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The BeZine, March 2019, Vol. 6, Issue 1, Themed: Waging Peace

The Mass of Humanity from the Fountain of Time Sculpture by Lorado Taft

“May there be peace in the heavens, peace in the atmosphere, peace on the earth. Let there be coolness in the water, healing in the herbs and peace radiating from the trees. Let there be harmony in the planets and in the stars, and perfection in eternal knowledge. May everything in the universe be at peace. Let peace pervade everywhere, at all times. May I experience that peace within my own heart.” Yajur Veda 36.17)



At The BeZine when we discuss Waging Peace, we mean radical peace. We mean putting down weapons and using words. We are realists. We don’t envision a utopia. We do envision compromise, an imperfect peace but peace non-the-less.

Some of our contributors rightfully see Waging Peace as a path that starts with inner peace. Others were moved to bear witness, to raise consciousness, or to imagine a world at peace and some are inspired to suggest potential solutions.

It’s quite a package we gift you with today from poets and writers representing several of the world’s wisdom traditions and about ten countries including those of the U.K., Western Europe, Eastern Europe, the Indian Subcontinent, Africa, and the U.S.. Soul stirring. Thought provoking.  Satisfying.

Thanks to all our contributors, to our core team members, and to the readers who are an important part of this effort. Please read, “like”, and comment. You – and your thoughts – are valued.

On behalf of The Bardo Group Begines
and in the spirit of love (respect) and community,
Jamie Dedes
Founding and Managing Editor

Photo credit: Fountain of Time courtesy of Johntb17  (Wikipedia) under CC BY-SA 3.0

TABLE OF CONTENTS


How to read this issue of THE BeZINE:You can read each piece individually by clicking the links in the Table of Contents or you can click HERE and scroll through the entire zine.

BEATITUDES


Keeping Quiet, Pablo Neruda

Peace Rocks and Peace Roles, Corina Ravenscraft

Insecurity …, John Anstie

Pity the Nation and Let Us Be Poets, Voices of the Poet Prophets, Khalil Gibran & Lawrence Ferlinghetti

POEMS


There’s a Chance, Johannes Beilharz

The Love in the Heart, Faruk Buzhala

The Way of Blessing, Wendy Bourke
Righteous Path, Wendy Bourke

Ethnic Cleanser, Paul Brooks
A Wealth, Paul Brookes
On Innocence, Paul Brookes
I’m Just About, Paul Brookes
Warlord, Paul Brookes
Two Tied, Paul Brookes
She Says, Paul Brookes

Ancient Messenger, Judy Capurso

At the End of War, DeWitt Clinton

Under Siege, Mahmoud Darwish

The Flautist Wears a Shaman’s Headdress, Jamie Dedes
The Plotting of a Story, Jamie Dedes
The Razor’s Edge, Jamie Dedes

Peace Alphabet, Michael Dickel
Here I Stand, Michael Dickel

Picket Fences, Irma Do
Tundra, Irma Do
Recycling Shakespeare for a Better World, Irma Do

Why You Came to Earth, Tikvah Feinstein

Boats on Blue, Joan Leotta
Damascus Cloak, Joan Leotta

the rock tumbler, Charles W. Martin

My Five-Five Fingers, Tomisin Olusala Martins
Flowers of Embers, Tomisin Olusala Martins

Only Collaboration, Carolyn O’Connell

Totem Stump, Myra Schneider

Open Door, Moe Seager

The Irony of Plowshares, Mike Stone

Drop the Guns and Let Us Be Poets, Anjum Wasim Dar

CONNECT WITH US


The BeZine: Be Inspired, Be Creative, Be Peace, Be (the subscription feature is below and to your left.)

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

SUBMISSIONS:

Read Info/Missions StatementSubmission Guidelines, and at least one issue before you submit. Updates on Calls for Submissions and other activities are posted on the Zine blog and The Poet by Day.

A Lover from Palestine, poem by Mahmoud Darwish

Palestinian Poet, Mahmoud Darwish (1931-2008)

“I have learned and dismantled all the words in order to draw from them a
single word: Home.”  Mahmoud Darwish, Unfortunately, It Was Paradise: Selected Poems



Your eyes are a thorn in my heart
Inflicting pain, yet I cherish that thorn
And shield it from the wind.
I sheathe it in my flesh, I sheathe it, protecting it from night and agony,
And its wound lights the lanterns,
Its tomorrow makes my present
Dearer to me than my soul.
And soon I forget, as eye meets eye,
That once, behind the doors, there were two of us.

Your words were a song
And I tried to sing, too,
But agony encircled the lips of spring.
And like the swallow, your words took wing,
The door of our home and the autumnal threshold migrated,
To follow you wherever led by longing
Our mirrors were shattered,
And sorrow was multiplied a thousand fold.
And we gathered the splinters of sound,
Mastering only the elegy of our homeland!
Together were will plant it in the heart of a lyre,
And on the rooftops of our tragedy we’ll play it
To mutilated moons and to stones.
But I have forgotten, you of the unknown voice:
Was it your departure that rushed the lyre or was it my silence?

Yesterday I saw you in the port,
A long voyager without provisions,
Like an orphan I ran to you,
Asking the wisdom of our forefathers:
How can the ever-verdant orange grove be dragged
To prison, to exile, to a port,
And despite all her travels,
Despite the scent of salt and longing,
Remain evergreen?
I write in my diary:
I love oranges and hate the port
And I write further:
On the dock
I stood, and saw the world through Witter’s eyes
Only the orange peel is ours, and behind me lay the desert.

In the briar-covered mountains I saw you,
A shepherdess without sheep,
Pursued among the ruins.
You were my garden, and I a stranger,
Knocking at the door, my heart,
For upon my heart stand firm
The door and windows, the cement and stones.

I have seen you in casks of water, in granaries,
Broken, I have seen you a maid in night clubs,
I have seen you in the gleam of tears and in wounds.
You are the other lung in my chest;
You are the sound on my lips;
You are water; you are fire.

I saw you at the mouth of the cave, at the cavern,
Hanging your orphans’ rags on the wash line.
In the stoves, in the streets I have seen you.
In the barns and in the sun’s blood.
In the songs of the orphaned and the wretched I have seen you.
I have seen you in the salt of the sea and in the sand.
Yours was the beauty of the earth, of children and of Arabian jasmine.

And I have vowed
To fashion from my eyelashes a kerchief,
And upon it to embroider verses for your eyes,
And a name, when watered by a heart that dissolves in chanting,
Will make the sylvan arbours grow.
I shall write a phrase more precious than honey and kisses:
‘Palestinian she was and still is’.

On a night of storms, I opened the door and the window
To see the hardened moon of our nights.
I said to the night: Run out,
Beyond the darkness and the wall;
I have a promise to keep with words and light.
You are my virgin garden
As long as our songs
Are swords when we draw them.
And you are as faithful as grain
So long as our songs
Keep alive the fertile soil when we plant them.
You are like a palm tree in the mind:
Neither storm nor woodsman’s ax can fell it.
Its braids uncut
By the beasts of desert and forest
But I am the exiled one behind wall and door,
Shelter me in the warmth of your gaze.

Take me, wherever you are,
Take me, however you are.
To be restored to the warmth of face and body,
To the light of heart and eye,
To the salt of bread and song,
To the taste of earth and homeland.
Shelter me in the warmth of your gaze,
Take me, a panel of almond wood, in the cottage of sorrows,
Take me, a verse from the book of my tragedy,
Take me, a plaything or a stone from the house,
So that our next generation may recall
The path of return to our home.

Her eyes and the tattoo on her hands are Palestinian,
Her name, Palestinian,
Her dreams, and sorrow, Palestinian,
Her Kerchief, her feet and body, Palestinian,
Her words and her silence, Palestinian,
Her voice, Palestinian,
Her birth and her death, Palestinian,
I have carried you in my old notebooks
As the fire of my verses,
The sustenance for my journeys.
In your name, my voice rang in the valleys:
I have seen Byzantium’s horses
Even though the battle be different.
Beware, oh beware

The lightning struck by my song in the granite.
I am the flower of youth and the knight of knights!
I am the smasher of idols.
I plant the Levantine borders
With poems that set eagles free.
And in your name I have shouted at the enemy:
Worms, feed on my flesh if ever I slumber,
For the eggs of ants cannot hatch eagles,
And the shell of the adder’s egg
Holds but a snake!
I have seen Byzantium’s horses,
And before it all, I know
That I am the flower of youth and the knight of knights!

© Mahmoud Darwish estate; sorry I don’t know to whom I should credit the translation; photo credit, Mahmoud Darwish at university of Betlehem courtesy of Amer Shomali under CC BY-SA 3.0


Mahmoud Darwish (Arabic: محمود درويش‎, translit. maḥmūd darwīsh, 13 March 1941 – 9 August 2008) was a Palestinian poet and author who was regarded as the Palestinian national poet. He won numerous awards for his works. Darwish used Palestine as a metaphor for the loss of Eden, birth and resurrection, and the anguish of dispossession and exile.He has been described as incarnating and reflecting “the tradition of the political poet in Islam, the man of action whose action is poetry.” He also served as an editor for several literary magazines in Israel. MORE [Wikipedia]

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Opportunity Knocks: Calls for Submissions and Competitions

We sit and talk,
quietly, with long lapses of silence
and I am aware of the stream
that has no language, coursing
beneath the quiet heaven of
your eyes
which has no speech
William Carlos Williams, Paterson



Notes:

CALLS FOR SUBMISSIONS

CARVE MAGAZINE publishes fiction, poetry, and nonfiction. Submissions are free if you are a subscriber. Details HERE.

CHRONICLE BOOKS publishes children’s books and adult trade: cookbooks, fine art, design, photography, pop culture, craft, fashion, beauty, home décor, relationships, lifestyle, and interactive journals, kits, decks, and stationery. No fiction or poetry.  Details HERE on submitting proposals.

PELICAN PUBLISHING publishes an average of seventy titles a year and has about 1500 currently in print. Its catalog includes “art/architecture books, cooking/cookbooks, motivational, popular history (especially Louisiana/regional), children’s books (illustrated and otherwise), and social commentary.” It seeks “writers on the cutting edge of ideas who do not write in cliches, or take the old, tired, unimaginative way of foul language and sex scenes to pad a poor writing effort. We strongly urge writers to be aware of ideas gaining currency. We believe ideas have consequences. One of the consequences is that they lead to best-selling books.”  Guidelines HERE.

SALT HILL JOURNAL, open to submissions from new and emerging as well as established writers and artists, publishes a biannual literary journal that includes fiction, poetry, creative nonfiction, and art. Reading periods fiction and poetry for 2019/2020 are July 1 through September 30, 2019 and January 1 through March 31, 2020.  Nonfiction submissions are currently open through April 1. No submission fees. No payment. Submission guidelines HERE.

COMPETITIONS

NARRATIVE magazine’s Winter Story Contest is open to all writers, and all entries will be considered for publication. $2,500 First Prize; $1,000 Second Prize; $500 Third Prize; Up to ten finalists receive $100 each. See the guidelines. Read prior winners, and view recent awards won by Narrative authors.

THE MASTERS REVIEW ANTHOLOGY VII Final Weeks to Enter! $5000 Awarded – Ten Writers Recognized “Just over two weeks left to enter our anthology, a collection of ten stories and essays written by the best emerging authors. The ten winners are nationally distributed in a printed book with their stories and essays exposed to top agents, editors, and authors across the country. We are thrilled to have guest judge, Kate Bernheimer, selecting the ten stories that will make up Anthology VIII.” Closes on March 31.
.
SEQUESTRUM REPRINT AWARDS for previously published fiction and nonfiction close on April 30, 2019. Entry fee. Cash awards and publication. Details HERE.

SIXFOLD.org is accepting contest entries through April 23; $5 to enter | $1000 Fiction and Poetry Prize Sixfold’s process is unique:  Entries are voted on by other writers.  Visit the site to find details on how it works and to enter your writing. Sixfold.org

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Accessible anytime from anywhere in the world:

The Poet by Day is always available online with poems, poets and writers, news and information.

The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) are published here on the following Tuesday.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.  

Beguine Again, daily inspiration and spiritual practice  – always online HERE.  Beguine Again is the sister site to The BeZine.


Often information is just thatinformation– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in Opportunity Knocks (previously Sunday Announcements) or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. Disabled and homebound, I never attend events anymore and have no recent experience of them. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


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Where the Wisteria Grows, a poem … and your next Wednesday Writing Prompt

“A garden to walk in and immensity to dream in–what more could he ask? A few flowers at his feet and above him the stars.” Victor Hugo, Les Misérables



At the flower market this morning
I thought of us and our naked lives
Did you notice the star lilies bowing
and the whirling cups of green calyxes?

A painter’s pallette of color there
fretting in terra-cotta, feral and windblown
A fabulous fusion of scent and form,
forests of nectar-pots on knobby stems,
the stuff of heaven for the anthophilous
In just a day or two, they’ll be gone

I couldn’t help but think that these
yes! … these are our human days
our days to sow or steal our human joys
Another day will inevitably transform us
The moon will stew us in a sofrito
of tulips and night-blooming jasmine

At dawn on the day I decide to die,
we’ll sip oolong at the Tudor Rose,
but I won’t be there, I promise I won’t
You’ll eat orchids to celebrate our love
and our long walks in kempt gardens

Once you picked forget-me-nots –
meant as the soul of our redemption
When their colors fade and leaves wither,
it will be time to look for me …
Look for me where the wisteria grows
With subtle euphony my blue-violet tendrils will
call you, weaving and binding you in love again

© 2017, poem, Jamie Dedes; Photograph courtesy of Geoff Doggett, Public Domain Pictures.net

WEDNESDAY WRITING PROMPT

If our spirits are allowed to hang out anywhere they want, mine would hang out with flowers and use them to wrap my family with love. Where do you think your spirit would like hang out and what will you be doing?  Tell us in poem/s and …

Share your poem/s on theme in the comments section below or leave a link to it/them. All poems on theme will be published on the first Tuesday following this post. (Please no oddly laid-out poems.)

 No poems submitted through email or Facebook will be published. 

IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.

PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.  

Deadline:  Monday, March 18 by 8 pm Pacific Standard Time.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you. This is a discerning non-judgemental place to connect.

You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.


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