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Library to Display Whitman Collections, Host 200th Birthday Party, Open House and Film Screening

Walt Whitman (1819 – 1892) as photographed by Mathew Brady / Public Domain

“This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.” Walt Whitman



My apologies to the people with email subscriptions for accidentally hitting the publish button before this was properly completed. 

The Library of Congress will celebrate the 200th anniversary of American poet and change-maker Walt Whitman’s birthday with a series of exhibits, public programs and a digital crowdsourcing campaign to showcase the Library’s unparalleled collections of Whitman’s writings and artifacts.

The Library’s Whitman Bicentennial series will be part of the citywide Walt Whitman 200 Festival and other commemorations in the Mid-Atlantic where Whitman spent most of his life. He spent about ten years living and writing in Washington. During the Civil War, he volunteered in military hospitals in the city to offer emotional support to wounded soldiers.

Whitman worked as a schoolteacher, printer, newspaper editor, journalist, carpenter, freelance writer and civil servant, but he is best known as one of America’s most famous poets – and as a poet of democracy.

The Library holds the most extensive array of Whitman and Whitman-related collections in the world, including manuscripts, rare books, prints and photographs. Collection items range from handwritten drafts of poems and early prose writings to rare editions of Leaves of Grass, Whitman’s eyeglasses and walking stick and the most famous studio portraits taken in his lifetime. The manuscript collections are digitized and available online, as are many photographs.

The Whitman Bicentennial series is part of a year-long initiative in 2019 inviting visitors to Explore America’s Change-makers.
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By the People Crowdsourcing Campaign
April 24 – June

The Library’s crowdsourcing initiative “By the People” will launch a campaign April 24 to enlist the public to help transcribe several thousand pages of Whitman’s writings and papers to make them more searchable and accessible online. Documents selected for transcription will include samples of Whitman’s poetry, prose and correspondence, including versions of poems such as “Oh Captain! My Captain!” and fragments of poems Whitman published in more finished form in “Leaves of Grass.”

This is also a special opportunity for teachers and students to engage with Whitman’s creative process. Drafts and portions of his poems at various stages of composition reveal his active, creative mind, as well as his innovative ways of seeing the world and wordsmithing poetic expressions.

The Library will collaborate with the National Council of Teachers of English to host a Transcribe-a-Thon webinar on April 24 at 4 p.m. Eastern time. The one-hour event will bring together experts from the Library, NCTE and educators to discuss how students can analyze, transcribe, review and tag the Whitman papers. Registration is open to all and available here.
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Whitman Bicentennial Display
May 16 – Aug. 15

To mark the 200th anniversary of Whitman’s birth, the Library will display poetry, images and ephemera from Whitman’s life in the Thomas Jefferson Building. Five cases will display Whitman’s handwritten drafts, published poems, original letters, portraits and other rarely seen materials.

The display will retrace Whitman’s life, from his birthplace on Long Island, New York, his rise as an American poet, his life in Washington – including his intimate relationship with Peter Doyle, his care for Civil War soldiers and his admiration for Abraham Lincoln – his hands-on involvement with the design and publication of his poetry collection “Leaves of Grass” and pop culture references to Whitman and his legacy. It was “Leaves of Grass,” his break-through work of free verse celebrating democracy, sexuality, human potential, universalism and the natural world, that would earn Whitman worldwide fame.
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Whitman in Culpeper
Thursday, May 23 at 7:30 p.m. at Packard Campus Theater, Culpeper, Virginia.

For two months in early 1864, Walt Whitman resided in Culpeper, Virginia, while serving as a volunteer in the Army of the Potomac’s nearby field hospitals. Despite the ravages the war had visited upon the area, Whitman described Culpeper as “one of the pleasantest towns in Virginia.”

Local historian Bud Hall will present a talk at the Library’s Packard Campus Theater in Culpeper about Whitman’s time in the area, followed by a screening of “Shenandoah” (Universal, 1965). Jimmy Stewart stars as a Virginia farmer intent on keeping his family out of the Civil War, but with the battles being fought almost literally on his doorstep, struggles to maintain his neutrality.
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Happy Birthday Walt! – Digitized Walt Whitman Collections from the Manuscript Division
Thursday, May 30, 1 p.m. to 2 p.m.

Manuscript Division historian Barbara Bair will host a webinar highlighting the content and research use of three digitized manuscript collections: the Walt Whitman Collection of miscellaneous manuscripts; the Charles Feinberg collection of Walt Whitman Papers; and the Thomas Harned collection of Walt Whitman Papers. She will also discuss programs celebrating Whitman’s birthday at the Library of Congress. More information is available here.
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Walt Whitman’s Birthday Party
Saturday, June 1, 10 a.m. to 4 p.m.

The Young Readers Center will host a day for families that will celebrate Whitman and his legacy on June 1 in the Thomas Jefferson Building. Activities will include an author talk from 10 a.m. to 11 a.m., featuring author Robert Burleigh and illustrator Sterling Hundley discussing their book “O Captain, My Captain: Walt Whitman, Abraham Lincoln and the Civil War;” a birthday party for Whitman at 11 a.m.; and a book signing at 11:15 a.m. A Whitman butterfly maker activity and handouts of “Walt Whitman’s Guide to Nature Walking” will be available all day from 10 a.m. to 4 p.m.

From 1 p.m. to 4 p.m., visiting families are also invited to join in the Library’s crowdsourcing initiative “By the People” and help transcribe selections from Whitman’s writings and papers to make them more searchable and accessible online.
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Walt Whitman Open House
Monday, June 3, from 2:30 p.m. to 5 p.m.

The Library of Congress will present a Walt Whitman Open House display in Room 119 of the Thomas Jefferson Building, supplementing the ongoing Whitman Bicentennial Display with even more treasures from the Library’s collections. The Open House will feature a special array of rarely seen Walt Whitman collection items from the Manuscript, Rare Book, Music, and Prints and Photographs divisions, as well as Serials and General Collections. The display will include items pertaining to Whitman’s time in Washington, but also other materials from throughout his life, including the walking cane given to him by nature writer John Burroughs, draft poems, artistic renderings of Whitman and rare editions of “Leaves of Grass.”

As part of the celebration, the Library’s Poetry and Literature Center will host a special showing of the new documentary short film “Walt Whitman: Citizen Poet,” directed by Haydn Reiss and Zinc Films and produced in association with the Poetry Foundation. Filmed in part at the Library of Congress, “Walt Whitman: Citizen Poet” features Poets Laureate Tracy K. Smith and Robert Hass, among other poets, discussing Whitman’s life, poetry and legacy.

A reading of Whitman’s poems from his Washington years will follow at the Folger Shakespeare Library that evening.
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The Library of Congress is inviting visitors to Explore America’s Changemakers in 2019 through a series of exhibitions, events and programs. Exhibitions drawing from the Library’s collections will explore the fight for women’s suffrage, Rosa Parks’ groundbreaking role in civil rights history and artists’ responses to major issues of the day. Other events throughout the year will explore changemakers through music, performances and public programs.

This crowdsourcing initiative “By the People” reflects advancement toward a goal in the Library’s new user-centered strategic plan: to expand access, making unique collections, experts and services available when, where and how users need them. Learn more about the Library’s five-year plan at loc.gov/strategic-plan/.

The Library of Congress is the world’s largest library, offering access to the creative record of the United States – and extensive materials from around the world – both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office.  Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov and register creative works of authorship at copyright.gov.

This feature is courtesy of the Library of Congress and Wikipedia


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CELEBRATING AMERICAN SHE-POETS (#35): Joan Leotta, playing with words on page

“Now each square’s

a pathway back to childhood”


Quilt

Sitting on my couch,

I snuggle under a quilt

made from Grandma’s coats.

Each square’s cut from a day

we went out together

to shop, to lunch, or church.

I would lean against her

in car, streetcar or taxi

when I was weary of it all.

Grandma would hug me,

pull me close— my cheek

against each season’s coat,

comforting me.

Now each square’s

a pathway back to childhood

when my cheek

on grandma’s coat

could quiet the discord of a

too busy world.

© Joan Leotta

Quilt was fist published by the North Carolina Silver Arts Group where it won the state’s Bronze Medal for Poetry in 2017

Pie by Another Name

A few over-ripe

peaches in the fruit bin

beg to be sliced

into the succor

of a single crust

laid onto a flat pan.

Then, from the bowl

where I dusted slices

with cornstarch,

brown sugar,

I lay the peaches

on the crust and

overlay all with pats

of sweet butter.

My baker-trained fingers

seek to shape all into

pie formation,

but I’m left with a

flat pastry whose

edges I twist to hold

in peachy goodness, then

bake, this oddly-shaped

concoction.

Leftover baked peaches in

misshapen dough—

much better

when called,

galette.

© Joan Leotta

Illustration “Starting a New Quilt” courtesy of Anna under CC BY 2.0 license

JOAN LEOTTA  (What Editors Want You to Know, Joan Leotta’s Encouraging Words through pen and performance-interviews with Editors) has been playing with words on page and stage since childhood. She performs regularly for children and adults and writes for both audiences as well–poetry, essays, short fiction, novels, picture books, and magazine and newspaper articles. Her poetry has been published or is forthcoming in Writing in a Woman’s Voice, Silver Birch, Postcard Poems and Prose, The Ekphrastic Review and Creative Inspirations. She delights in finding beauty in the ordinary
and in imagining the story behind a work of art. When not at computer or on stage, you can find her with family, walking the beach, or in the kitchen.
Author, Story Performer
“Encouraging words through Pen and Performance”
Giulia Goes to War, Letters from Korea, A Bowl of Rice, Secrets of the Heart historical fiction in Legacy of Honor Series; Simply a Smile--collection of Short Stories; WHOOSH! Picture book from THEAQ; Download a mini-chapbook of Joan’s poems HERE. Connect with Joan on Facebook HERE. Joan’s Amazon Page HERE.

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Opportunity Knocks: 8 Calls for Submissions, 2 Competitions

Huddart Park, San Francisco Peninsula

The Unfettered Canticle of Trees

Still for a moment the church bells
pealing the ancient canonical hours.
Still the lyric call of the muezzin.
Silence the Shacharit, the Mincha, the Arvit.
Stay the wheels and the flying flags.
Let nature’s prayer alone reverberate
in the unfettered canticle of trees.

– Jamie Dedes



Notes:

Opportunity Knocks replaces Sunday Announcements.  

Links to articles, events and news of interest to poets and writers are regularly published on The Poet by Day FaceBook Page.  

You are welcome (encouraged) to share your work and announcements on The BeZine Arts and Humanities Facebook Group Discussion Page

MARK YOU CALENDAR: SEPTEMBER 28, 2019 is 100,000 POETS FOR CHANGE, GLOBAL, 2019 and THE BeZINE 100,000 POETS FOR CHANGE VIRTUAL EVENT, look for updates on this site and at 100tpc.org

Join us for this week’s WEDNESDAY WRITING PROMPT.



“THE BeZINE” CALL FOR SUBMISSIONS thebezine.com is open for the upcoming June edition to be published on June 15, deadline June 10. This is an entirely volunteer effort, a mission. We are unable to pay contributors but neither do we charge for submissions or subscriptions. The theme is sustainability. We publish poetry, fiction, creative nonfiction, feature articles, art and photography, and music videos and will consider anything that lends itself to online posting. There are no demographic restrictions. We do not publish work that promotes hatred or advocates for violence. All such will be immediately rejected. We’d like to see work that doesn’t just point to problems but that suggests solutions. We are also interested in initiatives happening in your community – no matter where in the world – that might be easily picked up by other communities. Please forward your submissions to bardogroup@gmail.com No odd formatting. Submit work in the body of your email along with a BRIEF bio. Work submitted via Facebook or message will not be considered for publication. We encourage you to submit work in your first language, but it must be accompanied by translation into English. / Jamie Dedes



CALLS FOR SUBMISSIONS

CIMARRON REVIEW, English Department, Oklahoma State University,  publishes poetry, fiction, nonfiction, and art. Details HERE.

FIYAH LIT, a quarterly magazine of fantasy, science fiction, and horror (fiction and poetry) by Black writers will open for submissions to Issue #12 themed “Chains” from July 1 – July 31, 2019. Mark your calendar. Paying market. Details HERE.

GESTURE LITERARY JOURNAL is open for submissions of chapbooks and full-length manuscripts through December 23. No submission fee. Details HERE.

HUDSON REVIEW “publishes fiction, poetry, essays, books reviews; criticism of literature, art, theatre, dance, film, and music; and articles on contemporary cultural developments.” This is among the foremost American literary journals. Reading period for unsolicited poetry manuscripts is open through June 30.  Details HERE.

MSLEXIA  is publishes themed writing, poetry, fiction, and non-fiction four times yearly and hosts a website that supports women writers with information, inspiration, and instruction. Paying market. Details HERE.

34TH PARALLEL INDIE LITMAG DIGITAL & PRINT publishes “fiction, and non-fiction (such as documentary,  straight-out journalism, essay, screenplay, greatest tweets etc)” … “poetry (aka your story that isn’t prose, Nobel prize-winning lyrics, hip-hop, Instagram memes, that kind of thing)” … (art, photography, photo story or essay, comic, cartoon, emojis, all that).”  Submission fees. Details HERE.

TRUE STORY “a monthly mini mag,” publishes long-from nonfiction, 5,000 – 10,000 words, and is open for submission. Submission fee. Paying market. Details HERE.

RELATED:

COMPETITIONS

PHILIP LEVINE PRIZE FOR POETRY, sponsored by Anhinga Press and California State University, Fresno, is open from July 1- September 30. Mark your calendar. Entry fee. Cash award, publication, and author’s copies. Details HERE.

THE NATIONAL POETRY COMPETITION of The Poetry Society (U.K.) “is one of the world’s biggest single poem competitions. The entry fee is £7 for your first poem, and £4 per poem thereafter. Members of The Poetry Society can enter a second poem for free. The closing date is 31 October 2019.” Mark your calendars. Details HERE.

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Four Poems from Myra Schneider’s Latest Collection (her tenth!), “Lifting the Sky”

Myra Schneider – Poet, poetry teacher and consultant to Second Light Network of Women Poets

“I believe the role of the poet is to reflect on human experience and the world we live in and to articulate it for oneself and others. Many people who suffer a loss or go through a trauma feel a need for poetry to give voice to their grief and to support them through a difficult time. When an atrocity is committed poems are a potent way of expressing shock and anger, also of bearing witness. I think that the poet can write forcefully, using a different approach from a journalist, about subjects such as climate change, violence, abuse and mental illness and that this is meaningful to others. I very much believe too that poetry is a way of celebrating life. I think it deserves a central place in our world.”  A Life Immersed in Poetry: Myra Schneider, Celebrating Over 50 Years as Poet and Writer



What a delight today to bring you four of Myra Schneider’s poems from her tenth collection, Lifting the Sky.  I believe I’ve read nearly all of Myra’s collections. I’ve reviewed a number of them. I am never disappointed. She soothes and inspires with layers of color and texture and keen and compassionate observations of nature, people and the human condition. I’ve also read and reviewed Writing Your Self: Transforming Personal Material (written with John Killick) and Writing My Way Through Cancer. These too I would recommend without reservation. Yes!  I am an enthusiastic fan.

You can visit Myra HERE and you can purchase her books directly from her. Myra’s Amazon U.S. Page HERE.  Myra’s Amazon U.K. Page HERE. Some of Myra’s books are also available through Anne Stewart’s poetry p f, another recommendation, by the way. Lifting the Sky is available on Kindle.



THE TUBULAR BELLS

were a surprise. At first I thought

they were icicles in a frozen waterfall

but they seemed to be fluid as honey

 

dropping from a comb. Then I noticed

the kitchen table and washing machine

were edgeless, melting away

 

and I wondered if they’d been magicked

by the instrument, its gold that was so unlike

the sleekness of a Pharaoh’s death mask,

 

the solidity of Cellini’s over-elaborate

salt cellar or the jewel-studded crown

worn by Holy Roman Emperors –

 

such symbols of pomp, self-importance.

The bells summoned buttercups, lilies,

their stamens tipped with orange powder,

 

the different ochres of fallen leaves

For moments I believed they were healing

the wounded world but they disappeared.

 

Hopeless, I stood by the January window

until I saw dusk was rivering the sky

with saffron and lemon, took heart.

– Myra Schneider

I PEGASUS

lift my hooves for gallop,

rise as my white wings open.

Wind rushes into my pricked ears.

Excitement whinnies from my mouth,

ripples through my flanks, drives me

towards a place that’s always cloudless.

Below me are snow-spattered peaks,

valleys where rivers wander, where trees

are laden with oranges, small suns

which pay homage to the sphere above.

Below me are huge cities with domes,

spires and innumerable buildings,

the tallest invade the blue of sky.

I miss nothing: the glassy stare

of cars stampeding like maddened cattle,

humans fleeing from burning towns,

forests felled like mighty armies,

the sea hurling itself in fury

at the land, barren fields thirsting

for water, skeletons of starved creatures.

I choose a verdant slope when I land,

hoof its milky grass and a spring

bubbles up from earth that’s rich

with squirming worms. Then I rejoice

for I am the breath in and the breath out,

I am the quickening which comes unbidden  

to the mind, blossoms into words

that tug the heart, I am sounds which bell

the air and enthral the ear, shapes

and colours which come together

to sing. I counter hatred, destruction.

I will not be stamped out.

– Myra Schneider

OH MOON

multiple in shape and mood, I can’t resist you

as slip of an eel with tips longing to touch  

and kiss, as a silent circle of self queening

the measureless iris-blue that’s only

an optical illusion, as an orange sun hung              

low in the sky to herald cornucopia,

as Salome in swirling veils, a saviour who throws

light on dangerous passageways. Oh moon,

ferrier of calm to those enduring pain

in tousled beds, lean over the homeless

lying in sweaty tents, search out the terrified

who’ve fled to the mountains where they ward off

cold at night by huddling in crevices to sleep,

bring them your silvergold bracelets of hope.

– Myra Schneider

LIFTING THE SKY

Plant yourself in the quiet on a familiar floor
or on an uncut summer lawn

and, thinking of seabirds, stretch out your arms,
let them ascend through the unresisting air.

With palms facing upwards, travel your hands
till your fingertips almost meet,

then release your breath, begin to separate yourself
from the weight of all that lies on you.

Allow your mind to open to this moment and your arms
to rise as they lift the palpable blue

high above the crown of your head.
Your wings will fold away

but raise them slowly to the blue again, maybe
a lightness like liquid amber will flow through you.

– Myra Schneider

Lifting the Sky: an exercise in qigong the Chinese practice of breathing, movement and meditation.


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