspirations and dreams
desires, good fortunes
utopian schemes.
In a world so empty
Anger finds its mark
Matched by sister courage
Intertwined from the start
One without the other
Shannon and her son fighting a cold keeping spirits high
May be pure bliss
What fun would life be
With no manipulation by sis.
SHANNON BROWNE ((Letters2Mom, Give it a rest) is a wife, and mother of three with an Elementary School teaching degree. Thriving and surviving are her main games at this point in life. Shannon lost her grandmother recently and mother some time ago and has been using writing as her outlet. Finally started blogging and trying to have some fun with her “corky old nature” in a world that’s so unsure.
Hope spoke
Find me, hope said
where headwaters unfurl
and roll across eons of rocks
polished by the playful tumble
of a rumbling stream. I stir belief
in the faintest trace I leave
under layers of a forest bed
the faint murmur of a mountain spring
where the ascent of a desert trail
is more than water
and the curl of a wool blanket
around the thumb of a sleeping child
is more than warmth.
Find me
where daydreams break
and flood the order of days
bridged by that narrow crossing
between duty and yearning. I destroy walls
from the rigid constructs I emerge
from labyrinths of complex reasons
the unwanted changes and the changing wants
where the hunger on the abundant earth
is a promise made
and the bend of the searching sun
under the months of winter snow
is a promise kept.
Find me
where smoke rises
and lifts the ghosts of mourning
entrapped by a constant churn
of candle stubs. I unite breath
under melting symbols I bow
to the church of the desperate fate
the humble faith in the big mistake
where a vow of strange forgiveness
is more than peace
and the prayer for a shamash flame
or the chant to an endless knot
is more than peace.
OZ FORESTOR is a former journalist. He began writing short fiction, poetry, and essays when he realized the topics that don’t make news are more interesting than news: class struggle, un-planet Pluto, geriatric romance, power psychology, migratory birds, Nazi-era art suppression, trees. Forestor’s nature-themed poetry chapbook sold out–all three copies- when he was nine. He enjoys hiking, travel, is prone to getting lost, and does not believe in GPS technology.
Reverse Rumi
Always live in regret.
The past is ever present.
There are no new days; you are the same person you were before.
Believe that today will be no better than yesterday. It’s about looking down with despair
and looking backward.
Don’t Look for new opportunities
that the Almighty has planned for you.
Hardship disheartens,
and does not pass away.
All hope is followed by despair;
all sunshine is followed by darkness.
People want you to be sad.
Serve them your pain!
Don’t untie your wings
bind your soul with jealousy,
You and everyone around you
can’t fly like doves.
FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.
Flying lightly all over
feathers of hope hover
linger, alive, tingle the soul
stay without burden,cover
the spirit, awakening the heart
from time to time, warding away
danger depression sadness cold
storms in the turbulent seas, not
harming even a bird or a gull
but keeping the lull,cajoling Poseidon
for softness soothing mercy, nothing
ever from me asking or the entire humanity
but flying closer to all flying for peaceful eternity
“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar
Spiked
He thought it would be great to be
a manic comic, soaring
on dope and steroids, his wit
an acid-tipped stiletto.
But then he knew he couldn’t stand
his own dark hand ripping the heart
out of hope, his veins flooding
with the world’s insanities and evils
and nothing there to pump them out.
Far from it that we skip the
stony ground of reality
and shroud unpalatable
truth under precarious wings
for two unprivileged children
who lost out through no fault of
their own
like countless others
whose flag is a small white bird of
hope singing from here to eternity
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
Hope rises every morning coloring the sky with messages of love declaring peace despite the ratta-tat-tat of gun violence violating innocence.
Hope stands strong in vast rock mountains symbolizing strength…the strength to continue on along this narrow nebulous pathway into the future.
Hope is spring summer fall winter blanketing earth’s atmosphere in splendor…rain washing away tears…the sun shining away fears…falling leaves capturing pain…the snow white in its purity covering shame.
Hope rides on the waves of the ocean in glory and power diving into unfathomable depths seeking fellowship in the dark murky waters.
Hope flies through forests over rolling green hills across rivers into the desert of existence…the highs…the lows…the joy…the heartache…the caring…the callous.…the sharing…the selfish.
Hope unites hearts in just causes lighting fires of indignation flames ablaze burning up hate… subjugation…racism… fanaticism…exploitation…sending sparks of the evidence of faith into the heavens.
Hope internalized is belief in “Somebody Bigger than You and I”
Tamam Tracy Moncur probes the reality of teaching in our inner city school systems as seen from the front line in her book, Diary of an Inner City Teacher. Over two decades in the trenches, Tamam exposes through her personal journal the plights, the highlights, the sadness, and the joys she has experienced as a teacher. Our children’s very existence is at stake! Laugh, cry, and become informed as you embrace the accounts of an inner city teacher.
She Seats Herself to Write
She seats herself to write
Half fearing her writing
Will drive her mad while
Half hopes it will cure her
In two minds – Ah, if only
Thinks were so simple
Turmoil turmoil turmoil
Enough! Dismisses them all
And seats herself to write
Bishnu-ji’s site is: Bishnu’s UniverseBishnu is just getting his blog started. We wish him much joy in this creative effort.
“Listen to the mustn’ts, child. Listen to the don’ts. Listen to the shouldn’ts, the impossibles, the won’ts. Listen to the never haves, then listen close to me… Anything can happen, child. Anything can be.” Shel Silverstein
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.
The first of George Frederic Watts’ paintings of “Hope” / Public Domain Illustration
“Hope has two beautiful daughters; their names are Anger and Courage. Anger at the way things are, and Courage to see that they do not remain as they are.” Augustine of Hippo
At a café, a peace reading ~
the reverent and irreverent
We delivered our poems as prayer
as though every Utopian dream of ours had the
fragrance of sanctity, the well-chiseled
face of true North …
A battalion on the march, we poet-healers,
laying our mystic grace like the psalmist’s
table before enemies
We are sure . . . positive . . .
while we hike the mountain of our despair,
we sense the true depths of human Hope along
the wormholes in the spacetime of our convictions
In a world gone made, what is the place of hope? Tell us in your poem/s and
please submit your poem/s by pasting them into the comments section and not by sharing a link
please submit poems only, no photos, illustrations, essays, stories, or other prose
PLEASE NOTE:
Poems submitted through email or Facebook will not be published.
IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.
PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.
Deadline: Monday, November 4 by 8 pm Pacific Time. If you are unsure when that would be in your time zone, check The Time Zone Converter.
Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro. It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you.
You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.
Jamie Dedes. I’m a freelance writer, poet, content editor, and blogger. I also manage The BeZineand its associated activities and The Poet by Dayjamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights. Email thepoetbyday@gmail.com for permissions, commissions, or assignments.